Book Description

The market-leading text for the art history survey course, GARDNER'S ART THROUGH THE AGES has served as a comprehensive and thoughtfully crafted guide to the defining phases of the world's artistic tradition. With this book in hand, thousands of students have watched the story of art unfold in its full historical, social, religious, economic, and cultural context, and thus deepened their understanding of art, architecture, painting, and sculpture. By virtue of its comprehensive coverage, strong emphasis on context, and rich, accurate art reproductions, GARDNER'S ART THROUGH THE AGES has earned and sustained a reputation of excellence and authority. So much so, that in 2001, the Text and Academic Authors Association awarded both the McGuffey and the "Texty" Book Prizes to the Eleventh Edition of the text. It is the first art history book to win either award and the only title ever to win both prizes in one year. The Twelfth Edition maintains and exceeds the richness of the Gardner legacy with updated research and scholarship and an even more beautiful art program featuring more color images than any other art history book available.The Twelfth Edition features such enhancements as more color photographs, a stunning new design, and the most current research and scholarship. What's more, the expanded ancillary package that accompanies GARDNER'S ART THROUGH THE AGES, features a wealth of tools to enhance your students' experience in the course. With each new copy of the book, students receive a copy of the ArtStudy 2.0 CD-ROM--an interactive electronic study aid that fully integrates with the Twelfth Edition and includes hundreds of high-quality digital images, plus maps, quizzes, and more. ... Read more

Reviews (1)

Excellent introduction to art history
I first used Gardner's Art Through the Ages for my AP art history class back in high school, and I still refer to it sometimes for my college art history courses. It goes over a huge array of artists and periods (both in the Western and non-Western traditions) and is helpful if you need to find some general information or refresh your memory. The picture reproductions are very good (if not slightly dark).

Be aware that this book will sometimes not provide in-depth explanations for all of its subjects; however, this text is a firm foundation of knowledge for beginner art history students. Highly recommended. ... Read more

Book Description

Designed to stimulate students' interests in all aspects of the visual arts, UNDERSTANDING ART has significantly impacted the way Art Appreciation courses are taught. One of the top-selling texts for the art appreciation course, UNDERSTANDING ART combines its strong coverage of art history, with comprehensive coverage and presentation of the visual elements, principles of design, and computer arts to provide a well-balanced discussion of the relevance and beauty of art and the media and methods used to produce art. ... Read more

Reviews (4)

Great book!
Beautiful book! The art pictures are great! I am learning alot!

Lois Fichner-Rathushas hit the nail on the head
"It is especially designed to give non-art majors insights and access to art so that it may enrich them for a lifetime" - Lois Fichner-Rathushas hit the nail on the head.

Now when I say "dont like it !" I can say why !Joking apart this book has answered questions that art teachers have failed to answer for me.

A great start for beginner art enthusiasts
I went to a multimedia school where I took a class on the fundamentals of art & design. Understanding Art was the required text book. Little would I know that I would still be talking about Understanding Art and recommending it for years after that class! (Just don't let my teacher know that!)

The book takes you throughout the history of art, starting from the earliest forms, throughout the middle ages, native traditional art, to the renaissance, to post modernism, to surrealism, to art deco, bauhaus, dada, and everything else. There isn't a form of art that isn't covered and illustrated, which is extremely beneficial, as you truly do learn how art forms evolved throughout the years. Another benefit to this book is that it covers the different medias in art - sculpture, paintings, print, masks, archetecture, and more.

The photographs of the artwork are present throughout the book, and the text gives you insight and background knowledge of each art era that you wouldn't otherwise see. One might usually associate art history text as boring and monotonous, but this is not the case. The text is informative and exciting to read all at the same time.

It's a great book for someone who's starting out in art history, but even long-time art fans will enjoy it too.

A Great Place to Start Understanding Art
As a college Art History instructor and an avid reader, I can honestly sayLois Fichner-Rathus has produced one of the finest Art Appreciation textson the market. The sixth edition of Understanding Art is both visually andintellectually exciting. With expanded coverage of the "Language ofArt" (the visual elements and principles of design) and computergenerated imagery, and a great companion Web site, this version is truly anadvance over previous editions. Addional illustrations (many in color) addto the enjoyment of spending time with this updated classic.

Though I'vereferred to this as an Art Appreciation "text," it is by no meansdry.The author's viewpoint and writing style are never boring and shecontinually exhibits great perceptiveness, and wit, in her commentary. Theprogression of the book's sections from a well-done"Introduction" to the "Language of Art," a look at thevarying media of art, and finally a series of chapters on historical style,is well done and logical. Accolades to Fichner-Rathus! ... Read more

Book Description

The market-leading text for the art history survey course, GARDNER'S ART THROUGH THE AGES has served as a comprehensive and thoughtfully crafted guide to the defining phases of the world's artistic tradition. With this book in hand, thousands of students have watched the story of art unfold in its full historical, social, religious, economic, and cultural context, and thus deepened their understanding of art, architecture, painting, and sculpture. By virtue of its comprehensive coverage, strong emphasis on context, and rich, accurate art reproductions, GARDNER'S ART THROUGH THE AGES has earned and sustained a reputation of excellence and authority. So much so, that in 2001, the Text and Academic Authors Association awarded both the McGuffey and the "Texty" Book Prizes to the Eleventh Edition of the text. It is the first art history book to win either award and the only title ever to win both prizes in one year. The Twelfth Edition maintains and exceeds the richness of the Gardner legacy with updated research and scholarship and an even more beautiful art program featuring more color images than any other art history book available.The Twelfth Edition features such enhancements as more color photographs, a stunning new design, and the most current research and scholarship. What's more, the expanded ancillary package that accompanies GARDNER'S ART THROUGH THE AGES, features a wealth of tools to enhance your students' experience in the course. With each new copy of the book, students receive a copy of the ArtStudy 2.0 CD-ROM--an interactive electronic study aid that fully integrates with the Twelfth Edition and includes hundreds of high-quality digital images, plus maps, quizzes, and more. ... Read more

Amazon.com

Who are the world's most exciting up-and-coming architects? 10 x 10_2 has 100 definitive answers, provided by 10 influential curators, educators and architects—including Zaha Hadid, Toshiko Mori, and Kurt Foster. Each featured architect is allotted four generously sized, photo-rich pages, with concise yet informative texts. The projects are distinguished by a rare combination of inventiveness, thoughtful use of materials and sheer beauty. In Zurich, Christian Kerez stacked and cantilevered solid concrete shear walls between large expanses of glass to create a multifamily residence of pristine structural integrity. In Minneapolis, Vincent James Associates Architects endowed a boathouse with the rhythm of repeated trussed beams, inspired by the activity of rowing. SPBR Arquitetos' glass-and-wood dental clinic in São Paulo features a transparent facade, designed to win the trust of neighborhood residents. In Tokyo, Tezuka Architects designed the space-saving Wall-less House, a steel-frame structure supported only by the central utility core and two columns. Among the more futuristicapproaches are ONL's glass-and-metal highway sound barrier housing an industrial building in The Netherlands; New York-based Evan Douglas' fluid architectural elements, created by digital morphing; and Beijing-based Fake Design's dramatically scaled geometric stone formations for a riverside development in China. As a stimulating bonus, each member of the curatorial team offers an annotated list of 10 personal cultural influences, which range from John Berger's classic, Ways of Seeing, to films by Wim Wenders and the architecture-rich city of Chicago. Biographies of the 100 architects are also included. The only drawback of this splendid book, the second in a series, is its eccentric typeface. Stretched across overly long lines of body text and captions, it makes for eye-straining reading. --Cathy Curtis

Images from 10 X 10 _ 2

... Read more

Reviews (1)

Wonderful book
I was thrilled when I received this book. Being an architect myself, I appreciated the excellent photos and disussion of the featured persons in my profession. A wonderful book that will be a worthwhile read for anyone with an admiration or even mild curiosity in the subject. Highly recommend. ... Read more

Amazon.com

The Return of the Prodigal Son: A Story of Homecoming is a spiritual adventure story. A chance encounter with a poster depicting a detail of Rembrandt's The Return of the Prodigal Son set in motion a chain of events that enabled Nouwen to redefine and claim his vocation late in his life. In this book, which interweaves elements of art history, memoir, Midrash, and self-help, Nouwen brings the parable to life with empathic analyses of each character. Nouwen's absorption in the story (and the painting) is so complete that the father's challenge to love the son, and the son's challenge to receive that love, become Nouwen's own. And Nouwen's writing is so clear and his tone is so appealingly frank and humble that readers--no matter how far from home--will find hope for themselves in the prodigal peace Nouwen ultimately achieves. --Michael Joseph Gross ... Read more

Reviews (50)

1/2 New Insight and 1/2 Recycled Themes
I have read about 6 books by Henri Nouwen so far, and this one was probably the hardest one to stay focused on and get through. However, there are also a couple of chapters in the book that were real gems and shouldn't be missed. The first couple of chapters about Henri's fascination with Rembrandt's painting of the prodigal son are average. Even when he goes through the two brothers in the painting (the elder brother and the prodigal), there is nothing here that is extraordinary or newly insightful. Anyone who has done a group study or personal meditation on the passage likely already thought through the implications of being both the young son who is welcomed home, and the obedient elder son who is resentful of the father's welcome to his younger brother. These are certainly wonderful things to ponder, but Henri is far from the first to explore them; so that section of the book is a bit laborious. However, if you have never really thought a lot about the story of the prodigal son, the beginning and middle sections of the book should prove quite interesting. However, what I found very insightful and compelling in this book was the way Henri explored how we are to become like the father. It is a powerful exhortation to accept our homecoming as the younger son, but also to become welcomers ourselves. This book may not hold your attention as well as many of Nouwen's other books, but in the end, it's worth your time.

A wonderful book; a simple but profound message
What an incredible book. What a simple message, deeply explored and wonderfully exposited.

Henri Nouwen is a master of reflection, study, self-knowledge, and of writing beautiful, profound books. This book is amazing, perhaps life-changing. It has spoken to me in profound and deep ways, and I am deeply thankful for it.

Nouwen's main message, I think, is the unconditional, unfailing, all-surpassing love of the Father, this love that meets all needs easily. He puts himself in the place of the younger son, the older son, and the father, and considers this love - and the things that keep us from fully experiencing it - in all of these places, places that ring universal.

The media of realization here is the parable of course, but also Rembrandt's painting, Return of the Prodigal Son. It is profoundly helpful, fun, and provoking to consider this representation of the story and let it work spiritually in us, as it has in Father Henri. This book has more than opened my heart to the love of my Father, it has given me a new love for art, and a side education on Rembrandt and one of his most famous paintings.

In short, this is another truly rare, truly wonderful book from a modern mystic. Nouwen will be remembered, I hope, alongside Augustine, Lewis, and others I have yet to discover but now believe exist.

A sample:

"Home is the center of my being where I can hear the voice that says: "You are my Beloved, on you my favor rests"-the same voice that gave life to the first Adam and spoke to Jesus, the second Adam; the same voice that speaks to all children of God and sets them free to live in the midst of a dark world while remaining in the light. I have heard that voice. It has spoken to me in the past and continues to speak to me now. It is the never-interrupted voice of love speaking from eternity and giving life and love whenever it is heard. When I hear that voice, I know that I am home with God and have nothing to fear. As the Beloved of my heavenly Father, "I can walk in the valley of darkness: no evil would I fear." As the Beloved, I can confront, console, admonish, and encourage without fear of rejection or need for affirmation. As the Beloved, I can be tortured and killed without ever having to doubt that the love that is given to me is stronger than death. As the Beloved, I am free to live and give life, free also to die while giving life."

If you'd like to discuss this book with me, or recommend others, or just chat, e-mail me at williekrischke@hotmail.com. I'd love to talk with you.

Grace for Prodigals and Other Sinners
The Lord God has broadened my horizons in recent years, causing me to read works by authors I'd previously have dismissed. Henri Nouwen, much to my amazement, has become one of my spiritual mentors. In this little gem, Henri offers meditations on a very familiar (perhaps too familiar) parable. Countering the strong tendency to focus almost entirely on the prodigal, he also gives touching insights into the responses of the Father and of the oft-overlooked, prideful older brother. Any of us could find ourselves reflected on one of the three!
The Return of the Prodigal Son is written with Nouwen's characteristic sensitivity and willingness to allow his own doubts and fears to be examined. Having read it, I found that I better understood the incredible grace of the God who could receive a prodigal such as me and I've been better able to deal with the arrogance of those "older brothers" whose gracelessness and legalism have often caused me increased pain in the midst of life's trials.
Far from being a "brick" as another reviewer avers, this book is a balm, a soothing and healing medicine gently applied by one who has felt the same wounds. My list of books that have had a major influence on my life has grown beyond the possibility of a "top ten" now, so I'll just say this one is easily in the top twenty. I highly recommend The Return of the Prodigal Son for Prodigals and other sinners who need a touch of God's forgiving, receptive grace.

The Father Judgeth No Man-John 5:22
Someone from my church recommended this book to me, and it's another book that will be an eternal, spring cleaning survivor in my house! I read this book several years ago.

At first, I was skeptical of the book's content. How, I thought, could an entire book be written upon a short, but well-known parable of Jesus and a painting of Rembrandt's? What else could I learn about this parable that I hadn't learned already? No telling how many sermons or sunday school lessons I've heard in my lifetime on this parable.

It's really a beautiful book. Hang in there; I had a hard time at first getting interested in it. I loved his analyses of each of the three characters in the painting and parable, the father, elder son, and prodigal son. There is something in all of us resembling the character of the two sons, which is usually the take home message from Sunday service. For me, the take home message from Nouwen's book, which was novel to me, was his understanding of the father, whose character is synonymous with God the Father, and how God wants us to model that character in our own lives. Nouwen's analysis is really beautiful; believe me the book is a keeper.

Best Religious Book Read Yet
This book was recommended by our priest. It was easy to read, and not terribly long. It told a beautiful story and gave several new dimensions to one of the most told (and I would now say least understood) parables. ... Read more

Book Description

Illustrated with over 300 photos, Art in the Elementary School, Fifth Edition, provides prospective elementary school teachers and art teachers with a thorough knowledge of art curriculum, production, and appreciation. ... Read more

Reviews (1)

Getting "Real" With Art and Kids
For those working in the schools and who value the joyful impact of art with children, this book has it all!It is a power-packed manual for professional teachers, aides and anyone needing more guidance to open the creative doors for themsleves and children. You will find the source's guides in the back of the book worth the price alone.The clarity in the text is especially to be appreciated; no "gobbeldy-gook and no nonsense" here! The presentation of ways to incorporate art into total curriculum is one to open our eyes and to value its potential for carrying any other subject matter.Full of ideas for projects with morsels of philosophy about the arts tucked in, it allows teachers to open their own minds and rid themselves of their own "art blocks." I would say no teacher should be without this book. Good for you Marlene Gharbo Linderman! At last a book for us all who love and cherish art in schools. ... Read more

Book Description

This book includes some 100 of the artist's paintings - the first step in the unique Rizzi 3D print - making process.A large percentage of these paintings have been produced especially for this volume, as has the jacket design, and some of these images may become the three dimensional limited edition Rizzi prints of the future.All Rizzi's intricate, light - hearted, and comical works reflect the artist's overwhelming enthusiasm and zest for life, and make it impossible to suppress a smile. ... Read more

Amazon.com

Sexy, modern, and unabashedly consumer-oriented, Art Deco was a new kind of style, flourishing at a time of rapid technological change and social upheaval. Lacking the philosophical basis of other European design movements, Deco borrowed motifs from numerous sources--Japan, Africa, ancient Egyptian and Mayan cultures, avant-garde European art--simply to create novel visual effects. Art Deco 1910-1939 surveys the sources and development of the popular style with more than 400 color illustrations and 40 chapters by numerous design specialists. The authors track Deco around the globe, from Paris to the United States—-where it got its biggest boost from mass production—-to Northern and Central Europe, Latin America, Japan, India, and New Zealand. The book's broad focus encompasses industrial artifacts (the Hindenburg blimp, the Burlington Zephyr locomotive), as well as architecture, furniture, accessories, fashion, jewelry, typography and poster design. Despite the existence of other prominent artistic movements during the 1920s and '30s, the authors tend to hang the Deco label on virtually any object that portrays the effects of technology or employs color, luxury materials or artificial light in striking ways. It does seem a stretch to include Man Ray's photographs, Sonia Delaunay's textiles and the movie King Kong in the Deco pantheon. But the great strength of Art Deco 1910-1939 is that it reveals the social context of Deco, not just its pretty face. The book accompanies an exhibition (organized by the Victoria and Albert Museum in London) at the Royal Ontario Museum in Toronto through January 4, 2004; subsequent venues are San Francisco and Boston. —Cathy Curtis ... Read more

Reviews (2)

The greatest book on Art Deco!
This book is an absolute triumph. First, it is positively gorgeous - the images just leap off the pages. Second, the essays are more in-depth, engaging, and informative than any other book I've found on the subject. This book discusses every facet of Art Deco as well: it explores the origins at the Paris Exhibition in 1925, goes through the influence in East Asia, Latin America, and South Africa, not to mention Europe. A great chapter on Deco in Hollywood; also explores all of the sources, iconography - and all of this on top of covering every aspect of the movement - ceramics, jewelry, fashion, architecture, glass, photography, graphic design, bookbindings, travel and transport, and so so much more - with stunning visuals. A fantastic read, a great resource, a beautiful work, and an absolute MUST for anyone interested in the subject! Well worth the money, and a fantastic addition to any library. Highly recommended!

The first and last word on Deco.
A sumptuous coffee-table book of this exuberant art style and I think it could well become the standard book on the subject. The forty essays are divided into four sections, Sources and Iconography, 1925 Paris Exhibition, Spread of Deco and finally Deco World, and I liked the way, especially in Sources and Iconography, that the authors explain how various art styles were moulded into deco art which culminated in the very influential 1925 Paris show.

I thought the last two sections were a fascinating coverage of how Art Deco spread around the world, mainly as architecture and fashion, though in Europe also as a fine art style. In North America, it influenced a huge range of commercial products. Perhaps this was the only art form that was truly democratic in that it was available (as streamlining) to be seen or bought on any Main Street across the Nation.

The design and printing are excellent. Many of the photos, especially color, are presented whole page, the rest are all well sized, and they all have captions. The back of the book has a very comprehensive bibliography, fortunately listed as relating to each chapter rather than just an alphabetical list, the index is divided into two, Names and Subject. I was very impressed with this attention to detail and with the excellent text, images and production surely 'Art Deco 1910-1939' will be read for many years to come. ... Read more

Book Description

"Male Desire entertains, stimulates, seduces, enlightens: it is the perfect art history course, slide after delicious slide, with piquant, smart commentary." -Wayne Koestenbaum

Examining the history of homoeroticism in American art, Male Desire surveys how the male body has been portrayed for the last century and a half. From the academic-style paintings of Thomas Eakins in the 19th century to Félix González-Torres's conceptual works in the "age of AIDS," this fascinating book by the well-known art historian Jonathan Weinberg highlights specific artists while illuminating the artistic and cultural contexts in which they worked.

Accompanying Weinberg's engaging text are 170 compelling images of the male physique by such artists as George Bellows, Marsden Hartley, Paul Cadmus, Andy Warhol, and Robert Mapplethorpe, works that address the theme of the homoerotic in vivid and often contentious ways. While they range widely in style and content, these artworks all share a quality of excess in the way they represent the male figure. Sexy, beautiful, edgy, and thought provoking, this important book is a must-have for every art-book collection, as well as the library of every gay man.

AUTHOR BIO: Jonathan Weinberg, Ph.D., is a painter and art historian. He is a recipient of a 2002 Guggenheim Fellowship and is currently a fellow of the Clark Art Institute in Williamstown, Massachusetts. His paintings are in many important collections, including the Metropolitan Museum of Art. Weinberg lives in Connecticut. ... Read more

Book Description

Throughout the previous six editions, this text has earned a reputation for elegance and the highest standards of quality. Living with Art helps students develop an appreciation of art by offering a clear and comprehensive introduction to the visual arts from several perspectives: themes and purposes of art; the vocabulary of art; individual art media (painting, drawing, camera arts, sculpture, architecture, etc.); and the history of art. The book is rich with illustrations drawn from a wide range of artistic cultures and time periods. ... Read more

Reviews (2)

Language and art beautifully intermingled
This book is wonderfully written.Through its mastery of language and composition, as well as the fascinating illustrations and photographs, it has piqued my interest in art.

Living with Art not being true to Rita Gilbert
When I was in school taking Art History, there were no women artists to mentor me - none!I am so grateful there are some now however as I now teach Art History.

I have to tell you about my disappointment with this 7th edition.I'm not able to feel comfortable teaching both male and female students from this book anymore.You have been gradually making your "mark" by subtle and not so subtle changes of the last few editions but this one is particularly objectionable.

1)Why is Marie-Denise Villers (my slide says) (Constance Charpentier) on the cover?There is no relation to the text, there is no discussion of the image.Is it because she is "attractive"?
2)What is happening to the former women artist images?Are you "cleaning up" possibly more "direct" imagery by women artists?Do they make you or other male instructors uncomfortable discussing? (Artemisia, Judith Leyster, Morisat)
3)What is going on with the female nude?I am very uncomfortable with your replacement of the very influential La Grande Odolisques by Ingres with the Jupiter and Thetis image.I can discuss the dominance of the female object as significant subject but what is that other awful image?That to me is offensive.
4)Where has Rosa Boneur gone?Wasn't she famous enough for you? Put her back.

Here we have obviously run right up against the crux of the problem of a male art historian versus a female art historian.We do not perceive art history through the same lens.You do not see the huge significance that women do of the position of women historically in these cultures and the resulting use of women in art imagery.I do not want these issues swept under the art historical rug again!

By the way, how do you know about Monet's models' loose morals. Please read "Alias Olympia" by Eunice Lipton.She was a woman artist herself.Life drawing models do not have "loose morals"!Remember, you are teaching attitudes here.Your text implies that it is still there.Is it?Why? ... Read more

Reviews (2)

Next Best Thing
If Jantzen's view of art history seems lifeless and distant, Henry Sayre has something to say to you. It's the best survey I've seen in terms of making art accessible and demonstrating a continuing tradition. The CD-ROM is an excellent bonus, especially for readers who have never seen an artist at work. Ever wonder how a print is made? There's a demonstration.

amazing!!
This book is absolutely fabulous!It covers a wide array of art and is very informative!I have actually has a couple of art history classes with him and he is amazing! One of the best professors I've ever had.He knows everything! ... Read more

Reviews (5)

Great historic analysis on military innovations
It is a very good review on how things developed between world wars. It provides a good insight of the thinking of the different countries and how they coped with their doctrines and how much they took an advantage of the WWI experiences.
I am rating 4 stars because actually I would like much more information rather than 30 pages on each subject.

Readable and Good
This is an anthology of various articles. Generally anthologies are the pits as they tend to lack a central them and the quality will vary. These articles are generally by the authors and as such they are of an even standard.

There are a number of chapters that discuss a range of issues from the use of Tanks to the development of the Aircraft Carrier.

The book is interesting although the area covered is naturally enormous and the amount of space that can be devoted to complex subjects is naturally limited. Despite this most of the essays are interesting and not only for what they say. In the first essay about the development of armored warfare by way of an aside the writer attacks Gueridian as a sycophant and also as a person whose reputation was largely the result of self publicity. Later the English theorists Fuller and Liddell Hart are critiqued as presenting overly schematic histories of the First World War which warped the truth to fit in with their own theories. Interestingly the essay then goes on to suggest that the first world war infantry battles were so complex that even now we struggle to understand them and for that reason it was no surprise that Douglas Haig had the problems that he did.

All in all an interesting book although again very much a starting point for the issue it covers.

A Serious Systematic Look at Military Innovation
This may be the one book Secretary of Defense Don Rumsfeld should read. It is a serious systematic look at military innovation between the first and second world wars and its ten chapters run the gamut from aircraft carriers to submarines to mechanized combined armed warfare (the Blitzkrieg) to the development of radar, the emergence of amphibious landing capability, and the evolution of strategic bombing campaigns. There is a wide divergence of patterns both between topics and between countries. The British led in aircraft carrier development but made a series of organizational and technological choices that left them far behind the Japanese and the Americans. The British also led in the development of the tank but then rejected it as a mobile warfare system and were rapidly supplanted by the Germans who used the 1920s British tests as a basis for their development of Blitzkrieg. The submarine was rejected politically by everyone but was then developed effectively by the Americans and the Germans. The American torpedo failures are a maddening study in bureaucratic rejection of reality and a sober warning to the current peacetime Pentagon.

This book captures the complexity and the lessons of peacetime military innovation as well as any that has been written. It should be required reading for everyone who wants to work on the current problems of transforming the Pentagon.

Excellent Food for Thought
Williamson Murray (Editor), Alan R. Millet (Editor), combine again to publish a "must have" reference work for any serious military professional. The articles are universally excellent, well researched, and full of analysis. As military policy makers and strategists confront the ambiguities of the 21st Century, this work provides superb lessons learned from history. Buy the book and read it - it will be time and money well spent.

HQDA Recommended Reading!
This book is on the HQDA Recommended Reading list! Enjoy! ... Read more

Reviews (2)

ARTFORMS
Last semester i had taken a visual arts course at my college, Artforms was the text that we use and that the school still uses. If you are wanting to familiarize yourself with past and modern works of art from all cultures then this is a complete introduction to the reasoning behind specific artforms. After reading it you will get an overall gist of what art was in societies before ours and how it continues to live on and how it is viewed in present day societies.

Want to know about art? This is the book
This book deserves to be in any person's library. It tells you the different thecnics of painting, the differents colors, how they divide, how to recognize the paintings. If you are studiying art or just like it, you must get this book. ... Read more

Reviews (5)

A comprehensive, flawed survey of the subject
I'm reading this book for an Asian Art class, and I find it has both significant strengths and significant weaknesses.

Its major strength is the integrated approach: Sherman Lee organizes the book chronologically and thematically, rather than geographically. Instead of writing a section on Chinese art and a section on Indian art, Lee organizes his material by stage of development (Stone Age pottery) or by cultural movement (Buddhism), for example tracing the development of Buddhist styles in India, the adoption of those styles in China, Japan, and S.E. Asia, and the eventual synthesis of the Indian influences into local styles incorporating indigenous themes. Lee writes eloquently and even passionately about his subject, letting us know which cultures, styles, and artworks he admires. He covers a vast amount of cultures and time periods, easily enough material for dozens of books.

The book does have significant flaws, however. Most frustrating are the black and white photos (presumably a cost-saving measure). Roughly 90% of the images in the book are black and white, and they cannot do justice to most of the subject matter. A second weakness is Lee's writing style, which is sometimes more eloquent than comprehensible. At times I had to reread a section several times in order to figure out what Lee was trying to say. He sometimes seemes to be addressing himself to an audience of art critics who are already familiar with the material, rather than students encountering it for the first time. He will tell us that a particular art work is hieratic in style, or is an example of Daoist style, without explaining why. Also the thematic, rather than chronological, approach means that some topics are fragmented into parts of different chapters. The material on Korea, Southeast Asia, and the Tang Dynasty seemed especially disjointed. The sections on China in particular need more development: Lee provides only a single page of text on the historically pivotal Qin Dynasty, and does only a fair job explaining the influences of Confucianism and Daoism.

One alternative text that deserves consideration is The Art of East Asia, edited by Gabriele Fahr-Becker. Almost of the photographs are in color, and the text is both more comprehensive and more comprehensible than Sherman Lee, in particular the section on China. The text is written by several different authors, one for each region, which has both advantages and disadvantages -- it avoids the fragmentation of Lee's approach, at the expense of integrating it all into one consistent framework. The key disadvantage of The Art of East Asia (compared to Sherman Lee's History of Far Eastern Art) is that it doesn't include India, which contributed some of Asia's most impressive sculptures, and whose religions had tremendous influence on the rest of Asia.

Pretty, chronological, detailed.

I was required to use this book as a secondary text for a class on early Asian Cultures at NYU. Along with the material presented in class, this book provided great insight into basics of the Asian culture.

This rather heavy book is perfectly organized chronologically and geographically. It provides great graphical supplement to the study of early Asian art. Many artifacts are portrayed, most with detailed description of their history and origin.

I enjoyed my class greatly and this book provided great help to understanding Asian art. If you are a person who prefers visual aids rather than tons of text and would like to learn the basics of Asian art, I highly recommend this book. The photographs are excellent, and more often then not, actually motivate you to reading the descriptions of the portrayed objects. This book will not make you an expert on Asian art, but you'll be able to schmooze your way through at pretentious cocktail parties without any effort.

what a great deal!
I was required to purchase this book for an oriental art class at VCU. when I went to purchase it in person, most places wated $75 or better for it. Being a student, I am not rich. Amazon had it for the best price and for that I am very happy. points to amazon yet again for having the best price. THANKS!

No where is there such a broad base of expertise
Sherman Lee guides us through the ages and territories of the Far East in this study. A study of art following a wonderfully coordinated common theme - ritual and religion. Most noteable is the progress of Buddhism from its origins in India, through Southeast Asia, into China, Korea and finally Japan. Respectable discourse on other arts are included in the tour. Good reading and a great survey of the arts of the Far East.

I find this text to be accessible and interesting.
I used this text in college, in a course on the subject. It pained me immensely to have to sell it back, but I was even more poor then than I am now, and needed the $50. I am now planning to purchase a new copy of it. This book is beautiful. It is full of simply amazing images, the text is clear, concise and accessible. Out of 10 years of undergraduate and graduate studies, I remember this text more fondly than almost any other. My thanks to the author for writing it. ... Read more

Book Description

Offering an exploration of Western and World civilization's cultural heritage, this book is richly illustrated, beautifully designed and engaging. Readers move chronologically through major periods and styles—from prehistoric culture to 20th Century America—to gain insight into the achievements and ideas in painting, sculpture, architecture, literature, philosophy, religion, and music. For arts and cultural coordinators, professionals and enthusiasts. ... Read more

Reviews (14)

Excellent from middle school to college
This book is wonderful for several reasons:

1) clear and concise; 2) inclusive of the audience; 3) makes art very approachable; 4) places art within its historical context and development; 5) quick reference;

I was exposed to this book after taking various humanities courses and found this book great. It does a much better job of making art accessable than books like Gardner and Janson. I was impressed that the book covered a variety of bases without leaving too much out.

The tone of the work was inclusive and allowed anyone with an interest in understanding methods, techniques, personalities and history of art to do well towards approaching that goal. It does not approach art for the few with a rarefied tone nor does it talk down to the reader.

The layout of the pages are done well and have a decent flow of text and image. It does not, thank god, go into list memorization which is the downfall of some compact versions of some topics.

Highly recommended for those who play academic tournaments at the high school and college levels. The topics covered and interesting personal history found in this book will be found at all levels of play. The pricing of the paperback version will allow people to compete very well indeed.

For home schoolers/educators this book is a good survey introduction and is portable enough for museum trips.

Very few books do so well with so much material to compress. Very impressive. The only thing I could wish further is a music history version of this work.

Useful
I've found this book to be helpful as a teaching tool. I teach from Gardner's, but this book helps me to focus my lectures, since I can't cover absoultely everything in class.

My only gripe is that on the book flaps Strickland unnecessarily pans introductory art textbooks in order to bolster her own book, saying "The Annotated Mona Lisa isn't bogged down with convoluted theories or author's pet peeves," or jargon. Being someone who has read Janson, Gardner's and Stockstad, I can honestly say that these books are quite approachable and traditional, and can not be sweepingly characterized in that way. My feeling is that these statements may be a manifestation of her own feeling of alienation from the academic community; her work appears in some venues -- the Christian Science Monitor, Wall Street Journal, Arts and Antiques -- that aren't exactly on friendly terms with the academic world of art history. Fortunately, however, the actual text of Strickland's book does not resort to backhanded and reactionary gripes about other authors' approaches to art history.

Strickland and authors of college-level introductory textbooks have different goals and intentions. Textbooks offer a kind of engagement with the material that is essential to any comprehensive study of art history. The author does a good job of touching on key issues, but the book could not possibly serve as a replacement of introductory texts such as Gardner's, Janson, or Stockstad.

For the person with a only a casual interest in art history this book would be a very nice thing to have on hand. It would also serve well as a study aid for a student who is taking an in-depth art history course.

Too much fun
Sadly, I have to thank this book for sparking my interest in art history. Now that I know more about the subject, of course, I can see how simple and inadequate "The Annotated Mona Lisa" really is, but for anyone who is grossly unfamiliar with art, as I once was, this is a fine place to start. The book's coverage of pre-Renaissance art and non-Western art is limited, but the sections on 19th- and 20th-century art are fairly thorough, and certainly entertaining--you've gotta love those gossipy stories the author throws with her descriptions of every artist.

I heard somewhere that someone read this book and then scored a 5 on the Art History AP exam without doing any other work, but having just taken the test I very much doubt this is true. Art History students might benefit from reading the chapter on modern art, since the AP doesn't require much knowledge about 20th century art movements beyond their general characteristics, which "The Annotated Mona Lisa" provides. The rest of the book, however, is guilty of dangerous oversimplification, and probably wouldn't be useful to serious students, though it is still way too much fun.

Great source
I use the Annotated Mona Lisa in my 8th grade Art History class. Throughout my years of using it I have seen this as my most reliable source of information. Each period or movement is well introduced and there is a lot of information on each major artist. It is filled with many colorful quotes, all coming from people of the time period. Overall I consider this a great source and I recomend it to any aspiring art historians. im 14

a wonderful introduction
The Annotated Mona Lisa is a fabulous introduction to the history of western art from pre-history to the Post-Modern era. Artists, movements, vocabulary, and specific works of art are all discussed in enough detail to give the reader a very good foundation. The only thing lacking is that it is oriented exclusively towards Western art. Boswell has done a marvelous job on the art of the West, its a pity attention was not given to the art of Asia, the Americas or Africa - especially considering the influence these regions have had on western art through the ages. Nonetheless, a recommended resource. ... Read more

Book Description

Reviews (2)

The Sociological Aspects of Commercial Imagery...
Murakami's latest curatorial effort has gained nearly universal acclaim amongst the art world.His "Little Boy" exhibition attempts to understand the origins of contemporary Japanese art's affinity for both the horrifically violent and the frightfully cute (kawaii).Ultimately, Murakami argues that these images are spawned from the atomic bombings of Hiroshima and Nagasaki combined with postwar US domination.Violent imagery becomes a sign for a fascination with the kind of power that postwar Japan lacked.Kawaii imagery is then seen as stemming from Japan's status as a protectorate of the US.This relationship was not unlike that of a parent and child (the child/adolecent becomes a prevalent theme in Japanese art from postwar era forward.)
This effort is faithfully documented in this beautiful catalogue which includes works by contemporary Japanese artists, artists of Murakami's Kaikai Kiki, and popular anime and manga such as Neon Genesis Evangelion and Doraemon.A must for anyone interested in the origin of Japan's unique hyper-contemporary aesthetic.

Murakami comes out for the fraud he is!!
hello kittyis better and more interesting. waste of space it all comes off as mark kostabi again his sweatshopand its members. Aya Tanaka is no EXPERT just a fan. another misleading catalogue ... Read more