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Cowboys and horses, adventure in wide-open spaces. The mythos of the Old West comes alive in the paintings, drawings, and sculptures of Frederic Remington (1861-1909). Born during the Civil War and educated at Yale University, Remington committed his life to making portraits of the American frontier. The Frederic Remington Art Museum Collection presents the collection of the museum founded by and housed in the former home of Remington's widow, Eva Caten Remington.

For much of his creative life, Remington worked as an illustrator for publications like Harper's Weekly. His renderings of life in the Old West were hugely successful, and some even accompanied an essay by President Theodore Roosevelt. His drawings displayed a strongly believable atmosphere:

[Remington's] illustrated scenes from the Apache War were rendered in a direct, spare and unsentimental style with an attention to detail that made them seem like snapshots of specific incidents. In truth, like much of Remington's reality, they were generalizations, not documents, created by extrapolating freely from firsthand observations.

Today Remington's work is often seen as problematic, and as evidence of the racist brutality that wiped out the American Indian culture and population. Of course, in Remington's time, his views of the frontier reflected those of most of the United States. Aside from these political complexities, Remington's work captures the imagery of a time and a landscape long gone. If you are fascinated by the Old West, then you should not miss this book. The book includes detailed commentary on the paintings and drawings, with 333 illustrations and 127 full-color plates. --J.P. Cohen ... Read more

Book Description

Since its original publication in 1982, Remington and Russell has become an essential introduction to the work of these artists, and this revision substantially enhances the book's strengths. Every painting in the Sid Richardson Collection has been rephotographed for this edition, including one Russell and five Remington paintings not included previously. Numerous black-and-white illustrations have also been added to give insight into the evolution of the paintings.Brian Dippie has considerably amplified his commentaries on each painting with new information. His revised introduction places Remington and Russell in the historical and cultural contexts of their time and draws intriguing comparisons between the two artists. ... Read more

Book Description

In the decade preceding his untimely death, Frederic Remington (1861-1909) produced a series of paintings that took as their subject the color of night. This richly illustrated volume is the first to present all of these works--some seventy paintings that secured for Remington the critical acclaim he so coveted. Indeed, these magnificent nocturnes marked an important new direction for the celebrated illustrator, writer, and sculptor of America's vanishing frontier.

In these deeply personal works, Remington explored the technical and aesthetic difficulties of painting darkness. Surprisingly, his images are filled with color and light--moonlight, firelight, candlelight. Focused on the subject the artist had made his own--the American West--these paintings reflect Remington's dramatic reworking of the narrative tradition as well as the spare modernism of his late work.

Frederic Remington: The Color of Night, accompanying the first exhibition devoted to the nocturnes, includes three insightful essays discussing Remington's nocturnes within the literary, historical, aesthetic, and technological context of his time. The nocturnes do much more than document a night that was rapidly disappearing under bright, newly installed electric lights. They also reveal how this son of a Civil War hero moved from burnishing Theodore Roosevelt's rough riding heroics in Cuba to exploring, like Stephen Crane and Ernest Hemingway, his own soul-searing war experience, and, like Joseph Conrad, to probing America's own heart of darkness.

As the definitive resource on Remington's nocturnes, this volume pairs large reproductions of these stunning paintings--including newly conserved works and others not seen publicly since the artist's death--with commentary from his personal diaries and letters and from contemporary critics.

EXHIBITION SCHEDULE

National Gallery of Art, Washington
April 13 - July 13, 2003

The Gilcrease Museum, Tulsa, Oklahoma
August 10 - November 9, 2003

Denver Art Museum
December 13, 2003 - March 14, 2004
... Read more

Reviews (1)

Complete and detailed
This book is divided in parts.
In the first part you will find the biography of Remington and all his artwork
In the second, there are all the "The color of the night" paintings in big size with the description of each one.
As a bonus, there is a brief study of the technique that used Remington to paint these great paintings.
Great book about a great artist. ... Read more

Book Description

This digital document is an article from Alberta History, published by Historical Society of Alberta on March 22, 2004. The length of the article is 6170 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: "They are a fine outfit those Blackfeet": Frederic Remington in Western Canada.
Author: Peter H. Hassrick
Publication: Alberta History (Refereed)
Date: March 22, 2004
Publisher: Historical Society of Alberta
Volume: 52Issue: 2Page: 27(23)

Distributed by Thomson Gale ... Read more

Reviews (1)

First material from Eva Remington's diaries
Here's a biography that will interest the artist's fans. It explores the extent to which Remington's Eastern roots and his determined and independent wife influenced his work.

Remington was a man of large appetites who, in spite of a pampered childhood, spotty academic career and a few business failures, established a solid reputation with his sketches. He then went on to worldwide acclaim for his bronzes and paintings.

The authors are the first to have access to Eva Remington's diaries, which provide new insight into the life of this great artist of the American West. ... Read more

Book Description

The Museum of Fine Arts, Houston, houses one of the most distinguished collections of works by Frederic Remington (1861-1909) in the country. Featuring Fight for the Water Hole, one of the icons of American art, and many other highlights, the Hogg Brothers Collection is remarkably comprehensive, representing an unparalleled survey of Remington's career.

This handsome and generously illustrated book showcases the most important works from this collection--including paintings, works on paper, and a bronze sculpture--establishing each within its appropriate historical, cultural, and political contexts. Drawing on unpublished archival information, the book discusses Remington's spectacular rise to fame as a popular illustrator who mythologized the experience of westward expansion and whose works created the enduring American cowboy archetype, while chronicling the rapidly disappearing Native American cultures. Later paintings in the collection, such as The Call for Help and Episode of the Buffalo Gun, which display rich colors and a bravura brushstroke, are considered anew in the context of previous technical achievement, including works by the French Impressionists.

The book begins with an introductory essay about Will Hogg--a contemporary of Remington and one of Houston's most prominent businessmen and philanthropists. In 1943, after the deaths of Will and his brother Mike, their sister Ima donated the works by Remington--in accordance with their wishes--to the Museum of Fine Arts, Houston. This essay is followed by twenty-two catalogue entries of the most important works in the collection and a conservation essay that details fascinating new information on Remington's technique. The book concludes with an illustrated checklist of all forty-one works by Remington in the Hogg Brothers Collection.

Frederic Remington will be of great appeal to those who have long loved and admired this unique American artist. And, with its new technical data and information, the book will also be a valuable addition to libraries of both students and scholars.