Book Description

This digital document is an article from The Christian Century, published by The Christian Century Foundation on March 22, 2005. The length of the article is 644 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Trusting and believing.(Millions)(Dear Frankie)(Movie Review)
Author: John Petrakis
Publication: The Christian Century (Magazine/Journal)
Date: March 22, 2005
Publisher: The Christian Century Foundation
Volume: 122Issue: 6Page: 41(1)

Article Type: Movie Review

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Book Description

This digital document is an article from Proceso, published by CISA Comunicacion e Informacion, S.A. de C.V. on April 2, 2000. The length of the article is 1546 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Ocho pintores ingleses en el MAM por la presencia de Toledo en la galera Whitechapel.(Museo de Arte Moderno, Londres)(TT: Eight English painters in the MAM for the presence of Toledo in the Whitechapel Gallery.)(TA: Museum of Modern Art, London)
Author: Judith Amador Tello
Publication: Proceso (Magazine/Journal)
Date: April 2, 2000
Publisher: CISA Comunicacion e Informacion, S.A. de C.V.
Page: 62

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Reviews (1)

real painting
Having just seen the show that this text accompanies, I can highly recommend this catalog to those painters and viewers who enjoy Auerbach's work. As with all reproductions of wonderfull paintings these ones are not able to convey the physical/visual illusion contained in the work. They are very good however and the accompaning text informative. Auerbach has already created a great body of work and seeing it across the hall from an amazing Rembrandt exhibit, also at the Royal Academy, gives hope to the future of painting when it's obituary is beeing written tacitly by so many. ... Read more

Reviews (3)

Superb text, superb paintings
If you are used to having to decode the gnostic and layered texts of typical academic writing on art, this book will be a refreshing change. Hughes writes clearly, yet is not afraid to handle complex and challenging ideas. The book does an excellent job of giving you an understanding of the development of Auerbach's work, from the somewhat turgid work of the 50's to the dynamic paintings of the 1980's.I was especially interested in Hughes' analysis of these later paintings, which emphasizes their relationship to the real world of volume and movement.While their surfaces resemble the fevered paint of neo-expressionism, these are fundamentally pictures in which the artist is not just expressing himself, but is reacting to the "resistant" and complex world.Drawing and painting are unified; form is followed "around the back and out the other side."There are many fascinating quotes from Auerbach himself (for example, an observation that Matisse's cut-outs are such strong shapes because they proceed from an understanding of volume.)The color plates are plentiful and excellent.Careful marginal notes make it easy to refer to the reproductions while reading.This is a book you can actually read and enjoy.

An indepth look over the painter's shoulder
Franz Auerbach, though well known in circles where figurative painting is important, has never pulled the attention of the art world in the way he should.Robert Hughes tends to that oversight in his definitive monograph on this puzzling artist.With insight and a true sense of kinship with the work, Hughes explains and then illustrates why Auerbach is worthy of admiration.Few artists can pull the figure onto the canvas surface the way Auerbach can, using what seems to be the crude pushing of pigment with palette knife and heavy brush.But these expressionistic faces groan with angst or shout their heroic stature powerfully.This is in every way a fine book dealing with a superb artist.

Head of Frank Auerbach
Frank Auerbach's paintings are known for their expressive quality and graphic directness. This handsome monograph (the first of its kind) on the artist is a quality introduction to the reclusive British artist. Robert Hughes places the Berlin-born painter within the context of the"British School" and within the artist's personal tradition withthe old masters. Auerbach's dedication to painting is evidently shownthrough the text and copious illustrations, including 80 in full color. Thefirst chapter is especially interesting, offering a rare glimpse into theartist's studio which he has kept for over forty five years. This is aseminal work on a major contemprary painter. ... Read more