Book Description

Rousseau's series of jungle painitngs are widely seen as the pinnacle of his achievement.The artist's work was and still continues to be the subject of controversy.This book answers many of the questions surrounding Rousseau's importance as an artist, reproducing in high-quality color his jungle paintings and examining them in a wider art-historical context. ... Read more

Reviews (1)

A very good survey of Rousseau's art
The layout and color reproductions are quite good, considering the book's modest size. Werner Schmalenbach comments on the artist's charming paintings, their historical background and influence on comtemporaries, as well as key events in his life. The text is illuminating, lively, and unpedantic-- as Rousseau would have liked it. Also, the price is right. .... Get it! (Even though the book is out of print, I have seen several copies in art museum shops.)

Congratulations to Prestel, the publisher, for making Pegasus Library books available to the wide public-- great art books which are kind to the wallet. ... Read more

Book Description

Henri Rousseau, called le Douanier because of his early career with theFrench customs service, is one of the most important, and fascinating and least studied oflate nineteenth-century artists. His determined and unapologetic primitivism distanced hiswork from that of most of his contemporaries, but he was widely admired by Picasso,Apollinaire, and Kandinsky and is now seen as one of the pioneers of the modernmovement. This beautiful book offers a detailed portrait of Rousseau's life and career aswell as sensitive interpretations of his unusual, individualistic art.

Götz Adriani tells Rousseau's strange life story: his petty bourgeois background, hisattempts to establish himself as an independent artist after leaving the customs office, andhis reaction to the derision with which his art was greeted in his own time. Adrianidiscusses the paradox that Rousseau had reactionary views about art and politics but wastaken up by the French avant-garde. He describes Rousseau's particular brand of visualand conceptual realism and the way he set the exotic animals, figures, and plants of hisdreams against the bland background of the Parisian suburbs. He explains Rousseau'scontact with Alfred Jarry, Apollinaire, Picasso, and other artists of the Parisian avant- garde. Finally, he examines a selection of little-known and well-known paintings,provides details about their subjects, provenance, and reception, and shows how theyinfluenced other artists. ... Read more

Reviews (1)

Venezia finally gets around to one of my favorite painters
Henri Rousseau has been one of my favorite painters for a long time so I was glad to see Mike Venezia finally got around to doing this book for his Getting to Know the World's Greatest Artists series. Ironically, although Venezia includes seventeen Rousseau paintings in this book (which may well be a record for this particular series), my favorite is not included. Go figure. Venezia provides a basic biography of Rousseau, who always wanted to be a famous artist even though he never went to art school. Consequently it makes sense that Rousseau would be perhaps best known for his jungle paintings despite the fact he never traveled to any jungles, just to the Jardin des Plantes, a huge greenhouse filled with plants and trees from all over the world. Rousseau tended to put he mysterious and faraway lands he dreamed about into his paintings and most of his best work exhibits a compelling quirkiness, such as "The Merry Jesters," which shows monkeys playing in a jungle with a back scratcher and a milk bottle or "Tropical Landscape--An American Indian Struggling with an Ape," which shows an American Indian struggling with an ape in a tropical landscape. His most famous painting, "The Sleeping Gypsy," shows a strange meeting between a curious lion and a sleeping musician on a moonlit night. No wonder I always found Rousseau's work compelling. This particular Venezia volume gets high marks for including so many examples of Rousseau's work, along with key paintings by some of his contemporaries, who turned out to be much bigger supporters of his work than the public at large. Usually I like to see more specifics on the artist's work, because reading these books this year is a key part of my do-it-yourself art appreciation course. However, to be fair, once you cover Rousseau's use of strange images and multiple shades of green in all those jungle paintings, there is not much left to say in that regard. I was also happy to see that this time around some of the paintings reproduced were almost as big as Venezia's original cartoons depicting the artist's life. This series features great artists from Sandro Botticelli to Grant Wood, and every time I think I have almost read them all I discover another half-dozen or more I need to track down. Certainly there are other art books and other series that can provide more insights into these great artists, but Venezia does a fine job of introducing young readers to their lives and works. ... Read more

Book Description

Portrays the cultural bohemia of turn-of-the-century Paris who carried the arts into a period of renewal and accomplishment, who laid the ground-work for Dadaism and Surrealism. ... Read more

Reviews (10)

Essential Life Style Guide
I first came across this book when assigned it in college, and I return to it every few years. I found this a bracing book when I first read it and still to this day. Anyone who thinks Andy Kaufman was the first person to cross the line of performance art into life should read the section on Alfred Jarry. Indeed at a certain point Jarry became irretrievably blurred with his creation Pere Ubu (whom he took to "impersonating" in real life to an extent that must have been quite a trial to his friends). Yet there is something very moving and affirming about the often tragic story presented here. Jarry lived in a half sized room and became a chronic drunk yet he retained an impeccable dignity despite feeling trapped in a savage and absurd world. His last words were for a request for a toothpick. Jarry returned the insult of life with perfect poise.

The other portraits are equally incisive, the Satie portrait particulary haunting (its hard to listen to his music without thinking of the tiny room he lived in and never let another sole visit during his lifetime).

Shattuck gives the historical background that gives you fascinating insight into the social/cultural conditions behind the emergence of what have to be considered highly idiosyncratic artists.

For anyone with bohemian inclinations or posturings this book is essential, perhaps making your own little room shine with a little solidarity for those who have trod before you...

One of the most brilliant books ever written.
This book changed my life. The Banquet Years shows how the avant-garde movement shaped the entire 20th century -- even though it was in the 1950s, (I believe). It's a brilliant and lucid analysis of the most colorful time and place of this century.

If you like this sort of thing this is something you'll like
Roger Shattuck, presents a picture of avant-garde France in the period 1880-1915 as seen through the lives of four of its most prominent artists.
The belle époque, was the time before the first World War when new forms of art and philosophy were beginning to emerge. Artists began to break away from traditional concepts and to invent new ways to express themselves. For those in the avant-garde, art was not simply an object or a composition that was conceived, begun and finished. Rather they embraced the idea of being their own best works.
The institutions which had defined their society were in disarray. The social order of the past, depended on a large population of rural farmers supporting an elite few in the urban centers, was being turned upside down.
Technology was causing great disruptions in the old order as well. Events began to move faster and increasingly people began to be enslaved by the office clock and the factory whistle. To many people, the simple solutions of the past offered by the church and the government and their local community no longer seemed relevant to the contemporary world. Shattuck identifies four traits common to these artists
They all embraced childhood and a childish simplicity. Jarry's most famous work was a play, Ubu Roi, begun in elementary school. Satie wondered what kind of music a one-year old would create. All four emulated the innocence and naivety found in childhood during their adulthood.
Another characteristic was a strong sense of humor and of the absurd in the work and lives of the avant-garde artists of the time. Jarry and Apollionaire would each paint neckties on paper and wear the results to formal restaurants. Satie would annotate his musical compositions with absurd instructions to the musician and dire warnings as to the consequences if the orders were disobeyed. In their actions and their art we see them returning to the tradition of the court jester, able to speak the truth but only as a joke.
Thirdly, in questioning all that was traditional and real, these artists sought to create a dreamlike experience in the waking world.
Lastly, there was theme of ambiguity and equivocalness. They spurned the notion that art could have only one correct interpretation even their own works.
Henri Rousseau retired from being a customs inspector to move to Paris and start life anew as an artist at the age of 40. He was completely self-taught in his subject area and his work defied the style of his day.
Erik Satie was an innovative composer and musician who also served as a mentor for younger composers. Satie's compositions are filled with non-traditional instruments such as rattles and typewriters and unusual names such as "vexations". His eccentricities were well known among his contemporaries most notably that he never allowed anyone to visit the apartment where he lived the last quarter century of his life.
Alfred Jarry was a schoolboy when he got the inspiration for his greatest play. A crude unpopular teacher was the butt of school yard pranks and the subject of underground student plays. Later in Paris, Jarry would expand on those plays to create the character of Ubu a cruel and greedy man who plots to become King of Poland only to end up deposed and exiled to Paris. Ubu was the character Jarry created to comment on the human condition. Ubu's insights into his own situation echo Jarry's insight into the world. Jarry adopted much from his fictional character and over time he and Ubu become synonymous with the citizens of Paris.
Guillaume Apollionaire came to Paris at the age of twenty from Rome. He quickly was able to make a mark for himself within the bohemian cliques and in café society. Apollionaire was able to fund much of his literary work with his semi-pornographic novels. He founded a literary magazine and served as a columnist and editor on other periodicals. As a reviewer of modern art he was able to bring artists such as Henri Rousseau to the attention of a wider audience. Sensitive to his position as a foreigner, Apollionaire sought naturalization and enlisted in the French Army during the World War. He was wounded in the head and invalided out of the service in 1916 and died from the worldwide influenza epidemic in 1918.
The Banquet Years is by no means an easy read. Readers who do not posses a working knowledge of Paris in this period or of the Avant-Garde artistic movement of the time will find it difficult to enjoy this comprehensive view of the period. Places and names are often mentioned without any explanation that would assist in placing them in context. While the book provides insights into the lives and works of some artists whose influence persists down to modern times, this is not an ideal introduction to the times, but rather is best appreciated by those who already have a basic understanding of the period and its theories of art and philosophy.
Placing the review and appreciation of the artist at the conclusion of the biography would make sense in a biography for more conventional figures. However, these four attempted to direct their lives with the same inspiration that they did their art. Thus it can be difficult to understand the facts of the live of Jarry without a guide to the work that so consumed him. Shattuck possesses such an easy familiarity with the works of his subjects that he does occasionally forget to fill the reader in on the importance of the piece in question.
Shattuck has created a book which can be read on different levels by those with different interests. Art, History, and Philosophy are all equally present in this work. While it can be appreciated simply as a story of four remarkable men and four remarkable lives, to fully appreciate it, the reader must come to the book prepared to work hard for the insights it offers.

The Pleasures of Art and Pataphysics
Since encountering this wonderful and fascinating book during my first year in college, I have felt its influence in many parts of my life. My nickname shows the influence of Alfred Jarry and his Dr. Faustroll, even though I often identify more with the character Panmuphle. Just for introducing and explaining Jarry, Roger Shattuck's book is worth a good look. Yet another phenomenon that is more complex than its surface first suggests -- the painting of Henri Rousseau -- becomes better understood and more deeply appreciated through Shattuck's chapters on art in Paris at the turn of the 20th century. He certainly educated and influenced my own artistic preferences. And there is more, on poetry and music, but enough said. This is a book of enduring value.

Take Your Pick
This is a good book to rummage around in and to pick through, depending on your interests. The book has a strange kind of ebb and flow to it, alternating between straightforward biographical information, entertaining and easily comprehensible, and some very difficult philosophical sections on what these four disparate people were trying to achieve in their work. The book is very good but in some ways doesn't quite hold together because of the alternating style. And, quite honestly, in some of the analytical sections I sometimes wasn't sure what Mr. Shattuck was saying! If you want something that is entertaining but also very thoughtful without lapsing into the obscure you might want to try David Sweetman's "Explosive Acts" instead. That book seems to me to be more comprehensive and to give you a better feel for the times. Shattuck's book is more narrow in focus. A big drawback for me is that I have never heard the music of Erik Satie. As far as I know it is unavailable. This makes it a little tough to follow Mr. Shattuck's analysis of the music. So, "The Banquet Years" has got a lot of rich, dense prose but you'll need to beware if you are watching your intellectual weight! ... Read more

Book Description

This digital document is an article from Instructor (1990), published by Scholastic, Inc. on March 1, 2002. The length of the article is 462 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Henri Rousseau. (Masterpiece of the Month).(activities to help students learn about Rousseau)
Author: Christine Mills
Publication: Instructor (1990) (Magazine/Journal)
Date: March 1, 2002
Publisher: Scholastic, Inc.
Volume: 111Issue: 6Page: 52(1)

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Book Description

Another title from The Crown Art Library, the most useful monographs available on a wide range of significant artists. Each volume is written by an internationally recognized authority and is generously illustrated with full-color reproductions of the artist's paintings and two-color reproductions of sketches and line drawings. ... Read more

Book Description

This digital document is an article from Contenido, published by Editorial Contenido, S.A. de C.V. on September 1, 1997. The length of the article is 1975 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Henri Rousseau, 'El Aduanero': la ridcula vida de un genio incomprendido. (pintor francs)(TT: Henri Rousseau, 'The Customs Officer': the ridiculous life of a misunderstood genious) (TA: French painter)
Publication: Contenido (Magazine/Journal)
Date: September 1, 1997
Publisher: Editorial Contenido, S.A. de C.V.
Issue: n411Page: p90(8)

Distributed by Thomson Gale ... Read more