Reviews (1)

Heart Warming
I gave this book for a gift. I really wanted to keep it for myself, so will be buying another copy. Many of the pictures trigger memories for me- especially of my childhood. This book is a little serenity and comfort and get-away from a busy day. Kind of like spiritual refreshment. Love it! ... Read more

Book Description

Few paintings inspire the kind of intense study and speculation as The Garden of Earthly Delights, the luminous triptych by Dutch master Hieronymus Bosch. Now renowned art historian Hans Belting offers a radical new interpretation of this masterpiece — one that places Bosch’s vision squarely in the context of his times. ... Read more

Reviews (2)

Light=Love
This is book for those moments of quite contemplation. When the world seems chaotic and despair seems to be the order of the day, and there seems to be no remedy, this book will provide you with joy.As you reflect upon the quotes from the people of diverse time periods and backgrounds you will see the common thread throughout history;faith , hope and light. Each page has a beautiful stained glass window from some house of worship, museum or private collection from various corners of the world. The colorful illuminations are magnificent and date from early Christendom to contemporaryart all reproduced in exquisite detail. On the opposite page are quotationsin big bold letters. The sayings are thought provoking,concise reflections on our purpose on this planet and our relationship to the seen and unseen. The themes are organized around the title of the book with the exception of love replacinglight. The art work from the stained glass windows is only half the treasure of this book as the sayings are at times profound. Some of the simple examples from the bookare as follows: from Love; "Love in its essence is spiritual fire," Emmanuel Swedenborg(1868-1772), from Hope; " Laugh and grow strong," St. Ignatius Loyola (1491-1556), from Faith ; "People see God every day, they just don't recognize him " Pearl Baily (1918-1990). These are some of the shortest quotesand very typical of the diversity . The sayings come from the unknown and known figures of time. I would recommend this book to you , to share with a family member, to give as a gift for a special person in your life, to spread the interchangeable terms of light and love. This is a good book to have near and read often, to look at the wisdom and common thread that binds all mankind.

The light fantastic
This book made my heart leap with the beautiful juxtaposition of inspirational quotes and breathtakingly lovely stained glass windows. The art print colors are vibrantly rich and glowing. The windows and text span a broad historical and geographical range. They include windows from diverse places and times; 13th century French and English cathedrals, modern works by Marc Chagall, and windows from 20th century cathedrals in South America. The quotes are equally broad from Louis L'Amour to Leo Tolstoy; St.Francis of Assisi to Pearl Bailey. The text creatively intertwines with the art work to stop and make you marvel and wonder. This book is a perfect aid to meditation It warms the soul and spirit,it makes you contemplate and wonder and ultimaltely give thanks. It is a hope renewer in both art and faith and their wonderful ongoing connection. ... Read more

Reviews (1)

A Wonderful Book
As a student with two jobs I do not have much time for art. Recently I have taken an interest in the classics. I was at a bookstore one day and this book caught my eye:

The work of Michelangelo is wonderful. This book really brings to life this masters artwork in a way that is beautiful and breathtaking. The part I love most about this book is that before and after pictures are shown of Michelangelo's work (pre and post restoration). It really brings vibrant life and color to work that seems sometimes to be forgotten. Also lots of people think that Michelangelo was not very creative in his color usage, after seeing this book, you will truly see that he is a GENIUS. Even if you are not into art...this book will make you see art and especially Michelangelo in a different way. Get this book. You will not regret it. ... Read more

Book Description

Should a temple be seen as a work of art, its carvers as artists, its worshipers as art critics and patrons? What is a temple (and its art) to the people who make and use it? Noted anthropologist Hildred Geertz attempts to answer these and other questions in this unique look at transformations in material culture and social relations over time in a village temple in Bali. Throughout Geertz offers insightful glimpses into what the statues, structures, and designs of Pura Desa Batuan convey to those who worship there, deepening our understanding of how a village community evaluates workmanship and imagery.

Following an introduction to the temple and villagers of Batuan, Geertz explores the problematics of the Western concept of "art" as a guiding framework in research. She goes on to outline the many different kinds of work--ideational as well as physical--undertaken in connection with the temple and the social institutions that enable, constrain, and motivate their creation. Finally, the "art-works" themselves are presented, set within the intricate sociocultural contexts of their making. Using the history of Batuan as the main framework for discussing each piece, Geertz looks at the carvings from the perspective of their makers, each generation occupying a different social situation. She confronts concepts such as "aesthetics," "representation," "sacredness," and "universality" and the dilemmas they create in field research and ethnographic writing. Recent temple carvings from the tumultuous and complex period that followed the expulsion of the Dutch and the increasing globalization and commercialization of Balinese society demonstrate yet again that any anthropology of art must also be historical.

Illustrated with over 150 photographs, drawings, and maps, The Life of a Balinese Temple is an unparalleled record of a complex communal achievement. Based on continued on-site study over a twenty-year period, it is a thoroughly original contribution to Bali studies and the anthropology of art that will also find an appreciative audience among students of religion, art historians, and those interested in material culture. ... Read more

Book Description

1923. In the Spring of 1923, Miss Tyra de Kleen, the Swedish artist and traveler, held an exhibition of her watercolor drawings at the Victoria and Albert Museum, London. They illustrated the ceremonial dances of the people, and the symbolic hand gestures (mudras) of the Pedandas (priests), as they are performed at the present day on the island of Bali, in the Netherlands East Indies. It is believed this book will prove to be a pioneer work and a foundation stone for future research in the little known branch of religious symbolism. Beautifully illustrated. ... Read more

Reviews (2)

a terrific introduction to Green Men
This is a great little book. The pictures are wonderful, the text is clear and concise. Most books about Green Men are more scholarly in tone, and maybe daunting for someone who is new to the topic. This book gives you just enough information and pictures, and leaves you wanting more.

this book is a wonderful gift for anyone who like gargoyles and other medieval art. I especially recommend giving it along with the other books in the series.

A Fascinating and Well Researched Study of the 'Green Man'
One man's search for the truth and origins of the 'Green Man'. Even today people decorate and protect their gardens with symbols of the green man. I have one in my garden; with a hummingbird, of course. Green Man origins appear to be pagan, but the author has discovered images and expressions of the green man in ancient poems and old manuscripts, in Christian churches, Jain Temples, in May Day processions, associated with The Knights Templar, Celtic, Roman, Greek and Egyptian traditions. A common theme seems to be a fusion between man and the vegetable world. Some feel that the green man is the Old Guardian of the Forest or symbolizes the birth and resurrection of all life. Fascinating reading. ... Read more

Book Description

Repellent and fascinating at the same time, the terrible tortures of Christian martyrs evidence a sort of evil creativity and gleeful bloodlust on the part of their tormentors. This book, originally published in 1989 in a limited edition, captures the gruesomeness of torture and provides an intellectual examination of it - with an awareness of the visceral thrill that such images provide. It includes a reproduction of the 1591 book of the same title, with engravings and descriptions of Christian tortures; segments from The Dolorous Passion of Our Lord and Saviour Jesus Christ (1824), by an Augustinian nun (which helped inspire Mel Gibson's film Passion); the article "On the Physical Death of Jesus," by William D. Edwards, describing the forensic realities of the crucifixion (which also impacted the film); and 24 illustrations by a variety of well-known artists, performers, and infamous criminals including Daniel Clowes, Joe Coleman, Raymond Pettibon, and Kaz. ... Read more

Reviews (1)

Terrible book
Unless you are already well versed in the topic of Armenian art, do not get this book. Every page it mentions about 20 names, and it only tells you who about half of those people are. It quickly jumps from topic to topic, making it difficult to follow. Finally, the language that it uses is extremely difficult to understand, both the vocabulary and sentence structure. There are other boooks out there, and they must be better. Pass on this one. ... Read more

Reviews (1)

Arquitectonic richness of Mexican churches
Contiene una amplia colección de fotografías que muestran la gran variedad y riqueza arquitectónica de las iglesias de México, algunas de las cuales son poco conocidas, y que en cierta medida deben su esplendor al sincretismo cultural hispano-indígena. Las fotografías fueron tomadas alrededor de 1956, por el excelente fotógrafo, sobre todo de paisajes, Eliot Porter (quién abandonó la fotografía por la medicina).

It contains a large colection of photos that shows the great variety and arquitectonic richness of Mexican churches, some of them are not well know, and their splendor is in certain way product of the cultural hispano-indian sincretism. The photos were taken around 1956 by the excelent photographer, landscape specialist, Eliot Porter (who quit medicine for photography). ... Read more

Reviews (1)

This is a landmark book.
Brilliant! The photos express a evolving understanding of "Christ" (and a few other connected topics) in our contemporary Western culture.

In this book, Nissan Perez (the curator of Photography at the Israel Museum in Jerusalem) has collected photos reflecting the Western world's meaning of Christ. Occasionally, in the book, the sacred has been caricatured, even profaned, but, to the curators credit, the book doesn't seek to be "religiously correct" by editing out the profane, nor the secular; rather he reveals in a balanced way how today's society understands Christ and Christianity.

The book's jacket cover (The Last Supper using 'The Sopranos') is one of the many examples of how artists through the ages have utilized religious imagery to express Christ. The contemporary photos are powerful symbols of the postmodern understanding of both faith and Christ.

Paul Tillich (German-American philosopher and theologian) once wrote "Man's ultimate concern must be expressed symbolically, because symbolic language alone is able to express the ultimate." The symbol is the ultimate language of faith.

These photos capture the symbol of Christ, the image of Christ and more. They eloquently express the complexity found in the language of faith. The symbolic images of Christ that are captured in these photos: Last Supper, Crucifixion, Descent from the Cross. The photos are provocative, and press the interpretation of an orthodox Christ. Photos can, as this book deftly shows, point beyond themselves to something else, something transcending the mundanity of life.

This book, like its many images, transcends words and captures the matrix of faith. This language of faith deserves to be seen. Highly recommended. ... Read more

Book Description

Reviews (4)

New Light on an Old Master!
I read this book with real interest, and am very impressed by the author's arguments. As I see it, none of the other interpretations (Bosch as a Catholic; Bosch as an Adamite; Bosch as an Alchemist) ring true to the same extent. When Harris discusses the hidden Cathar (ie, Gnostic) meanings in Bosch's paintings she exposes hidden depths. We find convincing explanations for quirky images like saints surrounded by devils, monsters in the Garden of Eden, the strange unified landscapes of Hell and Earth in the Last Judgement scenes, and the peculiar gates and the circle of animals in the Garden of Earthly Delights, to name just a few. All Bosch's works are covered, and all fit into the overall world-view of the Cathars.

Who would have guessed, for example, that Bosch's Seven Deadly Sins painting had so many hidden heretical symbols, or that his picture of life after death can also be seen on 15th century Bosnian tombstones? Who would have realized that Bosch's art contained so many Italian Renaissance features? All this is not what you'd expect, and it's the originality and excitement of discovery that makes this book so especially interesting.

Traditional Bosch fanciers may not agree with Harris's new interpretaton of Bosch's paintings, but original ideas often take a long time to sink in. For me, this well produced book, with its many illustrations, its sympathy with the spiritual side of the Gnostic Cathar religion, and its wide ranging subject matter, is a real eye opener.

Well, maybe! But probably not!
This book presents the intriguing theory that the fantastic Dutch painter Hieronymous Bosch was a member of a heretical sect called the Cathars, who believed that Satan created the Earth and trapped human souls in living matter (bodies). That is why, according to Harris, Bosch paints the Earth as a place inhabited by his famous and fanciful demons. The Cathars apparently believed that you must escape this hell on Earth to be reunited with the heavenly spirit.

The problem with this theory is that there is not a shred of evidence to support it, and Harris herself apparently isn't able to present any. Very little is known about the life of this artist. Harris tries to convince us that her theory is correct by interpreting the paintings as Cathar symbols -- an argument that goes something like: "Here is another Cathar symbol; that confirms my theory. Bosch was a Cathar, etc." The trouble is that most of the "Cathar" symbols are more generally Christian symbols and have been agreed to as such by most other Bosch scholars. There is no need to regard them as heretical. Most of the "anti-religious" symbols in Bosch's paintings are explanable as criticism of a corrupt Catholic clergy just before the advent of Martin Luther. Widespread discontent was understandably in the air.

An example of Harris's biased eye is her forced interpretation of Bosch's painting of "John the Baptist (JB) in the Wilderness", pages 155-156. The Cathars regarded JB as an agent of Satan who falsely set himself up as a divine messenger of God. To the Cathars JB was the Anti-Christ. If Bosch were the Cathar zealot that Harris portrays, one would expect to see demons and evil symbols covering this painting, both in the landscape and even on JB himself. After all, they are present in most of Bosch's paintings, even those of a less provocative topic to Cathars than JB. But I see nothing of the sort here. JB is portrayed benignly reclining on the earth and gently pointing to a lamb, the symbol of Christ, as if to say "Here lies the way". What Harris calls the "Tree of Death" is central to the painting and her argument, but it appears to be very much alive, bearing plentiful seeds or fruit which birds are finding delicious and hearty. This, she simply ignores. None of the satanic symbols that Harris herself describes in other paintings appear here. Where is the evil owl, the malignant crescent, the devilish toad, etc? Instead, there is a beautiful pastoral scene, with the gentle Saint lying in peaceful contemplation. There is no hint at all that JB is an agent of the Devil -- quite the contrary.

Despite this major flaw, one can obliquely glean interesting insights from this book. The writing is clear and the examples are relevant to the text. Harris probes the symbolism in detail and analyzes several paintings with interest. But, interpreting them as Cathar political statements is simply incredible. I'm not saying that Harris is necessarily wrong, but that the argument just doesn't support her theory. I find her argument to be less than convincing.

An original, interesting and perceptive book.
At last a new angle on the strange paintings of Hieronymus Bosch. This is a well written and researched book, and seems to solve many mysteries in the artist's work.

Fascinating, original & perceptive
This must be the answer to the mystery of Bosch's paintings. A fascinating book which keeps you hooked to the end. Full of new ideas. ... Read more

Book Description

Based on solid evidence, Athena and Kain demonstrates a direct connection between the Greek religious system and the early events described in the Book of Genesis. Greek myth is not subjective metaphor or child-like belief in nature gods, but rather an accurate history of the human race. Greek myth tells the same story as Genesis except from the point of view that the serpent is the enlightener of mankind rather than our deceiver. The content of Athena and Kain is revolutionary, and it is based on a simple premise: if the Book of Genesis is true, then those truths in Genesis which pertain to humanity as a whole (Eden, the Flood, the Tower of Babel) must be recorded in the "myths" of the dominant ancient Greek Mediterranean culture. If we are all part of the same human race, with the same origin as described in Genesis, this has to be the case. Proceeding on this premise, and relying on the work of meticulous scholars, solid evidence, and common sense, we find that the Greek myths tell the same story as the early chapters of the Book of Genesis, except from the point of view that the serpent is the enlightener of mankind rather than its deceiver. The evidence substantiates the premise: the Judeo-Christian and Greek religious traditions parallel each other, and both record the true history of humanity, yet from opposite standpoints. Without the Book of Genesis as a guide, Greek vase-paintings and sculptures present us with an amalgam of ambiguous elements whose meaning we cannot satisfactorily discern. But with Genesis as a frame of reference, ancient Greek art begins to make sense to us. No longer trapped in a fuzzy mental realm full of perplexing gods and befuddling stories, we begin to see the remarkably clear and coherent messages painted on vases and carved in marble by our ancestors. The best part comes when we see that this new understanding is not so much profound as it is obvious. The Greek gods looked exactly like humans because most of them were, in fact, the Greeks' own deified ancestors who included Adam (Zeus), Eve (Hera), Kain (Hephaistos), Seth (Ares), Noah (Nereus), Cush (Hermes), and Nimrod (Herakles). Kain, Kaineus, and Kentaurs Why Kain instead of Cain? The Greek Scriptures (Matthew to Revelation) were originally written in uppercase Greek. The name of the man, Kain, written as ¨iKAIN,¨] appears three times (Hebrews 11:4, I John 3:12, and Jude 11). On the Fran¨¬ois vase from the 6th century BC, a certain man being pounded into the ground by Kentaurs is identified as ¨iKAINEUS.¨] Both names refer to the same man. Keeping the original spelling helps maintain a connection that is essential to understanding the basic truth of ancient Greek religion: it chronicles the reestablishment of the way of Kain after the Flood. We don¨Vt know why the King James scholars translated KAIN as Cain, or why Robert Graves translated KAINEUS as Caeneus, but both translations tend to disguise the fact that the ancient names represent the same person. The Greek word usually translated as ¨icentaur¨] is Kentauros. In a very significant Greek myth, Kentaurs, half-men/half-horses, kill some ancient Lapiths (Flint-chippers) and carry off their women (Chapter 6). Scholars capitalize Lapith because it represents a specific group of people. They think of the half-men/half-horses, however, as strange animals who represent barbarianism, and so they use the lowercase ¨icentaur.¨] The truth is that the Kentaurs represent what the Greeks considered to be a ¨istrange branch¨] of humanity--the line of Seth, the offspring of Adam¨Vs and Eve¨Vs youngest son. Thus, as the name of a particular group, it should be capitalized, and to emphasize that fact, The author keeps the original Kappa, or K; therefore, Kentaur. One more thing. To really understand this, you¨Vll need to think like the ancient Greeks. If you don¨Vt realize it now, by the time you¨Vre finished reading the introduction, you'll be happy to find out that in many ways you already think like the ancient Greeks. Unique: The Greeks established the living basis of our culture, and at last, their myths make sense.Unique: The Greek account of humanity's origin begins with a man, a woman, a serpent, and a fruit tree in an Edenic place called the Garden of the Hesperides. Unique: What's the next best thing to finding Noah's Ark? How about Noah himself sculpted in ancient Greek art and painted on vases. ... Read more

Reviews (5)

Confirms the "shell-game" of masquerading Paganism
As a researcher of Pagan designs myself, I found RBJ's findings very insightful, and revealing. Immitation is the highest form of flattery, and the enemy of men's beings has designed many diversions for "sheeple" to follow blindly after. Mimmickry, syncretisms, and revisionism are the hallmarks of "ha-shatan's" (the adversary's) methods, and many traps are awaiting the unsuspecting mind. The Greco-Roman culture is but an extension of the previous Babylonian, Persian, and Egyptian Pagan formats, all with the goal of "occulting" or hiding what they are really portraying. We are the servants of the one whom we obey, and the deceived do not know they are deceived. My book Fossilized Customs, The Pagan Sources of Popular Customs, puts many of the same designs on display for the seeker of Truth, and I intend to promote Mr. Johnson's work in my future editions of FC, and on my website ( www.fossilizedcustoms.com ).
There are many people who could be helped greatly by reading this study on Athena (A-thanatos), the deathless one, and the framework in which we find her. The saddest thing is, the people of Nashville, Tennessee have to bear living with a constant reminder of the gross idolatry and ignorance of the ancient Greeks, who once pondered the words of Sha'ul (Paul). Nashville has a temple dedicated to the Pagan elohim, Athena, with her colossus image inside, next to the serpent. The Parthenon building is a gross abomination to the Elohim of Israel, the Maker of Heaven and Earth, Father YHWH.

Especially commended to students of Antiquarian Studies
Adeptly written by a Greek art interpreter and Parthenon iconographer Robert Bowie Johnson Jr., Athena And Kain: The True Meaning Of Greek Myth is an informative and inherently fascinating exploration of Greek mythology and art. Interpreting the victory of Zeus and the gods over the giants as a triumph over the Yahweh-believing sons of Noah, and with it the demise of Greek humanity's faith in God, Athena And Kain offers a controversal, iconoclastic, yet compelling and deftly presented interpretation. Athena And Kain is especially commended to students of Antiquarian Studies in general, and Greek Mythology in particular.

Superb book, I'm convinced!
I had already believed to a certain extent that ancient cultures mythology was based on even more ancient actual living persons.. and that later cultures borrowed from earlier cultures, but this book does a great job showing that all the myths are based on the ancients described in the Bible but from the perspective of the line of Kain versus the line of Seth.

A must read!

Athena and Kain: The True Meaning of Greek Myth
ATHENA and KAIN is a superb read, a thoroughly enlightening experience. This book and Mr. Johnson's previous one, ATHENA and EDEN: THE HIDDEN MEANING OF THE PARTHENON'S EAST FACADE (which I have also read), are changing the way we think about the ancient Greek world. For the first time, Greek myth has meant something to me. I always knew that it connected somehow to the broader history of the human race, but I couldn't see how. Now I do.
How quickly these books catch on in schools and among the public is anybody's guess. But I wonder: when we get to the 2004 Summer Olympics in Athens, and the media begin to speak about the Parthenon and other cultural treasures, will they understand what they see, or will they simply "ooh" and "aah" at some old Greek stuff somebody told them was important?

Athena and Kain: The True Meaning of Greek Myth
The preface to ATHENA and KAIN states that the content of the book is revolutionary, and it really is. I looked up revolutionary, and in the context used it means, "a total or radical change, as a revolution of thought." There is no other book on Greek art or myth like ATHENA and KAIN. Mr. Johnson points out that Greek sculptures appeared on public temples and other public buildings, and that mythological scenes appeared on the ancient Greeks' everyday pottery and storage jars. The average Greeks understood the meaning of their myths. Because of ATHENA and KAIN, it is now possible for us to understand them, too. ... Read more

Amazon.com

Like the beloved artist Norman Rockwell, painter Thomas Kinkade emphasizes what is good and kind in America. His paintings of old-fashioned homes and ideal landscapes may not ever be considered high art--but they can certainly capture the heart and soothe the eye, and for many of his devout fans, that's plenty.

Now Kinkade sets his sights on writing about the core values that his paintings have illuminated for years--home, tradition, family, nature, and above all else, living in the light. By sharing personal stories and numerous analogies to his painter's process, Kinkade has developed a comfortable, fireside-chat manner. He offers advice and inspirational suggestions on chapter topics such as, "The Abundance of Enough, Living in the Light of Simplicity;" "Saying Grace, Living in the Light of Thankfulness;" and "A Radiant Sunrise, Living in a Romantic Light." Mostly, Kinkade seems to want readers to create a more beautiful, serene, and joyful life, as if they could be transported into the idyllic world of his paintings. While this may seem like a naive agenda, it is a soothing notion, and one that many fans would certainly enjoy imagining. --Gail Hudson ... Read more

Reviews (16)

A Beautiful book!
I really enjoy the work of Thomas Kinkade.He is a truly great artist my favorite artist.He is also a very good writer as well.I really enjoyed this book.His drawings depict lovely places where most people would really like to live in.I'd give it 100 stars if I could.His work is brilliant.

Wishy washy feel good philosophy. Do all roads lead to Rome?
This book was a major disappointment!Although Iam not a fan of Mr.Kinkade I was asked to read this book by a friend.I had read that Mr. Kinkade is a committed Christian, but this book casts a serious doubt on what he means by that.Seems to me he is more interested in making Oprah's book list than in standing up for what he claims he believes. Mr. Kinkade presents God (never does he mention Jesus) as just one of many means to the light, just an option in a serious of options, something that is 'helpful'...not central!To quote "almost every religion every culture, find meaning and metaphor in stores of day and night...the radiant glow of goodness and the murky depths of evil...that the things of light are better than the things of darkness.The specific interpretation of what this (the light) means, of course, will vary. And yet the basic ingredients of a light-filled life remain obvious and universal" John 8:12 tells us that " (Jesus) I am the light of the world. Whoever follows me will never walk indarkness, but will have the light of life." As Christians this is the message that should be carried. Jesus, The Light, The Way, The Truth, The Life, is not just an option in the buffet of life.He is central to our message as Christians and it is vital that we speak this truth loud and clear! Frankly I find this book offensive, especially when Mr. Kindkade states that 'It does help to believe, as I do, in a loving and benevolent God-or, at the very least, a divinely ordered universe.But even if you can't must belief of this sort, you can still choose to trust in the richness and beauty of life..." As a Chrisitan can I really in good conscience offer people a choice between belief in God and trust in the richnessand beauty of life?I really don't think so..........So my advice is skip this book...if you're looking for true Lightposts for Living pick up something by Max Lucado, Bruce Wilkinson, Phillip Yancy of Chuck Swindoll and don't forget that the clearest lightpost is your Bible!John 14:6 Jesus answered, "I am the way and the truth and the life.No one comes to the Father except through me."

A breath of fresh air
Reading this book is like taking a walk in the country, feeling the sunshine and gentle breeze and hearing the singing of birds and the bubbling of a brook and smelling the fragrance of flowers and rain-washed earth.This is not a book one can read thoroughly in one sitting; instead it must be read in small portions so you can savor the richness of what the author/artist is conveying.And once you have turned the last page, don't be surprised if you go back to the beginning and start all over again.I have done so twice. I highly recommend this book to anyone who is seeking a more peaceful, joyful, and positive life.

Truly a ?Gem of Light? to Humanity
What a magnificent treat!Thomas Kinkade writes as well as he paints!Hecaptures his goal by convincing us to "Let Your Light Shine."My mosttreasured passages tell us about focal point, commitment, involvement,eternal purpose and spiritual vocation.He suggests we learn the fine artof choosing what we will allow into our lives, minds and hearts on a dailybasis.He takes the time to share his beliefs about his purpose in lifeand his talent.This lovely book will inspire and surprise you.It makesa perfect gift for anyone seeking spiritual guidance and meaning in life. It would be a particularly appropriate gift for Jr. and High Schoolgraduates.

When all else Fails HE is there
This is a great book, a daily reading when one is feeling a little out of sorts. The suggestionos are great.Not only are the stories good mut the pictures are captivating ... Read more

Book Description

Thomas Kinkade is legendary for his delectable use of light in his works. The cover showcases a new painting, "The Garden of Grace," which invites the reader to stroll up the flower-lined path, step through the garden gate, and explore the light beyond.

Dr. David Jeremiah brings his insights into Luke 11:33-36, which begins "No one, when he has lit a lamp, puts it in a secret place or under a basket, but on a lampstand, that those who come in may see the light." Among the facets to be explored are the Light of Creation, the Light of Christ's Coming, the Light of Conviction, the Light of Conversion, and the Light of Consecration.

Book Description

Although the arts have played a significant role in both world history and Christian history, the contemporary church has often shunned them in favor of a more intellectual approach to theology. Beholding the Glory argues the necessity of renewing an engagement between theology and the arts. Specifically focusing on the incarnation, the book shows how the arts have an indispensable role to play in disclosing God's wisdom.

With an introduction by the editor, the book consists of eight essays written by practicing artists (a sculptor, poet, dancer, and musician), theologians, and professors-all well-versed in the relationship between imagination and theology.

Beholding the Glory would be an appropriate text for humanities courses as well as theological courses that stress a multifaceted approach to Christian doctrine. ... Read more