Book Description

Throughout the previous six editions, this text has earned a reputation for elegance and the highest standards of quality. Living with Art helps students develop an appreciation of art by offering a clear and comprehensive introduction to the visual arts from several perspectives: themes and purposes of art; the vocabulary of art; individual art media (painting, drawing, camera arts, sculpture, architecture, etc.); and the history of art. The book is rich with illustrations drawn from a wide range of artistic cultures and time periods. ... Read more

Reviews (2)

Language and art beautifully intermingled
This book is wonderfully written.Through its mastery of language and composition, as well as the fascinating illustrations and photographs, it has piqued my interest in art.

Living with Art not being true to Rita Gilbert
When I was in school taking Art History, there were no women artists to mentor me - none!I am so grateful there are some now however as I now teach Art History.

I have to tell you about my disappointment with this 7th edition.I'm not able to feel comfortable teaching both male and female students from this book anymore.You have been gradually making your "mark" by subtle and not so subtle changes of the last few editions but this one is particularly objectionable.

1)Why is Marie-Denise Villers (my slide says) (Constance Charpentier) on the cover?There is no relation to the text, there is no discussion of the image.Is it because she is "attractive"?
2)What is happening to the former women artist images?Are you "cleaning up" possibly more "direct" imagery by women artists?Do they make you or other male instructors uncomfortable discussing? (Artemisia, Judith Leyster, Morisat)
3)What is going on with the female nude?I am very uncomfortable with your replacement of the very influential La Grande Odolisques by Ingres with the Jupiter and Thetis image.I can discuss the dominance of the female object as significant subject but what is that other awful image?That to me is offensive.
4)Where has Rosa Boneur gone?Wasn't she famous enough for you? Put her back.

Here we have obviously run right up against the crux of the problem of a male art historian versus a female art historian.We do not perceive art history through the same lens.You do not see the huge significance that women do of the position of women historically in these cultures and the resulting use of women in art imagery.I do not want these issues swept under the art historical rug again!

By the way, how do you know about Monet's models' loose morals. Please read "Alias Olympia" by Eunice Lipton.She was a woman artist herself.Life drawing models do not have "loose morals"!Remember, you are teaching attitudes here.Your text implies that it is still there.Is it?Why? ... Read more

Book Description

Offering an exploration of Western and World civilization's cultural heritage, this book is richly illustrated, beautifully designed and engaging. Readers move chronologically through major periods and styles—from prehistoric culture to 20th Century America—to gain insight into the achievements and ideas in painting, sculpture, architecture, literature, philosophy, religion, and music. For arts and cultural coordinators, professionals and enthusiasts. ... Read more

Amazon.com

If you have a passion for art, room for 34 fat volumes on the subject, and $9,000 to spend, then Grove's Dictionary of Art is for you. This enormous compendium contains just about everything anyone would ever want to know about art, artists, art critics, art collectors, or anything else connected to the world of art. What's more, this dictionary strives to be global in its point of view--almost half the content covers non-Western subjects, and contributors hail from 120 countries. With so many different sources and such a vast array of subjects represented, it's not surprising that the writing varies from the merely competent to the sublime. Obviously, a 32,600-page dictionary that costs more than a three-week European vacation for two is not for everybody, but it sure would look great on the shelf next to Grove's 20-volume Dictionary of Music and Musicians; you might keep it in mind the next time you're shopping for the art lover who has everything (that is, if you buy it on layaway). ... Read more

Book Description

History of Modern Art has long been recognized as the authoritative, encyclopedic history of painting, photography, sculpture, and architecture from the mid-19th century, when modern art emerged, to the present day. Revising author Marla F. Prather's contributions to the new Fourth Edition include:

More biographical information about each artist.

An entirely new chapter on Cubism.

A lively sense of social and historical context.

Coverageof work in nontraditional mediums, such as video, installation, and performance art.

More than 30% new illustrations and text and nearly twice the number of color illustrations as in previous editions.

A culturallydiverse selection of artists and a much broader selection of works by women.

Chronological reorganization ofthe text, an updated bibliography, and a complete index.

Marla F. Prather is curator of 20th-century art at the National Gallery of Art, Washington, D.C.

The late H. H. Arnason was a noted art historian and museum administrator. ... Read more

Reviews (7)

Best book on its subject..
"History of Modern Art" is, in my opinion, the very best general overview of modern art (i.e., the last 125-150 years or so) published to this date.

Although it is intended to be a textbook, the format and writing make the tome sufficient as a great general reference and a very good read. The illustrations are excellent, although I wish there were more color reproductions.

Anyone who enjoys fine art should have this book in their personal library.

Get yourself a BIG dictionary.
I just completed a 20th century art course here in Southern California with this book as the chosen textbook. I would consider it at the medium to advanced level. It was much cheaper on Amazon than the college bookstore or the museum store! Like the title of this review suggests, the authors were pre-occupied with their knowlege of uncommon words in the English Language. I would never encourage the "Dumbing down of America" but the word usage in this book is to the point of distraction. The new Oxford Essential Business and Office Dictionary makes it a point in it's forward to point out that usage like this is superfluous. Er, I mean needless. The reproduction is outstanding and the physical structure is very good. I have every intention of making this book part of my permanent collection. And yes, agreeing with the other reviewers above, it is heavy. But hey, with a few extra sit-ups and one or two extra laps and you'll be just fine.
Mike

How to read modern art
Since first published in 1968, this book has widely used as textbook. As a text, artwork could be explained in various ways. Gombrich¡¯s ¡®Story of Art¡¯, for example, focuses on the interaction between the visual art and its time. Since the book deals with the entire time span of Western visual art, that kind of approach would be better suited to inform readers what and how was the artwork in those times. So distant from our time is it that it¡¯s hard to understand the meaning of the work without referring historical context of the work. All the text presume its reader (or audience). And reader or audience reads the text according to the established convention of the time. The conventions to read the work were so different from ours. But when it comes to the contemporary art, things are more complicated. Robert Hughes¡¯ ¡®The Shock of the New¡¯ follows the line of the contextual explanation. Hughes paints not detailed picture of modernism but overall characterization from bird¡¯s eye view. Thus he didn¡¯t touch all the works canonized. It¡¯s more adequate to make a consistent impression of modernism. However, this book was intended to inform the reader the encyclopedic knowledge on Western visual art from the 19th century to postmodernism. Moreover, the coverage of the book is not restricted to the painting but includes sculpture, architecture, and photography. With that kind of coverage and time span dealt with, one can¡¯t benefit from time¡¯s filtering out like Gombrich¡¯s. to be a coherent text as a history, the author cannot but take the view that ¡®artwork tells itself¡¯. The accounts of this book is focused on teaching the reader how to listen to the voice of artwork. With in-depth analysis of distinguished works one by one, you could learn how to listen. But you can ask: to get such an eye, should I swim through heap of paper (yep it¡¯s bulky) and thousands of pictures? As for art, you can take pleasure with art as much as you know classics. Therefore, the encyclopedic approach of this book is reasonable. And that, it¡¯s not boring at all to follow through explaining artworks one by one. Like other arts, visual art has its convention to interpret text which varies from age to age. One should learn how to read it. This book is a good guidebook to practice and learn how to read artwork. With closing the last page, you could overview the history of visual art since the 19th century and enjoy viewing artwork. And that, you could boast your good taste to your friends ;)

A very informative, but ponderous tome
I like the previous review that said this was a metric ton of a book. Yes, it is -- I carried it around for a semester when I was taking a 20th century art class. Lots of color plates and tons of black and white illustrations, and it is printed on very high quality paper (which is why it's so heavy.) It provides a good, reasonably readable survey of what was going on in art from just before the modernist movement up to almost the present day. If you want to acquaint yourself with a broad survey of modern art including all the media, this would be a good one to consider.

Enjoyable and Necessary Tool
I encountered this text in my recent 20th Cent. Art course and found it extremely helpful. It's wonderfully readable and provides the student with lots of color illustrations to make late-night study sessions more bearable. Its mass is threatening, but in relation to its subject matter it successfully encompasses the most important aspects of modern art, and its various components. ... Read more

Book Description

Clues to the meaning of many of the masterpieces of art history lie in a rich system of symbols, themes, and motifs that often eludes modern museum-goers. The intimate knowledge of Christian theology, Greek and Roman mythology, and folklore that was so vivid in the minds of viewers during the Renaissance is rarely part of the preparation the contemporary viewer brings to a painting. This insightful, anecdotal, portable book-with 1,000 gorgeous color illustrations-helps to fill in those gaps by decoding the imagery of more than 150 of the most influential and admired artworks of all time.

Covering the works of the Italian, Netherlandish, German, and Spanish Old Masters, from 1450 to 1750-paintings by artists such as Giotto, Botticelli, El Greco, Bruegel, Holbein, Rubens, and Vermeer, all held in public collections-How to Read a Painting not only helps the viewer to understand the significant details of a picture but also explains the relationship with similar imagery in other works. The guide to Old Master paintings that every art lover has always wanted, this indispensable museum companion will open the reader to a whole new experience of Western art's most praised and visited paintings. AUTHOR BIO: Patrick De Rynck is a classicist, a translator, and a writer for museums, publishers, newspapers, and radio. He is the author of ten books, including an ABC of Classical literature and a retelling of Greek myths. ... Read more

Reviews (2)

A very informative overview
I read this book when I was applying for a graduate program in the restoration of easel paintings. I needed to get a broad--but also reasonably in-depth--overview of types of damage to paintings and restoration and preservation techniques, and this book was great for that. It thoroughly covers all types of damage to paintings on panel and fabric support, along with corrective and preventive techniques. As I mentioned before, it covers a whole range of areas while still giving them sufficiently in-depth attention. There are tons of color illustrations that are invaluable in helping you understand what they're talking about. I didn't rate it five stars for two reasons: (1) it frequently describes the use of specialized equipment used by restorers, and if you're not familiar with this equipment it can be kind of difficult to completely follow what they're describing, and (2) it also doesn't have the most up-to-date information. Not that the information that is there is out of date by any means, but if you're interested in cutting-edge restoration theory, this book is not going to have it. But from what I gather, this book is one of the most highly regarded in the restoration field (the faculty of the program I applied to keeps it on-hand as a reference book).

Also, be warned--if you're looking for information on wall paintings, this is not going to have it. It just covers panel paintings.

An excellent and detailed text on painting conservation
This is an excellent overall and very detailed view of the conservation of paintings. Actually it is one of the most thorough and up to date books on the subject I have ever seen. Very well written and documented with many photographs and an extensive bibliography and many notes for further research. This book clearly shows the skills, knowledge, and expertise needed and in use today by professional conservators around the world and it could easily be used as a complete reference book for those interested in the subject or even as a textbook for anyone studying art conservation. ... Read more

Reviews (1)

the spiritual in art: abstract painting 1890 - 1985
There is a fantastic quality to the compliation of works in the Spiritual in Art, that indicates a profound understanding of the mystical forces of inspiration involved with the process of artistic endeavor. The book chronicles the exhibition of the same name organized by Maurice Truchman and Judi Freeman at the Los Angeles County Museum of Art. Many of the major artists of the 20th century are represented; Mondrian, Duchamps and Kandinsky to name a few. The ideosyncratic spin to the show lies in the examination of their work from a philospophical and spiritual standpoint that involves a more involved examination than is often given with the popular criticism styles of art history - ie; socio-political and aesthetic. With the aid of this book, the reader gleans a more profound understanding of the motivational forces at work in these artists whose creations transport viewers to new worlds and dimensions with only a glance. ... Read more

Book Description

Reviews (17)

Fine Artist Guide to Marketing & Survival in Buisness World
Caroll Michels is a life long art consultant who has written this book to share her experiences and expertise with the fine art community. Well written and with plenty of helpful references, Michels' book is an excellent addition to any artist's library.

The stuff they should teach you at those art $chool$
Artists: If you are serious about gettin' famous, makin' heaps of dough, havin' all of those ... critics write about your brilliant swag, and seducin' actresses or actors, you gotta start right here with this book. Otherwise, pack it up and become an art historian or janitor at the Getty.

Seriously, this is the best book you can buy if you are considering hitting the "scene" with your goods.

Sure, she has some "cliche" statements about "getting organized" (but in all fairness, what artist doesn't need to be reminded to get organized?!) and the like, but wow...the sections on how to price your art, marketing with a brochure, the importance of contracts (!!!), grant building, etc etc. are a veritable cornucopia of practical goodness.

This book is so good that I almost burst with pleasure after reading it. I'll be willing to bet a Picasso that her consulting advise is beyond compliment.

They need to stop printing this book!
This book has some good ideas, but it is very dated. It refers to search engines and sites that no longer exist, and doesn't address new technologies and sites. A new edition might be worthwhile, but I'd pass on this one.

The Journey Begins
I am supposed to be a painter. Famous? who cares. I just want to make a living doing what it is I was put here to do.

Thank you Caroll for your book. I read it the first time three years ago. This time I'm taking notes and DOING it. One thing each day to get me to a point where I could transition careers and (pretty much) paint all the live long day.

The most tragic thing in life is wasted talent. Because of this book, I won't have to TELL my children that they can do anything, I will have SHOWN them how its possible.

A book pointing you to other books
I was disappointed in this book. Lots of "resources" listed, but the nuts and bolts boil down to the old "how to" cliches, like Get organized! A computer can help you do this! Many gallery owners are meanies! Far less than what I was looking for. ... Read more

Book Description

illustrated with 12-page color photo insert and line art throughout

A revised and expanded edition of the classic drawing-instruction book that has sold more than 2,500,000 copies.

When Drawing on the Right Side of the Brain was first published in 1979, it hit the New York Times bestseller list within two weeks and stayed there for more than a year. In 1989, when Dr. Betty Edwards revised the book, it went straight to the Times list again. Now Dr. Edwards celebrates the twentieth anniversary of her classic book with a second revised edition.

Over the last decade, Dr. Edwards has refined her material through teaching hundreds of workshops and seminars. Truly The New Drawing on the Right Side of the Brain, this edition includes:

* the very latest developments in brain research;
* new material on using drawing techniques in the corporate world and in education;
* instruction on self-expression through drawing;
* an updated section on using color; and
* detailed information on using the five basic skills of drawing for problem solving.

Translated into thirteen languages, Drawing on the Right Side of the Brain is the world's most widely used drawing-instructionguide. People from just about every walk of life--artists, students, corporate executives, architects, real estate agents, designers, engineers--have applied its revolutionary approach to problem solving. The Los Angeles Times said it best: Drawing on the Right Side of the Brain is "not only a book about drawing, it is a book about living. This brilliant approach to the teaching of drawing . . . should not be dismissed as a mere text. It emancipates." ... Read more

Reviews (79)

Highly recommended! A great start for drawing newbies!
I have been drawing for a long time (since I was 4). Drawing is a major influence and passion in my life, so I always am looking for new art books, and new perspectives on drawing. I consider this book to be an excellent addition to any artist's (or aspiring artist's) library.

Also, I once attended a class taught by one of Betty Edwards' students. It was such a helpful and inspiring class, and everyone improved dramatically. It was a wonderful class.

Even though I am no longer a drawing "newbie", I found new insights and new ways to observe and see, thanks to this book. It truly can help new artists and "non" artists draw more accurately. It's amazing! Fabulous!

However, this book is not the ultimate book on drawing, and it should never be regarded as such. It cannot possibly answer every question, or provide every insight. It is only a first step. Drawing accurately is just one component to being an artist. (And I hasten to add, I'm REAL big on drawing accurately, I think it is important.) There is a lot of exploration and growth that each artist must undertake in order to fully develop. There will be further study of anatomy, color, line, etc. etc. This book does not pretend to teach everything, and no one should expect it to.

But, don't worry about that right away, if you are a "newbie". Get the book, enjoy it, learn from it, and then look into other books. This book will give you that needed "jump start" and will help you gain a great deal of confidence. You will be most pleased with the progress you will be able to make, thanks to this book.

Quite simply the best book on drawing what you see
Drawing is the basis of most art so this fundamental skill is taught first in most traditional settings. What this so often fails to do is teach the perceptual underpinnings of draughtsmanship, focussing instead on the academic, 19th century "école" practice (itself a product of the Renaissance studio system) of repetition, copying and study of master works which emphasise the mechanics of drawing. While valuable, for the vast majority of students this may only yield results after years of rigorous application and for some will never work.

Despite having taken the traditional art school route this book taught me that there was still much to learn about how to see. Perhaps more importantly it showed me how much misinformation I had been exposed to and had accepted blindly for many years, only to have my eyes opened (literally!) the first time I picked it up.

I haven't had the opportunity to check out this latest edition but if it is even better than the first then it will prove even more invaluable.

For beginners hoping to draw for the first time or more experienced artists who feel their drawing could take a step up, this cornerstone work will enable you to unlock your hidden potential allowing you to produce work that will surprise even you!

indescribable
Anyone who has anything bad to say about this book is
lost in space. There is no person on earth who cannot improve
after doing the projects in this book. Just one thing I would like to note: Try to take this class with a teacher so you don't give up in the middle. Once you get over the muscle pain in your right brain you'll thank yourself a million times over that you did it. You will see things you have never
noticed before and when you show people your drawings their jaws
will drop on the floor. One more thing: Never have a coffee (with caffeine) before doing the projects. You have to be very
calm and get into the drawing like a musician has to get into
the music.
I am thrilled that I am almost finished with the course, and
now I can draw almost ANY object I see.

[80% text / 20 % illustration ] & an historic falsehood
"The New Drawing on the Right Side of the Brain" by Betty Edwards

The great falsehood here is that by using some drawings from the Rennaissance, Edwards would have the reader believe that "The New Drawing on the Right Side of the Brain" is in the spirit of the "classical tradition"; but that is not so in the light of certain historical facts which even the most amateur of art historians can present.

FACT THE FIRST:

We must examine what is known of the classical tradition and Rennaissance Art and its view of drawing, and that means considering the historical view of Giorgio Vasari, himself a Rennaissance master, briefly apprenticed to Michaelangelo, and author of the 16th Century biography "The Lives of the Artists" our single most important source on the classical tradition.

As stated in the most recent translation of "The Lives of the Artists," by Julia and Peter Bondanella:

"Vasari's interpretation of his subject matter was documented and argued so persuasively that it has, in large measure, remained the dominant view of Italian Renaissance
art ever since".
-p. x, Introduction, "The Lives of the Artists" by Giorgio Vasari, translated by Julia and Peter Bondanella

FACT THE SECOND:

Having established Vasari as the genuine authority on the classical tradition of drawing, we must consider Vasari's viewpoint on the type of art theorizing which Betty Edwards uses.

"Vasari was opposed to any artistic style that exhibited pedantic book learning, academic exercise, or unusual, laborious effort." -p. xii, the Introduction, Vasari's "The Lives of the Artists" translated by Julia & Peter Bondanella

The same page cites another authority, Baldesar Castiglione, (1478 - 1529 ) author of "Book of the Courtier" which argued:

"True art, according to Castiglione, was art which did not reveal itself to be art and was produced efforlessly and without obvious signs of study and emphasis upon technique." -from p. xii, The Introduction, Bondanella translation, Vasari's "The Lives of the Artists".

In view of these two substantial facts, Edwards employs fuzzy New Age jargon to present a HOW-TO-DRAW book, heavy on fuzzy art theorizing, metaphysical rambling, and philosophical mythology. Ewards essentially has served up a FAST FOOD menu of New Age ramblings advertized as a classical feast. The combining of Asian religion with Western art is not timely at this juncture for it has already been achieved through 19th Century Impressionism, over a century and more in the past.

Funny how many people can't draw in art classes...
I started my art experience with this book, and to it I give much credit. For me, it was like a "light switch" had been turned on. One day I could not draw, the next day I could. I did take the lessons seriously, and completed the book. If you are new, this book delivers on it's promises. It doesn't matter if the right/left part is correct or not, the fact is - the methods work. There are many other things to master, but the ability to draw correctly is what separates real artists from the fake ones, of which there are many. Drawing is the foundation. If you want to learn how to draw, this book will take you where you want to go faster than any other. Later, when you are in that expensive oil painting class, and 11 out of the 15 students are stuck because they can't draw, you will be thankful that you started off with this book. You will be one of those who can at the very least render your subject correctly. ... Read more

Amazon.com

Anatomy for the Artist is like having your own life-drawing studio in the privacy of your home. Carefully constructed photographs of the human form allow you to see the structure and function of the skeleton and main muscle groups. Six imaginative drawing lessons, each supported with photography, show how to portray the bones, head, rib cage, pelvis, hands, and feet in perspective, from different angles, both in still poses and in movement. ... Read more

Reviews (13)

Simply fantastic!
I'm an art student taking a life drawing class, and I have looked at a number of books on anatomy and own several, most of which I find unequal to my needs. Some are geared to people in health-related fields, and some are geared to artists.

Of all the books I have seen on artistic anatomy, this is one of the absolute best. The translucent paper overlays of anatomical structures are very helpful to an artist trying to figure out how bones, muscles, and skin all fit together. Additionally, the photography is amazing, modern, and not at all cheesey. There are many different motion shots and poses depicted, and the drawing lessons and "master classes" are truly useful to any developing artist and should help people refine their skills and gain confidence in this difficult area of drawing. My only quibble: I could have done with fewer explicit shots of genitalia, but they were necessary to a book that covers its topic as completely as this one.

The bottom line is that this book is worth its weight in conté crayons.

A worthwhile anatomy book
This book doesn't try to contain all the knowledge there is related to anatomy and drawing the human figure. That would take several volumes or more. It just does a few important things well. I think the main strength of this book is that it gives you an intuitive feeling for the human body's structure. It does a lot more than just list parts. It tells you how the body works, how the parts work together, and the nature of those parts. She gives you more scientific and historical information than other books generally do. The second strength is the large number of well-lit photographs of fit, lean, muscular models in many informative, useful poses. The models are pretty good for seeing the contours of muscles, bones, and connective tissues. I think the inclusuion of a few body builders might've been good too. The latter chapters of the book deal with poses and the body in motion. They include many photographs of models. I appreciated this, and it's something not a lot of anatomy books have.
As for the overlays, I didn't think they were all that important. As for the drawings of the muscles and bones, they were useful and good, but they could've been better. I would've prefered some sort of smoothly shaded renderings instead of scratchy pen & ink drawings. It would also have been nice to have the muscles in different colors so they'd be easier to differentiate. Although vellum is nice, it tends to warp from humidity and it's not transparent enough. Therefore it would've been better to make the overlays out of plastic.
While this isn't the be-all, end-all of anatomy books, I think it is one of the better books to include in your anatomy library. I have several other great anatomy books besides this one.

Excellent photography. Average content.
This is an interesting book in that the photography is excellent. Do you like nude bodies that are in very good shape? This one has it in excess. As one who has studied artistic anatomy for over twenty years I own just about every book written on the subject. One of the things I appreciate are sources showing surface anatomy; with models that have muscle definition. The odd thing about this book is how much could have been done with it. There are about 7 or 8 transparencys that over lay the photos. All but one of these show the skeletal detail over a photo. When I am looking at the surface anatomy of a figure and trying to determine which muscles are which, I would rather have an overlay of the muscles than of the skeleton. This must have been the decision of an editor. The drawings depicting the muscles are good, no better than what has been done. Goldfinger's Human Anatomy for Artists or Richer's Artistic Anatomy are very hard to beat. The other odd note about this book is the bibliography. It's as though the items chosen were selected for their quirky nature and not their value as a source of information. Five stars for the photography, negative two stars for the anatomical content.

decent
decent book but could have had a heck of alot more poses. The book splits the body into categories which is helpfull but I would have also liked to see a whole section of various poses for study.

A must have for serious artist
This is the best reference guide for drawing people that I have found. The poses and lighting are excellent! Most artist references on the figure show the skeleton and muscles but this book uses semi-transparent overlays so an artist can see a photo of a person then, using the overlay, see how the skeleton or muscles shape the body. A must have for any serious artist. ... Read more

Reviews (10)

Grushkin Great
This is absolutely the most comprehensive collection of poster art celebrating rock n' roll. Whether thumbing thru and glancing at the artwork, or carefully reading the history behind each piece, it is a thoroughly enjoyable book. DON'T buy the paperback version of the book, as the images are a great deal smaller, and not near as magnificent as the hardcover edition.

A must for all fans of the 60's!
This is a great book showing the evolution of art in the rock & roll world from the 50's on.Obviously this was a painstaking task,putting all these together and it was worth it.It's a must have for the S.F. Fillmore era poster art alone.

don't bother straining your eyes.....
be aware that this TINY book is not much bigger than a book of matches. a true rip off.
save your money for a real rock book.this book is a joke.

can you say zero stars
I was unaware this "book" is only 4x5 inches.Kind of defeats the purpose of looking at posters.
Man, what a rip off. The type on some of the "posters" is so small,that you will need a magnifing glass to read what band it is for.
Don't waste your money

herculean effort
get the large , hardcover one if you can. i got it at a book store for like 14 bucks, they had plenty of excess copies. while i personally don't care for much punk rock, there are hundreds of wonderful , creative, and beautiful posters from the real golden age of rock- 1965 to about 1971 or so. a bad band from that period would be better than most so called good groups today. i mean, limp bizkit. what the hell is that b.s.? grushkin is to be commended for a great job assembling this tome. ... Read more

Reviews (2)

A Very Useful Handbook
It's beyond cliché to say that a book has changed your life, but this little handbook - a supplemental art history text, of all things - ranks with scripture and great literature as one of the most personally beneficial books I've ever read. This may say more about me than the book, of course, but if you are the sort of person who finds it difficult to think about art, let alone talk or write about it, then perhaps this will give you hope.

Professor Sayre starts this handbook with a simple thesis: everyone could write about art, if only they knew where to start. To prove his point, Sayre chooses pieces that most laypeople would consider indescribable (like the abstractions of Jackson Pollock) and teaches the reader, slowly but surely, how to really look at the work. With subsequent lessons on choice, composition, and color, even the most "non-artistic" thinkers will begin to see things in a different light... and then Professor Sayre will then teach you how to put those thoughts into words.

If you are privileged enough to attend a school where the humanities are still actively taught, you owe it to yourself to pick up a copy of this book - your papers and grades will doubtlessly improve. But even if your chances of ever taking an art appreciation class are slim, if you have any interest in the subject at all, then I highly recommend this book.

Excellent for Homework
Although I am not an Art History Major, I found this book to be very helpful when writing a paper about particular artwork! ... Read more

Reviews (60)

The Shakespeare of the Lens
As a young man utterly fascinated by women, I find THE AGE OF INNOCENCE, like many of Hamilton's other books, invaluable - at least as far as the visual content goes. Most of these dozens of girls appear to be in their mid-teens, but one notices not so much their sexuality as their personalities. Thus, one girl has a strong domineering streak, another a maternal aspect, yet another a carefree, fun-loving disposition, and still another an impish and sly character.

The content of THE AGE OF INNOCENCE is bound to elicit some negative reception, but consider that many of these photos show fully clothed models and few are really provocative. In fact, the more provocative photos, such as those from the series at the end showing young lovers roaming the beach and preparing for love, are my least favorite. Also, the introductory essay is embarrassing and many of the quotes liberally interspersed throughout this lengthy book - even those by writers many of us would normally accord respect - are jarring in their comparative lack of subtlety. There can hardly be any more proof of Hamilton's artistry and intentions than his making certain verbal poetic evocations of females and their nature clumsy and unnatural by comparison. So, my advice is get the book and avoid most of the text (Shakespeare is one of the few assets in the writing department here).

I rate this book five stars notwithstanding the reservations noted above. And, although many of these photos have appeared in previous Hamilton volumes, their quantity and variety compensate for this.

Pleasing to the eyes? Yes. Pornographic? Not one bit.
This is definitely the prettiest book I have ever seen. One of the best books to come out of Great Britain ever, and surely one of the world's finest photo-art books. This is not pornographic in any way; those who think it is do not know the true definition of the term. This book is a celebration of youth and beauty as experienced by these young girls. If you appreciate what is truly beautiful in our world, then you will purchase this book. If you don't, you will surely be missing out. The portrait on page eighty-one is worth the price of the book alone.The quotations accompanying the photographs are thought provoking, and, in this reviewer's case, educating---I am now reading Ulysses as a result of this book! So, you may even improve your literary skills as a result of this book. Any way you look at it, this book is a real treasure, and congratulations to David Hamilton on a job well done.

As complex as its subjects
This is possibly the most beautiful set of photo portraits I've ever seen. Like the subjects, though, the beauty has a scary side to it.

There's a lot more to say. The pictures are intense, and more intense as a collection. I'm sure everyone who sees it will have more to say, and everyone will say something different. For that matter, I could discuss this in three or four contradictory ways. This time, I prefer to let the pictures speak for themselves and to let the readers form opinions of their own.

Beautiful Subjects
Physical beauty is something that we have for only a brief period in our lives. It is a temporary stage during our lifespan. Unfortunately, we discourage young women from sharing their physical beauty with others who can appreciate it. It really is quite a shame that we try to enforce modesty. David Hamilton gave us this gift so that we may be able to share his admiration for the young, female physique. I am grateful to the young subjects, who were gracious enough to share their beauty with us.

This is a remarkable book. It is obvious that David Hamilton is very passionate about his subjects. He has taken his appreciation and admiration for young women and shared that enthusiasm with the world. I highly recommend this book.

Barely Misses the Mark
If I could have rated this book 4 1/2 or 4 3/4 stars I would have. It certainly is a beautiful artistic endeavor. However, it fails the mark of perfection because of a few (VERY FEW) photos that are too suggestive for girls of their age, and a few comments by the author that would seem to provoke dangerously misleading thoughts in the minds of young people who might get their hands on this book. As the step-dad of a teenage girl I have experienced first-hand the confusion of an easily inluenced child, who lacks the full capacity to reason and misperceives what she has seen and heard. Too many (pre-teen and teen) children think they are supposed to be sexually active, and there are certainly a few paragraphs, and several photos, in this book that would help contribute to that pattern of thought. Otherwise this is a finely crafted work. Many of the photos are soft, muted, elegant, and almost dream-like, while others are sharp and rich in color and contrast. There are full figure studies and a variety of portraits. Some of the girls look confused, content, generally happy, thrilled, curious, and some disgusted. Unlike similar works by other photographers, the majority of the models do not appear to be emotionless, melancholy, or tormented. There are no portrayals of violence or mishap. The quotes from classic poetry are at times provocative but still tasteful and refreshing, especially if you are one who enjoys traditional Western European poetry. The author/photographer makes several attempts at poetic verse but they do not work so well. I do realize that the entire theme of The Age of Innocence is the psychological tumult experienced by young girls who are approaching womanhood, so the sexual element does have to be "taken with a grain of salt." As an artist and photographer I do highly recommend this book and treasure my own copy, but I strongly suggest caution when selecting an audience to share it with; teenage boys are not a proper audience. Overall this is quite a clean representation of the human form and psychology of young women. ... Read more

Reviews (15)

a good starter book
This is a great introduction to the practical side of the fine art business.
It touches on general themes and gives resources/ contacts for further help.
Some of the tips are pretty intuitive.... such as get a tax number, save your receipts, etc
On the other hand, I found the sample contracts for sales, models etc. to be one of the most helpful parts of the book.
If you wish for a more comprehensive look at the legal side of fine art check out legal guide for the visual artist by tad crawford.

It's more for the painter or printmaker.
While this book does touch many topics that are important in marketing your art, it seems to be a bit single minded on the markets (galleries, museums, businesses, etc) and the art (mostly painting, prints, photography, etc.). I'm an installtion artist that is interested in investigating alternative markets, but didn't find much information here. Smith does give many helpful tips and contacts, but none that can't be found elsewhere. While the most of the information could be applied to any fine artist, I didn't really warm to the following comment from Smith's book:

"Most working artists will be able to complete at least five original works a month....If it takes you a month of working eight hours a day to finish one painting, this probably means that you will have to get involved in the print markets and forget about selling your originals." (74)

It seemed obvious to me, that Smith was much more interested on "marketable art" and more traditional methods of pushing a business, but hopefully not at the sacrifice of the spirit of the art.

Better Choices Are Out There!
In preparation for teaching a class in marketing for creative professionals I purchased this book. Although it says it was revised in 2000, I found some egregious errors, one of which was a listing for a book that's out of date and out of print. Carroll Michael's book, How to Survive and Prosper as an Artist, is a far better reference and empowers the artist in his/her efforts. Smith tends to buy into some of the 'starving artist' concepts and, instead of cheering artists on, creates some real barriers to success.

Check it out at the bookstore before you buy it
Out of all the art marketing books available, this one is not nearly as good as, say, Carol Michael's books or Daniel Grant's books. If I were an artist just starting out, I'd look at this book at the bookstore and compare it to several other art marketing books. There are many books out there that are better than this one.

Art for arts sake
I found this book a great starting point, out of school and trying keep creating and supporting myself with my creations. This book allows you to take the next step of thinking and open your mind to selling art. Good begining book I wish I got while in school. ... Read more

Book Description

Offering an exploration of Western and World civilization's cultural heritage, this book is richly illustrated, beautifully designed and engaging. Readers move chronologically through major periods and styles—from prehistoric culture to the renaissance and mannerism in Italy—to gain insight into the achievements and ideas in painting, sculpture, architecture, literature, philosophy, religion, and music. For arts and cultural coordinators, professionals and enthusiasts. ... Read more

Reviews (9)

Chris Hart Does It Again!
Without a doubt, Christopher Hart is one of the most prolific and talented cartoonist around. Having worked with companies such as Disney, his cartoon style is entertaining and stylic as well. It's got personality and it will make you want to engross yourself in the book. If you've not read any book by Chris Hart, this is one of his best. However, it is a wonderful book with lots of helpful ideas on becoming a cartoonist yourself.

It covers everything from how to place the features to costumes to animals. It would definitely be a useful starting (and ending) ground for anyone interested in this art.

Excellent find!
This book is great! There are a ton of helpful tips and techniques that range from how to draw facial expressions and body types to how to draw ice cubes and water... and even how to convey wind or rain. The author, Christopher Hart, even explains why cartoon characters have only three fingers.

This book is very clear, very informative and very funny! I highly recommend this book!

Great Stuff Here!
Christopher Hart has brought many hours of both fun drawing and thoughtful learning in my atristic journey. Not only does he explain everything you need to know for beginners, but some fresh stuff for the experienced artist as well. I'm sure anyone of all ages will enjoy learning form this and all of his great books.

Good book
I have had this book for a few years now and I love it. Hart gives lots of examples of a character in different situations. He also shows how to lay out your comic and gives advice on colors and such. This book /would/ have gotten the full 5 stars, but I felt that the section on animals could have either been expanded to include a basic rundown on construction for beginners, or left out entirely. The section is mainly about the relative height of animals to others and, above that, an intermediate construction of the animal itself, plus a brief written guideline. I should be getting Hart's book on cartooning animals today, so hopefully that will be more of a help to me in the animal area. All in all, this book is great for those who are just starting out or need a refresher.

really fun book
This book will help you transit from doodling to drawing cartoons. It is great for distracting your collegues during long meetings, delighting younger children who should be concentrating on other things, and annoying your spouse who is trying to pay attention.
Get it. ... Read more

Reviews (5)

Its a start: you must know what you are encountering
The format of this book is not "10 quick things you can do". It is mostly a discussion, from different people, attacking different subjets. It is not uniform. There is a lot of repetition. However, being a lawyer, I find that it is a good start for people who have little concept of technical aspects of the art market.

Author recounts book's success
When I was Special Assistant Chairman of the National Endowment for the Arts, visual artists had few ways to support themselves except for grants. Apart from the special few, little hope existed for selling their art, and most artists had no idea of how to "go about it." I assembled an internationally respected group of artists, dealers, art lawyers and accountants and put them in front of tens of thousands of artists nationwide. Through questions and answers, speeches and demonstations, a distilled book's worth of unique knowledge and advice came into being. Unlike any other books that give one artist's opinion, or one "art advisor's advice" this book does something different: the straight story comes directly from the most outstanding and respected authorities in the field. No other book does this. No other authority can provide this knowledge in a single volume. The Business of Art is now the basis for college level courses on the business side of art. There is also a companion video sold by Phoenix Flms at 800-221-1274. Used together, they provide artists and art groups with a wealth of learning material for either immediate use or continuing education of artists worldwide.

Not so good
There is a lot of info in this book. However, the information seems jumbled. I say that because, one chapter seems to be more for the emerging artist and the next for the established artist. I did not care for the chapters about the dealers (ex. one chapter in New York dealer, one is Houston dealer, etc.)
I would recommend other business of art books first and save this one for last if your starting a reference collection of art business books.

Money Wasted on the Business of Art
I'd have to say I was very disappointed in this book. The title lead me to believe that there would be plenty of nuts and bolts information, when, in fact, there is very little indeed. There is one long-ish chapter on photographing artwork that contains a great deal of technical information on film, cameras,lenses, and lighting. (Most artists would be better served by hiring, or bartering work with, a competent photographer.) The rest of the book consists largely of personal reminiscences, rambling essays and opaque monologues.

Emerging artists want to know: how do you approach gallery owners successfully? how do you approach museums successfully? how do you prepare your portfolio? how does my work get seen? Well, emerging artists shouldn't expect to find useful answers in this book. The answers compiled in The Business of Art are mostly of the "If you're good enough you'll be found". "Get a magazine to write about you", "I got lucky", "Enter lots of competitions and hope someone notices you", and "Stop whining" variety.

There are a few mildly interesting, though not enlightening, personal stories about the New York art scene "back in the day", but don't look for much practical help here. I consider this as money wasted - both mine and the NEA's.

Lots of info
This book has a variety of information. Some info seems to be for the emerging artist, other info is for the more established artist. It's a good reference but I'd suggest other business of art books first. ... Read more

Reviews (12)

The BEST book. Look no further
In all seriousness, this is the best mosaic book out there that I have found. It explains materials, techniques and EVERYTHING you need to work on mosaics.

Wish I had found this before I bought other books.

First Rate Design and Technical Information!
Even though I am a beginning mosaic artist, I want detailed information about design techniques, materials to use, and errors that are common to the craft. This book fills the bill - it's got first rate design information and provides examples of the discussion topics. The arrangement of the topics in alphabetical order may be something that others find less than desirable, but if you read the entire book before making any judgments, you'll find that this is a non-issue. I'd recommend purchasing this book, especially if you only want to buy one.

From library rental to wanting to own it !!!
I rented this book from my library and am now here purchasing it, because I loved it so much. It is a great collection of basics, supplies needed, various techniques, common mistakes, ideas and inspirations, instructions, classic mosaic artworks and lots of colored pictures, (which even have my daughter asking me when we can try to do some mosaics). Hobby store: here we come!
Even if you just want a new addition for your library, its definetly a great buy.

Not for beginners
While the book does offer the standard mosaic-making advice, the alphabetical encyclopedic format makes it frustrating at times. If you are a beginner, as I was, you won't know where to start. 'Planning', 'setting up your studio', and 'equipment' are all topics, but if you don't know exactly what to look up and in what order, it won't do much good. And if you're more experienced, you don't really need big color photos of safety equipment.

The book's strength is in topics such as borders, andamenti, and design techniques. As for nuts and bolts info such as the actual direct and indirect methods, I found Leslie Dierk's book 'Making Mosaics' to be FAR more informative.

Overall I found the encyclopedia 'gimick' to not really be very helpful.

The mosaic bible
I think this is an awesome book. I don't like books with projects because I like to design my own projects and don't like to cookie cutter from a book. So, this is fantastic because it reminds even experienced mosaic artists of all the endless possibilities of techiniques and materials. It goes through EVERYTHING!! And if you are reserching a particular techinique or anything it is all listed in the back and you are ready to go. Tons of important info, might be a little overwhelming for the beginner but it is truly my bible. I recommend this book to all my customers! ... Read more

Reviews (9)

Excelente referencias
Libro indispensable para un pintor profesional que desee buenos resultados en la tecnica de los materiales. Recetas e información tecnica para elaborar cualquier medio pictórico

Its a reference book
A bulky reference book. Its useful if you want to refer something - but definitely not a cover-to-cover read as I thot it would be. To be fair, it has detailed info about all artists' materials, hardware etc - but just didn't suit my needs.

The Artist's Bible
This is the Artist's classic, and the Artist's Bible of not only what materials are but when they came into use, how they are formulated and why. Want to learn how to make your own gesso for silverpoint? Want to cut a quill pen? Want to make your own pastels? Can't remember how to make your own sizing or gesso? Want to try your hand at encaustic or egg tempera painting? Want to know which colors in the spectrum are likely to fade (are fugitive colors) in watercolor and which are not? It's here.

Artists Handbook of Material and Techniques
it was a required book at a county college. once i got it i realized it was very informative. it has very good information and i refer to it all the time. the professor said it would be our "bible for art" and he was right. it has techniques such as how to do egg tempra, suggestions on types of paints, etc. i would highly recommend it.

A great reference book for all artists.
I guessed writing review using reverse-psychology is rather easily misunderstood, considering review readers are from around the world with different ways of thinking. So, let me rephrase my comments about this book.

This book is a 5-STAR, due to the following reasons:

1) The book provides detailed discussion of pigments (pp 65-134), including both physical and chemical properties such as lightfastness (resistance to fading on long exposure to sunlight), density, vehicle compatibility, chemical class, formula, etc.

2) The book also covers other materials used in oil, watercolor painting, as well as other painting techniques such as tempera, mural, etc.

3) Readers will find formulas for preparing mediums throughout the book, as well as supports, solvents, safety issues; along with information on painting tools (brushes, knife, etc.) and other techniques (silk screening, sculpture, etc.)

4) Finally, for readers who prefer further reading on certain subjects, a thorough reference index serves the purpose.

This book targets professional and serious artists, and will serve well as a great reference book.

STRONGLY RECOMMENDED! ... Read more

Book Description

This book contains negotiation tactics and thirty-three forms designers need in every-day business, including: Estimate for Client, Preliminary Budget and Schedule; Proposal Form; Job Sheet; Production Schedule; Estimate Request for Suppliers; Contract with Illustrator/Photographer/Printer/Sales Representative; Merchandising Agreement; Release Forms; Permission to Use Copyrighted Work; and much more. ... Read more

Reviews (9)

It's a $29.95 Lawyer!!
Our small graphic design firm had been relying on the legal forms and contracts from this book for about one year. Finally, we decided that perhaps we ought to visit with a lawyer to make sure we were doing it right...$560.00 later for an initial consultation, we realized that this $29.95 book was the best business investment we'd ever made! The lawyer confirmed that the contracts that we had been using were airtight and were great (he had a few other pointers...but, none worth $560.00).

We have had many comments from our clients that over all the creative teams they'd worked with over the years, our design firm had surpassed them all in business professionalism. If you are serious about running a firm, or just want to protect yourself, you really can't go wrong with this book! Such a small investment for such a large return!

Buy it, you won't be sorry.
This book has EVERYTHING you need ... and then some. When you think you're not going to need one of the forms in this book, you later realize that YOU DO! As a freelance artist, using these forms made me feel as though clients noticed that they were dealing with a real professional. Absolutely a great investment.

Useful Guide
While I probably won't use too many of these forms directly out of the book (or off the included CD), I find every form filled with helpful tools and ideas. Since purchasing this book, I have used a number of the forms just a guides for creating my own.
While I can understand that people might be disappointed that the forms included on the CD use fonts that not everyone has, as a designer, I would strongly recommend that you get those fonts anyway. If you are serious about being a successful graphic designer, you can't rely on the default fonts that come with your computer (besides, Helvetica is a great and well-crafted font).

Overall, I would recommend this book to anyone who is interested in the business side of graphic design, o