Reviews (1)

All the usual suspects and a few surprises too
A good over view of how watercolor caught on in America and rose to the standard of English work in that medium. Worth getting for the chapter on William Trost Richards, who really ought to be part of an American Watercolor Triumverate, along with Homer and Sargent. There are out of print monographs on Richards but this seems to be the best place to see examples of his work if you can't get your hands on them. ... Read more

Book Description

Winslow Homer's watercolors rank among the greatest pictorial legacies of this country. Winslow Homer's first medium was oil painting, although to make ends meet, he did commercial illustration and chronicled the New York City social scene. Eventually, Homer withdrew from city life altogether to settle at Prout's Neck on the rocky New England coast. There he turned to watercolor, in part for financial reasons (watercolors were easier to sell), but the newly popular medium also enabled him to capture his impressions of scenery and landscapes encountered during his many travels with an immediacy and directness impossible in the more time-consuming oils. Of his more than 700 watercolors, over 140 are reproduced here, dating from the 1870s to the turn of the century and ranging from pastoral to narrative, dramatic to serene. Miles Unger's text provides insight into the artist's technical mastery of the medium and discusses the importance of Homer's watercolors within the larger body of his work. 140 color illustrations. ... Read more

Reviews (2)

Beautiful Reproductions of Homer's WC
My first impression of this book was WOW!!! The size of the reproductions is astounding. Many extend over both large pages of the text. The binding is such that the book lies flat on the table and so the seam in the middle is negligble. THe colour of the reproductions is rich, detailed, and rings true (altho I have not seen any of Homer's work in real-life). Compared side-by-side with Cooper's book, Cooper's reproductions are much smaller and the colour appears weaker and washed out.

As for the text of the book, it is interesting, informative, and insightful. Altogether, this is a very well put together book; it is one of the finest books I have in my collection.

Beautiful pictures, overwritten text
To: Amazon.com

The hundreds of paintings reproduced in this large-format book deserve five stars. The publisher should be thanked for bringing together works scattered around a large number of museums, and for giving us a finely produced art book. Even fans of Winslow Homer will not have seen most of these paintings, which may represent the summit of American watercolors. Unfortunately, the accompanying text goes far beyond what is necessary to appreciate Homer's art. The descriptions of personal history and technique are helpful, but not the philosophical musings and overwrought interpretations. The text should have been cut by a third. ... Read more

Book Description

With close analysis of Homer's art and of the personal challenges he faced throughout his life, Winslow Homer: The Nature of Observation is the most comprehensive study to date of the relationship between the artist's work and the psychological stages of his life. Elizabeth Johns uses theories advanced by Erik Erikson and Daniel Levinson to look at Homer's evolution as a painter and a person within the context of the continuing dynamics of his family. Her incisive and absorbing readings of the artist's work take into account the developmental stages of young, middle, and late adulthood, analyzing what Homer painted at the various turning points in his life. With this psychosocial approach, Johns examines the wood-engraved illustrations of Homer's early career in relationship to the values of his family; his images of the Civil War in the context of his young manhood; his paintings of the social scene and young women's place in it in connection with his own potential for marriage; his images of fisherwomen at Cullercoats and fishermen at Prout's Neck as they relate to his interior vision during middle age; and his intrigue with the sea in his late works as an identification with the larger processes of the universe. With more than seventy-five black-and-white illustrations and forty color plates of arresting images by this American master, Winslow Homer takes into account all available documentation, including the rich trove of the artist's correspondence at the Bowdoin College Museum of Art, and his entire body of work-illustrations for wood engravings, watercolors, and oils. 40 color illustrations, 77 b/w photographs ... Read more

Reviews (6)

This is the one to buy!
I bought this book unseen from Amazon (based on the other reader reviews) and I love it! Before buying, I looked at these 2 other books in a bookstore and was not satisfied with their contents: 1) Winslow Homer: Artist and Angler focuses only on Homer's passion for fly fishing; 2)The Watercolors of Winslow Homer by Miles Unger (published by Norton) has a nice variety, but too many of the watercolors are printed across the gutter of the book, thus ruining the effect. This book by Cooper is lovely - It is based on an exhibition of Homer's watercolors that took place in the mid-80s, and so is comprehensive. It has a wonderful variety of all of Homer's watercolors spanning his entire career, and is nicely written. The watercolors are beautifully reproduced (not in the gutter) on fine-quality paper and the book itself is nicely designed. It is just beautiful.

An excellent book
This book provides a great analysis of Winslow Homer's growth as an artist. The author uses each chapter to analyze a different period of Homer's life as he, basically, self-taught himself through observation and experimentation based on where he lived, whether it was in the Bahamas, England, or the Northeast Atlantic coast of the United States. The pictures within the book are very good quality. The author emphasizes analysis of Homer's work over actual biographical information. If you are looking for more of a biographical-type book of Homer read Lloyd Goodrich's book Winslow Homer. Enjoy!

In Awe of Homer
Since seeing a show of Winslow Homer's works a few years ago, I have been in awe of this artist's talent and versatility. So it was natural for me to pick up this beautiful and informative book which focuses on his watercolor career. In addition, the author gives us Homer's earlier background as an oil painter and illustrator. She is certainly well-qualified to write about Homer---she holds the position of Curator of American Paintings and Sculpture at the Yale University Art Gallery.

The color plates in this book are gorgeous and the text gives good information about Homer, his life, times, and techniques. It was a delight for my eyes!

In 1873, at the age of 37, Homer began serious work with watercolor while in Gloucester, Massachusetts. These paintings were characterized by broad brushstrokes and extensive use of light and color.

The Gloucester watercolors began Homer's lifelong pattern: he would focus for a certain amount of time on a singular theme inspired by a particular location. Some of these themes included rural life, especially childhood, and seascapes/marine scenes. He lived for periods of time in Gloucester; Cullercoats, England; Prout's Neck, Maine; the Bahamas and Cuba;, the Adirondacks; Quebec; Bermuda; and Florida. His need for privacy led him to live in somewhat remote locations, and during these years he was constantly experimenting with new techniques. Prout's Neck was his home base for his last 30 years although he often spent time in other places during that period. It was in Cullercoats (1881-82) that he developed his mature watercolor technique and his love of sea themes which he painted for the rest of his life.

Homer's late works are very thought provoking, often showing heroic subjects or themes; they show nature's beauty and its power and humans' mortality.

Homer lived a very solitary life, never truly realizing how really famous he was. He died at the age of 75, his last five years spent even more withdrawn from society and battling many illnesses.

Beautiful and Lasting...
Received as a gift and have loved to peruse it ever since. Everyone should have these paintings to relax them and these words that stimulate.

Homer, my hero!
One of my heroes, Winslow Homer (1836 - 1910) worked in watercolour throughout his career. As a watercolorist myself, I rate Homer as one of the best in the history of watercolor painting.

I purchased this book for its good illustrations of Homer's watercolour paintings, but soon found that the excellent text makes compelling reading too, dealing with formal and art-historical painting issues. It is an academic publication, with an emphasis on Homer's technique as it relates to his subject and meaning. Buy it just to drool over the paintings; the text is an added bonus.

The author has grouped Homer's watercolor work into geographical sections - for example, "Bahamas", "Adirondacks", "Florida and Prout's Neck". More than just a chronological journey, the book examines Homer's work from his many different physical locations. Homer's technically brilliant watercolours reflect his unique artistic vision, celebrated in vivid color, unique viewpoints, superb composition ... and more. ... Read more

Book Description

This book discusses and reproduces more than two hundred paintings, watercolors, and drawings that span Winslow Homer`s career, focusing not only on Homer`s masterpieces in various media but also on the suites of works on the same subject that reflect the artist`s essentially modern practice of thinking and working serially and thematically. ... Read more

Reviews (2)

A nice taste of Winslow Homer
I'd been looking for a book about Winslow Homer for a while and was delighted to find this one. Kate Jennings' copy about his life and art are very good and the 68 color prints are large and on glossy paper. The prints are not top notch, but very nice. If you're looking for a nice collection of Homer's work without breaking the bank, this is for you. (This review pertains to the Winslow Homer book by Kate Jennings. Alas,I havn't seen the one by Nicolai Cikovsky.)

Winslow Homer, A 'GEM' for the Serious Art Student
As an Art student, venturing into watercolor recently, I received this book as a gift. I truly gained much information about the artist and the additon of color plates (90+) make this a complete reference guide. The author has separatedhis works into catogories by subject matter.The intro- duction reviews his travels, family life,interests,educa-tion,recognition and awardsduring his lifetime. A brief review proceeds each Chapterwhich then is visually supp-orted by wonderflul,colorful plates of Winslow works of that subject. The Chapters are Civil War, Sea PaintingsTropics, Adirondonck and Canada, and Prout's Neck,Me. He was an extraordinarypainter of various mediums,and always captured the 'atmosphere' in his workswhether it was stormy seasoff the coast of Maine, placid lakes in the mountains, clear skies in the tropics or children at play at that time. Fortunately, he was an artist who was noticed during his lifetime and rewarded with fame before his demise at age 74, having enjoyed his love of his work. I would highly recommend this hard cover version, to any art lover or student of the arts. I will plan to purchase this publication for my son, and perhaps a friend in the near future. ... Read more

Book Description

This engaging book and the exhibition that it accompanies are the first to look closely at Winslow Homer's avid pursuit of fly-fishing and at the inspiration that the sport provided for his art.

It was fishing that led the eminent painter to three of the locales with which we now associate his name: the Adirondacks in northern New York State, Florida, and Quebec. Each of these distinctive regions elicited unique and strong reactions from the painter, which took form in works that are brilliant studies of light, atmosphere, and the spirit of place. At his favorite fishing spots, Homer worked in the traveler's medium of watercolor, stretching it ever more boldly and unconventionally in order to convey the intensity of his experience of nature; his response to light and atmosphere peculiar to a given region, a specific season, and a particular time of day; and his feeling for the physical and psychological demands of his favorite sport.

Homer's fly-fishing paintings are an immensely varied and little-understood aspect of his art. They serve as a counterpoint to all his other work, especially in the decades of the 1880s and beyond when fly-fishing represented a regular and sustained activity for the artist. Homer's fishing watercolors suggested to him new subject matter, inspiring or at least intensifying, for example, his interest in commercial fishing and in the lives of the men and women who live by the sea. And his fishing expeditions offered recreation, rejuvenation, solace, and camaraderie, which spurred his imagination. The intense visual experience of fly-fishing afforded Homer a close involvement with nature's mysterious details, revealing new worlds of color, form, and dynamism. He also found through fishing new outlets for his work, new patrons, and an audience of Victorian-era sportsmen who could "read" and comprehend his pictures. 110 illustrations, 80 in color. ... Read more

Reviews (1)

Winslow Homer: Outdoorsman
The art is amazing. And the book is a fine academic effort at explaining Homer.

However, each chapter is authored by a different writer and not every chapter is equally well-crafted. This individual essay format also thwarts any attempt to present a cohesive story arc.

In the end, I still wonder exactly why the outdoors meant so much to Homer; none of the author's fully or successfully explained that crucual detail.

Also, by limiting the book to fishing, the authors have excluded a major portion of Homer's sporting life and artistic inspiration. His hunting pictures are among his most commanding and they get little or no attention in this book. Sport of all sort seems to have informed Homer's life -- and art -- throughout the year; a book simply about his angling art therefore fails to provide a full picture of the man, his life, and his work.

But the stunning art alone is worth the price of admission. ... Read more

Book Description

Offering a fresh perspective on American art from the first half of the20th century, this elegant book presents approximately 200 paintings, works on paper,photographs, and sculpture by such artists as Ansel Adams, Milton Avery, Walker Evans,Edward Hopper, Georgia O'Keeffe, Ben Shahn, Paul Strand, and Grant Wood, alongwith works by other well-known and less-familiar artists. All the works are reproduced instunning full-color and duotone plates. These works have been brought together for atraveling exhibition organized through F.R.A.M.E., a major artistic exchange programbetween the United States and France. This book, published to accompany the inauguralexhibition of the program, includes texts by French and American art historians that placethe works in art-historical context. ... Read more

Book Description

Six colorful scenes of outdoor life and the sea by one of 19th-century America’s most powerfully original painters include The Coral Divers and Gloucester Sunset. Perforated for easy removal, this miniature art gallery will charm fine art enthusiasts as well as those who appreciate depictions of seascapes. 6 full-color cards.
... Read more

Book Description

Perhaps no other American painting is at once so familiar and so little understood as Winslow Homer’s The Gulf Stream (1899). For more than a century, scholars have praised the artist and yet puzzled over this harrowing scene of a black man adrift in the open sea, in a derelict boat surrounded by sharks. Critical commentary, when it has departed at all from the painting’s composition and coloring, has generally viewed The Gulf Stream as a universal parable on the human condition or as an anecdotal image of a coastal storm.

There is more to this stark masterpiece, says Peter H. Wood, a historian and an authority on images of blacks in Homer’s work. To understand the painting in less noticed but more meaningful ways, says Wood, we must dive more deeply into Homer’s past as an artist and our own past as a nation. Looking at The Gulf Stream and the development of Homer’s social conscience in ways that traditional art history and criticism do not allow, Wood places the picture within the tumultuous legacy of slavery and colonialism at the end of the nineteenth century.

Viewed in light of such events as the Spanish American War, the emergence of Jim Crow practices in the South, and the publication of Rudyard Kipling’s epochal poem "The White Man’s Burden," The Gulf Stream takes on deeper layers of meaning. The storm on the horizon, the sharks and flying fish in the water, the sugarcane stalks protruding from the boat’s hold—-these are just some of the elements in what Wood reveals to be a richly symbolic tableau of the Black Atlantic world, linking the histories of Africa, the Caribbean, and the United States.

By examining the "present" that shaped The Gulf Stream more than a century ago, and by resurrecting half-forgotten elements of the "past" that sustain the painting’s abiding mystery and power, Wood suggests a promising way to use history to comprehend art and art to fathom history. ... Read more

Book Description

Winslow Homer's luminous watercolor seascapes and highly spirited portraits of children and outdoorsmen are some of the most recognizable and cherished works in the history of American art. This catalogue, published in conjunction with a major traveling exhibition, examines his pictures from the 1870s, the least-studied period of this perennially popular American artist. Debunking the common myth that Homer worked in isolation, Margaret Conrads reveals him as a controversial artist who was an integral part of the dizzying New York art scene of the 1870s. Indeed, Homer was the American artist most frequently discussed by the press at this time--often with simultaneous commendation and vilification.

By viewing Homer's works of the 1870s through the lens of contemporaneous criticism, the author explains how and why the painter embodied the critics' high hopes for an art that expressed national values. She finds reflected in his vivid images an ongoing struggle to meet these expectations, even as he challenged and helped to redefine the artistic conventions governing American aesthetics.

With almost one hundred full-color plates and nearly sixty black-and-white illustrations, this handsome volume is a remarkable record of an important period not only in Winslow Homer's career but also in the fascinating art world of late-nineteenth-century America.

EXHIBITION SCHEDULE:

The Nelson-Atkins Museum of Art
Kansas City, Missouri
February 18-May 6, 2001

Los Angeles County Museum of Art
June 10-September 9, 2001

High Museum of Art, Atlanta
October 6, 2001-January 6, 2002 ... Read more

Reviews (1)

Very Well Done
This is an exceptional new treatment of Homer from a new perspective. The reproductions are first rate; there are many images that I have not seen before. The commentary is fresh and incisive. Recommended. ... Read more