Reviews (1)

A must-have volume for those interested in early US painters
I found this book was able to shed some much needed light on America's first master painters. I found Flexner's writing to be beautiful and the result of reading this book has been several trips to view the works of the artists featured within. I heartily recommend this title to all who are interested in this period of American/art history, or to those who would likee to be! ... Read more

Book Description

Gilbert Stuart was probably the most gifted American portraitist of the late-eighteenth and early-nineteenth centuries. He is best known for his "Athenaeum" portrait of George Washington, which is today a national icon. In this book, Dorinda Evans combines a wealth of original insights with revealing new documentation to present a long-needed, scholarly treatment of Stuart's life and influential work.

Evans begins by tracing Stuart's early years and artistic beginnings in Rhode Island. She follows him to London, where he rose to prominence among such artistic luminaries as Sir Joshua Reynolds and Benjamin West. She then examines his career in the United States, where he became the favored portraitist for the country's leading citizens. In assessing Stuart's artistic importance, Evans argues that his 1796 "Athenaeum" portrait of Washington--the most recognized likeness of the president--was a landmark in the expression of contemporary ideas about moral strength. More generally, she shows that Stuart's painting reflected a genius for interpreting the sitter's personality and a growing awareness of painting's public role in conveying uplifting messages about social dignity and virtue. She challenges the view that his later paintings show a decline, revealing many as concerned with expressing the human soul in a fresh and naturalistic way.

Evans also explores Stuart's private life, discounting recent portrayals of him as an outcast and a confidence trickster. She concludes that his notoriously erratic behavior, which veered from prolonged lethargy to reckless activity and extravagance, was a sign of manic-depressive illness. Evans gathered information about Stuart from a wide variety of previously untapped sources, including unpublished interviews with the artist that shed new light on controversies over his portraits of Washington and Thomas Jefferson. The book presents not only Stuart's most famous pictures--including The Skater and his portraits of early American presidents--but also many paintings never before published. Meticulously researched, elegantly written, and richly illustrated, The Genius of Gilbert Stuart will become the standard account of one of America's most important early artists. ... Read more

Reviews (1)

A good book on a great artist
Gilbert Stuart is a difficult artist to write upon for a variety of reasons. The first of which is that he has such an incredible body of work (well over one thousand portraits), yet seldom signed or dated them. Secondly, there is little written documentation by the artist himself, which leads to the "novelization" of his history. However, Dr. Evans provides a wonderfully written biography of the artist's life and a through examination of the evolution of his artistic style. Scholastically, this book covers all the bases, and Dr. Evans' footnotes prove to be extremely valuable for the Gilbert Stuart scholar. Finally, the color reproductions are splendid, which makes The Genius of Gilbert Stuart a wonderful coffee table book if you're not interested in Stuart in an academic sense. ... Read more

Book Description

This is Flexner's portrait of Gilbert Stuart, painter of George Washington, and other founding fathers, who once shied away from a self-portrait he had begun to please his bride. Flexner presents us with a portrait constructed as the artist would have constructed it, frank, without flattery, profound, and soul-stirring.

A man once regarded as the probable successor of Sir Joshua Reynolds, Stuart was born in poverty in Rhode Island. He became through his art the intimate of the great of two continents. Yet, he never abandoned his disdain for worldly rank, or his fascination with character. He made huge sums in England but spent even more in dissipation. Prison yawned for him, and he fled his creditors. During his thirty-five American years, he painted with brilliance, creating a unique portrait manner. His rank as an artist was never questioned, but his nerves would not quiet. He drank, fought with his wife, and tortured his children. Stuart died as he lived: famous and bankrupt. ... Read more