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| 81. Stan and Ollie: The Roots of Comedy: The Double Life of Laurel and Hardy by Simon Louvish | |
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our price: $18.45 (price subject to change: see help) Asin: 0312266510 Catlog: Book (2002-12-01) Publisher: Thomas Dunne Books Sales Rank: 59251 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (7)
What I liked about this book was that it placed Laurel and Hardy in a working context. The impression I got was that they were not totally responsible for their success. They needed a team of other performers (Edgar Kennedy, James Finlayson) and behind the camera people (Hal Roach, Leo McCary, the Parrott brothers) to create the comedy gems that we enjoy. (I found that Louvish's judgments on what the best L & H films pretty much tallied up with mine.) When the equation began to change, such as Roach getting mad at the duo after "Babes in Toyland" and gradually losing interest in their careers, the films ceased being as interesting. I found this a refreshing approach to the material, which too often is "Comedian X was a true genius and everyone else messed with his vision." Louvish's book presents a picture of the lives of the two comedians, but also shows how their films were a collaborative process.
My view of this book changed rarher abruply just as success came to two men who had worked in the film industry for the better part of a decade as solo performers. At this point, the success of the team and the success of this book intersected while going in opposite directions. Stan and Ollie is another in what appears to be an ongoing historical series on the early comedians of film. In addtion to his published works on Fields and the Marx Brothers - and his soon-to-be-published book on Sennett - Louvish also provides a great deal of information on those with whom Laurel and Hardy worked. But, this ominbus volume has its flaws. I'm not speaking about the various minor to the story-at-hand-inaccuracies (Lindbergh flring the Atlantic in 1928, for example), but rather the seeming breakdown of the narrative at the key points. Although there is a massive amount of data here, Louvish seems unable to reach conclusions about why things happened. The most specific examp[le of this is related to the two men getting together. Louvish swamps us with detail of their solo films. He acts like the notional Greek Choir in commenting on their brushes with each other on a few films; these he seems to relegate to the "oops...almost but not quite" conclusion. He even manages to belabor the point of "what was the first Laurel and Hardy film?" to extinction in quibble over whether the full and correct Stan and Ollie personsas were in place.And, if this isn't enough, there is page after page of what is nothing more than descriptions of the plots of their films. You never really learn wht they could work together so well. Louvish seems to imply that their characters worked that out while their true selves just sort of watched from the wings. There is still a lot of information here about the team and the period. It seves to confirm the fact that Hollywood has more in common with the mutually assured destruction theory of the Cold War than the place where dreams come true.
Louvish's efforts to be as clever and funny as his subjects are embarrassing; good writing doesn't need to call attention to itself. Every page bristles with old medicine bottle sentences like, " To Stan, of course, art was not the issue so much as work and the remuneration therof," or, "This fact alone should provide a vital clue for the constant conundrum - the disentangling of the claims of authorship to Laurel and Hardy, the characters, the lines, the movies, the plots." Editor! Of course, any book with TWO subtitles is suspect. Louvish should stick to his terrific detective skills (and they are truly impressive) and get some talented grad student to do the writng. To see what a good showbiz bio is like - well researched AND well written - check out "W.C. Fields: A Biography, " by James Curtis.
Louvish has done his research (as he all too eager to convince the reader), and it pays off most admirably when debunking previous tales of the Laurel & Hardy history. The most compelling example is the chapter detailing Oliver Hardy's first marriage. Hardy and film historians have long maintained that he moved to Jacksonville, Florida, to pursue a film career, and there was where he met and married first wife Madelyn. Louvish detailingly reveals that Madelyn was in fact Jewish, that Hardy met her in Georgia at the time of an infamous Jewish lynching, and that Hardy and his wife exited Georgia as a result, never to return. Such dramatic payoffs are alone worth the price of the book. Louvish also often gleans much enlightened insight into Laurel & Hardy's film work (as well he should--Louvish in a part-time film teacher). To cite just one example, his analysis of the finale of L&H's penultimate Hal Roach film A Chump at Oxford is as insightful and moving as the finale itself. Along the way, though, the reader must endure the obstacle courses that plagued Louvish's previous bios of W.C. Fields and The Marx Brothers (both of which tomes are shamelessly plugged throughout this book). For one thing, Louvish lards his writing with enough precious verbosity to make L&H biographer John McCabe look like an illiterate slacker by comparison. (Prime example: "Babe's inner life has always been a...mystery wrapped in an enigma, hidden behind those folds of flesh.") My final complaint with the book is that when it gets into Laurel & Hardy at their prime, it quotes other, far superior sources (most notably Randy Skretvedt's) to the point of [being word for word]. And even then, accuracy is not Louvish's strong suit. Louvish quotes a Skretvedt interview with Hal Roach in which Roach, by way of contrasting L&H with other comedy teams, states that "Abbott and Costello worked at our studio, and they used to fight like hell. But with Laurel and Hardy, when I fired Hardy, Laurel cried." This quote has almost as many errors as it has words: A&C never worked for Roach, and Roach never fired Hardy (Roach had Stan and Babe on concurrent, separate contracts and often suspended Laurel or let his contract lapse during certain disputes). For all of its faults, Louvish's genuine appreciation for Laurel and Hardy's comic artistry makes a considerable amount of Stan and Ollie worthwhile writing for the fervent L&H buff. Just make to sure to avoid Louvish's verbal land mines in order to reach the real meat of the book
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| 82. Me : Stories of My Life by KATHARINE HEPBURN | |
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our price: $10.85 (price subject to change: see help) Asin: 0345410092 Catlog: Book (1996-09-29) Publisher: Ballantine Books Sales Rank: 13829 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (22)
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| 83. Deforest Kelley: A Harvest of Memories : My Life and Times With a Remarkable Gentleman Actor by Kristine M. Smith | |
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our price: $23.95 (price subject to change: see help) Asin: 0759653089 Catlog: Book (2001-11-01) Publisher: Authorhouse Sales Rank: 581638 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (21)
There were a couple of fascinating aspects to the book I had not expected. The author spent considerable time as an animal-welfare activist and, as a result, acquired a three-legged serval named Deaken, who figures largely in this book, as in her life. The story of how she managed to accommodate Deaken in her move to L.A., and his part in her connection to the Kelleys was great fun to read. The other unexpected feature, on which several reviewers have commented here, is simply the story of the author's experience as caregiver during the terminal illnesses of her mother and then of Mr. Kelley. Smith has worried that fans might find the last section of the book, detailing Kelley's illness and death, too distressing, and at least one reviewer here believed the very-private Kelley would have found it intrusive. I rather doubt that, myself. Kelley was a remarkably sensible fellow; he acknowledged on several occasions that all modesty goes out the window once one is in a hospital, and he retained a good sense of humor to the end. Smith's telling, like her caregiving, is warm, cheerful and practical; I don't think Kelley would mind his fans knowing the details - which are more likely to ease their minds than distress them - once he was gone and didn't have to worry about trying to answer sympathy cards! On the technical side, the book would have benefitted from both a table of contents and an index, and a brief chronology might have been useful. Also, upper case type is used for emphasis in place of italics, giving a rather jarring impression of shouting. The hardbound copy I purchased is nicely presented, though the photographs are poorly printed; I would recommend
I knew little more about Mr. Kelley than his name until recently, I suppose because his eyes told me everything I really needed to know. Never even wrote him a letter to thank him, which has become something of a regret of mine. In any case, last October I finally broke down and bought Kristine Smith's book, 'DeForest Kelley: A Harvest of Memories'. I wasn't sure I'd like it. I couldn't have been more wrong. It's a *wonderful*, heart-telling read that just pulls you right in and makes you feel welcome. I devoured the first 100-and-something pages the day I got it, and by that evening I was alternating between laughter and tears to the extent that my husband made me put it down for fear I was suffering a breakdown! I won't lie, the final section of the book about De's illness and death is painful to read, especially after coming to know him and his wife Carolyn so well through Kris's eyes. But even then it remains an uplifting story -- not only of her loving friendship with the Kelleys, but of their love and devotion to each other. In the end, you'll find yourself smiling through your tears to remember DeForest Kelley. And I think that's how he'd have it.
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| 84. Cary Grant: A Life in Pictures (Life in Pictures) by Jenny Curtis, Jennifer Curtis | |
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(price subject to change: see help) Asin: 1567995659 Catlog: Book (1997-12-01) Publisher: Friedman/Fairfax Publishing Sales Rank: 797568 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (6)
P.S. Hey Brian Thanks!!!!!!
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| 85. Love, Lucy by Lucille Ball | |
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our price: $6.29 (price subject to change: see help) Asin: 0425177319 Catlog: Book (1997-10-01) Publisher: Berkley Publishing Group Sales Rank: 120879 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (74)
But, as with many autobiographies, you need to take this work with a grain of salt. Ball obviously wasn't interested in making herself (or anyone else, for that matter,) look bad. She deliberately sidesteps issues regarding husband Desi Arnaz's marital fidelty, and she also downplays her own jealous and controlling nature. So if you want to read a very "politically correct" version of Lucy's life, I suggest you read this autobiography. But if you want to read the hard facts, I suggest you look elsewhere.
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| 86. All the Days of My Life (So Far) by Alison Sweeney | |
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our price: $10.20 (price subject to change: see help) Asin: 0758206097 Catlog: Book (2004-05-01) Publisher: Kensington Publishing Corporation Sales Rank: 18104 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (7)
I especially loved her recount of her time on Fear Factor. That was such a great episode and I'm just sorry that silly Baldwin ;) won instead of her! The backstage at Days info was really fun and as a fan of the show all my life (my mom got me hooked before I could even read!) It was great to read how family oriented the cast and crew are. Ali has many wonderful things to say about her mentor and TV mom, Deidre Hall. These 2 women make Days a great show with their talent and off screen personality and love of their fans and their dedication to their art. Hope you all enjoy the book as much as I did!
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| 87. Clint : The Life and Legend by Patrick McGilligan | |
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our price: $23.10 (price subject to change: see help) Asin: 0312290322 Catlog: Book (2002-08-19) Publisher: St. Martin's Press Sales Rank: 112895 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Readable though kiss-and-tell breathless, McGilligan's book sometimes overlooks Clint's full significance as a crafter of classics. He should remember the sage words of the French critic who observed, "If you love the films, nothing else matters." --Gregory McNamee Reviews (11)
If McGilligan is correct, Eastwood's public image is a sham. Widely praised for his loyalty, the Eastwood in McGilligan's book banishes lifelong friends from his circle should they dare ask for even a tiny crumb of the pie they helped bake. Producers, directors, editors, writers, all of them working for comparative peanuts, become "non-persons" in the eyes of Clint the squint, and they are exiled from his Malpaso production company and from the film industry itself because, they insist, the big man is vindictive, and uses his considerable influence to deprive them of their right to make a living. But the macho icon is also a coward who loathes confrontation and never fires anyone directly, letting others do his dirty work for him. Rich beyond mere tabulation, Dirty Harry's Republican alter ego slams welfare and brags that he worked for "every crust of bread" he ever ate, yet never pays for a meal, insisting on being "comped" wherever he goes. And as a filmmaker, his legendary habit of delivering films ahead of schedule and under budget is nothing but carelessness and a wiliness to accept subpar work to keep his budgets low and his percentages high. He's also a womanizer whose relationships produced numerous illegitimate children, an opportunist who used his brief reign as Mayor of Carmel for his own financial gain, and a father in name only. Then there's that temper. Anyone who dares park in his unmarked space on the Warner lot will know holy terror as Eastwood vandalizes their vehicle with a golf club, hammer, or a pickup truck. Good luck if you sue him in court, especially with a judge who asks for his autograph. As someone who always thought highly of Eastwood personally no matter what I thought of his films (most of which I admire), I found this account of his life rather disturbing, but the book is disturbing in ways that have more to do with McGilligan than Eastwood. The punctuation is often a mess with periods appearing outside quotation marks, and the spelling is often questionable, with the author spelling tires as "tyres" when describing the ludicrous climax of The Gauntlet. Maybe the guy is English and doesn't always Americanize his language but the biographical notes describe him as living in Missouri, so that may not be an excuse. There are also more substantial errors. McGilligan has Ronald Reagan appropriating Dirty Harry's famous "Make my day" speech from Sudden Impact in March 1983, nine months before the film is released. And he gets other dates wrong: In his world, Paint Your Wagon opened a year later than it did, and Escape from Alcatraz debuts in the Christmas season of 1979 when, in fact, it opened the previous June. One can excuse errors here and there, but release dates can be easily verified, and McGilligan makes them consistently. If he can't get a film's release date right, how much faith can we have in his account of incidents from Eastwood's life, incidents at which the author was not present? If nothing else, this book's sloppy research suggests McGilligan suffers from one of the same personality flaws for which he frequently reprimands his subject. Eastwood, he says, is always happy with the first draft of the screenplays he stars in and/or directs, never requesting and always resisting rewrites (perhaps because they require shelling out cash, something the miserly multi-millionaire is loathe to do). McGilligan's book reads like a first draft that never made it to the proofreader. Perhaps a quote from the Bible is in order here: "Judge not lest ye be judged." McGilligan's book is certainly an improvement over Richard Shickel's earlier look at the Hollywood titan. McGilligan is fairly thorough, offering more information about Eastwood's ancestry than we might even want to know about our own, and providing a more subjective view of the star's contribution to the cinema. Thankfully, he never fawns over Eastwood the way "critic" Schickel did in his "authorized" bio, but one may be tempted to wonder if he went too far in the opposite direction.
As negative as this all sounds, somehow McGilligan writes objectively with a refreshing, entertaining style. This makes the book a very enjoyable read.
People who think Clint is some kind of god are posting negative reviews. But this sounds like a really honest biography. If you like Dirty Harry, the westerns, and so on, this is the book for you!
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| 88. Evenings With Cary Grant: Recollections in His Own Words and by Those Who Knew Him Best by Nancy Nelson | |
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our price: $10.47 (price subject to change: see help) Asin: 080652412X Catlog: Book (2002-12-01) Publisher: Citadel Press Sales Rank: 10951 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (9)
The stories are inspired by a series of Conversations with Cary Grant that were a one-man evening show where Mr. Grant essentially held a two hour QA session for an enthralled audience. Since Mr. Grant was adamantly averse to an autobiography, the woman behind the idea for the one-man show, Nancy Nelson, decided to embark on this project to give remembrance to this remarkable man. Starting from his humble beginnings in England, all the way through his illustrious Hollywood career and to his golden years - the reader will get a wonderful insight into this fantastic actor. The stories are told by his colleagues, friends and people in his life as they remembered him. The who's who of Hollywood give their deepest respect to Mr. Grant. You will learn that he was a true gentleman in real life as well. He wanted only to be kind to his fellow man and respected for his work. If you are a fan of Cary Grant's, this is a must-read book.
This book, however, is an exception, as it uses Cary's own words, and those of his close friends to paint a picture of the true Cary Grant: a brilliant actor, a troubled and scared little boy, but all in all a wonderful and generous person! If you are a Cary Grant fan (or even if you aren't so much), read this book - you won't be disappointed at its depiction of Cary Grant. As you read it, you'll feel as though you really were spending an evening with Cary himself!
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| 89. Who's Sorry Now: The True Story of a Stand-Up Guy by Joe Pantoliano, David Evanier | |
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(price subject to change: see help) Asin: 0525946772 Catlog: Book (2002-09-01) Publisher: Dutton Books Sales Rank: 314889 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (10)
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| 90. Fall Down, Laughing: How Squiggy Caught Multiple Sclerosis and Didn't Tell Nobody by David L. Lander, David Lander, Lee Montgomery | |
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our price: $15.61 (price subject to change: see help) Asin: 1585420522 Catlog: Book (2000-08-01) Publisher: Jeremy P. Tarcher Sales Rank: 105168 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (12)
This book was better than I expected. Most biographies I read about people with illness starts in adult hood and doesn't really build up their character. David started in way before he became "Squiggy". I liked this approach because it made him seem more 'common' as opposed to the non-attainable celebrity type. At the point in time I was yet undiagnosed with any illness. It turned out I had another illness, although the one I do have may develop into MS one day. This book made me feel better about whatever I was about to face. It was real, heartfelt and honest. David is inspiring and sharing his story in the way he did makes him even more loveable. Thanks David.
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| 91. Rita Hayworth : A Photographic Retrospective by Caren Roberts-Frenzel | |
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our price: $25.17 (price subject to change: see help) Asin: 0810914344 Catlog: Book (2001-09-01) Publisher: Harry N Abrams Sales Rank: 391267 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description Remarkable publicity photos, film stills, rehearsal shots, candids taken with family and friends, and of course that famous World War II pinup trace Rita Hayworth's entire life. Spanning her rise from starlet to star, her marriages to famous men such as Orson Welles, Prince Aly Khan, and Dick Haymes, and her tragic death from Alzheimer's disease, here is an insightful and dazzling tribute-in words and pictures-to one of the great screen icons. Reviews (14)
Most so-called biographies of movie stars are written by people that don't really appreciate the subject of their work; it is so refreshing to read a biography written by a true fan. But this book is really about the photos, and Caren has collected an amazing collection, so many that even I, another long-time Rita fan, has never seen. The short of this? If you are a Rita Hayworth fan, BUY THIS BOOK!
The book was a labor of love for author, historian and collector Caren Roberts-Frenzel of Minneapolis, who reportedly kept pestering publishers for years to get their attention. "But you're wrong, Rita has not been forgotten," was her mantra, as skeptical publishers elsewhere wondered aloud if a market remained for a book about one of the great beauties of the 1940s. Caren's persistence finally paid off, resulting in one of the most luxurious "picture on every page" books ever produced, supplemented by breezy, well-written and information-packed text. Unlike "been there, done that" books about Hayworth, this one specializes in numerous "candids," that is, unposed photos taken outside of the studio, at work, at play, on the set, whatever. For once, here's a volume that doesn't feature the same darn publicity photos you've seen a million times for sale on the Internet or at flea markets. The deal about Rita is man oh man, unlike sexy sirens named Grable or even Monroe, Hayworth's beauty is timeless and undated. Unless someone told you, you'd never know, for example, that her world famous pinup shot -- taken on the bed by Life Magazine photographer Bob Landry -- was shot more than 60 years ago! The same holds true for the nearly 300 other photos that grace this book, some recaptured in all of their Technicolor glory. Get "Rita Hayworth: A Photographic Retrospective," before it disappears! I understand only a few thousand were printed and yet the reviews in the papers and in places like People Magazine have been terrific.
Like its subject, this book is breathtaking in its beauty. It contains scores of genuinely rare photos and they are a treasure. I own many books on Rita but "A Photographic Retrospective" is easily my favorite. ... Read more | |
| 92. From Sawdust to Stardust : The Biography of DeForest Kelley, Star Trek's Dr. McCoy by Terry Lee Rioux | |
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our price: $10.50 (price subject to change: see help) Asin: 0743457625 Catlog: Book (2005-02-15) Publisher: Pocket Sales Rank: 110673 US | Canada | United Kingdom | Germany | France | Japan |
| 93. Once Upon a Time: Behind the Fairy Tale of Princess Grace and Prince Rainier by J. Randy Taraborrelli | |
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our price: $17.13 (price subject to change: see help) Asin: 0446531642 Catlog: Book (2003-05) Publisher: Warner Books Sales Rank: 38655 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Taraborelli's struggle to walk the fine line between the respectful biography he intends and the salacious, tell-all exposes he decries makes for occasionally awkward passages. However, the author eventually succeeds in giving his royal subjects--and the ongoing conflicts with their respective families--a familiar, all-too-human scale. --Jerry McCulley Reviews (25)
The author (probably unwittingly) makes most of the men in the book accessible, reasonable, and likeable while most of the women are just the opposite. The men - Father Tucker, Prince Ranier, Prince Albert - you'll put the book down feeling warm about them. Oh, and since Prince Ranier had almost exclusive control over raising Prince Albert (and not the 2 princesses), it makes sense in this particular book that only Prince Albert turned out perfect while the two Princesses, raised almost exclusively by Grace, were complete disasters. We're asked to appreciate the "sacrifice" Grace made in giving up her acting career, yet, told that she resented her decision, never stopped trying to go back, never stopped complaining about it, etc. By this account, Grace Kelly humiliated her husband numerous times, saying to friends and/or publicly through all the years that she regretted staying in a passionless marriage. The author never asks how Ranier (or the children) must have felt at hearing such horrible sentiments. The author actually relays these statements as though they evoke sympathy for Grace. Next, the author makes some very odd statements. He says the death of Grace Kelly brought more collective grief of any celebrity since JFK. I guess Elvis, for example, didn't exist. Read the reviews - many people know very little about Kelly. Similarly, he says Kelly's long term impact will be greater than Princess Diana. Ha ha ha. (He must have been caught up in the moment). He also uses language sloppily - e.g. - "produced productions" - He misuses the word "ironic" in the popular way people misuse that word (that is, people who are not authors). I kept waiting for a story worth reading. It never materialized.
It wouldn't be fair to say that "Once Upon A Time" has no redeeming qualities. If nothing else, it seems to be the only in-print biography of Grace Kelly-which makes it somewhat valuable for anyone trying to learn about this famous lady. Also, it is written in a readable, conversational way-nothing overly "intellectual." And one certainly couldn't say that this book is completely devoid of interesting people, quotes, or happenings. The story of Grace and Ranier is definitely one that would have some fascination almost regardless of how badly it was told. Yet as I was reading this book, I had a nagging sense that it wasn't as "unputdownable" as it should have been. I'd often feel like stopping after reading a few pages and rarely felt like I was really "getting into" the book. Perhaps this dullness can be explained by the fact that the book was just too long. The author repeated himself frequently, seeming to resort to variations on main ideas whenever he had nothing fresh to say. (He often mentioned something similar to this throughout the first half of the book: "Although Grace was a successful career woman who seemed to have it all, she just needed her parents' approval.") Another similar problem was that the author tended to spend too much time recounting dull periods in the couple's lives. Finally, many included quotes just screamed, "That completely didn't need to be said!" There are some enlightening passages and quotes in this book, but if you read it you'll often find the problems instead of the positives. If you're looking for a good royal biography, read "Lilibet: An Intimate Portrait of Queen Elizabeth II" instead.
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| 94. It's Always Something by Gilda Radner | |
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our price: $10.40 (price subject to change: see help) Asin: 038081322X Catlog: Book (2000-07-01) Publisher: Perennial Currents Sales Rank: 197244 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description The world fondly remembers the many faces of Gilda Radner: the adamant but misinformed Emily Litella; the hyperkinetic Girl Scout Judy Miller; the irrepressibly nerdy Lisa Loopner; the gross-out queen of local network news, Rosanne Rosannadanna. A supremely funny performer, Gilda lost a long and painful struggle in May 1989 to "the most unfunny thing in the world"--cancer. But the face she showed the world during this dark time was one of great courage and hope. It's Always Something is the story of her struggle told in Gilda's own remarkable words--a personal chronicle of strength and indomitable spirit and love undiminished by the cruel ravages of disease. This is Gilda, with whom we laughed on Saturday Night Live: warm, big-hearted, outrageous, and real. This is Gilda's last gift to us: the magnificent final performance of an incomparable entertainer whose life, though tragically brief, enriched our own lives beyond measure. Reviews (21)
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