Book Description

Based on family letters and documents, lengthy interviews with his widow, Lee Krasner, as well as his psychologists and psychoanalysts, this book explodes the myths surrounding his death in 1956. 12 color and 175 black-and-white photos and reproductions. ... Read more

Reviews (12)

I love this book.
This is one of the most interesting biographies I've read in a long time. I think Pollock is mostly misunderstood. He was a very good painter, but he's a simple guy, looking to be famous to make a few bucks, have a few kids, and remain relatively on the level, but Lee Krasner knew better. Pollock hated "phonies" and felt he had became one after the Look article, etc.. Here you'll find all those wonderful Pollock stories in fine detail. Like him pissing into peggy Guggenhiem's fireplace during a cocktail party. This book will give you the history of that period like no other, and a feel for what it's like to be an ambitious artist in the New York art world. Great supporting cast in Lee Krasner, Clement Greenberg, Peggy Guggenhiem, and all those painters!

Well-Researched
Excellent index and thorough, chronological coverage of events in the life of this important American artist.

It is a huge book but moves fairly quickly, since Pollock's life was really very interesting. Any art history student studying Pollock and the New York abstract expressionist movement will find plenty of insight here. Includes wonderful collection of black and white photos from all phases of the man's life.

Pollock had a tough time dealing with the fame and notoriety foisted upon him as a genius of the New York school, and for many years Pollock has often been dismissed as the phony he himself feared he was. It certainly is refreshing to see Pollock as a whole man (talented, wise, adventurous, flawed, tenacious, alcoholic), not just as an overrated art star. (The recent Kurt Varnadoe book on his art is also excellent in this way). Self doubting artists may find some degree of comfort in this book, actually.

Detailed, unbiased writing. One of the best artist biographies I've ever read.

Commits almost all of the sins of the biographer's craft
The Naifeh/White Smith biography of Jackson Pollock is extensively researched, and it's also (for what it's worth) fairly readable. But it's a pretty bad biography. The writers feel free to let their imaginations run riot, and indulge in weak psychobiographic speculation with little proof or justification, and they seem intent on "reading" Pollock's life as if it were a coherent and pre-written text (the most offensive example of this is at the end, when they seem to suggest Jackson's death, and his attendent criminally negligent killing of Edith Metzger, were somehow part of his artist's journey). I think a major artist like Pollock deserves a better and more responsible biography.

Who cares how many pages it is?
I read this book when it first was published.
This book made me want to see the new movie!
I balked at it's cost but it is the best biography I have ever read.
It is well researched and written.
Things from the book at linger in my memory after all this time?
His hell raising at the Canal Bar,dealing with Peggy Guggenheim, his death and the strange notion that he claimed he would supposedly "know" when a woman had her period.

Read this book, I'm going to again!

Fascinating story of a genius alcoholic
The beginning of this book is hard to get through but once Jackson moved to New York, I was totally absorbed in his story. I'm sorry that the movie based on this book did not sweep the Oscars. By the time you finish the book, you feel like you know this man, but of course, he didn't even know himself. I recommend not only the book, but the movie, and the soundtrack, too. ... Read more

Book Description

Jackson Pollock is widely considered the most challenging and influential American artist of the 20th century. In his revolutionary paintings of the late 1940s, he dripped paint into complex webs of interlacing lines, rhythmically punctuated by pools of color. With their allover composition, apparent abstraction, and spontaneous but controlled paint handling, these powerful works announced the emergence of Abstract Expressionism. This sumptuously illustrated book offers a fresh overview of his achievement, reinterpreted for a new generation and features a complete visual record of the artist's work, including over 200 color reproductions of paintings, drawings, and prints, enhanced by life-sized details, foldouts, and documentary photographs. An essay by Kirk Varnedoe explores Pollock's life, the mythology that so quickly grew up around him as the prototypical "action painter", and the different critical schools that have tried to lay claim to his legacy. Pepe Karmel offers new insight into Pollock's famous "drip" technique, as revealed by an intensive, computer-assisted study of photographs and films of Pollock at work. This volume was published to accompany the first major survey of the artist's careersince 1967, held in 1998 at The Museum of Modern Art, New York.

Edited and with Essays by Kirk Varnedoe and Pepe Karmel
Foreword by Glenn D. Lowry. ... Read more

Reviews (5)

THIS BOOK OFFERS GREAT INSIGHT INTO POLLOCK'S ARTISTIC MIND
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I purchased this book when it first came out and refer back to it often. A person could spend hours at a time pouring over the plates and fold-out pictures (pun intended). Not only does this particular book provide the best collection of absolutely superb quality Jackson Pollock reproductions that I'm aware of, but the narrative is extremely well written and essential to understanding many things regarding Pollock's thought process and artistic technique.

Pepe Karmel's chapter imparticular, in which he analyzes Hans Namuth's photographs, is nothing less than brilliant detective work. I found it fascinating to find that underlying the lacy layers of at least one of Pollock's drip paintings are figurative images which he made within a narrative context. Although the complete details of this "narrative" may never be fully known, Pepe speculates that Pollock may have been acting out the destruction of some of his inward demons by first physically acknowledging and creating them and then systematically covering them within the confines of the finished painting. I'll leave it to you to get the book and both read and see for yourself all of the findings which include the deciphering of some of the figures and their meanings. With this discovery, the creation of the painting involved (Number 27, 1950) becomes not only a very strenuous and at once both spontaneous and preplanned action - but a true "ritual." Was he destroying these figures or merely absorbing them into a larger and more complex environment? We'll probably never know all the details. I wonder if Pollock would have disclosed answers to these questions had he been confronted with them during his life? Perhaps this would have been too personal. But maybe he did confide the details of what he was doing to someone and another good researcher might come across a total revelation in a hidden diary someday. I'm sure this is just wishful thinking on my part, but how I love a good mystery!

simply the best
This breathtaking catalogue is simply the best single volume available on Jackson Pollock, and this is primarily--but not only--because of the number and quality of the reproductions it offers. Almost every one of the dozen or so Pollock books in my library contains a painting not available in the others, but this book collects and beautifully photographs the greatest number and variety of his canvases--outside of a catalogue raisonee.

As the other reviewers state, there are many generously-sized fold-out pages here, and the crispness and resolution of these big reprints and of the more modest pages are simply amazing. To take two essential examples, this book's reprints of "One: Number 31, 1950" and "Blue Poles: Number 11, 1952" are astoundingly clear, better than any of the many other versions I've seen in art books, even in Ellen Landau's large-format survey, a book which also includes gatefolds.

(Another reviewer, by the by, states that "Lucifer" is not available in any other book, which is not true. Among other places, it appears in Landau, in Elizabeth's Frank's concise volume, and as the sole color reproduction in the book for the 1965 MOMA retrospective. Anyway, it gets terrific treatment here.)

Another invaluable inclusion in this book is a great number of full-sized detail photos of the canvases. For example, on a page adjacent to "Lucifer" and "Autumn Rhythm" and "Full Fathom Five," we see another photo of just one small section of that same painting but in 1-to-1 scale; these details reveal much of the dynamic, kinetic, urgent quality of these works, their encrustations of sand, glass, pennies, paint caps--traits which even this book could otherwise never offer a livingroom Pollock-viewer.

Further, having seen the exhibit in January of 1999, I can attest to the generally excellent fidelity of the color-balance. (Curiously, no one seems to be able to capture "Autumn Rhythm"'s grey-teal passages in a book, but if you were at this show or have viewed the painting at the Met you've seen them.)

The accompanying articles are excellent. Kirk Varnedoe overviews of Pollock's life, artistic aims, his accomplishments, all illustrated with family and archival photographs and drawing on Pollock quotations. Pepe Karmel uses the extensive photographic and film record of Pollock painting to analyze Pollock's physical movements. Most wonderful are Karmel's computer reconstructions of early states of the painting "Autumn Rythm," based on Hans Namuth's photos of Pollock at work.

In sum, this book gives the finest, fullest offering of both Pollock's life and art.

Best Reproductions and Most Complete
I picked this book up at the MOMA Pollock retrospective a couple years ago and have used it extensively. Having seen many of the paintings in this book firsthand, I can say that these are some of the best reproductions offerred in book form on Pollock's work. Another plus is that several paintings are printed on fold-out pages, so that the work doesn't cross the book's seam. So many of his paintings are extremely wide that this makes a lot of sense (otherwise, there would be hardly any resolution in the height dimension).

If you're interested in Pollock and need to refer to the reproductions, I absolutely recommend this book above all others out there.

Pollock Without the Boring Mythologizing
Excellent companion piece to the MOMA show (which traveled to London's Tate) goes beyond all other Pollock explorations. A "must" for students of modern American art as well as those just wanting to get a better understanding of what Pollock was REALLY DOING.

Large format features fold-out reproductions of breathtakingly high quality. Among these, incredibly, are paintings not found in any other published sources. (The incomparable Lucifer (1947) is one such work).

The text is scholarly but readable, and although there is a considerable amount of it, each open page of writing offers at least a couple relevant and highly interesting photos or other illustrations. The many large color plates would certainly make a gorgeous and impressive coffee table book for anyone who doesn't choose to read it.

Kirk Varnedoe writes definitively about Pollock's mercurial life & career. Varnedoe's nearly 75 pages of biographical analysis are a welcome alternative to the kind of misguided mythologizing about Pollock that has for a long time colored the artist as an overrated art "star."

Pepe Karmel's contribution to this book is an amazing analysis of Pollock's painting process through an exhaustive examination of the famous films and photographs of Pollock at work. This was a fascinating, ground-breaking part of the exhibition, and is equally wonderful in the book.

Well worth the price.

Very good overview of the MoMA exhibition
Having just taken in the MoMA show, I was very satisfied with the Pollock catalog. Very nice job reproducing the works (a difficult task in the printing of art catalogs!) Many fold-outs assist in conveying the size of Pollock's larger works. Large, full-bleed detail shots add a nice touch, complimenting the entire painting. While I'm not thrilled with the cover design, the interior is well-written, well-presented, and well-worth reading. ... Read more

Reviews (1)

development of Pollock's art style
The German subtitle translates "works on papers." The three essays in German discuss the tools, materials, and techniques Pollock used for his art works on paper. The third essay has photographs of pencils, felt-tip pens, and eye droppers this major modern artist used in creating such works. Seventy-eight are pictured in color one per page in chronological order in one gallery-like section of this larger, rectangular-shaped book. Pollock's works are familiar, and need no general commentary. The more-focused, particularly revealing artistic theme of the essays is Pollock's liberty with lines, or edges. As the numerous works on paper show, his progress in this technique and impulse gave him unprecedented freedom and novelty as an artist. One follows the expansion of Pollock's liberty with line and corresponding new dimensions of artistic freedom over the course of this time. Early, roughly representational works and others indicating the probable influence of Miro and de Kooning lead to the more complex, abstract art that is regarded as typifying Pollock. The chronological presentation and analytic essays (in German) allow one to gain a particularly revealing understanding of the artistic achievement of this groundbreaking modern artist. The work is the catalog for an exhibition of these works of Pollock's that was in Germany and is in New York until the Fall 2005. ... Read more

Reviews (4)

Cliff Notes on Pollack is a good introduction
The author gives us the fundamentals on Pollock, the man, the painter, the influences, the critics, contemporary painters, plus Pollock's wife Lee Krasner and other supporters. I enjoyed it quite a bit.

Interesting, but unfortunately, annoying
Um...Like...underline...superficial...as if! This book is cute but it's so simple and silly, it made me feel like I was hearing the story of a great and influential artist, being told by a pretentious poser. The points it covers really are interesting and important but I think this book is a bit annoying.

Teaches and Entertains!
This book is a great first step in learning about the artist's life and understanding his work. It is a quick read, and you will learn much about Pollock and how his style was developed without overloading you on unneccessary detail. Um...Like...Buy The Book!!!

Totally great book!
Wow, now I GET what this guy's all about. Who knew? Can't wait to go to New York and see the Pollock exhibition now. It's very cool that he was sometimes so drunk he used the palm of his hand to "sign" his paintings! ... Read more

Book Description

This anthology surveys five decades of critical response to Jackson Pollock, bringing together essential and hard-to-find texts from newspapers, journals, and catalogues. It includes all of Pollock's statements about his art as well as interviews with his wife, painter Lee Krasner, providing firsthand testimony about his goals and methods. Reviews of Pollock's early exhibitions reveal the intense interest his work aroused even before he arrived at his famous technique of "dripping" paint. Later articles trace the growth of Pollock's myth after his death in 1956 and document the continuing debate over psychological and mythological interpretations of Pollock's work.

Edited by Pepe Karmel. ... Read more

Reviews (3)

The Norton Critical Edition of Jackson Pollock
The intended and proper audience for this terrific book is the deeply engaged Pollock student (or acolyte). Further, the volume has no artwork or pictures at all; if you're looking for a good edition of his paintings, try the wonderful MOMA exhibition catalogue, edited by Kirk Varnedoe. What this volume offers is a rich and engaging range of Pollock statements, interviews, art reviews, criticism, analysis, and aesthetic speculation. Together with a good book of his paintings, this book would give you a sort of "Norton Critical Edition" of Pollock's work--you'd have the paintings and then this record of decades of analysis.
Now, in a few cases the lack of pictures does actually hinder one's ability to follow all of the comparisons and insights these essays offer. This is especially true in this book's generous reprint of William Rubin's seminal "Jackson Pollock and the Modern Tradition", originally serialized with copious illustrations. Nonetheless this book presents, chronologically, a tremendous overview of the 20th century's evolving reception and understanding of Pollock's art, from his own published or radio-broadcast commentary to Life magazine's ambiguous (but myth-making) "Is He the Greatest Living Painter in America?" to Clement Greenberg to psychoanalytical writings to Elizabeth Langhorne's allusive and speculative examination of a single painting, "The Moon Woman Cuts the Circle." It's a great book to just pick at, what with its variety and scope, and each page poses something for consideration or debate--to the person who really knows Pollock's work and its underpinnings well. I wish this book had included something from John Berger; what the book "Such Desperate Joy" includes from him is really provocative and efficient. But I suppose that's a petty criticism in light of what this book does assemble, making availiable in one place all of this critical investigation into one of the 20th century's great artists.

A Great Supplement
This book is the type of art book that is the exception to the picture rule.The fact that there are no pictures doesn't detract a bit from the abundant amount of information it contains.I suspect greatly that this is the type of book that only those initiated into the Pollock milieu (and his work) would want to read anyhow.A fantastic source of nostalgia and information that allows the informed reader the opportunity to fill in some blanks on his own.

Very disappointed!
Image, a book about a famous artist, will all kinds of information, but ZERO pictures of either him or his paintings. Other Pollock books are better.If you must have every book about this artist, ok, get it, but put it at the bottom of your wish list. ... Read more

Book Description

No modern artist is more controversial than Jackson Pollock, whose life is the subject of a new feature film starring Ed Harris. With an intense, troubled personality that many see reflected in his radical "drip" paintings, Pollock was the first American painter to be hailed internationally as an innovator. Even before his death in a drunken car crash in 1956, he was mythologized as Abstract Expressionism's quintessential bad boy. But he was also respected for his sincerity, loved for his sweet nature, and envied for his brilliance. Today Pollock's legend looms larger than ever, inspiring poets, playwrights, composers, and choreographers, as well as visual artists. The film Pollock starring Ed Harris as Jackson Pollock, Marcia Gay Harden, Val Kilmer, and Jennifer Connelly is set to be released late Fall 2000. His art, never popular in the conventional sense, has a growing cadre of dedicated enthusiasts. Why is Pollock such an enduring touchstone of American culture? This collection of writings, interviews, creative responses, and personal revelations - many never before published or long out of print - examines the multiple dimensions of his impact and influence, and proves that the real Pollock is even more fascinating than the myth. The book includes never before published art, photos, letters and interviews from the Pollock-Krasner House archives, new contributions by actor/director Ed Harris and musician Patti Smith, and interviews with Patsy Southgate and Willem de Kooning, as well as Clement Greenberg, Peggy Guggenheim, Hans Namuth, Frank O'Hara, Jeffrey Potter, Norman Rockwell, and Barney Rossett. ... Read more

Reviews (1)

Great source of material
This is a great collection of information on Pollock. One of the greatest things to note is the inclusion of material from after his death in 1956, his influence on society. This includes editorial cartoons, poems written about and inspired by Pollock and his work, as well as scripts from plays based on his life. I would have to say that if you were looking for a good introduction to the man, the artist, and the influence he had/has on contemporary society, then pick this collection up. ... Read more

Book Description

Illustrated with twenty-five reproductions of Pollock's paintings, the book looks into the passions, conflicts, relationships, and influences of the artist, Jackson Pollock, widely considered the finest American painter of the twentieth century. ... Read more

Reviews (2)

A most critical and detail-filled look
Jackson Pollock is the fascinating and well crafted biography of a truly remarkable and influential American painter who held himself to the most demanding standards. Biographer Deborah Solomon interviewed more than two hundred people to reconstruct Pollock's brilliant yet contrary and sometimes self-destructive life. A most critical and detail-filled look at a very complicated artist and a highly recommended addition to personal, academic, and community library art history and biography collections.

Manages to make Pollock Dull
I checked this book out at the local library along with a text on how to transfer course units from a business major into psychology. This book made the reference text read like a novel. Truly dreadful. Avoid this even if it's free. ... Read more

Book Description

Presenting nine critical essays by leading scholars--among them T.J. Clark, Robert Storr, James Coddington, Rosalind Krauss, and Kirk Varnedoe--this collection offers dramatically different ways of understanding Jackson Pollock's art and influence. Revealing not just the richness of Pollock's work, but also the vitality and diversity of contemporary criticisms, these texts discuss the crisis of easel painting, Pollock's relationship with his wife, artist Helen Frankenthaler, the Americanization of Europe, and the place of chaos in Pollock's work. Based on a symposium held in 1999 during The Museum of Modern Art, New York's retrospective exhibition of Pollock's oeuvre, this volume is a companion to Jackson Pollock: Key Interviews, Articles, and Reviews, a collection of older texts by or about the artist.

Edited by Kirk Varnedoe and Pepe Karmel.
Essays by T.J. Clark, Robert Storr, James Coddington, Carol C. Mancusi-Ungaro, Rosalind E. Krauss, Anne M. Wagner, Jeremy Lewison, Pepe Karmel and Kirk Varnedoe. ... Read more

Book Description

Book Description

Pollock's large, bold canvases revolutionized the world of art; more than100 are reproduced here in full color to capture the brilliance of his palette, and six gatefolds show his vast horizontal works without distortion.

270 illustrations, 120 in full color, 6 gatefolds, 11 3/4x 10" ... Read more

Reviews (2)

strong text, inconsistent reproduction quality
Before Varnedoe and Karmel's Pollock monograph, which accompanied the MOMA / Tate retrospective a few yeas ago, this was the best available text-and-plates book about Pollock. In terms of its text, this book is still relevant and insightful. Like Elizabeth Frank, Landau does a lot of truly eye-opening comparison work throughout her book. She'll reprint a work by Picasso, say, or a Native American artifact, or a Pollock sketch, and then analyze the influence it exerted on one of Pollock's key canvases.

And unlike the Varnedoe/Karmel book, this volume reprints these several kinds of works in close proximity, often on the same or a facing page, a useful feature. Landau's remarks about Pollock's sources, outcomes, growth and directions are always at least provocative and often really instructive, particularly in her coverage of the late black paintings. Indeed, Landau's analysis is regularly listed and praised in other authors' bibliographies.

The drawbacks of the book are its numerous poor reproductions, and plates after all make the primary reason for buying an artist monograph. Many of the plates are excellent and crisp--"Lucifer," "Pasiphae," "Autumn Rhythm," the colorful, playful works following Pollock's marriage. But too many of the plates and fold-outs are muddy, and Pollock's use of silver or aluminum paint is simply beyond this book's ability--as with the gaudy and over-exposed looking gatefold that opens the book. "Blue Poles" and "Stenographic Figure" are among the book's other poor reprints. Until I saw the Varnedoe/Karmel reprint of "One: Number 31, 1950," and then again in "person" at the MOMA, I just flatly didn't understand how Pollock had approached it. It looks "ok" in Landau, but with a lessened resolution that just slightly confuses the webbing throughout.

Still, I value the book and particularly its text. As for the reproduction quality, I did buy a second copy to cannibalize it; I've posted many laminated pages throughout my classroom. But I got that copy at remaindered prices. At full cost, this is a 3 1/2 or 4 star book. At bargain prices, the book rates 4 or 4 1/2 stars. Varnedoe/Karmel is just visually superior.

A gorgeous retrospective of a brilliant body of work
This intelligent and lavishly illustrated volume, which first appeared in a 1989 hardcover edition, covers Pollock's entire career, his early influences, and the progression of the themes, techniques, and accomplishments of his life as an artist. Ellen Landau's text is enlightening, but the best part of this book is, inevitably, the illustrations themselves, which are an unparalleled feast for the eyes. For those who want to experience and understand Pollock's art (rather than dwell on his personal problems) this is an excellent choice. ... Read more

Book Description

Offering a fresh perspective on American art from the first half of the20th century, this elegant book presents approximately 200 paintings, works on paper,photographs, and sculpture by such artists as Ansel Adams, Milton Avery, Walker Evans,Edward Hopper, Georgia O'Keeffe, Ben Shahn, Paul Strand, and Grant Wood, alongwith works by other well-known and less-familiar artists. All the works are reproduced instunning full-color and duotone plates. These works have been brought together for atraveling exhibition organized through F.R.A.M.E., a major artistic exchange programbetween the United States and France. This book, published to accompany the inauguralexhibition of the program, includes texts by French and American art historians that placethe works in art-historical context. ... Read more

Book Description

In a thousand dazzling images conjured by his immediate family and closest friends, Jackson Pollock, the spectacularly self-destructive and gifted American painter, comes to life in this fascinating oral biography assembled and written by his friend and East Hampton neighbor, Jeffrey Potter.The dramatic narrative of Pollock's violent death, told by those who were on the scene, from farmers and policemen to coroners and lovers, is gripping in its immediacy.To a Violent Grave reveals a man living a life that mirrored his art.Jackson Pollock--powerful, colorful, contradictory, brilliant--was an explosion that rocked and changed forever all he touched. ... Read more

Reviews (4)

MOVE OVER TOLSTOY!
Amazing book! Wonderful writer! The only book ever written with a honest and intimate account of Jackson Pollock's life. Jeffrey Potter displays yet again his mastery of talents to create a unique work of literature.I look forward to reading more of his writings.

Three & a half stars... a bit too brief
It could be argued that this format (what people who knew Pollack say about him later) is the laziest form of biography. But it is quite interesting to read exactly what tales his friends and colleagues can tell us. It was light reading, lacking the kind of sequential factual details a meticulous biographer strings together.

Title implies sensationalism rather than a sober study of the man's life; indeed, the book leans a bit too much on gossipy bits of scandal, drinking, violence, and angst. Does nothing to dispel all the galmourization and star attraction of Pollack, which is unfortunate. The book's lack of art criticism does a disservice to the artist, and places Pollack under an unfortunate spotlight of personality. Reader can leave this book erroneously imagining Pollack was a fake, or at least pathetic.

Worth reading to augment exhaustive research, but not the full story. There is a better biography available.

I wondered when the biography would begin.
I felt that the format of this biography took too much away from the content. I will never buy another " oral biography ". The book will make a nice coaster or bathroom reader.

The true Pollock
I bought this book for researching a college term paper and ended up being enthralled with it. I never realized all these things about this great painter. From the mouths of his family and friends, one feels as if he/she is peering into the true life of Jackson Pollock If you want to understand his art, this is the place to start. ... Read more

Book Description

Visions is a collection of poems inspired by twentieth-century paintings. ... Read more

Reviews (1)

Good review of Jackson Pollock's work, but not personal enou
This book is a thorough review of Jackson Pollock's work and his professional life; however I would have enjoyed it more if there had been more indepth reporting of his personal life. HIs relationship with his wife, parents and brothers would have made for a more insightful view of the artist as a man. ... Read more

Reviews (1)

Incisive insider's view of the Jackson Pollock nobody knew
This book has everything going for it: fame, excitement, love, historic figures, and it is an engrossing read. You will not find this information anywhere else; it seems that the last months of Jackson Pollock's life (with the author by his side) have been erased from the Official History! This book should be reissued now! ... Read more

Book Description

This digital document is an article from Arts & Activities, published by Publishers' Development Corporation on April 1, 2002. The length of the article is 1194 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Abstract Expressionism. (Classroom Use).
Author: Guy Hubbard
Publication: Arts & Activities (Magazine/Journal)
Date: April 1, 2002
Publisher: Publishers' Development Corporation
Volume: 131Issue: 3Page: 29(3)

Distributed by Thompson Gale ... Read more