Book Description

Christopher Gray's engaging tales of historic Gotham locales transport readers back in time for a stroll through the streets of old New York. The noted architectural historian, who writes the popular "Streetscapes" column in The New York Times, here gathers 190 of the best-loved of those columns to captivate readers with his wealth of information about sites and buildings and the intriguing lives of the people connected to them.

From the Bridge Cafe (New York's oldest surviving bar) on Water Street to the Revolutionary War-era Morris-Jumel Mansion in upper Manhattan, Gray turns the spotlight on both obscure and familiar landmarks, and each of his witty, urbane essays is illustrated with at least one period photograph. Gray's vast enthusiasm and love for New York's architecture is evident in all that he writes, as is his concern for the preservation of the city's architectural treasures. ... Read more

Reviews (3)

Wonderful description of the BIG APPLE
As a New Yorker all I can say is this is the best book I've read about the city.

What a wonderful pleasure!
A tremendous gift to anyone who loves the history of Manhattan. Gray writes well, his information is military in both precision and accuracy and the anecdotes alone are worth the price of the book.

My only wish is that one day, after he retires, a work of all his columns will be published. Perhaps the title "Gray's Anatomy" would suffice.

A Wonderful Book
Christopher Gray is a New York Treasure. Every Sunday when I get the NY times, I read his column first. If you're a die-hard New Yorker, or wish to be, don't miss this great compilation. ... Read more

Amazon.com

A work of art in itself, The Architecture Pack is a highly sophisticated version of the beloved pop-up book that offers a unique, cross-cultural, three-dimensional tour of architecture through the centuries. By flipping the elaborately engineered pages, we learn what architects do, how they do it, and all about the great buildings of the world from antiquity to the present. It's packed with information and hands-on activities, models, fold-outs, pop-ups, and 3-D glasses; readers can even fold out a miniature version of the Colosseum in Rome or a French Gothic cathedral. There are discussions on the development of the dome, new materials and shapes, sculptural buildings such as those of Gaudi and Le Corbusier, and skyscrapers. Also included in the pack are a model (with assembly instructions) of Gerrit Rietveld's famous, flat-roofed Schroeder House; a glossary of architectural terms; a fold-out time line of the history of architecture and architects that runs from 2670 B.C. to A.D. 1997; and a cassette tape. This wonderfully accessible introduction to architecture is sure to generate enthusiasm from both children and adults, simply because people can have fun with it. ... Read more

Reviews (13)

A Jewel Of A Book
If this book had met only 1/2 of my expectations, I would have been pleased. It exceeded them. Every page is a series of surprises and delights. Whether you're interested in Architecture, or just love classy gadgets, this is your book. I cannot imagine anyone who, getting this book as a gift, would not be delighted. Read the product description, and add 50%. The only down sides are the long delivery time, and the book's delicacy. One is torn between wanting to look at its contents repeatedly, and the fear that the book might be damaged by too much handling. Order two!!

A Revelation
Contrary to other architecture books that are muddled with academicians' essays, which in turn are filled with architecture terms that amateurs like myself wouldn't possibly understand, this book or pack is informative, playful, and easy to understand. Just say that it's a crash course into architecture rather having you going thru 5 years training in a varsity with working experience. The pack guides you to the fundamentals of architecture like the origin of architecture, when is architecture becoming a distinctive profession as in miedevel time, architect is a stonemason, sculptor all blended into one; the influence of Classicim, unavoidabability of learning about Palladio and Vitruvius; structure and form; new materials & shapes; art & architecture blended as one; the changing city, influenced mostly by our usage of cars; the process, with Richard Meier's Getty Centre as a case study. To top this pack off, there a booklet informing readers of prominent &/or infleuntial architects & architecure terms commonly heard & used respectively(quite concise); timeline stipulating the architecture breakthrough since the beginning of time & where does those famous architects stand in the passage of time; a model of Schroeder house for us to build. The journey through this pack is simply a revelation, surprises everywhere & never failed to bewilder me. I'm adamant that the pop-up buildings is an art in its own rite & what about the enclosed "Mission Impossible" glasses that enable us to see the inner structure and exterior structure of buildings so that we would appreciate architecture more? Before I forget, there's also a cassette narrated by the author. Believe me, you will spend hours and hours immersing yourself in this pack forgetting how time flies when you are enjoying yourself the most. Highly recommended for architecture enthusiasts. A note of caution though, due to the fiddly but fine detailing in this book, readers are urged to handle the pack with utmost care, & it would be wonderful to have a second edition, continuing on where the author has left off in 1997.

Best Pop-up Book in the World
I have seen 100's of thousands of books, and this one is near the top of the list. Not only is it one of the best pop up books I have seen, it is very informative and educational. It is a great learning tool for most ages and it's alot of fun too. The price is worth the effort the publishers have put in. It also sub.'s as a great coffee table book as well.

Thanks for making this wonderful book affordable!
I saw this book at the gift shop of a museum and wanted it for my 12-year old son who wants to be a structural engineer. But the price tag stopped me. Now my son can have a chance to truly explore achitecture in an experiential way. The pop ups are astounding but all the other "do" things, make this book a great way to keep anyone's attention. My son and I will enjoy this book together.

The Architecture Pack
This book was the most interesting book I have ever seen, the 3-D effects really make the book worth it, an awesome buy! ... Read more

Reviews (6)

Magnificent!
I concur with others who reviewed this book and give it top billing! The photos are exquisitely clear and are a good representation of what the city offers. The text is quite complete, although I, too, would have liked to have seen more on Venetian glass. Another fabulous collection for those who love the jewel of a city or for any lover of fine art and architecture.

Venice Art & Architecture
I borrowed these books from a friend. I could not believe my eyes. They are most fantastic! I have ordered a set for myself. I recommend them highly!

Slightly lacking on the art side of things
The book consists of two books in a slipcase, and given its unusually large format and high quality paper, it weighs a ton. The weight is however well substantiated by the contents! The progression is chronological, right from the beginnings of Venice in Volume I, to modern items at the end of Volume II. The architecture side of things is covered by hundreds of top quality photographs of buildings inside and outside, as well as drawings, old photographs, and building plans. As for the art, there are countless clear representations of the masterpieces of the city. Having been in the city a few times, this book adds so much value, firstly by showing me reminders of the places and objects I have seen, and secondly by exposing the interiors of buildings usually closed to the casual visitor.

The reason why I rated this four stars instead of five, is because the book does not give as much coverage to Venice's art museums as I feel it should. Sure, the contents of the art museums were in large part not manufactured by Venetian artists, but all this art now forms part of Venice on account of having been in its museums for decades. Understandably, however, that would probably require another two volumes! Another area that was perhaps not covered sufficiently is that of glass. After all, Venetian glass is world famous, and it deserved more than a short chapter.

Overall however, this is the sort of book one would expect to find in the reference section of a top class library, and yet the price makes it affordable for your own home. It is also very much a scholarly work, filled with details in the text section. It is thus perfect for both those who want to look at the stunning pictures, and those who want to really get into the story behind it all. You will not be disappointed, and I recommend this work without reservation.

venice: art & architecture
a very wonderful book for people who love art and architecture especially for a wonderful and enchanting city such as venice. Through this book one is able to be transported in time and view its art and architecture one that cannot do in even the most dedicated of travelers to this fascinating city.

Stunningly beautiful pictures w/ intelligent writing
This book captures the past and present beauty of Venice, one of the unique cities of Europe. Venetian history is as interesting as its art is beautiful. Both are presented effectively in this gorgeous two-volume oversized book. ... Read more

Reviews (11)

Squarely between art and science
Josef Albers was the Johannes Kepler of color. Kepler spent his life observing planetary motion, and distilling his observations down to simple laws of gravity. Change planets to color, and gravity to human vision, and you have Josef Albers. This book describes the gravitational laws of color. It has the whiff of simple perfection: you can't change one word without diminishing it. It is the bible of color interaction, and will remain so until an Isaac Newton comes along and explains these laws further.

In the rare book collection, I had a look at the first edition, from 1963. It's this enormous book with lots of colored paper and plates for you to experiment with. I really wish it were still in print... I'd buy it at once.

Interact without Color
How can someone put this title on a book and then exclude color examples? To really appreciate what Albers is trying to tell you, you must have examples to lay side-by-side and this paperback does not facilitate that. So I went to the public library to examine the hardback edition, all 20+ pounds of it. And guess what. The text is without examples. But there is a collection of colored paper appendicies that you can use to follow his examples. So buy the paperback and get a package of assorted colored paper and you may succeed in comprehending what Albers is trying to tell us.

He apparently spent his entire career thinking about this subject and he has insights that are very valuable. Unfortunately his writing style reminded me of a few philosophy classes I slept through in college. You have to work very hard to capture the flavor of all of his thinking and observations. If I am pesistent and frequently consume small portions, maybe in time I will feast on his experience.

Magnificent study of Colors
This is a book for everyone who like to dive into the wonderful world of colors. Josef revealed and explained almost all cases of color study. If you've read the books of Newton or Goethe. Josef will be the one of creating color theories and setting the pace for different art-form(s) in this 20th century. Bravo... it does show you what is the Presence of Absence.

helpful, but original Hardcover was better
Having experienced the original hardcover version, and having been given the task of going through the excersizes given in the book, the softcover version is useful, but not nearly as comprehensive and in depth as the original hardcopy.
Still a worthwhle read from a master theorist!
Better than a good read is to get a hold of a packet of Colored Paper and replicate some of the assignments in the book. Best way to learn.

Libro de ejercicios practicos
Para conocer la iteracción de los colores es imprescindible la práctica y una buena práctca es este libro; nos lleva mas allá de la teoría del color ubicandonos en la experimentación visual del color por el color mismo. Excelente para cualquier nivel de conocimiento. ... Read more

Book Description

A superb reference book and an ideal instructional textbook for classroom use, this beautifully illustrated guide is organized into units that reflect required courses at leading design colleges. Twenty step-by-step exercises cover methods of finding inspiration, developing observation techniques, and creating fashion drawings in both color and black-and-white media. Separate sections are devoted to getting started and understanding figure proportions, planning and designing garments, and creating and assessing flat specification drawings. The book also features cross-references to its various art instruction techniques, a designer’s glossary, and a helpful index. This book guides students through their first steps in fashion illustration, covering everything that is presented in the best college-level courses. It makes a fine starting point for all students of fashion, introducing them to fashion drawing as a first step toward a career as a creative costumier. More than 250 illustrations in color and black and white. ... Read more

Reviews (2)

a real course in fashion design
Unlike other fashion design books, the authors do not teach figure drawing and clothing. They start out with a visit to a museum where you need to gather information, then find a theme and make four sketches. The individual lessons build upon each other so that the beginner can easily follow. The authors require you to be active, go out and find your sources of information and inspiration. You learn to do what fashion designers do: look at architecture and find ideas for a new fashion line, look at flowers and find a color scheme, etc.
The book has 24 lessons that lead the student of fashion design from the first sketch to the fashion show. It's a good book if you are looking for a guided course that helps you to improve and evaluate your designs.

Important principles of fashion illustration
The book mentions the main and the important principles of fashion illustration, how to use colors and more. ... Read more

Book Description

Every business needs a logo-the mark that tells consumers who they are and what service they provide. Designers are responsible for creating this mark. It's an extremely difficult task, especially when you consider that most designers select from the same pool of existing fonts and/or images to create a "unique" identity for their client.

This book-a hands-on guide to the entire logo-making process-combines an enjoyable visual approach with extensive, industry-tested information. It puts the tools of innovative logo making into the hands of designers, giving them the expertise and inspiration they need to create their own lettering and art for truly unique logo design.

They'll learn how to:
*develop a discerning eye for quality lettering and logo design
*create innovative logo design both traditionally and on the computer
*create custom-made fonts for use in logo design
*build a profitable business with logo design work

With the tips and instruction in this book, designers will no longer have to rely on pre-existing typefaces or clip art to design competitive logos-now they can do it all themselves. ... Read more

Reviews (5)

An excellent book about logos and typography
As a college instructor who teaches a variety of graphic design classes, I am always on the outlook for another book for inspiration and supplemental material for lectures. I have quite a decent number of books about typography in my personal library, but since getting a copy of Cabarga's book, I would count it as the best of the best. I am enthralled that I have found some good background on what exactly goes into designing fonts and lettering by hand. I also found the information about Fontographer extremely helpful. I would recommend this title to designers and design students and instructors.

Five Stars and more...
I predict the Logo Font & Lettering Bible: A Comprehensive Guide to the Design, Construction and Usage of Alphabets and Symbols by Leslie Cabarga will become a classic for the graphic artist, designer and signer.

The publisher is hyping this book as a Logo book. Their pitch says: "This book-a hands-on guide to the entire logo-making process-combines an enjoyable visual approach with extensive, industry-tested information." And all that's true. However I wonder if the writers for How Design Books have ever done lettering or desinged a logo. I don't think so by the level of excitement in their releases.

No, this is not all together about just logos, fonts and lettering; this is about the very soul of an art, a design discipline, and a fine craft. This is about the way creative people think and react to visual stimuli. This is about the most visually exciting and inspiring book for graphic designers to come along in long, long time. In fact, I cannot remember any that really come close.

BRAVO, Leslie, my JMU Typography students will LOVE this one -- and I know it's one they'll really use just because it's so much fun!

If you don't buy this book, you'll be missing something very important.

Fred Showker, Design-Bookshelf.com

An excellent work
I normally don't buy many books dealing with art but the title caught my eye. This book is excellent. I've been a typographer and letterer for over half my life and I wish I had something like this 20 years ago. It covers many aspects of good logo design as well as using and modifying a font for a design. In my opinion the best part is when Mr. Cabarga goes into some detail about designing and creating your own font. This is an idea that I have been toying with for sometime and now that I have read this book I have a lot of ideas on how to get started. I couldn't recommend this book enough.

A Really Wonderful Type Book
I'm a typography nut and a college design instructor. I love older, more traditional approaches to typography and am always wary of many newer books that think of type as the simple digital byproduct of computer keystrokes. Here's a book that makes the important connection between real typography and the digital world.

Once you get past the awful cover of this otherwise incredible book, you'll find an exploration of type and letterforms that draws from history and explores numerous aspects of type in a whimsical and entertaining way. This is one of those rare books that lets the design talk about design and shows good and bad examples as well as successful rule-breaking. The tone is light and entertaining, and the author doesn't prattle on with formal, intellectual approaches.

The book covers how to see type, how to work with type, how to create type, what is (and isn't) a logo, and also shares works by great typographers like Michael Doret and others.

While typography is not on everyone's list of most entertaining subjects, this book is as fun as it is educational. I'm recommending it to all my students at the Art Institute and can't see how any designer would fail to both enjoy it and benefit from it. If you buy one type book, this is the one.

Inspiring & Educational
I bought this book immediately after seeing it! It is one of the best books I have seen on Logos & lettering because not only does it illustrate logos, but he tells you why it works or doesn't. This book delves into creating your own type and explains how to do it, using Illustrator or Fontographer. I am in a typography class now and this book will certainly help me finish the semester and in my career as a graphic artist. If you only buy one book on logo design--this is it! ... Read more

Book Description

Yale University Press is pleased to announce a new exclusive publishing agreement with the Kimbell Art Museum

An exquisite book that celebrates the central subject in the work of George Stubbs, whom many consider to be the greatest painter of horses in the history of art

A versatile genius whose oeuvre includes paintings, engravings, and detailed anatomical studies, George Stubbs (1724–1806) was fascinated by horses. This handsome book presents for the first time the wide range of his equine imagery, from refined portraits of racehorses to violent scenes of horses attacked by lions in the wild.

Taking full account of the associations and status of the “noble horse” in eighteenth-century Britain and the colorful world of its devotees—both high and low—the authors examine Stubbs’s work from different points of view and offer many fresh interpretations. Malcolm Warner discusses how horses were regarded in Britain in Stubbs’s time, the unexpected connection between his horse-and-lion compositions and the creation of the English thoroughbred, and his classicism. Robin Blake examines the young Whig noblemen who were Stubbs’s first patrons, the grooms, jockeys, trainers, and other attendants who appear in his horse portraits, and his curious dealings with the Prince of Wales. The book also includes an essay by conservators Lance Mayer and Gay Myers on Stubbs’s experiments with wax and enamel.

For admirers of Stubbs’s art, eighteenth-century English painting, and horses, this book is an essential addition to their bookshelves.

Stubbs and the Horse is the catalogue for the first major exhibition on the artist in more than twenty years. It is on view at the Kimbell Art Museum, Fort Worth (November 14, 2004, to February 6, 2005); the Walters Art Museum, Baltimore (March 13 to May 29, 2005); and the National Gallery, London (June 29 to September 25, 2005).

Malcolm Warner, Senior Curator at the Kimbell Art Museum in Fort Worth, Texas, is the author of several books, including The Victorians: British Painting, 1837-1901 and Millais: Portraits; Robin Blake is an independent scholar based in London and is the author of a forthcoming biography on Stubbs; Lance Mayer and Gay Myers are consulting conservators based at the Lyman Allyn Art Museum in New London, Connecticut.

... Read more

Reviews (10)

Grushkin Great
This is absolutely the most comprehensive collection of poster art celebrating rock n' roll. Whether thumbing thru and glancing at the artwork, or carefully reading the history behind each piece, it is a thoroughly enjoyable book. DON'T buy the paperback version of the book, as the images are a great deal smaller, and not near as magnificent as the hardcover edition.

A must for all fans of the 60's!
This is a great book showing the evolution of art in the rock & roll world from the 50's on.Obviously this was a painstaking task,putting all these together and it was worth it.It's a must have for the S.F. Fillmore era poster art alone.

don't bother straining your eyes.....
be aware that this TINY book is not much bigger than a book of matches. a true rip off.
save your money for a real rock book.this book is a joke.

can you say zero stars
I was unaware this "book" is only 4x5 inches.Kind of defeats the purpose of looking at posters.
Man, what a rip off. The type on some of the "posters" is so small,that you will need a magnifing glass to read what band it is for.
Don't waste your money

herculean effort
get the large , hardcover one if you can. i got it at a book store for like 14 bucks, they had plenty of excess copies. while i personally don't care for much punk rock, there are hundreds of wonderful , creative, and beautiful posters from the real golden age of rock- 1965 to about 1971 or so. a bad band from that period would be better than most so called good groups today. i mean, limp bizkit. what the hell is that b.s.? grushkin is to be commended for a great job assembling this tome. ... Read more

Book Description

Henri Matisse's ancestors had been weavers for generations: textiles, a key to his visual imagination, were in his blood. Although he was to outgrow every other influence, textiles retained their power for him throughout his life. His studio in Nice was a treasure house of exotic Persian carpets, delicate Arab embroideries, richly hued African wall hangings, and any number of colorful cushions, curtains, costumes, patterned screens, and backcloths.

This sumptuously illustrated book, which accompanies a groundbreaking exhibition at the Musée Matisse, Le Cateau-Cambrésis; the Royal Academy of Arts, London; and the Metropolitan Museum of Art, New York, explores for the first time Matisse's relationship with the textiles that surrounded him from his earliest days. Charting how the fabrics he painted became the very fabric of his painting, the authors examine the ways in which one of the greatest pioneers in modern art history used what he called his "working library" of textiles to furnish, order, and compose his extraordinary works of art. AUTHOR BIO: Ann Dumas is an independent exhibition curator. Jack Flam is professor of art and art history at Brooklyn College and New York University's Institute of Fine Arts. Rémi Labrusse is professor of contemporary art history at the Université de Picardie, Amiens. Hilary Spurling is working on the second volume of a biography of Matisse. Dominique Szymusiak is director of the Musée Matisse, Le Cateau-Cambrésis. ... Read more

Reviews (2)

Breathtaking paintings, sketches, and art objects
The collaborative publishing project of art historians and expeters Ann Dumas, Jack Flam, Remi Labrusse, and Hilary Spurling, Matisse: His Art And His Textiles is a stunning, full-color artbook showcasing how Henri Matisse, an artist descended from weavers, was influenced by his personal collection of vivid textiles - Persian carpets, Arab embroideries, African wall hangings, cushions, curtains, patterned screens, backcloths and more. Over 100 of Matisse's artworks along with numerous colorful fabrics, displayed as the catalogue of an exhibition at the Musee Matisse, the Royal Academy of Arts in London, and the Metropolitan Museum of Art in New York. The text explores the connection that Matisse had to beautiful textile works, though the latter half of Matisse: His Art And His Textiles is devoted entirely to breathtaking paintings, sketches, and art objects. An enthusiastically recommended addition to library collections and art shelves.

GLORIOUS ILLUSTRATIONS AND EXCELLENT SCHOLARSHIP

What does the name "Matisse" bring to mind?For most, it would probably be the fact that he was a great artist, perhaps some would think of his use of color, the Fauvist movement, or perhaps his cut-outs, works that marked his late career.Textiles, fabrics would probably notcome to many minds.Now, this sumptuous volume published to accompany an exhibit that traveled to France, Britain, and New York sheds light on how very important these elements were to Matisse personally and to his oeuvre.

Matisse's unique visionwas astounding.In addition to his paintings, he sculpted, illustrated books, and designed sets for Diaghilev.Born in the north of France, which is the core of that country's textile industry, Matisse was exposed early on to the beauty of fabrics.. For many generations his family had been weavers, perhaps his love of textiles came to him naturally.It's been said that he was particularly attracted to Islamic art, the intricate patterns and colors that arrested the eye.What is known is that his Nice studio held a veritable trove of exotic carpets, embroideries, wall hangings, and all manner of brilliantly colored cushions and curtains.

His use of textiles is evident in his paintings in which he uses fabric as a backdrop or simply to drape a model.It was, indeed, part and parcel of his art.Consider the use of fabric in his "Purple Robe and Anemones" - there is, of course, the purple striped robe worn by his model but also the two wall coverings in golds, red, blue.Amazing.Or, consider his "Interior, Flowers, and Parakeets," in which we find the table covered by a colorful, intricately patterned runner above a diamond patterned ruby rug.

Many of the fabrics on display in the exhibit and brought to vibrant life in this marvelous volume have been stored away since Matisse's death in 1954."Matisse, His Art, and His Textiles, " in addition to being superbly illustrated, explores the relationship of Matisse'sfabrics to his paintings, and thus adds considerably to our knowledge and appreciation of one of the forerunners of modern art.

- Gail Cooke
... Read more

Book Description

Everywhere you look, the look is Brunschwig.From grand rooms in the White House and the Palace of Versailles to romantic retreats in country cottages and seaside homes, Brunschwig & Fils fabrics, wall coverings, and furnishings are used to create timeless, personal, and beautiful interiors. ... Read more

Book Description

Reviews (2)

Good book despite inaccuracies and racial bias
The book convers a vast history from the beginning of the Khartoum Mesolithic and Neolithic to the unfolding of the Arab invasion of the Sudan. Through each chapter readers will find out more information about Sudanese history. All the leading experts in the field of historical and archeological reserch from Charles Bonnet to Timothy Kendal.
Not only does this book cover Sudanese history,but also accomplishments of the Nubians. In the past various books have tried to overshawdow Nubia with using the ''Eurocentric'' implications of strictly Egyptian influce. In this book,however,it shows indigenous relgious existed well before the absorption of Egyptian relgious deities like Amun. In fact,there is proper evidence that the deity Amun,itself,might have been based off a Nubian deity called Amani.

Despite the shinning qualities of the book,many bias of long dead scholarship seems to rear it's ugly head. Jean Lecant tries his hardest to argue based off tomb scenes of Huy that the figures depicted are not streotypical ''true negroes'' Lecant fails to observe the diversity of Africans and that phenotypical traits like noses are influced by adaptation of climes not intermixture with caucasoids. Lecant unfortunatley still clings on to old outdated anthropology that clearly demonstrates his ignorance.

A wonderful gift for anyone interested in Sudan or the Nile
This beautiful 'coffeetable' book is something every Sudan scholar should take a look at, perhaps once a month? The book illustrates and catalogs an exhibit at the Institut du Monde Arabe in Paris, and goes from Neolithic gravesites to the Christian era of Meroe. Anyone who doubted the complexity of prehistoric Nubian society will be convinced that here was an extremely interesting and complex society. The artisanship evident in the jewelry, construction of temples, and pottery, is stunningly skilled. If you can't justify buying it for yourself, give it as a gift to a friend. ... Read more

Reviews (60)

The Shakespeare of the Lens
As a young man utterly fascinated by women, I find THE AGE OF INNOCENCE, like many of Hamilton's other books, invaluable - at least as far as the visual content goes. Most of these dozens of girls appear to be in their mid-teens, but one notices not so much their sexuality as their personalities. Thus, one girl has a strong domineering streak, another a maternal aspect, yet another a carefree, fun-loving disposition, and still another an impish and sly character.

The content of THE AGE OF INNOCENCE is bound to elicit some negative reception, but consider that many of these photos show fully clothed models and few are really provocative. In fact, the more provocative photos, such as those from the series at the end showing young lovers roaming the beach and preparing for love, are my least favorite. Also, the introductory essay is embarrassing and many of the quotes liberally interspersed throughout this lengthy book - even those by writers many of us would normally accord respect - are jarring in their comparative lack of subtlety. There can hardly be any more proof of Hamilton's artistry and intentions than his making certain verbal poetic evocations of females and their nature clumsy and unnatural by comparison. So, my advice is get the book and avoid most of the text (Shakespeare is one of the few assets in the writing department here).

I rate this book five stars notwithstanding the reservations noted above. And, although many of these photos have appeared in previous Hamilton volumes, their quantity and variety compensate for this.

Pleasing to the eyes? Yes. Pornographic? Not one bit.
This is definitely the prettiest book I have ever seen. One of the best books to come out of Great Britain ever, and surely one of the world's finest photo-art books. This is not pornographic in any way; those who think it is do not know the true definition of the term. This book is a celebration of youth and beauty as experienced by these young girls. If you appreciate what is truly beautiful in our world, then you will purchase this book. If you don't, you will surely be missing out. The portrait on page eighty-one is worth the price of the book alone.The quotations accompanying the photographs are thought provoking, and, in this reviewer's case, educating---I am now reading Ulysses as a result of this book! So, you may even improve your literary skills as a result of this book. Any way you look at it, this book is a real treasure, and congratulations to David Hamilton on a job well done.

As complex as its subjects
This is possibly the most beautiful set of photo portraits I've ever seen. Like the subjects, though, the beauty has a scary side to it.

There's a lot more to say. The pictures are intense, and more intense as a collection. I'm sure everyone who sees it will have more to say, and everyone will say something different. For that matter, I could discuss this in three or four contradictory ways. This time, I prefer to let the pictures speak for themselves and to let the readers form opinions of their own.

Beautiful Subjects
Physical beauty is something that we have for only a brief period in our lives. It is a temporary stage during our lifespan. Unfortunately, we discourage young women from sharing their physical beauty with others who can appreciate it. It really is quite a shame that we try to enforce modesty. David Hamilton gave us this gift so that we may be able to share his admiration for the young, female physique. I am grateful to the young subjects, who were gracious enough to share their beauty with us.

This is a remarkable book. It is obvious that David Hamilton is very passionate about his subjects. He has taken his appreciation and admiration for young women and shared that enthusiasm with the world. I highly recommend this book.

Barely Misses the Mark
If I could have rated this book 4 1/2 or 4 3/4 stars I would have. It certainly is a beautiful artistic endeavor. However, it fails the mark of perfection because of a few (VERY FEW) photos that are too suggestive for girls of their age, and a few comments by the author that would seem to provoke dangerously misleading thoughts in the minds of young people who might get their hands on this book. As the step-dad of a teenage girl I have experienced first-hand the confusion of an easily inluenced child, who lacks the full capacity to reason and misperceives what she has seen and heard. Too many (pre-teen and teen) children think they are supposed to be sexually active, and there are certainly a few paragraphs, and several photos, in this book that would help contribute to that pattern of thought. Otherwise this is a finely crafted work. Many of the photos are soft, muted, elegant, and almost dream-like, while others are sharp and rich in color and contrast. There are full figure studies and a variety of portraits. Some of the girls look confused, content, generally happy, thrilled, curious, and some disgusted. Unlike similar works by other photographers, the majority of the models do not appear to be emotionless, melancholy, or tormented. There are no portrayals of violence or mishap. The quotes from classic poetry are at times provocative but still tasteful and refreshing, especially if you are one who enjoys traditional Western European poetry. The author/photographer makes several attempts at poetic verse but they do not work so well. I do realize that the entire theme of The Age of Innocence is the psychological tumult experienced by young girls who are approaching womanhood, so the sexual element does have to be "taken with a grain of salt." As an artist and photographer I do highly recommend this book and treasure my own copy, but I strongly suggest caution when selecting an audience to share it with; teenage boys are not a proper audience. Overall this is quite a clean representation of the human form and psychology of young women. ... Read more

Book Description

This delightful book is designed for the many artists who are motivated to paint and draw, yet who find it difficult to fit art into their daily lives. It is especially for those artists who see art as a necessary outlet for their creativity.

Dory Kanter's inspirational instruction is perfect for both beginning and experienced artists alike. Unlike other books that simply try to motivate readers to be creative, Art Escapes gives readers fun, easy-to-execute ideas for building an "art habit." Inside, they'll find daily projects for drawing, watercolor, mixed media, collage and more. All of these projects are presented simply, yet none are simplistic. The concealed spiral binding makes using the book easy and accessible. Readers will increase their skill and creativity, as well as find the time to make a little bit of art everyday. ... Read more

Reviews (7)

A Jumpstart for the Creative Juices
This is exactly what "the doctor ordered" for jumpstarting the creative juices & getting out of an "artists' block"! It is filled with pictures, instructions, ideas/suggestions to springboard from...can't wait to dive in! You won't be disappointed!!!

Unexpected delivery
I got this book delivered to my door when the mail got screwed up and we did not receive a club mailing until a month too late. My book club sent it to me since I did not refuse it, which I usually do.

However, when I got the package, I was upset with the hassle of returning it. I kept it for a while and then FINALLY got the club mailing. I decided to take a chance and keep it. Boy what a TREAT!

This spiral bound book is a delight not only to read, but to turn the pages. I am tired of the bindings flipping closed on books. This one stays open no problem!

The layout is delightful. Illustrations are profuse and rustic. This book is in no way intimidating like some art books tend to be. I actually feel like I can relax while reading it with nothing to live up to and no frustration with how hard I am going to have to work to achieve desired results.

Dory writes with a warm friendly demeanor and the book is loaded with creative exercises that are easy to do, and RELAXING. As an artist, I have almost no time to paint with little ones around. Art Escapes offers a perfect compromise. Keeps me painting and going in small spatters, instead of monumental undertakings.

Think of a quiet calm day, warm cup of tea, beautiful sunshine, neither too hot or cold weather, curled up in a chair admiring life itself, and you pretty much have this book captured in essence. A delight to own and USE. For any level artist. We all need vacations and escapes!

The Art of Seeing
I have had the privilege of watching Dory paint and teach. She helps me see things in a different light, both literally and figuratively. Since I describe myself as an admirer of art rather than as an artist, I am in awe of those who have mastered their art, can practice their art with ease, and can teach it to others. Dory is a master in all these areas.

In one of our lessons, when someone asked how do you know when you're finished with a painting or collage, she spoke about simplicity. She suggested we always look at what we have done and ask ourselves 'what can I leave out'. This helps us see and stay focused on the essence of what we're doing, with no frills. A valuable lesson not only in art but life in general.

I always feel inspired by Dory's instruction and by her work. She makes it look so easy! She always encourages her students to be true to themselves, to create what comes from within. Her book is a marvelous collection of all that she embodies and teaches.

Everyone can be an artist!!
I have been lucky enough to attend one of Dory Kanter's creative art workshops. What an amazing experience! Dory's book not only lets me share her enthusiastic attitude towards making art easy for everyone, but allows me to play with more creative journaling exercises than we were able to cover in one weekend. I have seen firsthand how Dory's excellent instructions and unique techniques create artists through her journaling exercises. The funny thing is that as you make her collages, paper weave simple images into dramatic designs, try one-minute sketches, Creatively Doodle your way through staff meetings and use blends of colors to capture sensual input like smell, taste and touch, for example, Dory is painlessly tricking you into learning drawing skills, color theory, perspective and composition. Before you know it, you really understand yourself as an artist! Wow!

At the end of my weekend with Dory, every student had a journal filled with colorful memories and reflections of their unique personalities. Watching the delighted faces of artistic novices like dentists, homemakers, company CEO's and college professors light up as they explored their "surprising" talents was an emotional experience. I think each of us had a little tear in our eyes as we realized we were artists. All we had to do was trust Dory. After that we sailed on with our own explorations. Since then I have spent many happy hours with my journal at home and while traveling around the world. That is the gift that Dory is sharing with her book. Please, take her gift and see how a few minutes of inspired creativity each day can build into colorful records of the moments and emotions of your life.

Art Escapes has lots of ideas!
The subtitle of this how-to book says it all! Art Escapes is chock-full of creative ideas, hints for success, and practical step-by-step exercises for beginners and experienced artists. And the examples, both initial sketches and finished work, are inspiring and informative.
The author is so down-to-earth, encouraging and freeing that I found myself writing and drawing in the margins! This really made it my reference book for daily practice.
I also like the advice and ideas about how to jump-start my creativity each day. ... Read more

Book Description

In his latest book, an internationally renowned muralist shares his secrets for creating a wide range of painted ceilings: daytime and nightime skies; birds and animals; cloud formations; rustic schemes featuring flower-decked trellises; trompe l'oeil architectural details such as plasterwork, paneling, and coffering; simple geometric patterns; and allegorial scenes in a grand manner. He also explains how to choose just the right design for the area you wish to paint, whether it be a spacious entrance or a more intimate space, such as a bay window or bathroom ceiling. ... Read more

Reviews (7)

View from a professional
As a professional mural painter, I found some of the ideas in this book to be inspiring. However much that was written in the book was useless information describing what you are seeing in the picture. This is not an instruction book. As for his artistic style, I really didn't care for it - his use of color seems rather Disney-esque. Everything is bright and vibrant without much richness and depth. While the creatures he paints look decent, his cherubs and people leave a lot to be desired.

This book was usefull for me in the aspects of seeing how another artist does his layout, but if you're looking for a book to study murals and color use... study the paintings done by the real masters.

Inspiration
If you are looking to be inspired, this is the book. I am a muralist who is looking for something extraordinary to aspire to. I found it here. This is not a how to book for the meek. If you can paint well already you can learn to improve your own work by careful study of the renderings but you won't find instructions.

For Graham Rust fans only
I bought this book on the basis of some of the glowing reviews here but was very disappointed. Yes, his paintings are beautiful, BUT his advice is mainly on how he makes HIS work. There is a chapter entitled 'Practical Aspects', but it has only ONE page of actual text! The rest are more pictures of the same work.

If angels, clouds, and birds are not what you aspire to paint exclusively, then stay away from this book. If you are buying a book solely for inspiration, as I was, a better choice is a book featuring the work of many artists such as 'Trompe L'loeil' by Lynette Wrigley. If your aim though is to paint like Graham Rust, this book is it.

Disappointed
I bought this book to get ideas to paint my ceilings. Basically it was pretty much the same thing over and over again, with slight variations. Not at all what I was looking for!

Worthy of ANY coffee table...
If ever there was a book that completely thrilled my senses, this was it!! From the moment I received this book, I was so in awe of Grahams artwork and techniques. I really can't get enough of his books. I also have The Painted House which has become my most favorite reference book for my work. I am a muralist and decorative finish artist which is why I am always scouring the books for references at Amazon. Out of all books that I have ordered, Graham Rust is the best. I can't imagine anyone not falling in love with his works. ... Read more

Book Description

The whys and hows of the various aspects of landscape painting: angles and consequent values, aerial and linear perspective, painting of trees, emotional properties of line and mass in composition, light, unity of tone, plus information on canvas, palette, brushes and other materials and techniques. 34 reproductions of paintings by John Carlson. 58 explanatory diagrams. Index.
... Read more

Reviews (12)

Terrific book that answers questions for landscape painters!
The author seems to have gone out of his way to write a book covering every aspect of landscape painting and has done it well. He starts with his ideas on how to approach painting as a whole, continues with the mechanics of painting wherein he discusses the tools necessary, and covering subjects such as angles and values, design, perspective,light and color. An informative book for the landscape painting enthusiast. I recommend it highly!

Worthwhile, but a little old-fashioned
This book covers a lot of important landscape painting topics that are often not covered adequately or well in other books. Although very conscientiously written, Carlson's prose at times can be old-fashioned and very difficult to read. Also, it is unfortunate that the illustrations for this book on painting are presented in black and white.

These negative observations made, I found the book to be very worthwhile reading. Carlson speaks to both the craft and art of landscape painting with a master's knowledge and the intent of an experienced teacher. His chapters cover value, light, aerial and linear perspective, color, trees, clouds and composition and contain much valuable information and tips for the painter.

A classic! A bit outdated but still useful
The book is old, but it's still popular because the advice contained given by Carlson is timeless. Unfortunately the pictures are b&w. One thing I liked is Carlson gives guidelines which help to make realistic landscapes. A teacher such as Hawthorne (highly recommend his book) would say to forget rules and just get the color right. But I find that's not easy to do. Carlson's guidelines, especially comparing values between foreground, trees, mountains, and sky are very helpful. I read his book on the beach while on vacation and I was able to see for myself a lot of the things he claims, especially about clouds. This book is so cheap there's no excuse for not reading it at least once!

Okay, but not great
I was expecting much more from this book after reading the other reviews. The images are black and white, and I personally don't like his style. Sloppy is pretty good description of his work, and I really do admire other painters with a loose style. Maybe his focus was more on color than accurate drawing (like Monet) but if so I didn't get to see it because it was in black and white. Some of the content was moderately informative, but a lot of it was filler. The all-time greatest painting book I own is Richard Schmid's Alla Prima with beautiful color masterpieces that I want to emulate, and it has much more practical and useful information. Save your money for that one.

A Waste of money
This book is terrible. It doesn't have much text in it, but what there is is awful. This book is filled mostly with emotional and philosophical ramblings instead of useful and practical information that teaches you to paint landscapes. The author says painting must be learned by practice and can't be taught. Then why did he write a book? Carlson's own paintings and drawings are of poor quality. They are crude and sloppy. I don't think such a poor artist is worth learning from. I wouldn't want to paint as poorly as he did. This is a stupidly written, uninformative book, a waste of money. There must be MUCH better books than this one about landscape painting. I was terribly misled by the other reviews of this book! ... Read more

Book Description

The artistic versatility of tattoo artists has frequently been overshadowed by the negativity that surrounds tattooing in general. Many tattoos are made by would-be artists who copy overused designs. A perfectly tattooed body requires the skills of a professional and talented artist, who creates a unique and personal design. These designs are often inspired by one or more of the various tattoo styles of Japanese, Maori or other tribal origin. "The Sketchbook" offers the reader a selection of 80 of these unique designs by well-known and less famous, but very promising, tattoo artists from around the world. Each artist was requested to create a sketch unrestrained by commercial demands and which reflects their own personal motivations.

The book is divided into two sections: the first comprises an explanation of how this collection was brought together, along with a brief illustrated overview of the history and various styles of tattooing. The second section is devoted to the artists, each sketch being accompanied by a biography and favorite quote.

The concept of this book was developed by Marco Bratt, a tattoo artist from The Netherlands, and his partner, Germanborn lifestyle photographer Nancy Heimburger, who also wrote the introductory chapter. ... Read more

Book Description

Comprehensive compilation of elegant, imaginative two-letter monograms—ideal for enhancing scrolls, certificates, awards and other graphic projects in need of calligraphic excitement. Easily reproduced, copyright-free letters are also perfect for use in art, needlework, crafts and other decorative projects.
... Read more

Reviews (2)

Disappointed with Amazon!
I paid $24 for this book only to receive it and the price is stamped on the back "$9.95 in USA"! I would look for this book elsewhere.

Disappointed
I paid $24 for this book only to receive it and the price is stamped on the back "$9.95 in USA"! I would look for this book elsewhere. ... Read more