Book Description

Walter Groppius, granddaddy of steel and glass, conceived his architectural vision in the rubble of WW I and the decadence of Weimar in the decade after.

His doctrine found fertile soil in America, where it was time to adopt a clearly defined and suitable representative architecture.

Tom Wolfe, author of THE PAINTED WORD and THE RIGHT STUFF, treats us to a chronicle of the trends that ultimately brought us the ubiquitous and baffling "glass box" of modern commerce.

"Delightfully witty, biting history of modern architecture...scintillating high comedy of big money, manners and massive manipulation of public taste." (Publishers Weekly) ... Read more

Reviews (23)

Great! but...
Wolfe hits the nail on the head with most of this book. But I also agree with the reviewer who says that he generalizes too much. Granted, he does give Wright due praise, but he seems to lump the rest of the modernists together as if they were all the same (Kahn is treated as just another International disciple and Aalto is conveniently left out altogether). I disagree with a lot of his analysis of early modern architecture, and I happen to think some of the ideas of the Bauhaus guys were very important. But any Corbu-bashing is music to my ears; his late work in particular is just hideous and anyone who doesn't admit at least that much has to be hiding behind pretentious theories or hero-worship. The real prize of the book is Wolfe's excellent take on postmodernism. He basically confirms the suspicion that today's artists are pulling the wool over our eyes, and he exposes the blatant stupidity and intellectualization of Venturi and his cronies. A great read, lots of fun!

Tom misses the target
This is Wolfe's second book dedicated exclusively to the fine(r) arts. The first one was "The Painted Word" where he skewers the art world. That was a *great* book. This one is not.

In this book, Tom misses a good opportunity to skewer the architectural world. (Whether or not such world should be skewered is irrelevant to Tom Wolfe. His goal in life appears to be to criticize all aspects of modern culture. Is he a Republican? :)

His major mistake is his oversimplification of the history of modern architecture. By failing to critically distill the difference between movements, he paints himself in a corner of contradictions. He praises Frank Lloyd Wright, but fails to mention that Frank incorporated elements from the Bauhaus school Wolfe loves to hate. He criticizes some of these "paper" architects for designing buildings that are never built, but fails to mention Lloyd Wright did the same too. (In all fairness, Frank did not get famous because of these drawings, unlike Le Corbusier.)

In "The Painted Word", Wolfe took several movements that to the untrained eye appeared different (compare Rothko and Pollock with Warhol) and found the common thread. He then was able to skewer the entire modern art world by criticizing the common thread.

On the other hand, because most of modern architecture (at least during the period the book covers) is organically related rather than a seemingly-obvious break with prior movements, Tom cannot skewer architecture and its follies in the same manner. Instead, he has to attack modern architecture as a whole. Well, that was more than he could chew, so the book is muddy at best. Too bad. It could have been a fun book to read.

Wolfe tries to make us care about Modern Architecture
Tom Wolfe focuses a jaundiced eye on the sphere of 20th Century Architecture in this slender volume. More a historical summary than an artistic statement, Wolfe examines how socio-economic forces led to the formation of the European art compounds of the twenties, and follows how they led to the state of architecture in America as it existed when this book was written, at the close of the 1970's. The major players are portrayed as arrogant, untalented, and self-serving theorists who have no interest in pleasing the hard-working, money-grubbing bourgeoisie, who after all, are paying to have these structures built, and there is no attempt to garner our sympathy by humanizing them in any way. Fans of Wolfe will already be familiar with this formula, and may still appreciate his caustic views on the topic, but this book is rather too superficial to be good scholarship, and as entertainment, it's only as captivating as its subject matter.

As a writer, Wolfe is Wolfe, and can not be faulted for his irreverent style, his mastery of sarcasm, and his delightful ability to ferret out anything that smells of authoritarian doubletalk. Himself a master of the written word, he is never shy about ridiculing the nonsense that has often passed for scholarship in this field, but is this the fault of the writers, or merely an inadequacy of language itself? As Frank Zappa has pointed out, "writing about music is like dancing about architecture", and writing about architecture probably can't be much more effective. A structure has to be seen to be appreciated, and the dozen or so plates included in this book seem far too few for so essentially visual a medium. In particular, Wolfe's basic premise, that all the architecture of the past fifty years is dull and repetitive, would have been better served by page after page of ugly, cookie-cutter building projects that passed as great architecture.

Disclaimer: no one old enough to actually remember the seventies has any less knowledge of modern architecture than this reviewer, who not only has relatively little interest in the subject, but is notoriously unobservant at the macro level, generally. The relevance, of course, is that anyone who has strong opinions (positive or negative) about modern architecture, or any architecture, for that matter, will surely find this book more interesting than I did.

Don't bother if you LIKE modern architecture
For the rest of us who find cold, modern architecture to be...well...cold and modern, this book will briefly explain why you feel that way...and why some people seem to like it so much. It is a book that is clearly only skimming the surface (look at it sideways, how could it purport to be otherwise) but it's a fun surface to skim. I also wouldn't read this if you're a devout post-modernist. You'll find uncomfortable parallels between Wolfe's jabs at architecture and jabs others make a po-mos. A fun read that will enlighten someone who never hopes to be an "expert" on architecture, but would like to know why some God-awful, very expensive buildings ever got built.

Modern Architecture debunked
I live a few blocks from the marble lollipops at 2 Columbus Circle: Huntington Hartford's Gallery of Modern Art. And as I read the impassioned articles in the New York Times about its impending destruction, I have wondered to myself "What is this strange building, and why do so many people care so deeply about it?".

Tom Wolfe is just the man to tell me. And while he's at it, he put a whole field of endeavor into perspective.

I grew up disliking the "modern" residences that disfigured Haddonfield New Jersey in the 1960s, but being too insecure to say so, and feeling vaguely uneasy about Waterfalls and puzzled about The Fountainhead. Wolfe to the rescue!

It's short; it's sharp; it's funny; it's topical, still; it's entertaining. Buy it, read it and you'll never look at modern architecture in the same way again. ... Read more

Book Description

The ultimate monograph on the complete works of Dominique Perrault, the acclaimed architect of the Bibliothque nationale de France. Dominique Perrault was born in 1953 and has won several prizes for his architecture including the Mies van der Rohe Award for European Architecture in 1997. His work is often characterised by an unadorned austerity and transparency combined with the monumental. This can be seen in his Hotel industriel Berlier and the Bibliothque nationale de France in Paris. Perrault's intention that the building, the surroundings and nature should form an enduring unity is revealed in his Velodrome and Olympic Swimming Pool in Berlin. The manner in which Perrault uses materials shows his masterly sense for their technical, optical, tactile and psychological qualities.

This is the first comprehensive monograph on Dominique Perrault's work to date. It presents 30 buildings and projects in detail, using sketches, plans and photographs, most of which were especially taken for this book.This visual material is complemented by fascinating and informative texts.Each of Perrault's works is interpreted by a well-known international architect, architectural historian or architecture critic, making this a stimulating and invaluable book on Perrault's oeuvre. ... Read more

Reviews (1)

Dominique Perrault Architect
This is a beautifuly photographed book full of Perrault's great works. It mainly covers more famous pieces, but the details of photographs and drawings are great to see. The libary of course was one of the main focuses of this book, but how could it not be since it is one of the most contraversial projects that he has done. ... Read more

Book Description

The “Wu Family Shrines,” one of the most important cultural monuments of early China, comprise approximately fifty stone slabs from the so-called Wu cemetery in Shandong province. Depicting emperors and kings, heroic women, filial sons, and mythological subjects, these famous carved and engraved reliefs may have been intended to reflect such basic themes as loyalty to the emperor, filial piety, and wifely devotion; centuries later, they vividly bring to life the art, social conditions, and Confucian ideology of the Eastern Han.
This generously illustrated book examines the stone slabs and their rubbings as artifacts with a complex cultural history from the second century to the present, and addresses questions about the traditional identification of the structures as Han dynasty shrines of the Wu family. Written by a team of distinguished scholars in the fields of Chinese art and history, the book includes a novel examination of Han burial items in relation to burial belief, pictorial carvings, and funerary architecture.

... Read more

Book Description

Reviews (1)

This was the pioneer
Liang Sicheng is among one of the most outstanding Chinese scholars that I admire and respect deeply. As a young man,the beauty of Chinese architecture inspired him to be the first person who studied traditional Chinese architecture scientifically with western methods.After Liang graduated from U.Penn., he moved to Harvard and registered under Graduate School of Art& Science, where he chose the subject "Chinses Architecture". Because there had almost no references in the area, he promised his professor that he will back to China to collect first hand data, and than back to US to finish his study.
The rest of his story is unbelievably dramatic.( You can find more details in <> by Wilma Fairbank)

I am very glad for the reprint of this cheaper edition, this is the book that every historian of Chinese architecture should have.Highly recommended to Chinese historians as well as architecture lover. ... Read more

Book Description

The internationally acclaimed architect Rafael Moneo is known to be a courageous architect. His major works include the Houston Museum of Fine Art, Davis Art Museum at Wellesley College, the Stockholm Museum of Modern Art and Architecture, and the Potzdammer Platz Hotel in Berlin. Now Moneo will be known as a daring critic as well. In this book, he looks at eight of his contemporaries--all architects of international stature--and discusses the theoretical positions, technical innovations, and design contributions of each. Moneo's discussion of these eight architects--James Stirling, Robert Venturi, Aldo Rossi, Peter Eisenman, ?varo Siza, Frank Gehry, Rem Koolhaas, and the partnership of Jacques Herzog and Pierre De Meuron--has the colloquial, engaging tone of a series of lectures on modern architecture by a master architect; the reader hears not the dispassionate theorizing of an academic, but Moneo's own deeply held convictions as he considers the work of his contemporaries. More than 500 illustrations accompany the text.

Discussing each of the eight architects in turn, Moneo first gives an introductory profile, emphasizing intentions, theoretical concerns, and construction procedures. He then turns to the work, offering detailed critical analyses of the works he considers to be crucial for an informed understanding of this architect's work. The many images he uses to illustrate his points resemble the rapid-fire flash of slides in a lecture, but Moneo's perspective is unique among lecturers. These profiles are not what Moneo calls the "tacit treatises" that can be found on the shelves of a university library, but lively encounters of architectural equals. ... Read more

Reviews (10)

This is true regional architecture, handsome and useful.
Brick Floors and Cypress Beams in Louisiana

Today, real architects don't do charm, but long before it fell out of style, A. Hays Town, born in 1903, was building Acadian cottages, Creole villas and Spanish courtyards in his native Louisiana. After retiring from his commercial practice in the 1960's, he designed even more of these houses, which are beloved by Southerners. Now everyone can visit 25 of the 500 he built in "The Louisiana Houses of A. Hays Town" (Louisiana State University Press; $39.95). The sparse text is by Cyril E. Vetter, and the 200 photographs by Philip Gould prove that good proportion and materials work. White-painted brick walls with red brick floors under high ceilings with cypress beams work even better. This is true regional architecture, handsome and useful.

A subtle salute to the heritage in homes of A. Hays Town
Town, a South Louisiana native and student of the South, offers a subtle salute to the region's heritage in the 25 homes featured in "The Louisiana Houses of A. Hays Town." Photographs by Philip Gould capture the subtle design and recurring patterns in Hays' design. The text by Cyril E. Vetter and a tribute by Andres Duany is reverential...It is tempting to pause over Gould's photographs of Town's work, treat them like Ken Burns treats Civil War photographs and follow the lines. An alley of crepe myrtles frames the brick archway entrance to a richly detailed courtyard...A weathered fence serves as foreground detail for a shot of a deep, brick-floored porch...These are elements of Town's style. His residences wear it well.

Beautiful photographs of timeless architecture
"The Louisiana Houses of A. Hays Town" combines text by Cyril E. Vetter with photographs by Philip Gould. Together, they celebrate the classic houses designed by Town. The book is full of superb photos of both interiors and exteriors. The book ends with a short essay by Andres Duany, in which he declares, "The long, long career of A. Hays Town is like a bridge that brings forth the traditional architecture of Louisiana to the present generation of builders."

Many picturesque elements recur throughout the book: classical statuary, brick floors, exteriors with a look of natural weathering, 2-level exterior galleries, etc. Some particularly memorable images include the following: Hamilton House's interior courtyard overlooked by a second floor balcony; Westerman House's charming lily pond, made from an old sugar kettle; the rustic wood posts on the porch of the Bonnecaze House; the elegant white pillars of the Godchaux House; and more.

My only disappointment is that floor plans for the homes are not included; they would have, in my opinion, given readers a better sense of these houses. Still, if you love great American architecture, I recommend this book.

If you like Louisiana architecture, you'll love this book!
Hays Town developed his own interpretation of Louisiana-flavored design that is timeless. The pictures are inspiring; both inside and out. His total control over the houses resulted in interesting and functional design both inside and out. I would recommend for anyone thinking about building or buying.

True To Life
As an Interior Designer who grew up in the bayou, I find this book to be right on the money. It's better than I ever expected. Anyone who is trying to learn more about Louisiana living or just wants to reflect on childhood memories would lose themselves in this book. It's easiest to understand how Louisiana Architecture affects the Louisiana lifestyle by seeing photographs. For those poor souls who don't know A. Hays Town's work; you will. His position in great American arcitecture has already been secured! ... Read more

Reviews (6)

imaginary photographs of unbuilt buildings
So I'm looking through this book of photographs of unbuilt projects, and gradually I realize. . . I'm looking at photo. . . . graphs of. . . unbuilt projects. They're great-looking photos, too. There's a building at the Salk Institute in La Jolla which I know isn't there, and another Jewish memorial NYC which I don't think exists, and they look great.

What Kent Larson has done is a simple, powerful, cool idea that took a lot of time, energy, MIT architectural thinking, and SGI computing power to accomplish. Larson first pieced together a reasonable paper version of each structure, then assembled a 3-D virtual model of that structure, then had to choose the best virtual camera angles under the best false sunlight for the best portraits. Larson went as far as using high-resolution photographs of existing Kahn walls to skin these virtual surfaces, and added a patina of wear and tear, just to make it more convincing.

So Larson's work is the result of a lot of a helluva lot of choices. It helped the interpretation that Kahn preferred a limited palette of building materials - like concrete - which helped Larson orchestrate this score. It didn't help Larson that Kahn was known for his close attention to lighting effects. All that lighting took the most sophisticated possible CAD/CAM rendering on SGI hardware.

But the payoff is - shocking. You get bright sunlight, soft counter-reflections, complex reflections in glass (the glass-block Jewish memorial is the showboat piece in that respect). You have to see them to know how much you want to believe them, if that makes any sense. To know how much you'd like to visit these six new Kahn buildings that will never exist. In a weird way, this project advances Kahn's career and reputation, not only from beyond the grave, but lapsing over into architectural cyberspace.

Architecture & computer at it's best ......
Larson has not only demonstrated superb skill in computer rendering but also a much deeper understanding of Kahn's architecture. Reviews by Scully demonstrate the histrorical development of Kahns work & Mitchell has done a fine job of giving the analysis. This book will help in establishing some standard for presenting unbuilt works of architecture in the future.

Format of the book is good in its simplicity although some reference to drawings would have made it a more comprehensive study. Great book ... a collecter's item for all "Kahnian's" across the world.

Beautiful Book!
This is not just another architecture book. It is also a beautiful photography book. It is astounding that these luminous images are of spaces that were never built!

Extraordinary
I have known the eight projects presented in this book for over thirty years, but now realize that my understanding was only superficial. This extraordinary volume reveals aspects of the buildings impossible to perceive from drawings and models: the layering of space, the rich materiality, and - most of all -Kahn's genius for manipulating light. Delightfully, this ambitious and unorthodox study is sure to rattle those who regard Kahn as an unapproachable icon.

Presumptuous
Kent larson presumes he can show a finished Kahn using a computer. As we all know, the building process is evolving. It certainly was for Kahn. Larson's leaden computer graphics shed not even the glimmer of a candle on the genius of Kahn. ... Read more

Book Description

Start with a warm tropical climate. Add an abundance of exotic natural building material. And then let the cross currents of Asian design and aesthetics create a rich architectural alchemy of its own. The result? The exquisite homes in the Philippines, a perfect balance of form and functionality. Tropical Living explores this dynamic experiment with breathtaking photography and a fascinating text.

Tropical Living examines diverse residential design styles in both the city and in the countryside, in mountains and at the sea. From a classic old-world penthouse in the Malate area to an Asian-fusion villa on Batangas Bay, over thirty private homes are showcased and captured in color photographs taken by noted photographer, Andrew Chester Ong. Featuring an introduction by anthropology professor, Fernando Nakpil Zialcita, this book is a feast for lovers of Southeast Asia and anyone interested in design concepts from this fascinating and under-representedcorner of the world. ... Read more

Reviews (3)

Highly Recommended!
If you are into tropical architecture, this sure is the book for you! Not much text which makes it of "worth" + great photography! Before planning a house, this sure is a must-have! Houses featured here has its owne individuality and character! Dont miss it!...

A designing must
This is a beautifully photographed and well-organized showcase of wonderful Philippine homes. The range of houses covered is amazing and you're sure to get inspiration from one of the many fine examples of East meets West design as well as the seamless blend of Spanish, Malay, and Western heritage that the Philippines has. The homes are fabulous and even if you aren't thinking of redecorating, you will be after you finish it. One of the things that I particularly like about this is that unlike many books on Asian homes which focus only on either architectural design OR the interiors, this one gives a good balance of both. I just wish that the book had more pages.

Philippine Dream Homes
This was truly a feast for my senses. The Filipino elite is a highly sophisticated, well travelled, cosmopolitan, tropical, and casually elegant group who have developed a blended taste and style of their own. This book could be renamed "Tropical Dream Homes of the Philippines Rich and Famous". What is truly visible in this book is the rich diversity and fusion of the different cultures - Chinese, Spanish, Indonesian, Malaysian, and American - creating a Philippine cosmo-Asian blend. I highly recommend this book. ... Read more

Book Description

Book Description

The move to liveable communities--ideal ``small towns'' and neighborhoods where people work, live, play, and walk from place to place--is on. Profit from what a visionary group of architects leading this movement has learned about designing new ``small towns'' in Peter Katz's The New Urbanism. You'll discover the amazing potential for this kind of work as well as case studies, site plans, project analyses, and 180 beautiful photographs. This unique reference also tackles--and answers--the critical issues of crime, health, traffic, environmental degradation, and economic vitality and opens a startling window on the look and feel of future communities. Every designer can profit from this guide to building the utopias of tomorrow--today! ... Read more

Reviews (6)

Community is not Architecture
I grew up in what new urbanists would probably call a paradise. It was a real community in which neighbours were really neighbours. People did sit on their verandahs and converse with their neighbours on the street. There was an understanding that one could borrow things if the owner wasn't using them. It was considered polite to tell the owner if he was there but if he was away one could just borrow the thing and tell him when he came home if one was still using it. In short it was everything new urbanism wants. This was in a moderately large city in Canada.

There were two things wrong with this paradise:

a) it was not about verandahs, facing the street etc. It was about control and conformity. The neighbourhood protected itself by frowning on unexpected behavior. There was an expected range of interests and an expected range of activity. If someone went out of this range, one could expect social sanctions unfailingly. The dark side of Jacobs 'eyes-on-the-street' is Foucault's 'gaze.' The neighbourhood worked as an exercise in power. The verandahs and street life were instruments of that power. Heaven help anyone who had non-standard interests.

b) the neighbourhood was unsustaining. With the growth of the personal rights ethos, the ability of the neighbourhood to control its inhabitants fell away. No longer could the neighbourhood fathers take action to control petty teenage misbehaviour. Instead personal rights and social policy took these controls away from the neighbourhood and gave them to government agencies. As a result the neighbourhood is now perhaps not unsafe but definitely uncomfortable. No one leaves tools or equipment out now in case a neighbour needs to borrow it. Everything is locked up. The doors are firmly closed and neighbours now complain to the police instead of discussing thier joint problems.

New urbanism seems to miss this point. Neighbourhoods are about local power. For some people this produces a comfortable paradise. For those slightly different it creates a jail of conformity. Some people thrive in it. Some peole will be stifled. Neighboourhoods are an exercise in hopefully beneficent control. Architecture does not create this control. It can destroy it certainly and make it impossible but it cannot create it.

Every library in the country should have this book!
I have only had the book a day and already it has given me great pleasure and joy. I love the fantastic pictures and diagrams. The computer digitalizations on a few existing towns today and what they could be like were truely fasinating. I couldn't help not liking the indepth descriptions of numourous cities, towns, and villages from around the country and canada as well. This book had colorful photos and diagrams, this book to me is pure genus!

how to design urban spaces in small communities
A very good appraisal of design examples of new communities with also a consistent theoretical approach to New Urbanism concepts. This is a necessary reading to those that want to be updated with the best design practices of integrated urban spaces.

New Urbanism: This is how/where I want to live
The basic principles presented in this book are the stuff that dreams are made of. I have shared the ideas presented in this book with many of my friends and they all want to live in communities such as this. We've been strip-malled, mega-malled and automobilized to near-death. New Urbanism as presented here is like a million breaths of fresh air.

It is best to read the basic principles presented in the front of the book first. It may look like dry reading at first but as you get into it, your interest will be piqued at first, then grabbed, and you won't want to put it down till you've read it all. Having read this part you will be armed with the knowledge that, to date, no development or developer has had the guts to follow the principles completely. All of the projects presented include some elements of New Urbanism but none of them have it right. One of the other customer reviewers of this book, Ken Wing, missed this entirely. Hey Ken, there is no people in the Seaside pictures because they want the reader to see the architecture! Those who don't get it, or are afraid of change, tend to trivialze New Urbanism and mis-represent it.

Once you have read this book, you, like myself will want to immediately pack up and move to a New Urbanist community. Better ones are coming out of the ground each year and I hope to see one near me real soon.

Dangerous Ideas That Must Be Read
This is a good book about bad ideas which-because of their influence-simply must be read. The problems with New Urbanism stem from five implicit premises it shares with other approaches to city planning. Consider them in turn.

1. The same design approach is appropriate for both cities and suburbs.

Peter Calethorpe claims the application of urban design principles "regardless of location: in suburbs and new growth areas as well as within the city" is a "simple but unique contribution of this movement." City planning, however, has often applied suburban principles-such as buildings as islands in a sea of grass-in both cities and suburbs. New and old share the underlying belief that the design problem of cities and suburbs is similar. Yet 40 years ago, Jane Jacobs showed us that cities were places where people had to feel safe amidst strangers, which fundamentally distinguished them from suburbs and small towns. The result when premise meets reality is laughable.

For example, the chapter on the upscale, private golf community of Windsor, FL devotes four full pages to the castle-like entrance building where visitors must pass a security checkpoint. Perimeter walls form an important design element of South Brentwood Village, CA. The text and captions don't mention them, but they show clearly in the illustrations. Unless New Urbanism's model is the medieval walled city, it is hard to see these as urban.

2. Community is primarily a matter of buildings and their arrangement.

Those who have not received years of professional training easily fall into the trap that community has to do with people. Planners know better. Community is about buildings and the spaces they enclose. The planners' view is most apparent in the illustrations they choose. Seaside, FL's chapter is typical. Seaside requires front porches, because they supposedly encourage sociability. Seaside's front porches appear in 17 photos. Exactly one porch is in use. Of the six photos showing Seaside's public pavilions and gazebos, but one is in use. The photo of the pedestrian-friendly sand walkway is empty. The planners are proud of their porches, pavilions, paths and gazebos. They constitute "community." Who needs people?

3. Appearance is more important than functionality.

Planners design and evaluate with primary reference to aesthetic standards. The design must work at some level, but that limits rather than drives what the planner does.

For example, the proposed conference center entrance in Montreal is a grand staircase, but it is hard to imagine anyone using it except joggers seeking a challenging exercise regimen. A large stair is also proposed for a park in Communications Hill, CA, not to get up and down, but to "terminate the view from a nearby street."

The plan for part of Brooklyn, NY, shows a seven block length of Atlantic Avenue taken up by five buildings with nearly identical facades, three one-block long, and two two-blocks long, blocking two cross streets. The centerpiece of this stretch? A two-block-long parking garage. Does anyone really believe vibrant street life could exist here?

4. Inside the boundary, plan. Outside, ignore or conquer.

A convention of the planning field concerns how the area surrounding that planned for is portrayed in plans and renderings. Of course, the planner's work is always shown in living color and full detail. Two basic approaches are followed in showing surroundings. In one, surroundings are simply left out, as if the planned area were a space station, or the sole settlement on a virgin continent. In the second, surroundings appear in monochromatic outline, making the viewer aware there is a context, but giving little information about it. Whether this convention is cause, effect, or coincidence, what is clear is that it strongly parallels planners' values and thought process.

This premise can be seen in action in what is perhaps the worst single design feature in the book. A "major goal" for the Clinton area of New York City was preservation of the few remaining low-rise buildings, including a corner gas station. To the planner, this meant the gas station was "outside" the planning area. Not content with surrounding it with an eight-story building taking the rest of the block along both street frontages, the planner proposed building a canopy on air rights over the gas station, thus engulfing it, amoeba style. Such bizarre design makes sense only when one starts from the planner's premise that what is outside the plan is at best something to be ignored, and at worst an obstacle to be overcome.

5. Give planners complete control. They know best.

The desire of planners for complete control is evident from the opening essays, where the wants and ideas of "businesses and public officials" are referred to as "hurdles," and the changes a planner makes to incorporate others' ideas are called "accommodations" and "compromises." Examples of building codes to limit architects and builders to the planners' vision grace several chapters. The pinnacle of control is achieved in Mashpee Commons, MA, where the developer retained ownership of streets to avoid zoning setback requirements.

The premise that we would all be better off if we would just do what the planners want stems from their deep seated belief that they know best. I hope it is apparent by now that this hubris has no basis in ability or performance.

As horrifying as these five premises are, it hasn't stopped New Urbanist planners from getting plenty of work, and in many cases getting their plans built. For suburban developers trying to create a simulacrum of pre-WWII, small-town America ala Disneyland's Main Street, the New Urbanism is probably harmless. For cities, the stakes are considerably higher. Cities have already suffered immensely at the hands of planners, and in their current state can hardly afford another round of arrogant ignorance. New Urbanist planners have already been to work on New York, Los Angeles, and Montreal. Read this book before they come to a city near you. ... Read more

Book Description

This book documents the transformation that Balinese architecture and interior design have undergone over the past five years.Cleaner lines, more imaginative use of space, A-frame roofs, and the use of stone, concrete, and ceramic roof tiles are increasingly visible along with the traditional coconut wood, teak, and thatching. ... Read more

Reviews (2)

There's no place like Bali...
Many westerners have set up homes in Bali, which have long been a magnet for western culture-hound. Here,writer and photographer showcase what the island's most inspiring examples of contemporary residences, shops, restaurants and of course the beautiful resorts that Bali is renowned. The work is well researched, featuring architectural and interior detailing of cross cultural legacy and an amalgamation of both modern and traditional. The text includes little stories of origins and legends. And as always, Lucca Invernizzi Tettoni's superb photography, mostly outdoor shots of the creme de la creme of Bali's private and resort landscaped gardens. This work captured all parts of the Balinese tropical living experience, proving why Bali is often remembered as the place to rejuvenate the soul.

Bali,Modern The Art of Tropical Living
This is just what the doctor ordered for enthusiasts of tropical decor and culture. By focusing on the use of modern (alibet, longer lasting) building materials with techniques designed to provide a tropical ambiance is neat. It's not something that I have found elsewhere. It would also be nice to provide some interior decorating schemes to be translated into the American shopping market using or importing accessories from the Bali region or using alternative sources for the "tropical" look from other areas, i. e., the British West Indies, the Caribbean, major U.S. catalogues, etc.

Thanks for the opportunity to comment. ... Read more

Book Description

Traditional Japanese homes, with superbly crafted fine wood, great workmanship and seasonal interior arrangements have an aesthetic and infinite simplicity, embracing the innermost sanctum of the spirit.

Japan Style introduces 20 special residences which were built in the past century. With more than 250 color photos, this book showcases the stunning beauty of the old homes, and reveal how they are cared for by their owners. Unlike Japanese inns and historical buildings, the houses featured in this book are private property and are not open to public viewing. Japan Style offers a rare glimpse into the intimate world of the everyday Japanese and fascinating insight into the traditional architecture of Japan. ... Read more

Book Description

Featuring 275 full-color photographs, this is the first book to reveal the privately owned mansions and gardens of Newport that are closed to the public and not part of the tours given by the Preservation Society. Never-before-published photos of these homes, which have been designed by distinguished architects and landscape designers, are stunning examples of Newport's 375-year old-world architectural heritage. ... Read more

Amazon.com

Before opening Tropical Houses, hide your passport. As soon as you get a glimpse of these incredible houses nestled among lush tropical landscapes, you'll want to head straight to the airport. Author Tim Street-Porter spent more than 10 years traveling through Jamaica, Sri Lanka, Bali, Java, Mexico, and Belize, meeting the owners of these Shangri-las and taking interior and exterior photos. Tropical Houses offers intelligent, dreamy commentary and over 272 breathtaking full-color photos.

Visit the House of Iseh in Bali and sit in the verdant shadow of the sacred volcano Gunung Agung. Said writer Anna Mathews of the view from the terrace: "Once you have lived in this place you can never be the same again. You are driven mad by beauty." In Jamaica, imagine you're a guest at Good Hope. Originally a plantation, Good Hope is now a 10-room villa thatoverlooks the Queen of Spain valley and the Cockpit Mountains. To look at these provocative photos is to imagine yourself in another life--one where you lounge on the veranda while white-jacketed waiters quietly replace your empty rum-and-pineapple drink. The owners of these estates have taken great care (at great expense) to create private, tropical paradises. One of the most stunning is Taprobane, an incredible retreat dominating the tiny island of the same name. Built by Count de Mauny-Talvande, the house is "an octagonal villa that allowed for verandahs in every direction; a 1930s folly, which, with small gardens extending through the foliage to the overhanging edges, fully occupied the crest of his island."

The careful architecture and landscaping of these estates "opens a world of sensual experiences." When the sky is gray and you don't have time for a vacation, Tropical Houses will lift your spirits and quiet your wanderlust. --Dana Van Nest ... Read more

Reviews (5)

Beautiful and Exotic
The cover is just a teaser to the exciting tropical houses Tim Street-Porter captures in this wondeful book. A real treat to exclusive tropical living around the world. Also an excellent reference to decorate in the tropical look. Street-Porter does it again as he did in Casa Mexicana. A book to enjoy over and over.

Perfect for Decorating Ideas
We are trying to get an "island" feel for our home and this book was the perfect reference. Not only are the pictures of the homes (inside and out) breathtaking, but there is enough detail about the decorating itself to be useful for our purpose. The only downside is that it makes you want to sell your current house and just travel the world staying in these amazing homes! Especially tempting is the contact information at the very end in case you actually want to rent one of them on vacation...

Great book
I found this to be a wonderful book - it has some amazing pictures. It affords you the opportunity to view some beautiful private houses that you are unlikely to be able to visit. Unlike some other books that focus primarily on houses in South East Asia, this one also features some great houses in Mexico and Jamaica.

The Best in Tropical Houses
Tropical Houses takes you around the globe to find some of the most interestingly designed homes in the world. The photographs are at once detailed and lush. If you are going to buy one book on tropical interiors, this should be the one.

Photographic tour of Tropical Houses
Outstanding! Tim Street-Porter's wonderful photographs capture not only the beautiful interiors of these homes but also the sensual tropical locations in which the homes are located.

Tim Street-Porter introduced many readers to the exotic palapa villas of Careyes in his earlier book Casa Mexicana, and the new book includes a breathtaking section on the area.

The book will have you strategizing on how to buy a house in one of these exotic locales. ... Read more

Book Description

"A good, solid work which deserves to become a standard text." --Journal of the Society of Architectural Historians
"The fresh approach and fluent style give the book a welcome new slant on the subject." --Library Journal ... Read more

Reviews (1)

Good Survey of American Architecture
Allthought not the best book ever written on American Architecture (Learning from Las Vegas, etc), it does provide a good overview of the evolution of architecture in America from the functionality of house forms in the early colonial times to asthetic forms of the 20th century. The book focuses on the regional influences which dictated the building forms of the early periods from materials to climate, which are often overlooked in broader surveys. Much has been written about the Segrams building in other books, but this book will give you a better understanding of why houses in the South are brick with external chimneys and New England houses are clapboard with internal chimneys. ... Read more

Book Description

Reviews (4)

Overpriced and disappointing
Since the author touts himself as a descendant of Stanford White, one doesn't expect much in the way of critical perspective from the text of this book. More disappointing are the contemporary photographs - although reproduced at enormous size, they are oddly flat and lifeless. For a better book at a better price, check out "The Architecture of McKim, Mead & White in Photographs, Plans and Elevations"

Masterworks Still Vital to the American Landscape
When captains of industry like Morgan, Astor, or Vanderbilt chose to build grand edifices they engaged the services of the architecture firm McKim, Mead, and White. During the firms most inspired period (1879-1915), it built nearly 1,000 commissions, including many famous and important buildings that are still vital parts of the landscape and include: The Morgan Library, Boston Symphony Hall, Columbia University, and the American Academy in Rome.

Written by Samuel G. White (great grandson of Sanford White) and Elizabeth White, McKim, Mead, and White: The Masterworks documents non-residential works of America's greatest classical architects. This new book showcases twenty-four public buildings in remarkable detail. The majority of the buildings included in The Masterworks are still in use however several notable examples; Madison Square Garden, Penn Station, 4 pavilions at the World's Columbian Exposition, and Madison Square Presbyterian Church were demolished long ago.

The architects spared no expense when they created their masterworks and it is apparent that Rizzoli Publishers spared no expense in producing this lovely book. Contemporary color photographs by Jonathan Wallen document the buildings as they are today capturing the totality of their grandeur as well as their finest details. Fascinating archival photographs illustrate how the buildings appeared were when their doors first opened. And almost every building profile is augmented with elevation drawings, sketches, watercolors, and other rare background material. An informative text accompanies each profile. It sheds light on the personalities of the architects, their sources of inspiration, the personalities who commissioned the buildings, and the times when they lived and worked.

The Rule of Taste
One of the most handsome books on architecture of recent years, beautifully written in a style that is concise without being in the least off-hand. You may find yourself mourning the passing of an age when so much distinguished architecture enhanced our cities, and mourning equally the fact of so much of it being taken for granted (and in many cases, heartlessly demolished)

One regrets, however, that the book's designers have gone the fashionable route of having its pages printed in a nearly matte-finish.
Rather than being the velvety ideal, here the photographs seem compromised by this technique. A good example is the photograph of the library at the University Club,( New York). What must be the most complexly rich and improbably Italianate room in North America comes off looking disapointingly murky and flat.( The author/photographer's previous book, Houses of Mc Kim Mead White, while employing the same approach, was rather better printed.)
But this is a quibble; the book is ravishing.

A lavish, beautiful book.
This is one of the most gorgeously photographed and inspiring works on American architecture available. Page after page of elaborately embellished interiors await the eye; a true feast of beauty, and a "shame on you" to the priests of pre-fab who have dominated our architectural heritage since McKim Mead and White. ... Read more

Amazon.com's Best of 2001

Palm Springs Weekend could have been just a breezy look at the celebrity culture of this California desert playground. Instead, Alan Hess offers an authoritative yet refreshingly nondoctrinaire view of the various ways European and American architects--some famous, some not--adapted the canons of modernism to suit the desert climate, landscape, and lifestyle. With evocative vintage photographs and an engagingly retro design by Andrew Danish, this is one of the most enjoyable popular architecture books in years.

The story begins with "the panorama of brown rock... peppered with ever-changing shadows and the unexpected desert plants that turn this great natural wall into a tapestry of texture and color." Then came the wealthy industrialists and Hollywood royalty who wanted vacation homes and were more or--at least initially--less amenable to modern design. Car culture and casual living morphed the international style into new silhouettes and textures fit for a modern oasis.

Swiss émigré Albert Frey designed minimalist houses "like tents staked in the desert." Richard Neutra's famous Kaufmann House has polished glass walls, flat, floating roofs, and luxury finishes, while John Lautner's Elrod House--seen in the James Bond film Diamonds Are Forever--is a futuristic concrete cave. Tract homes by William Krisel and Dan Palmer for the Alexander Company offered a mass-market modernist solution, with butterfly roofs and patterned concrete block walls crisply defined by the intense sun.

By the early '50s, local projects also included civic and commercial buildings. Memorable nonresidential projects range from William Cody's Huddle Springs restaurant, with its bold angled beams, canvas awnings, and open plan, to Victor Gruen's City National Bank, on which a sweeping curved roof reminiscent of Le Corbusier's Ronchamp chapel meets the desert opulence of gold filigree. --Cathy Curtis ... Read more

Reviews (3)

Palm Springs Local
well as an avid collector of Mid-Century artifacts. I was very impressed by the book. Palm Springs is an amazing city and to just drive around in your car and look at the fascinating architecture is so awesome. To me being here and loving that style of design is just a bonus. But when some tourist saw me driving my beloved 62 Valiant wagon yelled out of their window "We saw you in Palm Springs Weekend" I asumed that they ment with my band. Until they said "With this car" That is when I realized The photograph I had candidly posed for a year before. I got a hold of the book and sure enough there I was. It makes me proud to be in the book. And I hope that Alan Hess and Andrew Danish Have great success with their careers. And I pray that the book will open peoples mind to the likes of Albert Frey and Richard Neutra and the many other designers who have shaped the deserts amazing style which needs to be preserved and not demolished as society grows. An awesome book and a must have for every Mid-Century modern enthusiust.

Enjoyable historical and architectural tour
While I initially bought Palm Springs Weekend as a coffee table book, it is much more substantial -- a great read, with the historical perspective necessary to appreciate the architectural legacy. Hess and Danish provide a tour from the beginnings of the desert resort in the 1930s, through the Hollywood migration of the 1940s and '50s and continue with the decline and then reawakened interest in modernism. And yes, it is a handsome book to have out for guests.

PSW earns high marks for balance, not focusing unduly on celebrity homes but instead providing a survey of significant commercial buildings, architectural trends and the personalities (Cody, Frey, the Alexanders) that brought the modernistic vision to life. Because of this, most readers interested in architecture will find it more useful than glamour-shot books of multi-million dollar homes behind gated walls. Several of the buildings noted are readily observable to visitors.

In addition, the authors illustrate the aspects of the culture that spawned Palm Springs. It is a remarkable journey because it is only recently that we have begun to view the 1950's, for example, as a period that has left us 'historic artifacts' worth appreciation. Less affected than neighboring LA or San Diego by overwhelming population growth, Palm Springs is something of a monument to the way things were. Hess and Danish do not overlook this.

While it is disappointing to see the cookie-cutter tract homes being built as the desert communities expand eastward, Palm Springs retains many of its unique homes, many of which are accessible to those of moderate means. PSW helps us appreciate the imaginative architects of the 'midcentury oasis', in their successes and even manages to evoke a bit of appreciation for some of the eyesores. A must read for anyone restoring or considering the purchase of a special home in this fascinating place.

More than a weekend
If you like mid-century architecture you'll love this book. Showcases not only on the 'finest' (and familiar) works of some extraordinary architects/builders in this resort town, but also offers up a bit of kitsch too. Often neglected but valuable nonetheless and is part of what makes Palm Springs the town it is. Very well written with lush photographs. I came away with insights into the making of an American resort town. Almost as good as being there. ... Read more

Book Description

Newspaper tycoon William Randolph Hearst and his legendary California estate occupy a place in the public imagination through Orson Welles's Citizen Kane, but Kane's brooding Xanadu was merely a caricature of Hearst's exuberant castle at San Simeon. This new book sets the record straight and proves that, for once, truth is better than fiction.

Here for the first time is the real story of Hearst Castle, and of the productive 28-year relationship between Hearst and his architect, Julia Morgan, who collaborated on the magnificent 165-room estate set on 250,000 breathtaking acres near the remote seaside hamlet of San Simeon, halfway between Los Angeles and San Francisco. Drawing on previously unpublished correspondence, and illustrated with never-before-seen historic photographs as well as more than 150 stunning color pictures, Victoria Kastner chronicles the evolution of this extraordinary hilltop, with its two spectacular pools and its astounding collections of fine art and antiques. Sprinkled throughout with stories of the famous parties hosted by Hearst and his companion, movie star Marion Davies, and their celebrated guests, this book brings to life America's most glamorous country house.

259 photographs, 157 in full color, 9 x 113/4" ... Read more

Reviews (4)

Hearst Castle Fans Should Not Miss This!
A first rate account of the building of "La Cuesta Encantada" with new information I have not found in other Hearst Castle books or by taking the castle tours many, many times since I was a little girl. Thoroughly enjoyed it. Can't wait to visit the castle again with this new knowledge.

The life and times of an American castle.
This book gives an intimate look at one of "America's Castles" from inside and out. The history of the building site is covered, as is the design and construction of the buildings. The life and times of W.R. Hearst and his friends and loved ones are presented in such a way as to flesh out the character of the house.

I just finished reading this book, and I'm tempted to pick it up and start all over again. This is one that I'll reread often.

The layout of the book is interesting and eye-catching, but the tints used on the pages sometimes make the text difficult to read. Make sure you sit down with this book in a very well-lit room -- not only will light make it that much easier to read, you'll be able to enjoy the wonderful pictures more easily.

This book is useful on several levels.
I do not know about you? But I do not notice things in front of my face unless someone points them out to me. When I go to museums I need to go twice once with someone to point things out and again for my own exploration. I used this book for the point out phase. It is more intricate than a biography film.

There are several color pictures (259 illustrations) that point out items of interest, many more with maps and history (157 plates in full color). There is an expansive preface, forward, introduction, and prologue. There are twelve chapters that carry you on a historical tour of the castle.

I am not going to go through the book, as that is why you are purchasing the book and not the review. However on a personal note after looking at the book I went to the castle. I stayed overnight on the San Simeon coast to complete the tours in two days. As with all pictures the pale compared the real thing. However you now can use the book for memories. I did bring a camera. However you are not allowed to use a flash. And I have to admit that Victoria Garagliano is a better photographer. I think the cover shows the most impressive part of the castle. The Roman pool is located inside and under the tennis court. Just like the picture it is cool quiet and reflective. I did want to jump in just for the fun of it.

Now I leave the book on the coffee table so some unsuspecting person (and they are rare) will ask me about it.

A Splendid, Comfortable Home
Ever since the estate at San Simeon became the property of the California Department of Parks and Recreation, anyone can pay to see it and take the various tours through Hearst Castle. It's worth the trip down from San Francisco; if you can't make it, there is now _Hearst Castle: The Biography of a Country House_ by Victoria Kastner, with photographs by Victoria Garagliano. As befits its larger-than-life subject, this is a big book with gorgeous pictures, but the pictures are within a very helpful historic text, so even if you have seen the house, there is much to learn. There have been tourist picture books of the house before, but this is the first book to tell the house's full story. The story largely concerns the partnership between the architect Julia Morgan and her famous client. Miss Morgan is regarded as the first woman architect of any prominence in America. She and Hearst worked on the huge castle, adjacent guest houses, pools, and gardens over three decades. She had responsibilities even for his zoo animals, and he was essentially her patron. They were superbly able to work together, and to have obvious fun in accumulating and displaying the riches illustrated in this book. Morgan put up with Hearst's changeability, with every building turning out quite differently from how it was first planned. Given his impulsiveness and the span of time of construction, it is astonishing that the site has any architectural unity, but she managed to make it a real showplace.

The book also documents the entertainments held by Hearst's lover, Marion Davies, with whom he had a longstanding, loving, and happy affair. She was a perfect hostess at the Castle; guests and staff loved her. Hearst loved fun in his own way, but spent much of the time at the Castle managing his business affairs by phone, leaving Davies to show hospitality to all visitors. It was very unusual for their time, but they rejected socializing with the established money and society of the East coast, preferring to have Hearst's own business associates and movie stars as guests. Pictures in the book show Charlie Chaplin, Cary Grant, Jimmy Stewart, and many others.

Much of _Hearst Castle_ is taken up with pictures to document the astonishingly rich gothic interiors. Unlike most castles, however, this one feels like a home. There are comfortable overstuffed chairs and sofas throughout, and a poker table jostles with Renaissance-style sculpture. It is clear that Hearst and Morgan had fun tearing down and building up, and collecting the artifacts that range from ancient bric-a-brac to priceless masterworks. _Hearst Castle_ is a lovely homage to a great American house. ... Read more

Book Description

A hundred miles north of San Francisco on California Coast Highway 1, the Sonoma County coast meets the Pacific Ocean in a magnificent display of nature. Waves crash upon the rocks or wash up on beautiful stretches of sandy beaches. This is the location of The Sea Ranch, an area covering several thousand acres of large, open meadows and forested natural settings interspersed with award-winning architecture. When the area, a sheep ranch well into the last century, was rediscovered for its beauty in the 1960s, it came to be envisioned as a home community that harmonized with the environment.Renowned landscape designer Lawrence Halprin's master plan for The Sea Ranch community accordingly incorporated a set of building guidelines that minimized the visual as well as physical impact upon the landscape. Subsequent buildings by architects such as Joseph Esherick, Charles Moore, William Turnbull, Obie Bowman, Donlyn Lyndon, and others have been recognized worldwide for environmentally sensitive planning and architecture. They sparked a generation of imitators that became part of what is known as "The Sea Ranch style," epitomizing what many people imagine when they think of Northern Californian architecture.This beautiful monograph, lavishly illustrated with over 300 newly commissioned photographs and including maps, plans, detailed descriptions of the houses, and essays by Donald Canty and Lawrence Halprin, presents the definitive record of The Sea Ranch community. ... Read more

Reviews (1)

Fine house-by-house considerations of design
Essays by Donald Canty and Lawrence Halprin accompany beautiful black and white and color shots of California's architectural wonders of the coast which comprise the exclusive Sea Ranch community of homes. Ecologically inspired planning and innovative architectural dreams and designs went into the formation of the California's Sea Ranch community, which sprawls across several thousand acres of land. This could easily have been a picture presentation alone, but the fine house-by-house considerations of design, plan, and history makes it much more, and The Sea Ranch will be revered by architectural reference collections in art libraries. ... Read more