Book Description

For the first time, New York Times bestselling biographer Anne Edwards tells the story-behind-the-story of the legendary Barbra Streisand, revealing the inner demons that have driven her career -- and shaped her tumultuous personal life. Based on interviews with more than 140 ofStreisand's friends, family, lovers, associates, and enemies -- many of whom go on the record for the first time -- Streisand takes you on a revelatory journey, from her Brooklyn beginnings to the controversies surrounding her latest movie, The Mirror Has Two Faces. Through it all, we come to know the real Barbra Streisand as we've never known her before. ... Read more

Reviews (7)

A Lovingly Documented and Well Researched Biography
I just finished Anne Edwards' biography of Streisand- in one day, and I am not even a fan of the woman. However, viewing Streisand through Edwards' eyes makes the reader root for the insecure teenager, the "homely" girl from Brooklyn, who despite a disturbing lack of support which started with her own mother's criticism of her career choice- managed to blast into world superstardorm as a Broadway headliner, bestselling recording artist and director, producer and star of her own Hollywood movies. She was a little girl who bought into the fantasy of movies- and was placed in the unique position to create fantasy herself, thanks to what Edwards calls her "chuptzah"- a winning mixture of charm, impossibly high standards, and absolute artistic control over every venture she undertakes. Edwards paints Streisand in bold strokes-quite subtly, with her warts and all. The reader may feel unsatisfied though, because although we get a thorough profile of Streisand the performer and businesswoman, it is still Barbra-the-human-being that is elusive. More insight into her relationship with her son, Jason (who happens to be gay) would have been in order. Regardless of these shortcomings- Edwards' biography triumphs as a beautifully written portrait of a wonderfully multi dimensional woman.

Edwards' Failure
In order to be fair I read this book twice. I adore Babs--I live my life to be like hers; I want my resonance to sympathize with her resonance. I want people to spend time with me and to think that they have really been in the company of Babs. Or at least AS IF they had been in her company--I want to leave a similar impression. I really really really do. I approached this book in much the same way. I wanted to think that this book was in Babs' library. Instead, if anything, Edwards' treatment locates this book not in her library but perhaps in her pantry--right between that canned vegatable that the previous owners left behind and the cantalope pie tin. Edwards' doesn't get Babs' main rhetorical mechanism--of putting the world on the defensive to protect her from her own defensiveness. Edward's BUYS INTO Babs' mechanisms rather than calling them out. In a sense, Edwards argues for the grandeur of the Emperor's new clothes. I give it 5 stars because, as the other reviews attest, her fans want to be duped. Hence, I celebrate 5-star stupidity.

An innocent child? Or a flustered fool?
I read Edwards' rendition of Streisand on a full stomach--indeed, had I eaten one more bite, I would have choked in a way that would have repulsed the most sea-tested sailor. Perhaps it was this context--a context at once full and barren--that allowed me to plunge into Streisand's persona with such plodding, cautious, phobic zeal. Would this book answer the main question: is Babs a hapless victim; is she an innocent child; or is she an immature hapless brat whose very own defensiveness results entirely in her tireless attempts to put others on the defensive in her presence? Once you are certain the world revolves around you, to put others on the defensive is your only resort when an unnamed discomfort disturbs your fragile psyche--when for a passing moment the reality that you are not as great as you think you are dares manifest itself; and you, with just slightly greater impetus, dare not see it for what it is really is: a truth that threatens the (necessary) house of cards that you --and your adoring lemmings--call reality. Edwards' treatment here sidesteps these questions by becoming a literary lemming. Her introduction and her conclusion are like two pies on a ledge of a house: screaming the warning "don't jump around or the pies may tip over and fall!" Edwards is a fan. That is why this book is so excellent. She loves Babs. I do. You do. Babs does. Andre does. Our president does. Buy the book and share it with your OWN Babs. Cross the line. To make a connection. A Streisand Connection.

Fantastic.
Barabra Streisand. She is one of the most fantastic ladies ever to walk this earth. This Biography is Fantastic. I love it.

Filled with fun facts but the end falls short
After reading, Edwards book on the famous singer, I found that Edwards has definately done her homework. There were many interesting and fun facts and factlets about Barbra's life and, especially, the people in them. However, the last few chapters fall apart and I couldn't help but wonder what the big rush seemed to be in not paying as close attention to detail as Edwards had early on in Barbra's life. Clearly, she holds Streisand in high regard, since Edwards presents her life as if she is one of her biggest fans. The book opens with the Las Vegas concerts and ends about 5 years after, giving the reader no sense of closure. A flaw in writing the biography of a person who's story isn't over yet. ... Read more

Book Description

By turns passionate and desperate, tragic and triumphant--the life of Lorrie Morgan could easily have been lifted from the lyrics of a classic country song. Now, in FOREVER YOURS, FAITHFULLY, Lorrie shares all the pleasure and the pain of her remarkable career and her turbulent, consuming love for doomed, brilliant bluegrass star Keith Whitley.

In a voice all her own, Lorrie takes us inside the country music world, where she has risen to become Nashville gold. Beloved, betrayed, and ultimately resilient, Lorrie Morgan gives us a painfully honest memoir about letting go and moving on. FOREVER YOURS, FAITHFULLY resonates with emotion and the power of the human spirit.
... Read more

Reviews (13)

This book still tuggs at my heartstrings.
I don't know how to rate this book really, how can you put a rating number on the deep desparate love , told about in this book. I am a fan of Lorrie Morgan's, and before reading this book I had no idea what her life had been like. Lorrie and Keith were both victims in the sad story. I felt their love, and although cheating is an unforgiving sin, I don't believe that it was Keith Whitley cheating as much as it was the alcohol cheating. It's sad, but if he only could have overcome such a horrid dependency, they could have had such a wonderful life.

HONEST STRAIGHT ACCOUNT OF LOVING AN ALCOHOLIC
I think Lorrie Morgan is to be applauded for her wllingness to be quite frank and open about a very sensitive part of her life. She could have skimmed over the details and given us a "polished up" account of her time with Keith, but she did not. Instead, she poured out her heart and soul, revealing things I am sure most people would have tried to keep to themselves. I feel by telling things about her years growing up, it gave us real insight into why a young woman would try so hard to hold on to a marriage that had so many trials and testings. She had seen a great love story in her parents marriage, experienced some of the pain of her sister's marriage and had already gone through the devastation of one bad marriage that lead to divorce. She believed that through her love for Keith, and his love for her, they could overcome all the demons that were attacking their marriage. I feel that Lorrie told how both she and Keith loved one another so much that they were willing to try to make the dream come true. It had to be very difficult for Lorrie to expose so many personal and intimate details, but I believe she wanted to do more with this book than "set the record straight". I believe she wanted to let other people living through similar circumstances know that they are not alone in their despair. There is help for all parties involved in a situation involving addiction to any substance. Lorrie felt her love could cure their problems and she was unfortunate enough to find out it would have to be Keith's love for himself that could have changed the ending. Her struggles with her feelings of quilt, her ability to survive and rise above all the obstacles that came after losing Keith should help to give hope, strength and courage to other women and men who have lived, or are living, through the struggle of loving an alcoholic. It took great courage to tell this love story and it will help many to survive and get the help that they need. Addition can cause a person to do strange things--drink mouthwash,cologne,cough syrup and even cause them to do things while under the influence that they would never do normally. Lorrie showed us both sides of Keith Whitley and much to her sorrow the outcome of his dependency. She also tried to encourage people to reach out and get the help they need. Thank you Lorrie Morgan, for bearing all to try to help us!!

Boring story of Lorries bloated ego
I'm an avid reader and I have to say this is the most poorly written book I have ever read. Often while reading the book I wondered how the editors even let this thing get published. Specifically the writing style was very poor. Through most of the book Lorrie portrays Keith as a drunken, cheating porn-addicted hillbilly. She always paints herself as the perfect loving, caring wife. I find it interesting that this person who would have the reader believe that the failing marriage was totally Keiths fault is currently working on her 5th divorce.

A Love Story
I found this book interesting. I found it unique as an autobiography, as I've never read one quite like it. Usually when I read these, they are filled with scandals and controversy. Sure there is a bit of that in here, but Lorrie Morgan writes this from her heart it seems. Of course you can't believe everything, authors of autobiographies want to write the book from their perspective and present in the best light, whatever way they want to. Lorrie chose to write this book about her great love with Keith Whitley, a fine country singer that was gone too soon. She recalls their relationship, which in fact when you read about it, seems much longer than it really was, which was 3 years. When she met him he was married, so she thought "hands off" but soon enough he was divorced and they were together. Their love story is sweet in the beginning, however later in the book it becomes more and more complex and confusing, as to why she'd stay with him. Keith Whitley was an alcoholic. She says she was so in love with him and that it wasn't as bad as it sounds, that there was still some great moments. She goes into great detail about his drinking binges, visits to the porn stores, his treatments, his career versus hers, and more. The events surrounding his death were complicated, as her career was just taking off and she was required to do some promotional work, and Keith ended up having an affair, and overdosing on alcohol, and ultimately dying. As well she talks candidly about growing up and finding herself. You call tell this love was very real and she very much loved him, but was love enough for this couple? Overall it's a slow starter but worth the effort to read, especially if you are a fan of Lorrie's.

Great to read & listen to.
I first read the book myself, which I couldn't put down, then I listened to the audio book. I have to admit the cassette put chills down my spine at times, with Lorrie talking about her Father's funeral,the Opry, car accidents & Keith's death. She did a womderful job letting out her emotions & telling the life of Keith. I hope she has many more wonderful years in Country Music. She belongs on country radio more than most of the new artists. ... Read more

Book Description

With his inimitable sense of humor and storytelling talent, New York Times bestselling author Michael Korda brings us this charming, hilarious, self-deprecating memoir of a city couple's new life in the country.

At once entertaining, canny, and moving, Country Matters does for Dutchess County, New York, what Under the Tuscan Sun did for Tuscany. This witty memoir, replete with Korda's own line drawings, reads like a novel, as it chronicles the author's transformation from city slicker to full-time country gentleman, complete with tractors, horses, and a leaking roof.

When he decides to take up residence in an eighteenth-century farmhouse in Dutchess County, ninety miles north of New York City, Korda discovers what country life is really like:

• Owning pigs, more than owning horses, even more than owning the actual house, firmly anchored the Kordas as residents in the eyes of their Pleasant Valley neighbors.
• You may own your land, but without concertina barbed wire, or the 82nd Airborne on patrol, it's impossible to keep people off it!
• It's possible to line up major household repairs over a tuna melt sandwich.
• And everyone in the area is fully aware that Michael "don't know shit about septics."

The locals are not particularly quick to accept these outsiders, and the couple's earliest interactions with their new neighbors provide constant entertainment, particularly when the Kordas discover that hunting season is a year-round event -- right on their own land! From their closest neighbors, mostly dairy farmers, to their unforgettable caretaker Harold Roe -- whose motto regarding the local flora is "Whack it all back! " -- the residents of Pleasant Valley eventually come to realize that the Kordas are more than mere weekenders.

Sure to have readers in stitches, this is a book that has universal appeal for all who have ever dreamed of owning that perfect little place to escape to up in the country, or, more boldly, have done it.

Reviews (15)

Starts with Promise and runs out of Steam
The New York Times sparked my interest in this age-old literary subject--city dweller finds renewal in the country, with all the highs and lows and informative or interesting tidbits of making the transition. My interest in this subject goes all they way back to Crazy-White-Man (Sha-ga-na-she Wa-du-kee) by Richard Morenus, published by Rand McNally and Co. in 1952. So, I am not a newcomer to the genre. In fact, my wife and I recently put the finishing touches on a 3-year restoration of a century-old lodge on an island in Maine. Therefore, I do not place a low rating on this book without careful thought and regret. Usually, one thinks that if the Times views a book as newsworthy, it will be a bit special. In this case, I think it is Korda's professional connections in the publishing industry (and not the merit of the piece) which earned the publicity, and possibly the initial printing. Korda would like the reader to believe that he is about to introduce them to the quaint, evolutionary transition of a (very, very sophisticated) city couple and a country estate from strangers to partners, each helped to reach the synergy by a cast of colorful local citizens with special skills and memorable characters. The book fails, however, to continue its early, promising pace, and eventually trails off into a series of random recollections, failing to develop the supporting characters in favor of repetitive, gratuitous references to Mrs. Korda's achievements as a horsewoman, and Mr. Korda's irrelevant pride in having read the classics. In the end, the country life which Mr. Korda portrays seems as shallow and trite as the city life he almost left behind. He is more often a disconnected observer than influential participant, and leaves the reader wondering whether, for the Kordas, the country really matters.

An Affair of the Heart
Like an affair, a relationship with this country house was quickly made and not admitted-for a long time. But Korda grows to be a quirky, appreciative, open admirer of the old farmhouse and the local people. As befitting an editor, the author's style is fluid with a gently humorous viewpoint.
Famous people, as guests, are mentioned, sometime hilariously. The changing scene from rural to suburban in this and other areas is considered, along with the tendency of Americans to pursue the last, 'unchanged' home locale. Still Dutchess County retains a feel at least in Pleasant Valley, of country land and people.
Korda's deeply felt respect for the wiles and wisdom of local
people and his willingness to eat at The Diner, go to the Fair,
raise pigs, run a cross-country event on his property, trade car stories and employ half the county wins him respect from these people. Perhaps in the end, he knows he belongs to the house more than it belongs to him and his wife. The place is at last called 'the Korda farm."

Funny but hard to read
I don't deny the author's sense of humor. In general it's a funny book. But his writing skills hardly qualify him for an editor in chief of a major publishing house. Why? Because he tends to write very long sentences, wandering off in the middle. Very often when I finish a sentence I already forget what he was talking about at the beginning of it. I suspect he is trying to show off that he is English. In fact I get a very strong impression that he is a snobbish person, not very personable or pleasant, not the type of person you will like unfortunately.

Better than A Year in Provence
A model of English prose. Korda¹s account of country life is interesting, witty and enthusiastic. He has a keen eye for the people, places and things in rural Duchess County, New York. The book will remind readers of A Year in Provence. Korda¹s imagery, diction and grammar are outstanding. This kind of writing requires both talent and hard work. I especially recommend this book to anyone who appreciates the nuances of well written prose. It would also make a good PBS mini-series.

And I thought I was the only one...
...who finished this book thinking that Korda was a pompus twit with more money than good manners. His condesending observations of his neighbors left me irritated time and time again, as well as the name dropping and implied superiority of himself vs. the "lowly" country folk.
If you discounted the snide comments, the first part of the book was pretty interesting. However, the last 4 chapters became rambling and could have been condensed into one chapter.
It was great reading the reviews from the Hewitts on this forum. It made me remember that there are ALWAYS two sides to every story, and that Mr. Korda took some literary license in his book. ... Read more

Amazon.com

Marcel Proust documented his existence so lavishly--albeit in fictional form--that many of his biographers have functioned as little more than code-breakers, doggedly translating art back into life. It's a great pleasure, then, to welcome Edmund White's slender, superbly artful account. A novelist himself (as well as a biographer of Jean Genet), White beautifully evokes "the France of heavy, tasteless furniture, of engraved portraits of Prince Eugene, of clocks kept under a glass bell on the mantelpiece, of overstuffed chairs covered with antimacassars and of brass beds warmed by hot-water bottles." And he's no less canny at summoning up Proust's personality, in all its neurotic, contradictory glory.

Of course, Proust's life can't truly be separated from his art. Every biography of him is bound to operate in the shadow of Remembrance of Things Past, and White has some shrewd things to say about that mammoth work, whose style he describes as "an ether in which all the characters revolve like well-regulated heavenly bodies." Yet the focus remains on Proust and on his unlikely transformation from momma's boy to social climber to world-class genius. Like his subject, White often proceeds by anecdote. His book is packed with telling, hilarious little nuggets, which find Proust being snubbed by that "powdered, perfumed, puffy Irish giant" Oscar Wilde or luring back his lover Alfred Agostinelli by buying him an airplane.

At the same time, White conveys the considerable pain that Proust endured as an invalid, an artist, and (more to the point) a closeted homosexual. No doubt these factors shaped his rather hopeless take on human affections, which impoverished his life even as they enriched his writing. "Proust may be telling us that love is a chimera," White writes, "a projection of rich fantasies onto an indifferent, certainly mysterious surface, but nevertheless these fantasies are undeniably beautiful, intimations of paradise--the artificial paradise of art." In White's view, this recognition makes his subject not only a supreme poet of impermanence but the greatest novelist of the century. Here, of course, it's possible to quibble. But the world would be an emptier place indeed without Proust's mighty masterpiece--and readers curious about its brilliant, bedridden creator should start with White's witty and exquisite portrait. --James Marcus ... Read more

Reviews (16)

An Enjoyable and Readable Biography
Edmund White, one of my favorite contemporary American Authors, manages to capture the life of Marcel Proust in a manner that grabs the reader's attention.The book is a short appraisal of Proust's life, with a refreshing focus on Proust's barely in-the-closet homosexuality.The illuminating look at Proust's psyche and private relationships provide a different way of interpreting his masterpiece, Remembrance of Things Past.This easy-to-read biography comes highly recommended.

Excellent brief biographyof Proust
Although there is no shortage of books on Proust in English, and no shortage of enormously long biographies, there is a surprising lack of short biographies.Luckily, this excellent little volume by Edmund White fills a major need.While we have major long biographies like those of Painter, Tadie, and Carter, these may not be appropriate for someone wanting a brief overview.The trick with any biography of Proust is striking a balance between writing about Proust's life and Proust's art, not an easy task given the degree with which Proust based his work on events in his own life.It is virtually impossible to disentangle the two.

This is a short book (around 150 pages), but in that brief span, White is able to touch on all the major events of Proust's life, the key relationships of his life, the major themes of his work as an author, and the ways in which Proust's life became the basis for his work.If one is unfamiliar with Proust before picking up this book, one will gain a first rate overview of him before setting it down.One thing that tremendously enhances the value of the book is an excellent annotated biography that gives a great overview of work on Proust both in English and French.

White, who is a well known gay author, does a superb job writing about the myriad of contradictions in Proust's own work as a lightly closeted gay author.Although Proust's being gay is the worst kept secret of the century, Proust fought many duels over accusations that he was homosexual (or, an invert, as Proust would have put it).Proust was the first writer to write extensively about homosexuality, both male and female, but maintained a façade of heterosexuality to those who did not know him well.

All in all, this is an excellent brief biography of the man many regard as the great novelist of the 20th century.I heartily recommend it to anyone wanting to know more about Proust.

SHORT BUT SWEET
This is another in the series of Penguin Lives which attempts to give a biography of a famous figure in a short but well written book. This one on Proust is written by the well-known author of such books as Forgetting Elena and other acclaimed works of his own. In a lot of the Penguin Lives, the editors tried to commission another writer who had a lot in common with their subject. White is also a homosexual writer whose works have been vastly acclaimed and this gives him a "supposed" insight into Proust that other biographers have purposefully ignored.

The entire life of Proust is hit on very efficently from his earliest years to his death. I liked the shortness of the book. I mean, I was interested in his life but not THAT interested to read a 500 page book about it. This short work was just right for the average interested reader. It was also written very well and enlightened me about many things about his life. For example, I always knew that he had become a recluse at the end of his life but never knew it was because of asthma.

Something negative about the book was that time and again White seems to believe that there was no seperation from Proust's real life and that of his characters. He uses quotes from his novel to comment on his private life which in all authors never quite works. A novel is really not a true relation of a person's life. What really is? Everything is illusion or perception. Another thing that White does is try to put forth the proposition that Proust's homosexuality defined the whole inner cosm of his soul. I mean is Paul Auster or Chuck Pahlaniuk's soul simply filled with being heterosexual.
White seems to belittle Proust's life and his work by trying to accent his sexual preference at the expense of offering new insights into his personal character or novel. I feel that White had a secret agenda, or rather an UNsecret agenda alongside this book. Still, it is entertaining and worth a look if you just want a short look at the life of one of the greatest novelists of all time.

Edmund White - finally a useful biography of Proust!
Working my way through the Proust oeuvre and biographies, I was relieved beyond measure to find that White, alone among biographers, has dared to write that Proust was gay, and to redefine some of the 'close friendships' his other biographers refer to so coyly.
It is hard to quantify the influence Proust's sexuality had on his writing, mainly because it is so gracefully veiled. Yet on a second reading, particularly through the prism of White's biography, it screams from every line. How could past biographers not deal with the central fact of his life? While White does not mistake Proust's oeuvre for autobiography, he provides a short account of the missing piece of the puzzle that is as entertaining as it is revealing. As in all his writing, White is direct and uneuphemistic - qualities which starkly reveal the subtext of Proust's complex and imagistic novels.
White is accurate, as factual as one can be in such a brief book, and provides a bibliography which is invaluable for anyone setting out to discover Proust's life for themselves. I recommend this book to anyone planning to read Proust for the first time, or anyone who is moving beyond "In Search of Lost Time" to a search for the lost novelist himself.

Making the Enormous Manageable
This is not a deep study on the great French writer's work, nor is it meant to be. However, it is a slim, fascinating and surprisingly penetrating insight into the life and writing of Proust. This tale is consciously told from White's perspective touching on issues and aspects about Proust's life he is interested in. This includes the way the world perceives Proust & interprets his work, how his homosexual status effected his work and public persona, the interaction between his writing & life and citing the most interesting work that has been done preceding Proust's life. It follows the basic time line of Proust's life and is related in a gossipy though highly intelligent fashion. The most interesting aspect of the book is the way it examines the way he is able to historically place the opinion of homosexuality at the time with other writers and the politics of the time and explain how it effected Proust's life. It relates how his life was really guided by a need for love and approval and how this was reflected in his relationships with his mother & lovers and filtered into his writing. The border between fictionalization and wishful thinking is finely tread in Proust's work because of this. White also gives an interesting insight into the way Proust worked as a craftsman playing with and mixing the genres of novel and the essay. Though this book touches on many interesting academic issues such as this, it is a very entertaining read and can be read easily by anyone who is a large fan of Proust's work or a complete novice. It is admirable White is able to touch on aspects of the writer's life that have not be ever deeply explored before. ... Read more

Book Description

GETTING TO KNOW WILLIAM SHAKESPEARE is a fascinating and friendly original audio biography.More like a documentary than a book on tape, GETTING TO KNOW WILLIAM SHAKESPEARE sheds new light on the world's most famous playwright by featuring world-renowned experts speaking in their own words, a variety of compelling musical selections, a dramatic film clip and discreet sound effects.You'll discover how approachable and inspirational the Bard can be. (And why is he called the BARD anyway?) You've never heard anything like it on audio, and you'll never think of Shakespeare the same way again.

The program's narration by Fred Child, with his friendly and engaging voice, is a refreshing departure from the upper-crust, professorial narrations so often associated with Shakespeare.

The program features a unique compilation of fascinating perspectives from internationally prominent Shakespeare scholars and actors spanning three countries, all speaking in their own words, expressing their individual insights and passions.

You'll hear how this middle-class man--the son of a glove-maker, who didn't even attend university--would come to write some of the most cherished words in the English language.Learn about the poet's interesting childhood, his youthful indiscretions, his life in the cut-throat Elizabethan entertainment world, his mysterious death and his controversial last will and testament.Find out why going to the theater in Shakespeare's time was considered immoral.Did Shakespeare despise his wife?Was Shakespeare gay?Is Shakespeare the real author of the plays?

The Shakespeare scholars and actors featured in GETTING TO KNOW WILLIAM SHAKESPEARE are:

JOHN ANDREWS, President of The Shakespeare Guild in Washington, D.C.

PETER HOLLAND, Director of The Shakespeare Institute in Stratford-upon-Avon

PARK HONAN, Professor Emeritus at the University of Leeds

BARRY KRAFT, Dramaturg at the Oregon Shakespeare Festival

JILL LEVENSON, Professor at the University of Toronto

PENNY METROPULOS, Associate Artistic Director at the Oregon Shakespeare Festival

TINA PACKER, Founder and Artistic Director of Shakespeare & Company in Lenox, Massachusetts

ROGER PRINGLE, Director of the Shakespeare Birthplace Trust in Stratford-upon-Avon

PHYLLIS RACKIN, Professor at the University of Pennsylvania

STANLEY WELLS, Chairman of the Shakespeare Birthplace Trust in Stratford-upon-Avon and General Editor of The Oxford Shakespeare

SAMUEL WEST, Actor portraying Hamlet for the Royal Shakespeare Company in London, Stratford and Newcastle

In addition to his biography, short passages from some of the poet's most influential speeches are woven into the tapestry of his own life.Excerpts from ROMEO AND JULIET, THE MERCHANT OF VENICE, HAMLET, THE TEMPEST and a sonnet are performed by veteran Shakespearean actors, both American and British.You'll also get to hear a stirring performance by Kenneth Branagh from his hit 1989 film HENRY V.

Many of the plays' short passages are presented with music for added drama.In fact, no other spoken word audio has nearly the variety of music contained in GETTING TO KNOW WILLIAM SHAKESPEARE.Not only does Elizabethan music performed by the Folger Consort in Washington, D.C. set the stage for the playwright's era, but a variety of both classical and contemporary pieces adds drama and levity to his life story.Tchaikovsky's ROMEO AND JULIET is a natural backdrop to the short segment on the play that was the composer's inspiration.Tchaikovsky's SERENADE FOR STRINGS seems a perfect fit for the dramatic conclusion in which the most often-quoted line from English literature is recited by British, French, German, Arabic, Japanese, Chinese and Spanish actors.So things don't get too serious, BRUSH UP YOUR SHAKESPEARE from Cole Porter's musical KISS ME KATE may leave you with a smile.

There has never been an easier, more entertaining way to experience the life and world of the word's most popular author. ... Read more

Reviews (2)

brush up your shakespeare--it's fun!
This cd is a great way for families to make good use of downtime spent in cars. It combines biographical detail (kids will be fascinated by such everyday Elizabethan images as traitors' heads on spikes on London's Tower Bridge) with fascinating literary and cultural analysis (rap-weary parents will be intellectually intrigued). Quotations from premier academic authorities are interspersed with appropriate period music and short excerpts from the Bard himself. It flows like an NPR report, and you may find yourself sitting in the car to finish it even after you've reached your destination!

A Wonderful CD on Shakespeare
My whole family enjoyed Getting to Know William Shakespeare. We loved the music, the analysis of his plays, and the interesting facts about his life. The professors on the CD make Shakespeare very accessable to all of us with funny stories and interesting historical background. If you don't know anything about him, you will find this great to listen to. And if you have read his plays, you will also learn something about his craft. The CD is very entertaining. I highly recommend it. ... Read more

Reviews (2)

Life at 100
If you are an NPR fan you probably recall the Neenah Ellis series on centenarians, and if you liked that then you'll love this audio book. (You can listen to samples at NPR or the "If I Live to Be 100" website.) You won't find many tips on how to cope with aging except for possibly the most important clue - there are no 100-year-old pessimists. This is mostly a "slice of life" study of several people at or above 100 years old, with intriguing glimpses into the author's own life and interview process. The parts that really came alive for me were the centenarians speaking of how life was different "in the old days". I listened to this in the car over several days, and often sat at my destination with the car running because I didn't want to stop listening. After enjoying this audio version, check out the book's website for photos of the people interviewed.

If I Live to Be 100: Lessons from the Centenarians
Though Ellis intended to write about the centenarians' memories of the past, she found that these insightful and wise men and women preferred to talk about the present and the future. Their words contain the formula for living well. This is a must-read for anyone who wishes to live fully or wishes to become a better journalist. ... Read more

Amazon.com

Frank McCourt's haunting memoir takes on new life when theauthor reads from his Pulitzer Prize-winning book. Recounting scenesfrom his childhood in New York City and Limerick, Ireland, McCourtpaints a brutal yet poignant picture of his early days when there wasrarely enough food on the table, and boots and coats were a luxury. Ina melodic Irish voice that often lends a gentle humor to theunimaginable, the author remembers his wayward yet adoring father whowas forever drinking what little money the family had. He recounts thepainful loss of his siblings to avoidable sickness and hunger, a proudmother reduced to begging for charity, and the stench of the sewage-strewn streets that ran outside the front door. As McCourt approachesadolescence, he discovers the shame of poverty and the beauty ofShakespeare, the mystery of sex and the unforgiving power of the IrishCatholic Church. This powerful and heart-rending testament to theresiliency and determination of youth is populated with memorablecharacters and moments, and McCourt's interpretation of the narrativeand the voices it contains will leave listeners laughing through theirtears. ... Read more

Reviews (1623)

Depressing but Excellent
5 Stars- Depressing but excellent

Frank Mc Court's memoirs "Angela's Ashes" takes us back to the 1940s where he tells us of his childhood and the poverty that his family lived though. This book can be very depressing at times which brought me to tears, but this is an excellent memoirs worthy of a 5 star rating.

The book starts out in New York, the Mc Court family lives in one of the most impoverished areas of Brooklyn and father, Malachy Mc Court has a hard time keeping a job and a drinking problem. After the death of baby Margaret, the family moves back to Ireland where times are harder and life is poorer. The family relies on help from Saint Vincent, DE Paul Society and they are forced to go on relief. The father drinks whatever money he makes and has a hard time finding or keeping a job. Frank has a dream of returning to America, where he feels that he can make life better for himself.

I watched the movie right after reading the book and was amazed at how many part were left out. I advise everyone to read the book to get the true story of the Mc Court Family and I look forward to reading the second part, Tis.

A Well-Deserved Pulitzer
McCourt speaks to the reader through his childhood voice in this splendid, moving, and thought-provoking autobiography. McCourt begins the story as a four-year-old living in New York City with his parents and three younger brothers. The poverty stricken Irish family is unable to make ends meet in America and so they head back to Ireland in hopes of survival.

They settle in Limerick where McCourt's mother Angela grew up. Malachy McCourt, the father in the story, claims that he will find work and support the family. However, Malachy's love of alcohol prevents him from finding or keeping any gainful employment. When he does work, he takes his wages and goes to the bars and drinks until all the money is gone. Meanwhile, the family is hungry, the children are wearing shoes with holes, and Angela sinks into a deep depression but remains obedient to her husband because of her Catholic faith. The family moves around Limerick frequently, renting dirty rooms with flea infested bedding, living on the floors in small houses owned by relatives, and even renting a house in which the bottom floor is constantly being flooded with neighborhood sewage. The family comes face to face with illness, death, starvation, and ridicule. The low point strikes when Angela must resort to begging on the streets to help her family survive.

All the while, McCourt has the reader grow with him through the ages of four to nineteen. He shares the Irish tales he grew up with, the feelings he had toward his dyfunctional parents, his opinion of the Catholic Church, and the good and bad lessons he learned from his harsh schoolmasters. Never does McCourt wallow in self-pity, rather he presents the facts of his life in an honest, poignant manner. Despite the despair, it seems that McCourt has no regrets about his upbringing, for he was a child and had no control of the situation. As he grew, however, he came to the realization that he could begin to change things for the better. Unlike his father, he became eager to work. He struggled to support his mother and younger siblings in his teen years with after school jobs. He educated himself through reading and observation. He set goals and priorities and didn't give up until he reached them.

McCourt takes what is tragic and presents it in a beautiful, descriptive language that leaves the reader spellbound. His story is obviously written unselfishly and is told to show that triumph can be the end result of tragedy. Each individual has the power to rise above and make his or her life meaningful. This is the essence of McCourt's message. A message you will not forget after reading Angela's Ashes.

a memoir of myself?
This book is simply incredible and the inclusion of the patriotic and doleful poems of the Irish make it simply the best and stand out from the rest. Frank Mc Court has retold the story in a perspective of a child and I wonder how could he retell each and everything so clearly and touchingly.... so hands up for him... Mc Court is one of the greatest Irish writer ever.... This book has broken my heart, made me laugh, brought tears in my eyes and has made me obsessed with Little Frankie and his sore eyes....I never wanted to finish Angela's Ashes and wish I could continue reading it forever and ever.... If you are keen about Frankie's life then Tis' is a must read book...

I wish I could invite Frankie during Christmas so that he didnt have to eat the pig's head....

ANGELA'S ASHES
THIS BOOK LEFT SUCH A MEMORABLE IMPRESSION ON ME. IT HELPS ME TO UNDERSTAND HOW SOME PEOPLE IN AMERICA, DURING THE DEPRESSION YEARS, MUST HAVE LIVED. THE WAY THE STORY IS WRITTEN MAKES YOU FEEL AS IF YOU ENDURED SOME OF THE UNFORTUNATE CIRCUMSTANCES FELT BY THE WRITER. HOW IMPORTANT IT IS TO REMEMBER THIS STORY IN TIMES WHEN THE SIMPLICITY AND BASIC JOYS IN LIFE ARE OFTEN OVERLOOKED.

P.U.!!
Stinkaroo! Thank god I borrowed this work of maudlin stereotypical crap from the library so I didn't actually fork over any cash for it. Jeez, if I was Irish I would be completely insulted by the authors' ludicrous, stereotypical portrayal of the anguished poor Irish Catholic family. "Aw no da's drunk agin! Aw no, ma's bein' shagged! Aw, I wish ere lived in Ameriki!" Blah blah blah! These characters aren't even as well developed as the guy on the Lucky Charms box. Has McCourt ever been to Ireland?

I couldn't even finish it. It just plodded and sobbed and whined on and on and on. In fact, before I took it back to the library I inscribed in one of the early chapters, "WARNING: MORE CRAP AHEAD". I didn't consider that defacing library property, I considered it a public service. ... Read more

Book Description

With an Introduction by Joan Acocella

The astonishing diaries of the great dancer, at last available in their complete form.

In December 1917, Vaslav Nijinsky, the most famous male dancer in the Western world, moved into a Swiss villa with his wife and three-year-old daughter and began to go mad. This diary, which he kept in four notebooks over six weeks, is the only sustained, on-the-spot written account we have by a major artist of the experience of entering psychosis.

A prodigy from his youth in Russia, Nijinsky came to international fame as a principal dancer in Serge Diaghilev's Ballets Russes. After a falling-out between the two great men--who had lived openly as lovers for some time--Nijinsky struggled to build a career on his own. When psychosis struck, he began to imagine himself as married to God, indeed as God, signing his entries "God Nijinsky." Although he lived another thirty years, he never regained his sanity.

Already a classic in its earlier, bowdlerized edition, the diary now appears uncut for the first time in English, together with its previously unavailable fourth notebook. It is Nijinsky's confession and his prophecy. At the same time, it reads like a novel, portraying the terror in the Nijinsky household as the dancer plunged into madness. In her Introduction, the noted dance writer Joan Acocella explains the context of the diary and its significance in the history of modernism. ... Read more

Reviews (11)

excellent presentation of difficult material
Nijinsky's unexpurgated diary is an important document both for dance history and for psychiatry. This edition has an excellent, insightful introduction and very thorough translator's notes. I found out fascinating details, such as the fact that Nijinsky began the diary the day he gave a deranged performance at a hotel, and probably meant it as proof that he was not as crazy as he seemed. (Sadly, it proved exactly the opposite.) A beautiful job has been done in presenting and contexting this difficult material. Anyone with an interest in dance and/or mental illness should read it.

fasinating dancers life
this book is highly through in it's full translation of Nijinsky's diary, but best part of this book are the inclusion of the never before published "fourth book" which included poems and letters written by Nijinsky as well as an introduction which helps to clarify not only the historical background but also delves into the mental state Nijinsky was in as he wrote his diary.

Beautiful and Prophetic
1. "God said to me, 'Go home and tell your wife that you are mad'."

Even if we are not ready to accept this assertion as a proof of Nijinsky's genius (i.e. him edging on God-Consciousness on his way to full enlightenment), we should at least be able to recognise that the author obviously did not view himself as insane, but, in his own eyes, consciously pretended to be such as the only means at hand to escape the harsh chilliness and cruelty of an insensitive world, handing over all responsibilities of the non-esoteric sides of life to those who feel they know such things better.

2. Neither the conclusion should be that the great Master of Choreography ended his life in a miserable demise, unworthy of a great genius and a potential role-model for generations to come.

On the last pages, as if to conclude the diary, Nijinsky speaks of a wonderful vision of his three years old daughter as she smiles at him: "I see what she is trying to tell me: it is not all about sadness and miserliness - there's also joy in life". Thus reminding of Tolstoy's famous formula "if you want to be joyful and happy, then just be that!".

The author's life has clearly been that of struggle and constant contemplations over the world's stubbornness in its reiterated refusal to accept the artist's message of love, despite its pure simplicity. And yet now on the verge of the sunset of life it all suddenly seems to have been nothing but a temporary, though little longer than usual, unpleasant dream, the remaining fogs of which are dispersed through a simple rearrangement of attention leading one to a life in a closer company with one's God. A life the fuller utilisation of the pleasures of which are not bound by the limits of life and death.

3. As for Nijinsky's main message, as it is contained in the diary itself, I think it is found in the place where the artist speaks of his discovery of the true nature of the phenomena of art criticism: the self-appointed critics of art are nothing but egotists who have never created anything themselves. They pinpoint and nit-pick on any flaws and draw conclusions where such cannot be drawn, causing the hearts of the sincere artists to bleed.

It implies that it is more than fair to observe that when it comes to art in general no judgements can be made whatsoever. An inspiration behind any artistic expression always comes from beyond oneself, out of a sincere desire to convey something to others. The only thing that is really alright to criticise is if the artist's motive is in question, that is if the original purpose is purely commercial and, thus, a con in its essence. Similarly judging is not the same as describing, just as to describe is not the same as to judge.

Interestingly, few other books and films have received as much subtle thrashing (along with appraisals) as Nijinsky's diary and Paul Cox' recent poetic documentary based on it. The point is that a truly worthless piece of literature, or other, never does. There simply seems to be something very provocative about innocence and tenderness to self-important people. And maybe the book CANNOT be appreciated fully by readers with a "lesser purity of heart" and large egos.

4. Other highlights of the wisdom in Nijinsky's diary (quoting freely from memory) are these: "I told my wife we had married for the wrong reasons and that we should re-marry, but this time in the spirit"; and: "People go to church and then drink wine because they have heard it said that it is the blood of Christ. How to explain to a fool that Christ's blood would make one sober rather than drunk?".

icono
Nijinsky, hombre posesionado por el genio, hace algun tiempo visiti en el museo de orsay, en Paris, la exposicion sobre él, de lo mejor al igual que su apasionada vida

Someone's mad and I'm sure it's not me.
This is another book from the barrow on 14th Street. I've read all the other reviews and I have to agree with the reader who said what was the publisher thinking of.

Nijinsky was a wonderful dancer by all accounts. [Though, you know, if he came back tonight and danced Spectre de la Rose at Lincoln Centre we'd be rolling on the floor, screaming with laughter, and Isabella Fokine would be there, too, complaining that he hadn't done the right steps - but hey, don't get me started on her.] I digress.

I am not studying schizophrenia/dementia whatever, so it's all a bit lost on me. I love to read about Nijinsky dancing, and his extraordinary creativity both as a dancer and a choreographer, but his ramblings in this diary make me wonder if a mad person's ramblings worth the ink. Is he Nijinsky or a mad person? I'm sure there are people who read these ramblings and see it as a sign of Nijinsky's genius. I read it with increasing frustration. If someone came and sat next to me on the subway and babbled on like this, I'd move away. [And, believe me, I do.]

I am alone, I'm curious about this, in finding Nijinsky offstage just a tiny bit of a prig? I gained this impression, little by little, from reading his wife's [so bad it's a sin] book, Buckle's "Nijinsky" and, oddly enough, from Bronislava Nijinska's early memoirs. ... Read more

Reviews (110)

Beware What This Book Might Do To You
I've been meaning to write a review of this book for a long time, but since Nick Hornby reawakened in me many of my childhood sports fan obsessions when I read it for the first time in 1999, I've been too busy. Not only did "Fever Pitch" remind me how irrationally and how much I loved my own hometown team (the heartbreaking Boston Red Sox) but he turned me into a fan of English football and his own Arsenal Gunners to the point where I follow them daily on ESPN's soccernet, LISTEN (!?) to them on internet radio broadcasts and have even gone to two games in London over the past two years. It's sick really, and I suppose it's not the kind of thing Hornby would have wanted when he wrote this quintessential memoir of growing up a soccer fan in England, but I've enjoyed it

"Fever Pitch" is an obsessive's tale as much as it is a fan's story, and so should appeal to the same wide audience that enjoys his excellent novels (It was my love for "High Fidelity" that sent me straight to this book). It is a memoir of surprising depth considering how it is organized only by the dates of soccer matches between 1968 and 1991, and it makes perfect sense that Hornby, or any true fan, should see the rest of his life (parents' divorce, his own education, romantic and career trouble) primarily as it relates to the team he spends so much time, money and psychic energy on.

The irony, for me, was finding out after I read "Fever Pitch" for the first time that Arsenal was one of the top teams of the last decade in England, so Hornby at least gets to feel the joy that we Red Sox fans are still waiting for. Sure, we're ecstatic the Pats won the Super Bowl, but our lives will change forever when Boston brings home the World Series. But after "Fever Pitch," I'll remember to laugh like the rest of the world laughs when American sports leagues crown their title-holders "world" champions.

For sports fans, obsessives, and everyone else
I assume this book would be a joyous, justifying experience for a devoted fan of any sport - "I'm not alone!" - and I can assure you that it's a fun, educational read for someone who has no interest in any sport. It's a look at the way fanship can be created by, and in turn create, a person's life, and as such should be required reading both for fans themselves and for the people who can't understand them. In other words, if you completely understand why an important win could turn your entire life around, or why you would have to miss your sister's wedding if it coincided with a game, Fever Pitch is for you. And if you don't understand this at all, the book is also for you.

Now, having said that, there are a few problems with this book for Americans who don't know much about football. (You know, soccer, not American rules football.) If you don't know thing one about the game, you can still read the book, but you won't understand big chunks of it. Hornby either never expected this book to be published in America, or he can't imagine an audience that isn't intimately familiar with football argot. (And, having read the book, I'm betting on the latter.) So you'll need either to read a book about football before you read Fever Pitch, or to have on call a person who knows football. As it happens, I had both. I read the decent book The Miracle of Castel Di Sangro before Fever Pitch, so I knew about, for example, relegation and promotion. And I happen to know a person who watches football. And still I didn't get everything; what the heck is the Arsenal offside trap? What was the Ibrox disaster? (Double whammy, since apparently it also happened before I was born.) What's the penalty spot? I don't know, and Hornby didn't take the time to tell me. So - not perhaps the best book to introduce you to football.

Still, this a fascinating book, a book that contains a wealth of self-knowledge for the obsessed and astonishing revelations for everyone else. Read it. If nothing else, you'll learn that the person in your life that you thought was as obsessed with team X as it is possible to be is merely a fly-by-night fan.

Fever Pitch by Nick Hornby is one of the best football books
Fever Pitch by Nick Hornby is one of the best football books around. But it is about much more than football, it gives a rare glimpse into the psyche of the British football fan. In his book, football is a metaphor for all aspects of life, romance, family, and career. Hornby¡¦s amusing narratives perfectly encapsulate the unique relationship a football fan has with their favorite team. Even as a Manchester United fan I find it fascinating to read about his obsession with and dedication to Arsenal.
At the most superficial level, this book provides a very detail account of Arsenal from the late 60s through the beginning of the 90s, and the increasingly violent behavior by football fans during the late 70s and early 80s, and the negative impact it had on his feelings for the games.
Hornby describes vividly how his life was related to Arsenal's achievements. When Arsenal was doing good, Hornby was doing good. When Arsenal was having an off-season, Hornby fell into depression. It is interesting to observe the development of Hornby's obsession, because it can happen to anyone. With the backdrop of his often witty accounts of Arsenal games, Hornby talks about how his life evolves with his family, his girlfriend, and his students. Football is like a common world language, and Hornby uses it to interact with his students. And watching football with his father was one the highlights of his childhood.
Every game has an analogy in life for the football fan. For Hornby, a tight game ending in defeat is a painful reminder of a break with his girlfriend.
While this obsession with football is almost innate, sometimes Hornby felt immature, especially when he was unable to control his overwhelming passion for the game in front of his students.
In humorous pros Hornby highlights how football and life come together on the pitch and is definitely worthy of reading.

black and white and read all over
This is a cool book, and a very good book, but a tiny little "je ne sais quoi" keeps me from giving it that last and final fifth star.

To summarize the book superficially in a sentence, it's an autobiographical retelling, in a very witty first-person voice, of the author's (London journalist Nick Hornby) lifelong love of soccer and his passion for the English pro soccer team Arsenal (which plays in London). Thrown in are side stories about his boyhood, his relationship with his parents, and his posse of friends, love interests, and workmates who either do or don't share his love of the sport.

One problem for North Americans is that this is a truly English book, in that it contains tons of references to little villages in England, little UK customs, judgments and descriptions of London neighborhoods, etc., that left me feeling like a Yankee hick who'd never left the trailer park. Indeed, that is my problem and not the author's, but North Americans who don't know English culture well will feel lost at times.

Another problem is that the book, like the TV show "Seinfeld," isn't really about anything. Sure, there's a lot of chatter about soccer, but not in any sort of methodical or educative way. It's basically a willfully disorganized diary about 20 years in the life of a clever, witty Englishman (from about age 10 to about age 30) who allows soccer to dominate his worldview and, alas, his whole life. It comes down to the amusing musings of a 30-something Londoner, which makes the book fascinating but not monumental.

The obsession with soccer is the strength and the weakness of the work. If you want to learn about English pro soccer, you will be disappointed. If you want to learn first-hand, from a very imaginative and clever soul, about what it was like for one particular person to grow up soccer-mad in southeastern England the 1970's and 1980's and how it impacted the rest of his life, then this is the book for you.

I'm a big fan of Nick Hornby, and a better book of his, and a better "starter book" for him, is "High Fidelity."

Painfully, painfully boring
This book was extremely pointless. Since each entry is a memory, they are written like them so they don't have an insteresting story-telling narrative. Also, some of the entries were just how the game was played and who won, with absolutely nothing interesting to say. And that for 300 pages, completely redundant. This book has no beginning, middle, or end. Just entry after entry of complete pointlessness. Now, it may be because I am not interested in sports, but this is just a football (soccor) journal and nothing more. Hornby was able to shove in a little bit of angst and childhood problems, but it is not nearly significant enough to keep the reader interested.

Though the book had some very funny parts, it doesn't make up for the ennui I experienced while reading this book. You know, they made a movie out a this.....HOW?!! It barely works as a piece of fiction or reference book...but a movie?! Jesus. I'm sorry but this was one of the most boring books I've ever read. ... Read more

Book Description

The history of the Confederate submarine H. L. Hunley is as astonishing as its disappearance. On February 17, 1864, after a legendary encounter with a Union battleship, the iron “fish boat” vanished without a trace somewhere off the coast of South Carolina. For more than a century the fate of the Hunley remained one of the great unsolved mysteries of the Civil War. Then, on August 8, 2000, with thousands of spectators crowding Charleston Harbor, the Hunley was raised from the bottom of the sea and towed ashore. Now, award-winning journalists Brian Hicks and Schuyler Kropf offer new insights into the Hunley’s final hours and recount the amazing true story of its rescue.

The brainchild of wealthy New Orleans planter and lawyer Horace Lawson Hunley, the Hunley inspired tremendous hopes of breaking the Union’s naval blockade of Charleston, only to drown two crews on disastrous test runs. But on the night of February 17, 1864, the Hunley finally made good on its promise. Under the command of the heroic Lieutenant George E. Dixon, the sub rammed a spar torpedo into the Union sloop Housatonic and sank the ship within minutes, accomplishing a feat of stealth technology that would not be repeated for half a century.

And then, shortly after its stunning success, the Hunley vanished.

This book is an extraordinary true story peopled with a fascinating cast of characters, including Horace Hunley himself, the Union officers and crew who went down with the Housatonic, P. T. Barnum, who offered $100,000 for its recovery, and novelist Clive Cussler, who spearheaded the mission that finally succeeded in finding the Hunley. The drama of salvaging the sub is only the prelude to a page-turning account of how scientists unsealed this archaeological treasure chest and discovered the inner-workings of a submarine more technologically advanced than anyone expected, as well as numerous, priceless artifacts.

Hicks and Kropf have crafted a spellbinding adventure story that spans over a century of American history. Dramatically told, filled with historical details and contemporary color, illustrated with breathtaking original photographs, Raising the Hunley is one of the most fascinating Civil War books to appear in years.
... Read more

Reviews (7)

Readible book on the sub and on underwater archaeology
I first ran across the story of the Hunley in a popular journal on archaeology and was fascinated by the tale of courage, desperation, and originality. Subsequently I saw parts of a film on the subject, and I was hooked. I found the book by Brian Hicks, Schuyler Kropf in Amazon.com's menu and decided to pursue more information on the subject.

The authors are journalists rather than professional historians or archaeologists, but they do have a talent for writing and a sense of the character of the South and Civil War history that gives the book a more readable quality. They also seem to have researched their topic well. The final pages of the book recount their efforts to follow the "fish boat's" story from first inception to final successful strike against the USS Housatonic, a Union ship participating in the blockade of the Charleston harbor. Considering that the Hunley was a secret weapon and a stealth weapon at that, its paper trail would be expected to be a difficult one to follow. The authors made a remarkable success of it, giving life to their subject.

Interesting too was the narrative of the Hunley's resurrection and restoration. The serendipitous survival of the boat in a nearly intact condition is itself an amazing story. The great care with which it was removed from the water and painstakingly preserved is a credit to underwater archaeology. Certainly it could easily have been a disaster. What the preserved remains had to say about the vessel itself: its construction, its advanced styling, the likelihood of it's having continued to be water free for long enough to allow small stalactites to form, etc. made it an even more entertaining study. It's definitely on par with the Titanic for human interest.

Civil War Delight.
To a Civil War buff, the story of the Hunley is irresistable. The book begins with the conception and execution of the "fish boat" in Mobile and continues with its introduction into service in Charleston. The book then interweaves the distant past with the very recent past, telling the tale of the boat's crews (3 crews, none who answered to 'Lucky') and the tale of the multiple personalities involved in raising her some 135 years later. The writing is only adequate; the story of the boat and her design is more interesting reading than that of her crew and her salvagers. Nonetheless, this is an enjoyable book that can easily be read in one (pleasant) day.

One of the best books on the Hunley.
Brian Hicks and Schuyler Kropf have lived and breathed the Hunley since 1995 and it shows with this book.If you are unfamillar with the story of the Hunley,this is the book that will bring you up to speed.From the concept,to the attack,to the raising,to the excavation,Hicks and Kropf makes you feel like your right there.This book is a must read.

A marvelous book!
On 17 February 1864, the Confederate privateer submarine HUNLEY, then called a "fish-boat" or "torpedo boat," crewed by eight volunteers successfully attacked and sank a Union blockade ship off Charleston... and disappeared. This marvelous book recounts not only the history of the first successful attack submarine, but the mystery surrounding it. The story of the search for the ship, its discovery and its astounding recovery is documented, along with introducing the reader to a fascinating cast of characters involved in this real-life drama.

Even if you have little interest in history, this is still a book well worth your time. It is frequently, and often not accurately, said of non-fiction that "it reads like a novel." This book really does. The story is not only well told, but the pacing of the story and character development is strong. That journalists, who are known for dry prose, could produce a book like this is refreshing. One thing I particularly liked were the brief biographies of the main characters that appear at the end, a sort of "what happened to them after this story."

I won't belabor the facts revealed about the submarine (many), the attack (requiring incredible courage), or the people (combatants, searchers, and archaeologists) or the possible solutions to the mysteries surrounding this fabled ship. It is so rare to find a book today that is well-written, informative, compulsively readable. This book is all that, plus just down right entertaining. This book is a treasure. Read it!

The best of the Hunley histories
I first heard about the Confederate submersible H.L. Hunley 46 years ago when I was a scared five year old in St. Mary's Hospital in Duluth, MN. I had an unheard crippling disease (everyone thought it was polio) and wasn't doing very well. There was no TV in our area of the hospital and I couldn't read more than a few words, but my Dad brought me a book about submarines. He and I used to stay up past my bedtime to watch "The Silent Service" WW II docu-dramas about the submarine service and he knew I was nuts about subs. On page three, was a painting of the "Huntley" (sic) getting ready to ram her torpedo into the hull of the USS Housatonic. I made my Dad and the nurses and the bigger kids in the childrens' ward read those pages over and over to me. Even then I wondered what could have happened to the sub and the brave sailors on board. Later I was able to talk to my great grandma who remembered a little of the civil war and told me what she knew about the Hunley. I've been hooked ever since. (By the way, the disease turned out to be septic arthritis and thanks to antibiotics I made a full recovery.)

I have been an email correspondent with Brian Hicks and Schuyler Kropf, award-winning journalists of the Charleston (SC) Post and Courier newspaper for several years now. They have been on the Hunley "beat" ever since it's discovery in 1995 and I'm sure they have become really tired of my pestering them for measurements and modeling details for the RC model I am building of the Confederate sub. But ever since Mr. Hicks told me about their project I have been bursting at the seams to get my hands on a copy of their brand new book about the famous rebel "fishboat". I received my copy on a Friday and pretty much spent the whole weekend reading and relishing every word.

First off, if you are expecting lots of new technical details and a myriad of new photos of the submarine, you might be a little disappointed. Mark K. Ragan's two books* still have more of the technical particulars about the H.L. Hunley and it's forbears. But if you are interested in new insights into the design, construction and recovery of the sub and a glimpse into the mind of wealthy New Orleans lawyer, former legislator, plantation owner and deputy chief customs collector Horace Lawson Hunley, this book is for you.

An important and often overlooked aspect in the study of history is not just what happened but why it happened. The authors do a splendid job of delving into possible motives for what made Hunley the man he was and why he may have taken his boat on that fateful practice run that took his and his crews' lives. A driven man, Hunley kept copious notes to himself: points to drive home in letters, legal briefs, and motivational quotes worthy of a Dale Carnegie or Tony Robbins. He was also very curious as to what made great men great and made a note to himself to get a book on the subject of the deaths of "Great Men".

Part two of the book begins with self-described adventurer Dr. Lee Spence's claim to have originally found the sub and his long quest to be recognized as the discoverer of the long lost rebel "murdering machine". Hicks and Kropf describe novelist Clive Cussler's involvement with the search and his team's eventual finding and the recovery of the lost vessel. The writers do a fine job of not taking sides in the controversy of just who discovered the Hunley, letting the reader make up his or her own mind.

From there we almost are immersed in politics as agency battles agency for final control of the destiny of the Hunley. It makes for fascinating reading. Hicks' and Kropf's style of writing is much easier to read than any of the other books I have read about the Hunley (just about all of them). These guys are professional writers and it shows.

I can't recommend this book highly enough.

... Read more

Reviews (1)

An excellent reading of a thought-provoking biography
A new addition to the generally excellent series of Naxos Audio Books is Hesketh Pearson's (NA 221612). Here we have a 2:27 hour abridgment read by the now internationally known British actor Simon Russell Beale, with very short scenes read by David Timson, Daniel Philpott, and Caroline Faber.

Many scholars might carp at the choice of authors, since Pearson takes things from an actor's point of view; and a good deal of his assumptions are based on the "fact" that running a theater back then differed little from Pearson's own experiences in that field.

He tries to run a careful course between using passages from the plays as "proof" that Shakespeare must have thought thus and so and realizing that what a character says in a play may not (and probably doesn't) reflect the author's personal point of view. (Often the former method is valid. For example, Shakespeare almost never makes a positive reference to dogs or a negative one to highly spiced foods. One can reasonably assume he disliked dogs and bland food.)

Yet Pearson often makes statements that rest on lines from the plays but do not really prove anything. Can we really take Othello's plea before killing himself as Shakespeare's own? Especially annoying is basing claims that the actor Shakespeare played certain parts on mere say so's that have been passed on from one generation to the other. It would be nice to know, for example, that Shakespeare acted the Prologue to "Henry V" so he could point to himself as "the bending author"; but this seems wish-fantasy on Pearson's part rather than even reasonable surmise. But Pearson is never boring and that is what also counts in a recorded reading such as this one.

Beale's delivery cannot be faulted, nor can the short contributions of the three assistants. I know that I will play this many times again, especially on long car rides. I opted for the CD version (which I transferred to tape for the car), and there are enough tracking cues to make finding what you want pretty easy. Highly recommended. ... Read more

Amazon.com

In his lifetime, Wolfgang Amadeus Mozart didn't have the best of luck with his patrons. One of them, Archbishop Colloredo of Salzburg, actually had his chamberlain kick the composer in the ass to signal the end of his employment. Mozart has been luckier, however, with his biographers. In the last 20 years alone, he has been the subject of two fine books: Maynard Solomon's meticulous study, which slides Mozart's rather mystifying psyche under the analytic microscope, and Wolfgang Hildesheimer's more sardonic effort, in which the author seems determined to strip every last bit of romantic varnish from the traditional portrait.

Now Peter Gay joins the party with his own brief life. Weighing in at 177 pages, Mozart will never displace its deep-focus predecessors. But it's a delightful introduction to the composer, whose entire existence was, as Gay puts it, a "triumph of genius over precociousness." It's one thing, after all, to knock 'em dead at age five--at which point the waist-high Mozart was already a keyboard virtuoso. It's quite another to keep developing at the same prodigious pace. "A child prodigy is, by its nature, a self-destroying artifact: what seems literally marvelous in a boy will seem merely talented and perfectly natural in a young man. But by 1772, at sixteen, Mozart no longer needed to display himself as a little wizard; he had matured in the sonata and the symphony, the first kind of music he composed, and now showed his gifts in new domains: opera, the oratorio, and the earliest in a string of superb piano concertos."

Gay gets in all the essentials: Mozart's mind-blowing maturation, his family life, his weakness for billiards, and (of course) his seriously scatological style as a correspondent. Like Solomon, he takes an Oedipal approach to Wolfgang's perpetual head-banging with his overbearing father. And like Hildesheimer, he's at pains to scotch certain cherished myths--the mysterious figure who commissioned the Requiem, for example, turns out to be no otherworldly harbinger of death but a chiseling wannabe who hoped to pass off the finished product as his own work. Perhaps best of all, Gay never goes sublime on us. His portrait is attractively level-headed, and at one point he's even modest enough to knock his own metaphors for their puerility. Here, surely, the author is being hard on himself. But he's right about one thing: as far as artistry goes, this former child prodigy does make children of us all. --James Marcus ... Read more

Reviews (15)

Superb introduction to Mozart's life
In this book, Peter Gay offers an excellent, concise summary of Mozart's life and greatness.This is not a balanced recounting; Gay compresses the Mozart's active childhood of tours and performances into a single chapter, while his frustrating years at Salzburg are similarly condensed to a few pages.Yet such an approach is more than justified given the purpose of the "Penguin Lives" series, which is to offer brief introductions to their selected subjects.

A distinguished intellectual and cultural historian, Gay brings considerable knowledge of Mozart's world to bear in examining the details of his life, connecting it to the broader historical developments of his time.Chapters 6 and 7 break away from the biographical narrative to focus on Mozart's achievements as a writer of symphonies and operas, which allows Gay to turn his finely honed analytical abilities to evaluating Mozart the artist.While there is nothing new in his analysis, it nonetheless provides an excellent introduction to the life of this brilliant musician and composer.

Colorful portrait
Gay's book is a colourful portrait of the genius Mozart.It's lively not boring and gave me more than enough information on the man himself but very little on his marriage.I would have preferred more info on that aspect of his life but admittedly Gay does a splendid job on the early and Mozart and giving me a better understanding of what made the Great Composer tick.
And the best of the Penguin lives series that I've come across so far.

A Triumph of Genius over Preociousness
This is one of several volumes in the Penguin Lives Series, each of which written by a distinguished author