Reviews (6)

Capturing the Spirit of Chinese Brush Painting
What a delightful treat for painters of all stages!!! Nan Rae's book is a very lively and spiritual work that draws you to her obvious passion for her art. I'm a beginning painter and have bought several brush painting books. The Ch'i of the Brush is a very dedicated book with beautiful illustrations that are easy to follow-her directions and explanations make you feel that she were giving you the lessons right in your own home!! This book gives you an exciting confidence and enthusiasm for the art that makes you want to learn all that you can do. The histories and works included are very appreciating and thorough--very interesting to read. Plus, the most beautiful part--Nan Rae's wonderful illustrations and paintings are displayed page after page and her happy spirit lifts right off of those pages!! If you could pick only one book on Chinese Brush painting, this is definitely the one to have.

Lacks the True Spirit of Chinese Painting & Culture
Being a collector of traditional and contemporary Chinese paintings for over 25 years, I am also very interested in the variety of techniques different Chinese painters use. This book covers the basics of Chinese brush painting, ideas and concepts taught for hundreds of years so there nothing new in this book. Not seeing Nan Rae's work prior to purchasing this book, I was very surprised by the mediocre level of her paintings. Her paintings have a western influence but her ability to merge the two cultures just doesn't work. For myself and other fellow collectors, her paintings in no way capture the essence of what true Chinese culture and its painting is all about. Another disappointment about her work (from this book and website) is that many of her paintings are copied (and not very well at that) from older Chinese paintings and famous artists works. If your really interested in Chinese painting techniques, find books by true Chinese painting masters such as the Chinese painting series by the Asian based publisher Art Book Co. (with English text) and not someone who paints as if it were a casual hobby. Buy this book if you're interested in "reading" about simple Chinese brush techniques but once your actually begin painting, find some reference paintings created by actual Chinese artists who capture the true spirit of Chinese painting and the culture.

A Must Have Book! A Real Treasure!
This is a book filled with beautiful art. From the helpful detailed instructions for the beginner to the inspirational techniques and compositions for the experienced artist, this is the one book you must have on oriental brush painting. I teach brush painting and every student lights up when they look through this book. This book goes to every class I teach and every student wants a copy to take home. I have many books on brush painting but this is one I will always treasure.

Exquisite Eloquence: The Art of Explaining Art
The first thing that struck me as I thumbed through this graceful publication was how visually beautiful it was. I thought perhaps I had purchased a lovely coffee table book! Ms. Rae's work is beautifully reproduced on its pages and alone is reason enough to buy this book. As I dug deeper, I have discovered the author writes as eloquently as she paints. Her explanations are clear and concise and the illustations are very helpful. But more importantly, perhaps, woven throughout the book is an underlying sense of encouragement. This author doesn't just want to show you "how-to," she wants to inspire you. And I must say, she succeeds. I also suggest checking out her website. She is a prolific and exuberant artist!

a wonderful and perfect book for painters and art lovers ali
This is **THE** Ultimate Chinese brush painting book
Being a student of chinese brush painting I have bought quite of few books on the subject. This one is simply the best and... the most beautiful. It's a perfect book for book beginners and advanced painters, but it is also a book that should make the day of people who simply want to understand chinese painting better.
Nan Rae's paintings are incredible, her writting style is easy to follow, precise but humourous, never boring or too technical.
A must buy for any one interested in arts.
I know what I'll get my friends for Xmas this year! ... Read more

Reviews (1)

Another life for Botticelli
In the life of Sandro Botticelli, Lightbown does not remark the big season of secret science that linked several artists in and around Florence.
This science that today we can call "esoterism" come from the recent middle age and increased in Florence his importance.
The Great Lorenzo dei Medici was one of the most important men of this matter. ... Read more

Book Description

For both beginning and advanced painters, water can be one of the most popular but least understood of elements. In this instructive guide, author and artist E. John Robinson shows the secrets of painting water, its special properties, and the limitless ways it can be used in paintings of all mediums.

Readers will discover how to use water to convey mood, to capture the effects of wet streets and mud puddles, and to portray fog, ice, and water's reflective qualities. They'll also learn how to paint creeks and lakes, rivers and waterfalls, harbors and the ocean, weaving sunlight and shadow into all their water scenes to create works that flow with life. ... Read more

Reviews (1)

Wonderful, but not as good as the last 2 books!
If you are looking for the same level of instruction as in the prior E. John books, you won't find it. The pictures are beautiful but no major step by step process--more a global overview. I pre-ordered this book months ago, as I think E. John is a phenominal painter and seems so spiritually attuned and connected with the ocean. I was a little disappointed with this edition, but being an admirer of E. John Robinson's, I would have purchased it anyway. ... Read more

Book Description

Situated in the heart of Paris, the Musée d'Orsay boasts the greatest collection of Impressionist and Post-Impressionist art in the world, unparalleled in its diversity and quality. Since its opening in 1986 in a spectacularly renovated train station, the museum has welcomed more than 50 million visitors to its collection of works by Bouguereau, Courbet, Renoir, Cézanne, Van Gogh, Monet, Manet, Redon, Whistler, Gauguin, and other artists of the mid-19th century to the early 20th century.

In this deluxe, oversize volume, the museum's director, Serge Lemoine, and his team of curators and specialists examine this extraordinary collection, ranging from the primacy of Academic painting through the shock of Impressionism to the rise of modern art. With 830 full-color illustrations of masterpieces by some of the world's best-loved artists-from Van Gogh's Bedroom at Arles to Cézanne's Apples and Oranges-this is the definitive guide to paintings in one of the world's most popular museums. The exhaustive scope of this book and the richness of its imagery make Paintings in the Musée d'Orsay an essential addition to the bookshelves of all lovers of Impressionism and of great art. AUTHOR BIO: Serge Lemoine is director of the Musée d'Orsay and a professor at the Sorbonne. He has published numerous books, articles, and essays, particularly on abstract, Constructivist, and Dadaist art. He has also organized many exhibitions in France and elsewhere. ... Read more

Book Description

Iconoclastic, generous, inventive, impulsive, sensitive, gregarious, prodigious: these are just some of the words to describe Robert Rauschenberg and the art he has been making now for 50 years. From the age of 38, when he received the grand prize at the Venice Biennale in 1964, Rauschenberg has been a pivotal figure in the art of our time. This revised edition of the classic biography of the artist, first published in 1994, adds 36 new pages to cover the significant moments in the last ten years of his career, including his monumental career retrospective at the Guggenheim in 1997.

With 230 illustrations, 112 in full color, Rauschenberg: Art and Life is a richly impressive and highly readable portrait of the artist. Showing the astonishing dexterity and range of Rauschenberg's art even as an emerging artist; the creation of his now famous combines; his eagerness to bridge art and technology; and the establishment of ROCI (Rauschenberg Overseas Culture Interchange), this is a book, as one reviewer put it, "to grab from a burning house." AUTHOR BIO: Mary Lynn Kotz is the author of the best-selling Upstairs at the White House, Marvella, and A Passion for Equality (with Nick Kotz). She is a contributing editor to ARTnews and has written for many major magazines in her 20-year career as a journalist. She lives in Washington, D.C. ... Read more

Reviews (3)

The Best
I have always wanted to attend a seminar given by Mr.Handell, however due to allergys, it has not been possible. I am so pleased that his book is available and it is all that I had hoped for and a treasure to review again and again.

Teaches how to "see" and "feel" light.
Not a workshop-type paint-by-numbers book, the book is more a photo-gallery packed with colorful, clearly rendered paintings. The text illustrates how the artist "sees" light under different conditions, for "light" itself is the subject matter Mr. Handell's paintings. The artist/author is very cognizant of the emotional effect that light conditions create in a viewer, and extremely gifted at translating this response through pigment. The paintings in this book show the success of Mr. Handell's emotional approach. Gives insight into "seeing" and "frame of mind".

exhaustive coverage of one artist's work
I bought "Intuitive Light" to learn more about techniques in pastel media. I thought the book is useful in this regard. The book could have been much better if other work was also displayed and discussed. The entire book shows nothing but Albert Handell's paintings. In my own opinion I like to see painting instruction show lots of different artist's work. ... Read more

Reviews (2)

an eye opening book
i had the experience of being flooded with light and clarity when i first opened and browsed this book. my enthusiasm is in part because of kemp's extraordinary scholarship and detailed command of paintings and art publications across the entire span of western art. but it's also because the story of artistic imaging over the past six centuries is woven around the european romance with linear perspective, which has become so discredited and disliked by artists that it qualifies as a repressed memory. (like any buried memory, perspective surfaces in the dreamlike digital animations of intergalactic science fiction and first person computer games, which take perspective effects to the ultimate level of technical accuracy and artistic triviality.) kemp unearths those repressed perspective memories and shows how vital they were to the development of art and the connections between art and the wider culture of the times.

it is jaw droppingly fun to see how intensive, sophisticated and singleminded was the artistic interest in optical and perceptual issues of seeing. everyone will find special surprises here, but mine include kemp's spatial analysis of velazquez's "las meninas," and the extraordinary drawings and engravings produced c.1800, which force us to realize that we are already looking at "photo graphs," light drawings created by hand, at a time when film photography was not yet practical. there is a large section on various optical devices utilized in visual arts, including the camera obscura and camera lucida, and an excellent section on the evolving understanding and use of color, from the renaissance to seurat.

poignant for me was the victorian fascination with light as a spiritual quality, which comes through in turner's paintings and ruskin's amazing perspectival studies of "clouds" -- images that verge on op art. the intelligence and strength of these images reveal a road left untraveled in art, which turned toward the perceptually driven styles of impressionism and fauvism instead. as a bonus to the many interesting visual exhibits, the writing is lucid, sensible and alert. an invaluable publication.

At long last a scientific approach to art history.
It's amazing what happens when a scientist studies art history. This is a historical perspective on color theory, camera obscura and perspective. It relates the work of indvidual artists to the advances in science.

The refreshing thing is that Kemp realizes that artists who used perspective were not slaves of science, and an artist such as Turner actually realized that the main item of interest in a scene perceptually appears larger than mathematics would dictate.

My favorite story is how it was considered obvious that there were 5 primary colors because Christ had 5 stigmata, but when Newton proved there were 3 primaries, that was obvious because of the Trinity.

This book is certainly not an easy, but the knowledge gained should forever change the way you look at art. ... Read more

Reviews (2)

Very, very good
A lot have time was put into writing this book I can tell by the way it was written. Very good book on a hard period of art to write about.

A brilliant discussion of an underappreciated movement
This book documents what was quite possibly the largest and finest exhibition ever devoted solely to fauve painting. This brief movement, sandwiched between the towering achievements of impressionism, post-impressionism, and cubism, is a relatively overlooked one in the history of 20th century art. Concentrating on landscape painting as the heart of the fauvist view of reality, the essays are some very fine scholarly re-appraisals of the social and economic history of fauvism. The book itself is beautiful, with a superior design and extremely high standards of photographic reproduction. My only quibble is the near-total exclusion of figure-painting from the discussion (even as a point of comparison), and the authors' focus on social history leaves little space for aesthetic issues to be discussed. The essays treat these fantastically beautiful paintings as mere documents of economic relationships, a common art-historical focus nowadays, but one which does little to educate the reader in the marvelous way of seeing represented by these images. ... Read more

Book Description

This book is a comprehensive guide to painting murals both inside andoutside the home, whether it be a child's room, entryway, kitchen, or garden. PatriciaSeligman begins with a brief history of this artform, with photographs of unique muralpaintings throughout the world. She follows with demonstrations on how to prepare awall surface for painting and how to select the materials for the job.

Artists will learn how to choose an appropriate subject for their mural, select colors thatwill create the desired effect, and transfer their design to the final surface. They'll learn aseight different murals are created step-by-step-including those in a child's room,bathroom, study, hallway, and on a ceiling.

Through these projects, artists will discover how murals can be used to create visualtricks with the eye, provide a focal point to a room, create illusion of more space, rendertextures and more.

Patricia Seligman has a degree in history and art from London University. She spent fouryears introducing young people to art through tours of the galleries and museums ofLondon. As a freelance editor, she has also worked for a number of prominent art anddrawing magazines in the United Kingdom. She lives in London, England ... Read more

Amazon.com

In another life, before becoming one of the best known and most popular journalists in New York and the author of the bestselling memoir A Drinking Life, Pete Hamill studied art on the GI Bill in Mexico City. Upon seeing the monumental work of José Clemente Orozco, however, he abruptly lost his nerve: "It seemed an act of self-delusion to try to be a painter."

After 44 years, Hamill has found a way to integrate his early affair with art, his lifelong love of Mexico, and his narrative gifts in this riveting and lushly illustrated book on Diego Rivera, Mexico's best-known, widely loved muralist. Hamill's text, he says, was completed before the publication of Patrick Marnham's Dreaming with His Eyes Open: A Life of Diego Rivera. This one is less scholarly but respectably researched, and Hamill's fervent opinions on which of Rivera's works are worthy and which are the sad effluvia of a Communist Party hack are remarkably persuasive. Hamill's esthetic judgment has led him to avoid reproducing any second-rate clunkers. He has chosen the great murals, paintings, and drawings that suit the godlike stature of this outsize artist who lied, cheated, womanized, and evaded responsibility his entire life, but who worked like a demon in the service of his art.

Rivera's shabby genteel childhood; his flight to France during the 10-year Mexican Revolution, during which nearly a tenth of his countrymen died; his callous abandonment of his first wife; his ugly political gambits and high-flown society contacts; his ultimately sad relationships with both men and women--Hamill weaves it all into a fantastic read. The book is not as balanced as Dreaming with His Eyes Open, but is nonetheless a passionate first look at an artist whose complicated life will probably still be examined decades from now. --Peggy Moorman ... Read more

Reviews (5)

The life and the art. First rate!
Prior to reading Hamill's bio of Rivera I had read some of another, published the same year. I'm not sure why I was so cool to the book or why it left me irritated. But that would have been the end of my investigation of Rivera's life if I hadn't come across Hamill's book by accident.
I read a couple of pages and was hooked. Hamill is known to me as a fine journalist, editor and novelist but an art biographer? Yes! Yes! This book is a pleasure to read. The prose is clear, clean and engaging, yet it packs a lot of information. And what's the point of writing about a major painter and not printing any of his work? This book is filled with glorious, excellent color reproductions covering Rivera's entire life work. Hamill is not afraid to offer judgments but I thought they were fair and relevant. This is a solid piece of work. As a young man Hamill wanted to be a painter and went to Mexico City to study. He later lived in the city as a journalist. So there are many years of the love of Mexico and art behind this book.
If you want to know more about the Mexican revolution, the art scene in Paris around the years of WWI (Rivera accused Picasso of stealing ideas from him) how Mexico nurtured and esteemed its artists, and much more, read this book.

Coffee Table Material
If you admire Rivera, buy this book. It sits on our coffee table and is very alluring. It makes a great gift for any fan of this extraordinary artist.

Submitted by the author of "I'm Living Your Dream Life."

Blends both the highs and lows in his struggle
Unforgettable reading, Diego Rivera is a vivid, emotionally written biography of the famous Mexican artist, mural painter, and Communist activist Diego Rivera (1886-1957). Biographer Pete Hamill narration of Rivera's remarkable life is enhanced with Rivera's great works of art both in full color replications and through black-and-white photographs. With an informed and informative text more heavily weighted toward relating Rivera's life story than simply being a showcase of Rivera's great murals, Diego Rivera blends both the highs and lows in his struggle through life for meaning against a background of turbulent politics, as well as the overwhelming messages of his art.

A Political/Social/Artistic Biography of Diego Rivera
Diego Rivera, the man, is not nearly as well known as Diego Rivera, the magnificant muralist. Pete Hamill's biography will change all that. I have been a fan of Hamill's journalistic writing since 1970, so I was surprised at first when I saw that he had authored this book. Then I learned in the introduction that Hamill had studied painting in Mexico City as a young man, before giving it up for writing. So he has a unique perspective to share with us.

Diego Rivera's art soars above his own life. He was very self-centered and almost always did what was best for him and his art career. To cover up for his lapses, he loved to tell stories to make himself seem very grand. For example, although he was out of Mexico for almost the entire 10 years of the Revolution (where 10 percent of the population died), he claimed to have fought in it.

Perhaps his least desirable quality was the way he treated women. It seems like he was attracted to hurting those he loved, and was always looking for the newest conquest. Although he was a physically unattractive man for most of his life (usually weighing over 300 pounds), he had a series of beautiful women as his wives and lovers, including famous motion picture actresses.

He was an important man in the Mexican Communist party, and later brought Trotsky to Mexico. Later, the shifts in doctrine involving Stalin led Rivera to be ousted from the party. No idealogue, he paid attention to the party about as well as he did to his wives. Yet near the end of his life, he begged his way back into the party.

Throughout his Communistic associations, he was delighted to work for wealthy capitalists . . . another indication that his career came first.

Near his death, he resumed his original Catholic faith, amazing almost everyone who knew him.

Although we think of him as the ultimate Mexican artist, he was classically trained in the Spanish style in Mexico and spent almost all of his early career in Europe. It was only the ending of the Revolution and the prospect of large mural commissions that lured him and other leading Mexican artists back to Mexico. Like the other artists, he had to learn how to paint murals.

Throughout the book, you will find your main reward -- gorgeous color reproductions of Rivera's most vivid work, along with beautiful black and white sketches, and photographs of Rivera at work and play.

The book's main weakness is that Hamill is no art historian. His discussions of the art are short and unimaginative. But he has strong opinions and does tell you what he likes (that which is reproduced -- new themes, new symbols and relatively less finished details) and that which he does not (that which is not reproduced here and Rivera's developments of earlier themes). So you will have to look at the work and figure out what you think about it without too much help from Hamill beyond describing the imagery. I especially encourage you to consider Rivera's cubist works. The book makes an interesting case for Picasso having lifted key ideas for some of his best work from Rivera.

Hamill does a fine job of giving a sense of the relentless pressure for revolution, the early optimism about the Revolution, and the descent into business as usual. I enjoyed learning more about the Mexican Revolution, as a result.

I was also glad to learn where Rivera's murals are so that I can see them in person. That's a great reason to visit Mexico!

Overcome your stalled thinking that great work makes a great person. Creating a good person may be more difficult than making great art. What do you think?

A GENIUS'S STORY, WARTS AND ALL
Diego Rivera was a Communist, a lout, self-indulgent, slovenly, obese, greedy, an apostate, at times lazy, at other times driven and possessed, a bounder, a satyr, ingratiating, and, above all, a genius. There is no writer more equipped than the eminent Pete Hamill, student of art, diviner of human folly, to take us on this magnificent journey, separating glorious art from the invincible frailties of humans. It is a book that will live on, long into the 21st century. ... Read more

Amazon.com

In any survey of the art of the second half of this century, Jasper Johns is a central figure. This comprehensive book is the most authoritative and complete book to date on this important North American artist. This lavish volume contains 483 illustrations, including 261 in full color and four foldouts. Johns's entire oeuvre is arranged in sections corresponding to each era of his career in all media--paintings, drawings, sculptures, and prints. With its scholarly essays, beautiful color plate reproductions, and extensive bibliography and chronology, this book is sure to become the definitive resource on Jasper Johns. ... Read more

Reviews (1)

A magnificent retrospective of this great artist's life work
Did you miss the Johns retrospective at NY MOMA?This book captures the essence of an American Michaelangelo.Subjective?You bet!If you have even the slightest interest in modern art your library is not complete without this retrospective.The many color and b&w photographs are superb, and it is accompanied by a solid chronology of Mr. Johns's life.Emphasis is on original works, but includes a good selection of more important lithographs (I recommend the prints Catalog Raisonne by ULAE if you want a complete reference work in this area).A tour de force by Varnedoe and his editing team! ... Read more

Reviews (2)

Left little to say
Well, after the previous review there's little left to say. I received this book as a farwell gift from my most recent army assignment. There's a few of us there who are airborne or rangers and we love the art of James Dietz. Our favorite painting is of the 101st in St. Mere Eglise determining a way out of town. There's a print of it in our HQ building and we are constantly arguing over who's going to steal it first! James Dietz truly captures the heart and soul of the fighting man on both sides of WW2 and you see it throughout the whole book. I've decided to make a couple of purchases of his art after looking at this book, particularly the St. Mere Eglise and the Souvenir paintings with the German Fallshirmjaeger and U.S. Paratroopers.

A magnificent achievement in every regard
Artist James Dietz's work comes alive in this magnificently illustrated and highly anticipated volume, well timed to benefit from the growing wave of interest in the Second World War.

Portraits of Combat boasts one hundred pieces of art, seventy-five of which are in full color. Each is a moment frozen in time, carefully chosen to depict the war's most compelling land, sea, and air actions.

The presentation is chronological, beginning with the war in the Europe and branching out thereafter as the conflict assumed global proportions. Accompanying each reproduction is the companion text of Jay Broze, a veteran historical writer specializing in aviation and maritime subjects. Broze's word portraits compliment Dietz's efforts perfectly, describing the people and events depicted by Dietz's brushes and pens. These narrative text essays are both helpful and insightfully written.

The mainstay of Portraits of Combat is its color reproductions, which indeed are stunning in their artistic quality. The black and white pencil sketches which often escort their more resplendent sisters through the pages of this lovely book, however, are in many ways just as bewitching. A certain grittiness of war lingers about them, something the color images often lack. Each black and white drawing comes with explanatory captions describing specific attributes of the drawing, such as the thought that went into each, and how the final color composition came to be. Each sketch, regardless of size, tells a story worth reading. Thus each mini-article and piece of art stands on its own--a rather remarkable achievement in and of itself. Portraits of Combat is one of only a handful of military art books greater than the sum of its component pieces.

Rounding out Portraits of Combat are a preface by James Dietz, an introduction about the artist, a recommended reading list (which is rather gaunt), and an index. Even the end papers, which tell their own sad tale, evidence careful advance planning. There was a team of experts behind this production, and its shows from beginning to end.

Almost certainly some students of World War II minutia will carp that "such and such" an event should have been depicted, or a particular button on a uniform is not correct. No rebuttal is necessary. The beauty and horror of war that leaps from the pages of Portraits of Combat will discredit such banalities.

Theodore P. Savas
Box 4527
El Dorado Hills, AC 95762 ... Read more

Book Description

Jackson Pollock is widely considered the most challenging and influential American artist of the 20th century. In his revolutionary paintings of the late 1940s, he dripped paint into complex webs of interlacing lines, rhythmically punctuated by pools of color. With their allover composition, apparent abstraction, and spontaneous but controlled paint handling, these powerful works announced the emergence of Abstract Expressionism. This sumptuously illustrated book offers a fresh overview of his achievement, reinterpreted for a new generation and features a complete visual record of the artist's work, including over 200 color reproductions of paintings, drawings, and prints, enhanced by life-sized details, foldouts, and documentary photographs. An essay by Kirk Varnedoe explores Pollock's life, the mythology that so quickly grew up around him as the prototypical "action painter", and the different critical schools that have tried to lay claim to his legacy. Pepe Karmel offers new insight into Pollock's famous "drip" technique, as revealed by an intensive, computer-assisted study of photographs and films of Pollock at work. This volume was published to accompany the first major survey of the artist's careersince 1967, held in 1998 at The Museum of Modern Art, New York.

Edited and with Essays by Kirk Varnedoe and Pepe Karmel
Foreword by Glenn D. Lowry. ... Read more

Reviews (5)

THIS BOOK OFFERS GREAT INSIGHT INTO POLLOCK'S ARTISTIC MIND
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I purchased this book when it first came out and refer back to it often. A person could spend hours at a time pouring over the plates and fold-out pictures (pun intended). Not only does this particular book provide the best collection of absolutely superb quality Jackson Pollock reproductions that I'm aware of, but the narrative is extremely well written and essential to understanding many things regarding Pollock's thought process and artistic technique.

Pepe Karmel's chapter imparticular, in which he analyzes Hans Namuth's photographs, is nothing less than brilliant detective work. I found it fascinating to find that underlying the lacy layers of at least one of Pollock's drip paintings are figurative images which he made within a narrative context. Although the complete details of this "narrative" may never be fully known, Pepe speculates that Pollock may have been acting out the destruction of some of his inward demons by first physically acknowledging and creating them and then systematically covering them within the confines of the finished painting. I'll leave it to you to get the book and both read and see for yourself all of the findings which include the deciphering of some of the figures and their meanings. With this discovery, the creation of the painting involved (Number 27, 1950) becomes not only a very strenuous and at once both spontaneous and preplanned action - but a true "ritual." Was he destroying these figures or merely absorbing them into a larger and more complex environment? We'll probably never know all the details. I wonder if Pollock would have disclosed answers to these questions had he been confronted with them during his life? Perhaps this would have been too personal. But maybe he did confide the details of what he was doing to someone and another good researcher might come across a total revelation in a hidden diary someday. I'm sure this is just wishful thinking on my part, but how I love a good mystery!

simply the best
This breathtaking catalogue is simply the best single volume available on Jackson Pollock, and this is primarily--but not only--because of the number and quality of the reproductions it offers. Almost every one of the dozen or so Pollock books in my library contains a painting not available in the others, but this book collects and beautifully photographs the greatest number and variety of his canvases--outside of a catalogue raisonee.

As the other reviewers state, there are many generously-sized fold-out pages here, and the crispness and resolution of these big reprints and of the more modest pages are simply amazing. To take two essential examples, this book's reprints of "One: Number 31, 1950" and "Blue Poles: Number 11, 1952" are astoundingly clear, better than any of the many other versions I've seen in art books, even in Ellen Landau's large-format survey, a book which also includes gatefolds.

(Another reviewer, by the by, states that "Lucifer" is not available in any other book, which is not true. Among other places, it appears in Landau, in Elizabeth's Frank's concise volume, and as the sole color reproduction in the book for the 1965 MOMA retrospective. Anyway, it gets terrific treatment here.)

Another invaluable inclusion in this book is a great number of full-sized detail photos of the canvases. For example, on a page adjacent to "Lucifer" and "Autumn Rhythm" and "Full Fathom Five," we see another photo of just one small section of that same painting but in 1-to-1 scale; these details reveal much of the dynamic, kinetic, urgent quality of these works, their encrustations of sand, glass, pennies, paint caps--traits which even this book could otherwise never offer a livingroom Pollock-viewer.

Further, having seen the exhibit in January of 1999, I can attest to the generally excellent fidelity of the color-balance. (Curiously, no one seems to be able to capture "Autumn Rhythm"'s grey-teal passages in a book, but if you were at this show or have viewed the painting at the Met you've seen them.)

The accompanying articles are excellent. Kirk Varnedoe overviews of Pollock's life, artistic aims, his accomplishments, all illustrated with family and archival photographs and drawing on Pollock quotations. Pepe Karmel uses the extensive photographic and film record of Pollock painting to analyze Pollock's physical movements. Most wonderful are Karmel's computer reconstructions of early states of the painting "Autumn Rythm," based on Hans Namuth's photos of Pollock at work.

In sum, this book gives the finest, fullest offering of both Pollock's life and art.

Best Reproductions and Most Complete
I picked this book up at the MOMA Pollock retrospective a couple years ago and have used it extensively. Having seen many of the paintings in this book firsthand, I can say that these are some of the best reproductions offerred in book form on Pollock's work. Another plus is that several paintings are printed on fold-out pages, so that the work doesn't cross the book's seam. So many of his paintings are extremely wide that this makes a lot of sense (otherwise, there would be hardly any resolution in the height dimension).

If you're interested in Pollock and need to refer to the reproductions, I absolutely recommend this book above all others out there.

Pollock Without the Boring Mythologizing
Excellent companion piece to the MOMA show (which traveled to London's Tate) goes beyond all other Pollock explorations. A "must" for students of modern American art as well as those just wanting to get a better understanding of what Pollock was REALLY DOING.

Large format features fold-out reproductions of breathtakingly high quality. Among these, incredibly, are paintings not found in any other published sources. (The incomparable Lucifer (1947) is one such work).

The text is scholarly but readable, and although there is a considerable amount of it, each open page of writing offers at least a couple relevant and highly interesting photos or other illustrations. The many large color plates would certainly make a gorgeous and impressive coffee table book for anyone who doesn't choose to read it.

Kirk Varnedoe writes definitively about Pollock's mercurial life & career. Varnedoe's nearly 75 pages of biographical analysis are a welcome alternative to the kind of misguided mythologizing about Pollock that has for a long time colored the artist as an overrated art "star."

Pepe Karmel's contribution to this book is an amazing analysis of Pollock's painting process through an exhaustive examination of the famous films and photographs of Pollock at work. This was a fascinating, ground-breaking part of the exhibition, and is equally wonderful in the book.

Well worth the price.

Very good overview of the MoMA exhibition
Having just taken in the MoMA show, I was very satisfied with the Pollock catalog. Very nice job reproducing the works (a difficult task in the printing of art catalogs!) Many fold-outs assist in conveying the size of Pollock's larger works. Large, full-bleed detail shots add a nice touch, complimenting the entire painting. While I'm not thrilled with the cover design, the interior is well-written, well-presented, and well-worth reading. ... Read more

Book Description

Reviews (22)

A BIBLE FOR THE ORIGINAL THINKER
I read this book once a year because it puts the world in perspective for me. I don't really love his paintings and I think the "scene" he created was fun but as far as writing goes....Andy Warhol is really surprisingly wonderful . He is humorous but also hits a nerve about superficial things that makes you look at it all in a new way. He is sweet and manipulative and original and naive and incredibly ahead of his time and these are wonderful qualities for a writer. Enjoy the multiple Marilyn paintings and the involvement with the Velvet Underground but take him seriously as a writer because I still believe he is unsurpassed.

From A to B and back again!!
THE Philosophy of Andy Warhol is intensly funny, witty, and real. Andy tells of daily acounts with many super stars and various B's and it just goes to show you that Andy Warhol is a true master mind. This book is true..simple..and as real as you can get. Read it and realize, think, know and understand that you are reading HIS philosophy...it all makes very much sense...if your Andy Warhol.

Andy Aspie?
Since Warhol's death a condition known as Asperger's Syndrome has come to light. It's named after an Austrian doctor who discovered it in a group of his patients in 1940's. Due to the outbreak of WW2, his research papers remained untranslated, that is, until quite recently. In brief, Asperger's Syndrome can be seen as one of the less severe forms of Autism. Both conditions share many of the same manifestations; an individuals impairment of verbal/social skills, a sensitivity to sensory overload and a comfort found in repetitive actions. Many Aspies are visual problem solvers. Is it possible that Warhol was an Aspie? If this sounds interesting to you, try reading this book along with Elijah's Cup by Valerie Paradiz and see the strong parallels between the two.

A Philosophy
Andy Warhol is the famous alchemist of reality, forming the most trite, everyday ideas and images and altering them into genuine thought and innovation. On many levels, this book is just a collection of autobiographical text, commenting on people and places within Warhol's social olympia. But after the gossip and celebrity status is digested, the reader is endowed with a substantial, original outlook on sex, money, art, and many other of life's components. It's a fabulous read, with the 'tastiness' of a Vonnegut and packed with irresistably sarcastic humor. This book is a step above an autobiography. It is the essence of Warhol's addictive personality and a journey into the mind of a wonderfully eccentric human being. You don't have to be an art buff or culture addict to enjoy Warhol's genius in this book.

Interesting
Andy Warhol managed and chose to live by his own prespective of life.. he set his boundaries and people respected it..

try reading Elijah's cup first.. then you'll understand Andy Warhol more.. the book is interesting,and helps you understand his art work. ... Read more

Amazon.com

In Mexico in the early 1920s, a growing, collective social consciousness gave rise to a revolutionary furor focused on liberating the country's workers from harsh conditions and poverty. In 1921, Mexican artists Diego Rivera, José Clemente Orozco, and David Alfaro Siqueiros were all commissioned by the government to create educational paintings on the walls of public buildings. After that initial experience, they devoted themselves almost exclusively to painting these large-scale murals--forming the foundation of a movement that would last 50 years. The muralists' work took up the themes of society and revolution. Often the paintings depicted historical vignettes like the story of Cuernavaca and Morelos crossing the barranca, or Mexico's ancient Indians. They satirized contemporary society, created ideal visions of peaceful families, and built up dark, imposing industrial cityscapes then leveled them by depicting the debauchery and death of the capitalist industrialists.

The paintings themselves reflect diverse artistic influences--surrealism, cubism, and illustration, most notable among them.Their bold colors and strong imagery practically bound out of the 150 color plates in this book. Mexican muralist and scholar Desmond Rochfort lucidly traces the development of the movement to place the work in context and provides a solid history of each of the artists' social and artistic influences. This is an excellent overview of work that should appeal both to fans of the individual artists and Mexican art in general. --Jordana Moskowitz ... Read more

Reviews (4)

ONE OF THE BEST BOOKS I OWN!!
This is definitely one of the best books out there for anyone interested in Mexican art. Few books can inspire as much as this one, especially for people from Zapotlanejo, Jalisco. It's loaded with many pictures and chronicles the lives of these three muralistas and has in depth coverage of specific murals, i especially enjoyed the coverage on "History of Mexico" mural by Diego Rivera. This book is definitely worth the price and a great addition to any collection. Orale!

A Masterpiece!!
Rarely have I been as moved and inspired by an art book.

The work of Orozco, Diego and Siqueiros is required study for art students and art enthusiasts.

Thank you Dr. Rochfort for presenting their magnificent work within your brilliant historical analysis.

best outlook on the murilists of mexico and their beliefs
Shows a great variety of each artists pieces and movements through out their career.

very informative
outstanding full of historical views ... Read more

Book Description

The definitive collection of paintings by outsider icon Robert Williams.

Simply put, this is the coffee-table collection of the paintings of Robert Williams, one of the most lauded and controversial American painters of the 20th Century. Williams sprang from the hot rod culture of Southern California and the roots of underground comix, ultimately transcending both by cultivating a mastery of oil paints and forging a career as the preeminent artist among a generation of painters gathering inspiration from the shadowed corners of contemporary culture. Williams singlehandedly became the model of the "Outsider" art movement, influencing a generation of artists to create without concern for the fine art world, which Williams held in contempt (a feeling reciprocated in kind for years until recently, with Williams's past two shows at Tony Shafrazi's New York gallery selling out before opening night.

Originally released in 1997 and now back in print, Malicious Resplendence features over 200 full-color paintings spanning Williams' life and career, reproduced with breathtaking clarity (no small feat with Williams' hyper-kinetic visions). Along with a comprehensive and carefully compiled retrospective of Williams' body of work, the book also features extensive biographical information by critic C.R. Stecyk, an introduction by noted curator Walter Hopps, and dozens of rare and never-before-seen photos of the artist and related ephemera. ... Read more

Reviews (3)

No better book of this sort
A must have for aserious Williams fan. Considerd by most to be the founder of this genre. Exceeded my expectations.Xlnt value.

Retinal Delights
Immerse yourself in this mind-bending collection of original art. A full compliment of drawings, sketches, comic book covers and paintings round out this look at the career (still going strong) of Robert Williams. The paintings are lavishly reproduced on high-quality paper stock and the over-sized dimensions of this book are perfectly suited to appreciate the artist's awe-inspiring technique. A MUST for any fan of underground art, culture and surrealism!

America's greatest living painter.
I have been a follower of Robert Williams' work for about 8 years. I own all but one of his previous books and was under the assumption that "Malicious Resplendence" was a collection of new work only. Thankfully I was wrong, and completely blown away. Not only does this huge beautifly hard back show his most recent paintings, the book is actually a collection of his entire history of art. Robt.Wms is truly a master painter in the classic sense, a painter of our century who can actually stand up to the vision and draftsmanship of the greatest painters of history ... Read more

Book Description

This book illustrates and discusses 35 of the finest paintings by Dou, one of the most highly regarded Dutch painters of the 17th century.Dou learned glass painting from his father and in 1628 became Rembrandt's first pupil.After some early portraits, he painted chiefly small domestic scenes characterized by minute detail (often painted under a magnifying glass), skillful chiaroscuro, and lifelike effect.Dou's work was very popular and continued to be influential until the mid-19th century when appreciation for precision in painting declined under the influence of impressionism.This will be a beautifully produced catalogue that will introduce the works of Gerrit Dou to a wider audience. ... Read more

Book Description

This is the second and final volume of James Boswell`s general correspondence for the years 1766 to 1769. The richly diverse collection includes the texts of letters between Boswell and 123 correspondents, beginning when Boswell was in the early years of his legal career in Edinburgh and closing shortly after his marriage to his penniless Ayrshire cousin, Margaret Montgomerie. The volume includes a comprehensive analytical index to both volumes of Boswell`s general correspondence between 1766 and 1769.

The correspondence touches on many topics and issues, some public, some private, including Boswell`s patronage of an obscure struggling playwright and poet, William Julius Mickle; the publication and reception of Boswell`s highly successful Account of Corsica and his efforts to rouse British interest in the Corsican cause; and the aftermath of Boswell`s vigorous legal and journalistic involvement in the Douglas Cause. Letters to and from his European correspondents carry echoes of Boswell`s recently completed Grand Tour and the closing moments of his epistolary affair with the francophone Dutch author, Belle de Zuylen (Zlide).. ... Read more

Reviews (2)

Superb... beautiful book
Excellent reproductions, fascinating paintings, excellent scholarship by Mr. Bown. I also highly recommend all his other books on Russian / Soviet art.

Encyclopaedic, demanding from the reader's point of view
This book is a throughly history of the art of painting in Russia and the USSR from the point of view of the Realist school of painting that began to exist in the 2nd. half of the XIXth. century and, after the October 1917Revolution, vied for supremacy with the Futurist school about the right torepresent the socialist political project in form and content. The bookexamines the supramacy of Socialist Realism in the field of visual artssince Stalin's rise to absolute power until the demise of the USSR.

Thebook is encyclopaedic in both narrative and visual terms, since it combinesan exahaustive historical account with an astounding array of 1st ratereproductions, taken from all corners of the former Soviet Union.The mainshortcoming of the book would be only that, since it dwells not only in thehistory of Socialist Realist painting as such, but also of its ideologicalpolitic foundations (superbly examined) the books requires a prospectivereader that has not only a general interest in the relationship between Artand Politics, but also an specific interest in both Soviet and Marxiststudies. It's, nonethless, this interdisciplinary aspect that makes formuch of the work's charm. ... Read more