Book Description

Reviews (7)

Excellent Way to Get More Acuainted with the Great Artists!
It was interesting to read about the eccentric personality characteristics of the great artists and how they found their specialty areas of creativity. I especially enjoyed learning more about Cassatt and O'Keefe and how they encountered a lot of criticism during their time and how they were not afraid to be themselves and BE GREAT! I will share this book with my son when he is ready for it. Right now he is only nine, and too much into sports(ha.)

Ansel Adams should have been included.

Jeffrey McAndrew
author of "Our Brown Eyed Boy"

A New Way to Perceive the Lives of the Artists
Most people can name at least a couple famous artists and cite some examples of their best-known works. But have you ever wondered what's really behind all that painting, sculpting, and drawing? Kathleen Krull's book Lives of the Artists: Masterpieces, Messes (and What the Neighbors Thought) gives an in-depth view into the humor, tragedy, and mystery in twenty artists' lives, as well as the gossip inspired by their peculiar lifestyles. Carefully researched, this humorous biography travels throughout the centuries, offering basic facts along with interesting tidbits and anecdotes about artists from Leonardo Da Vinci to Georgia O'Keeffe and beyond. It also includes interesting backround information behind each one's artistic works as well as creative and eye-catching illustrations by Kathryn Hewitt. This entertaining book allows readers to get to know the world's greatest artists and their artworks through each one's unique and engaging story.
The book is well organized into chapters each focusing on the life of one individual artist. The author skillfully and humorously connects information about artists' personalities, preferences, and lifestyles with how they affected their most well known artworks. It recreates each one's position in history, telling how the artists were seen by the general population in their day, or even their reputation among curious or superstitious neighbors. Readers will be able to see for themselves that famous artists were real people who did mess up once in a while. The author explains a time when Leonardo Da Vinci decided to try out a new painting method, saying, "The technique resulted in disaster...(he hadn't read all the way through to the part that said "don't try this on walls")."
The author's voice helps compliment the content in several ways. Kathleen Krull's words strike a tone that is warm, chatty, and friendly, making you feel as if she were talking with you in the same room. Her gossip extends not only to the basic facts but also to many specific details abou the artists' lives. Showing the passion and tragedy in his life, she remarks about the artist Vincent van Gogh,"Van Gogh imposed a condition of near starvation on himself and would go for days without food so he could afford to buy art supplies." In addition, every sarcastic or humorous comment made on the part on the author helps readers to feel they are getting to know an actual person rather than a cold, vague historical figure.
The author also ensured that the book would appeal to an audience of both children and adults. The words and explanations are engaging and humorous and immediately capture your interest, yet the vocabularly is not too difficult for children. The full-page color illustrations are vivid, clever, and bring to life each artist for the young and old alike. Because the book gives more information about each artist than is generally known, it is sure to benefit and interest a wide range of audiences.
Readers of all ages will definitely become hooked on this fact-filled and entertaining biography. Lives of the Artists: Masterpieces, Messes (and What the Neighbors Thought) retells the one of a kind stories of each of the world's most famous artists, blending historical facts with humor and captivating details. Most importantly it allows readers to recognize each individual artist through an attractive mix of their achievements, lives, and unique personalities.

My six year old and I love this book!
Reading a chapter from this book has become a bedtime ritual for my daughter and me. My daughter happens to be very interested in art and this book gives her an idea of what it's like to actually be an artist. Both the illustrations and text bring these artists to life more than any other childrens or adult book I have ever seen. This is one of the few books that we both enjoy reading over and over again. I wish the authors would do another volume of artists. Meanwhile I'm ordering another book by this author/illustrator combination.

An Amazing Adventure into the Private Lives of Artists
This book would make an outstanding addition to the reading list of any art lover. If you love finding out the gossipy trivia about some well-known and should-be-well-known artists, that this is the book you MUST buy. Really gorgeous illustrations by a fantastically talented artist herself, Kathryn Hewitt

An interesting cross selection of artists
"It's not what an artist does that counts, but what he is" - Picasso, p. 56

The book contains 16 Chapters on the following 17 artists in birth year order: Leonardo da Vinci (1452-1519), Michelangelo Buonarroti (1475-1564), Peter Bruegel (1525?-1569), Sofonisba Anguissola (1532-1625), Rembrandt van Rijn (1606-1669), Katsushika Hokusai (1760-1849), Mary Cassatt (1845-1926), Vincent van Gogh (1853-1890), Kathe Kollwitz (1867-1945), Henri Matisse (1869-1954), Pablo Picasso (1881-1973), Marc Chagall (1887-1985), Marcel Duchamp (1887-1968), Georgia O'Keeffe (1887-1986), William H. Johnson (1901-1970), Salvador Dali (1904-1989), Isamu Noguchi (1904-1988), Diego Rivera (1886-1957) & Frida Kahlo (1907-1954), Andy Warhol (1928-1987).

It contains a variety of gossipy tidbits about the artists' lives. The cross selection of artists is an interesting combination. Krull introduced me to three artists of which I was not familiar (Anguissola, Kollwitz and Johnson). As a result Krull has whet my appetite and I will now seek out further information. Hewett"s illustrations are entertainly and cleverly done. I am especially particular to her rendition of Hokusai (he is wearing a kimino with both "The Wave" and "Mt. Fuji" on it).

I'm not convinced that the book is intended for young readers (ages 9-12). The gossip is on occasion adult in content. No actual prints of any of the artist's paintings are included, which was a surprise given the high cost of the book. This proves cruelly aggravating given that Krull references select paintings with accompanying notes.

Additional tidbits missing from the book: Dali did the dream sequence in Alfred Hitchcock's "Spellbound" starring Gregory Peck and Ingrid Bergman. Chagall's "The Dead Man" was the inspiration for the title of the Broadway play "Fiddler on the roof." Rivera caused a scandal when he painted the portrait of Lenin in a Rockefeller Center mural in '33. In addition, he used his clout to enable Leon Trotsky to live in Mexico. Two years later Kahlo introduced Trotsky to her friend, a Stalinist agent, who killed him with an ice-axe. ... Read more

Book Description

In our third series on the greatest literary works of all time, Dr. Meyer is back with The Great Books of The Renaissance, plus James Joyce.Vasari, The Lives of Artists
Machiavelli, The Prince
Thomas More, Utopia
Shakespeare, King Lear & The Tempest
John Milton, Paradise Lost
James Joyce, Ulysses

Produced for "This Morning" by CBC Radio One.

Approximate Duration 3 Hours. ... Read more

Reviews (1)

Cassette Series Takes a Nation by Storm
Dr. Bruce Meyer's broadcasts on CBC's This Morning have taken the nation by storm and caused a major revitalization of the literary classics in Canada. All over the country, in schoolrooms, doughnut stores and coffee shops, people have been meeting to discuss the classics because of these broadcasts. The soon to be released The Golden Thread: A Reader's Journey Through the Great Books by Dr. Meyer is sure to take off following the overwhelming popularity of this, the largest-selling series of cassettes in the history of the CBC! This series, with its humorous, moving and extraordinarily brilliant observations on the Great Books is sure to make an avid reader of you and transform the way you look at both literature and the world around you. This is a "must buy" item for anyone who wants to get in touch with great ideas -- Dante, Virgil, St. Augustine, Milton, More, Machiavelli, Ovid, The Bible, Sophocles and many more. ... Read more

Book Description

Once upon a time (well, maybe it was last year) in the land of Oz (a place that looks a lot like Beverly Hills, California), reigning Prince of Darkness and heavy metal legend Ozzy Osbourne, his wife and sovereign ruler, Sharon, and teenage heirs to the throne gave MTV camera crews the keys to the kingdom for documenting the Osbourne way of life.

The result? The Osbournes. The history-making, Emmy-winning, media-frenzied, televison-family-concept-redefining reality series that America can't get enough of. The Osbournes are all can't-even-walk-down-the-street-anymore-to-grab-a-bite-to-eat famous.

You'll laugh, you'll cry, you'll wish they lived next door to you (unless you've got the music cranked at 4:00 A.M.). So spend a little time in

Officially Osbourne is narrated by Aimee Osbourne and features exclusive soundbites from the show. ... Read more

Reviews (3)

The wizards of Os(bourne)
The Osbournes have gained fame not just for pioneering the reality TV show (and succeeding in it the way pretty much nobody else has), but for letting the masses in on their family life. It's weird, it's wacky, and when you pare it down it's pretty close to anyone else's family life. And that includes dogs peeing on the furniture, music, thongs, the arrogance of big sisters, getting tattoos, and much more.

"Officially Osbourne" is an episode guide (first season) interspersed with biographies, interviews, and information. Each of the bios includes favorite music, birth date, video games, personal philosophies, what their family members say about them, and then an interview. Each episode has a basic summary (about two or three paragraphs) and a slew of pictures. Also there are best lines ("Bubbles? Oh come on, Sharon! I'm the Prince of #$&*in' Darkness!"), and highlights (a fire in the kitchen -- "the first one in the new house").

There are chapters on other topics too: On Melinda Verga, a lower-key employee, on home decor (black, antiques, and crucifixes), the different rooms in the house, and on the pets (dogs and cats, most memorably Lola). One chapter is devoted to Ozzy and Sharon's parenting methods, and what their kids think of those methods. And most tantalizing of all is the chapter where they talk about what never made it onto your TV screen...

This book captures some of the spirit that infuses the Osbourne TV show. The coverage and interviews with Ozzy, smart wife Sharon and kids Jack and Kelly (Aimee declined to be in the show). Their attitudes are refreshingly honest and open -- in a celebrity subculture where people say prescripted, inoffensive lines, the Osbournes will tell the world what they do and don't like (Kelly hates pop singers, for example).

The pages are likably colorful, not just black text on white paper. The pictures are a slightly more mixed bag -- there are a lot of them on almost every page in the book, of everyone: The house, the furnishings, the dogs... unfortunately, many are too small to look at easily, and some are blurred. Many are quite good, clear and well-lit.

"We're not the #$&*ing Partridge Family" -- Sharon said it best. And "Officially Osbourne" takes some of the best elements from the TV show and commits them to paper. Definitely recommended for people who watch the show.

Excellent guide to the Osbournes
Officially Osbourne is an excellent guide to the Osbournes. It shares details of the episodes, profiles of the family members, untold stories, interviews, parents' advice from Sharon and Ozzy, and more. The pictures in this book are mostly animated, and while regular photos would have been great, it does add a more fun approach to the book. This is a must have for fans. You'll learn so much more about the Osbournes.

Great book!!
For any Osbourne fan, this is the book to get. It has every detail you ever wanted to know about the show. Great pictures and interviews, as well as info you didn't know! ... Read more

Book Description

"How do I love thee? Let me count the ways" "Grow old along with me, the best is yet to be . . ." These lines from some of the most famous poems in the English language are also the legacy of a great love story. Robert and Elizabeth Barrett Browning were united not only as man and wife, but also as writers who shared and debated ideas, values and literary craft. Robert and Elizabeth Barrett Browning: How Do I Love Thee? Their Story and Poetry is an audio original consisting of 70 poems performed by three great British actors. It interweaves the classic poetry by these two famous writers of the Victorian era with the narrative story of their love, offering a rare glimpse into the artistic, passionate nature of genius. 2 cassettes. ... Read more

Reviews (1)

A Fantastic True Love Story
"How Do I Love Thee?" was a romantic true love story. In the book, Robert Browning gave Elizabeth "Ba" Barret the courage to love and live life. Ba was an invalid who lived with a widowed, controlling father of seven children. Although, Ba was his pride and joy, he kept her captive through her illness. Ba's poetry caused Robert Browning to fall in love with her and wish to meet her. The two poets' friendship blossomed through their letters; after they met face to face it soon became love. Soon Ba's father was the only thing standing in the way of their true happiness.

The book begins with a curious statement which holds your attention through the first few chapters. "How Do I Love Thee?" becomes very interesting after Ba and Robert finally meet face to face. The author's incorporation of the love poems of Elizabeth Barret Browning and Robert Browning was terrific addition to the story. The end was disappointing, but the book as a whole was a fantastic true love story of two amazing poets. ... Read more

Amazon.com

For three quarters of a century, adventure enthusiasts around the globe have speculated about the fate of British mountaineers George Mallory and Andrew Irvine. Did they reach the peak of Mount Everest before disappearing on June 6, 1924? How did they die? What was their fatal mistake? In 1999, the Mallory & Irvine Research Expedition set out to answer these questions by retracing the steps of the doomed climbers, and in The Ghosts of Everest, they share their findings. William Nothdurft has gracefully woven the testimonies of expedition members Jochen Hemmleb, Eric Simonson, and Larry Johnson, all the while counterpointing the modern ascent with a captivating reconstruction of what befell the earlier one. There are also stunning photographs, which manage to be inspiring and beautiful and gruesome--occasionally all at once. And while it's impossible to establish exactly what happened to Mallory and Irvine, this account is persuasive enough to fascinate rock climbers and couch potatoes alike. --Melissa Asher ... Read more

Reviews (51)

A Lesson on How Money is Replacing Adventure
This book allowed me to analyse why I have not read too many books on Mtn Climbing in the past few years. I am a climber and the genre was important to me for a big part of my life. Reading through this book made me realise how much climbing has not only changed from the days of Mallory, but even from the old siege operations in the 70s. Today the emphasis on gaining money and the machinations and business tactics that go into getting the dosh to go, take up not only the majority of the time making the ascent, but also the majority of the time (and lines of writing) in most mountain literature published these days.

Gone is the old style adventure: 1) adventure-for-the-sheer-fun-of-it, Joe Brown, Don Whillans; 2) adventure-of-the-tortured-soul, Eric Shipton, Joe Simpson; 3) adventure for Imperial gain, Capt Noel, Sven Hedin, or the early British Expeditions to Everest, (though to be fair, it is hard to ressurect this particular genre) and; even the 4) adventure-to-be-the-first-to-do-something, Bonnington and Hertzog, is relegated to second place -- now adventure takes second place to how much money and designer deals for broadcast rights and publisher exclusives can be done before, during and after the point when all the adventure takes place.

As such this book is very symptomatic of this new genre. There is all sorts of vignettes of the evil BBC and it reps and the business concerns of all the others who made crucial decisions tying their business fates to this expedition --- too much of this and too little detail both of the original British Expeditions the search expedition this books puports to write about. There is also precious little route description, how the route was put up and the actual "thrill" of the hunt to find Mallory. Fully one-third of the book deals with these machinations.

Even the people that the authors palpably do not like get off lightly. All of the people they like are usually gifted with some god-like aspect of physical prowess --- eg. barrel-chested, large arms etc. For those who have read Chris Bonnington's books on any of his expeditions, the slow burning personality problems that manifest themselves on so many of these expeditions are conspicuous by their absence in this book.

In sum I liked the book. The good parts are two, and only two in my estimation: 1) the find of Mallory's body and 2) the ascent of the last ridge by the search party members. It is no coincidence that these two subjects are raw adventure and have nothing to do with gaining money or searching to personally skewer someone's personality.

I am glad I read it. But as an inspiration for further reading in the contemporary mountaineering genre, this book is symptomatic of how far the adventure genre has fallen, particularly in the past 10 yrs or so. Maybe you will like it. Maybe you will not. I am the kind of person who trekked the subsidiary valleys around Mt. Everest, but I would not go to Everest base camp --too many people, too much garbage and too many people following the populistic mantra of what passes for adventure writing these days... like the valleys around Everest these days, this genre has been tamed, beaten into submission, and transformed into a pablum for mass consumption. Better to settle down and re-read the Hertzog or Bonnington Classics.

INSPIRING STORY OF A MAN'S DREAM, MYSTERY OF HIS FATE
The book is focused on the search conducted to find out what happened to Mallory and Irvine, the two British climbers who disappeared on Everest in the 1930s.Mallory is basically a legend in mountaineering.

The authors tell the story of their own search expedition by making it parallel to Mallory's.For example, we see the logistics it took this expedition in 1999 to get everyhitng to Everest base camp.In contrast, we see the long trek the expedition in the 1930s had to face, with sickness and much more difficult terrain and logistics.It was amazing that they had the energy to climb once they got to base camp.

The book switches between a technical archeology mystery and the history known of the expedition.It is very interesting to see the 1999 expedition trace back the steps of the earlier one.We see the tremendous difficulties they went through in the 1930s, with clothing that was hardly appropriate and the best equipment at the time.

Ultimately, the authors find Mallory's body, but it is still not clear if he reached the summit before falling.He fell and broke a knee, which is a death sentence at that altitude.Irvine was not found.The book ends with the authors making their own summit bid, and only two of them making it.

This is one of the best mountaineering books, especially as it brings in the mystery of what happened.I highly recommend it for the armchair mountaineer.

Like climbing a mountain worth climbing!
This effort starts out a bit lackluster and overweighted with
facts, statistics and hyper technically overloaded with how the research expedition got started, who ate what and who arranged for this and that. Once the authors put the reader "on the mountain" with pictures and text, the book and the adventure makes it all worth the effort to have stayed with the book. It is a bit like climbing a mountain...it can't all be a spectacular view from the summit! For those interested in the history of climbing in the Himalaya this is worthy of your interest and should be read.

An inspiring story for ALL readers!!
This is an amazing tale of selfless and dedicated people. A beautiful mix of detective story, climbing epic and historical drama this is not just for climbers. The interweaving of the 1924 expedition on which Mallory & Irvine were lost, w/ this 1999 hunt for their fate brings an immediacy and sense of having "been there" to the reader, as well as important understanding to those who are not frequent readers of the mountain genre.
Even among the tightly knit cadre of high altitude climbers and support people, this group stands out for their cooperation and respect, not only of each other, but for the men they seek to find. I was struck with the haunting beauty of this endeavour, through the glorious photos, the wonderfully descriptive recollection of the '99 participants, and the words from the past men of '24. There is an awe inspiring feeling of monumetalism best typified by Dave Hahn's likening of his first view of George Mallory's body to a statue of ancient Greek or Rome. The tenacity and tenderness of the 99 crew leads one to feel that "fate" conspired that only THIS group, at THIS time, (75 years forward of the tragedy) could rightly be the ones to discover and tell of Mallory's last moments, and with deep respect and a sense of being very privileged, lay their great man to rest.
Truly inspiring, and a delicious winter night read, and reread!

The Search for Mallory
This is a collaborative effort of the men who put together an expedition to Everest in 1999 for the purpose of obtaining more evidence on whether or not George Mallory and Sandy Irvine reached the summit of Everest in 1924 before they both mysteriously perished.

This is a beautifully produced book.The paper is heavy and glossy, the photographs are fantastic and the makeup is flawless.

The content I would have to say is uneven. The electrifying discovery of Mallory's body is well written and in good taste.The trials and tribulations of getting financial support are well done.The duplicity of the good and gray BBC is an eye-opener.No punches are pulled about the various expedition team's strengths and weaknesses.However, it shows the faults of a book written by committee and the continuity is sometimes poor.I felt the pages and pages devoted to oxygen tanks were, to put it kindly, far too many.

The 1999 expedition uncovered a treasure lode of documents and artifacts about Mallory and Irvine's last day on earth and can be considered a total success.The big question:Did Mallory and Irvine summit Mr. Everest some 29 years before Sir Edmund Hillary?Maybe.To this reader the most compelling evidence was what was not found on Mr. Mallory's body:the picture of his wife that he always carried in his billfold.He had said he was going to leave her picture on the summit of Everest.Maybe he did. ... Read more

Book Description

The history of the Vietnam War has rarely been told from the Vietnamese perspective-and never by a leader of that country.In Buddha's Child, Nguyen Cao Ky reveals the remarkable story of his tumultuous tenure as Premier of South Vietnam, and offers unprecedented insight into the war's beginning, escalation, and heartbreaking end.

A thirty-four year old pilot and Air Force commander, known for his fighter-pilot's moustache, flowing lavender scarf and his reputation as a ladies' man, Ky in 1965 agreed to lead South Vietnam after a series of coups had dangerously destabilized the nation.Ky's task was to unite a country riven by political, ethnic, and religious factions and undermined by corruption.With little experience in governing and none in international affairs, and while continuing to fly combat missions over Vietnam, Ky plunged into a war to save his homeland.He served as premier until 1967, continued to be active in the war after his resignation, and finally left Vietnam in 1975 during the fall of Saigon.

Buddha's Child offers Ky's perspective on the crucial events and memorable images of the Vietnam War: the coup against and execution of President Diem; the self-immolation by the Buddhist monk, and the radical Buddhists' attempt to topple Ky's government; the bloody and pivotal Tet Offensive; the shooting of a Vietcong prisoner, captured in one of the war's most notorious photographs; the Paris Peace talks that sold out South Vietnam; and the last, desperate days of Saigon.In frank language, Ky discusses his own successes and failures as a leader and dramatically relates the progress of the war as it unfolded on the ground and behind the scenes-including anecdotes about Lyndon Johnson, Richard Nixon, William Westmoreland, Henry Cabot Lodge, William Colby, Henry Kissinger, and many others.

Buddha's Child is a revelatory, fascinating account of a nation at war by a most unusual man.
... Read more

Reviews (11)

Opportunity Lost¿Seizing Defeat From the Jaws of Victory
This was, in many ways, a painful book to read. I was in elementary school at a school for missionary children in northern Japan when I read in my Weekly Reader that Nguyen Cao Ky had become the new prime minister of South Vietnam. I remember the news gave me a sense of hopefulness about the war, which we were kept informed of by the Far East Network (armed forces radio) and the Voice of America. I can also remember my feeling of confusion when I read that Theiu had replaced Ky as Vietnam's leader.

Without belaboring the point, I have long been frustrated by the American handling of the war, which, I believe developed out of our abdication in Korea. I don't want to spend time talking about that, because it is a tired and painful subject. Suffice it to say that this book confirmed my feelings, but added some new insight.

For example, this book adds some insight into the resentment that many Vietnamese nationals felt toward the French, whose colonialism was largely exploitive, and financed by the Americans in amounts that Everett Dirksen would call "Real Money." In addition to that, I did not know, until I read this book, that Westmoreland was fully informed of the North Vietnamese intention to stage a major invasion during Tet, but decided to keep this from the South Vietnamese army! This appalling mismanagement of the crisis produced a disastrous and completely unnecessary problem for the Cao Ky, but it was a challenge that the South Vietnamese met and overcame. While Tet had a demoralizing effect on the American public, it was actually a victory for South Vietnam, and a major defeat for the North Vietnamese.

The book also addresses some more familiar themes, such as the legendary ineptitude of McNamara, but the most poignant event in this book is Nguyen Cao Ky's impulsive decision to abdicate leadership in favor of Thieu. Nobody (including Nguyen Cao Ky himself) knows why he did this. Perhaps it really was a selfless act of a patriot who had no interest in promoting himself, and was just trying to do what was best for his country. Or, perhaps, he had become bored with the monotony of leadership, and decided to abandon his responsibility, just as he discarded his wives, one after another, when he got tired of them.

To his credit, Nguyen Cao Ky takes full responsibility for his fateful decision. And it would not be fair to say that he abandoned his country completely, because he was always ready to serve, and to lead when the chips were down. In that sense, we must give credit where credit is due, and call him a patriot. But this is small comfort for the painful realization that the war effort was doomed by his decision, although I am still not sure if I believe that it was more significant than the moral exhaustion of the American culture, which rendered the Americans all but impotent to save Vietnam.

Read this book. Nguyen Cao Ky is a very good storyteller, and a man of adventure who liked to live on the edge. You will almost certainly come away better informed about the first war the Americans lost. It is a sad story, but one which can have a certain measure of redeeming value if we are able to learn from our mistakes, and adapt to the very different place that east Asia has become.

Fascinating at times
This is a must-read book for those who want to understand that period of history when the United States
became mired in the Vietnamese quagmire. It is an easy read, despite some obvious spelling and grammatical errors,
and it is a unique look into the life of one of the most colorful players in the Byzantine game of Vietnamese politics
of that era.

Westerners, usually from the media but also others as well, often describe Nguyen Cao Ky as flamboyant,
when they are not using other words such as "swell-headed" or "shallow". He lives up to his reputation
in this book, and some of the stories that he tells, from his courtship of a young woman in the seaside town of Nha Trang
to his dealings with American generals and politicians, are indeed fascinating, even if some anecdotes are not
sufficiently detailed. The book is rather thin for this genre, but there is no presumption that it is scholarly,
or that it should be pored over by academicians in search of another explanation as to why the most powerful country in the world
could not overcome the Communist violent takeover of South Vietnam. Rather, it presents the point of view of a man
who at a young age came to lead his young nation in its darkest moments.

History is not kind to losers, and we in America have a tendency to think that the good guys usually win. But once
in a while, those who were defeated have a decent story to tell, and Ky is trying to do that with his book. He explains
the dilemma of Vietnamese patriots who wanted to fight against the French but could not swallow Communist
ideology, even at the cost of a twenty-year civil war. He is most clear-sighted when he points out that a good majority
of the South Vietnamese leadership consisted of French-trained men who took greed, religious, and regional rivalries to
extremes, even at the detriment of their struggling nation. He also asks some interesting questions that beg for answers from
those who had a hand in conducting the war in this country: at the start of the 1968 Tet offensive, why did US forces
not come to the help of their South Vietnamese allies until the morning after? Why did the US wait until 1968 to begin
giving more modern weapons to the same allies, while the Communist soldiers from the North had the best from Soviet and Chinese arsenals?

At the end of the book, Ky pleads for the Vietnamese diaspora, which numbers some 3 million people living outside of their
native country, to forgive and forget because the old Communist hard-liners in Hanoi are disappearing through natural attrition.
He wants the younger generations to go to Vietnam to help their counterparts inside the country rebuild it. But as a man who has
traveled widely throughout the world since the fall of Saigon, it is telling that Ky himself has not found the time to go back to the country of his birth.

Important historical book
How could it be anything else being written by one of the players. I think Cao Ky Nguyen confirmed many truths and it was important for that to come from a South Vietnamese leader. All that you need to do is keep in mind that he is trying to portray himself in a more favorable light than he deserves as he was just as politically immature as the rest of the inept leaders he comments on.

The American lessons from Vietnam in essence are the old sayings that you can lead a horse to water but you can't make him drink, and that if you want something done right do it yourself. When you put Nguyen's rationalizations in a more accurate perspective, he makes this clear.

I could not put this book down.
It is hard to know where to start in writing a review about this book; in one weekend, you will learn over two decades of intricate history; so few Americans, including myself, understood the VietNam Conflict. After you read this book, you will want to go and meet the authors; it is like they are talking to you in your living room. The book is a fair review of the corruption on the South and the brutality of the north. It has numerous pearls about leadership and life as well as a great historical read.

Breaking silence - Long awaited South Vietnamese perspective
Hindsight is always 20/20, especially with over 3,200 published titles on the Vietnam War and its outcome. American journalists, politicians, and veterans have been pointing the finger at the inept South Vietnamese and its shady leaders. "Blame corruption for our loss in Southeast Asia." Without a voice, America's former friends led silent, unremarkable, sometime angry lives in exile since the end of the war. Buddha's Child is an exceptional reflection by one of South Vietnam's top leaders 27 years after Soviet-made North Vietnamese tanks clanked unopposed through downtown Saigon.

My family lived across the street from Gen Ky during the waning days of South Vietnam. My father flew with the South Vietnamese Air Force and served under the General for many years. Many revered him. Beneath the flair is a leader of integrity with plenty of loyalists even to this day. His story reveals a young officer serving a divided country led by inexperienced men caught in a middle of a civil war backed by two superpowers. One has to wonder if Gen Ky ever felt safe after the assassination of Pres Diem? Gen Ky also regrets not pursuing better PR in America during the war. It is doubtful that he would have resonated with Americans amid the social turbulence of the time.

The book's final pages cover Gen Ky's poignant departure from Saigon and his difficult early years in America. When the war ended, his American peers went home, wrote bestsellers, led corporations, ran for Congress, and retired as four-star generals. Gen Ky had to start his life over in America like the million plus refugees who fled Vietnam. This is a must read book for those who want to understand the mistakes made in Vietnam by all involved. ... Read more

Book Description

A rags-to-riches tale of America's best-loved country duo, this heartwarming story tells of two women, mother and daughter Naomi and Wynonna Judd, who will continue to fight adversity--and win. 4 cassettes. ... Read more

Reviews (13)

It was interesting
I thought that the Book was very interesting, It told how they got started and the hardships they faced through out the years. It also told how they first started in music and there first record deal with RCA. I thought that Naomi told her story real well and how she fought her illness and now it is in remission. It is a real good book, I highly recommend. You won't put it down.

Miss Naomi struck "the matter of the heart", as usual.
For many years I had the pleasure and the responsibility of teaching future teachers and librarians the genre of Literature for Children, pre-school-grade 3 and juvenile literature, both graduate and undergraduate courses. Based on that background, my adjudication of Miss Naomi's book is 5 star. First, the song itself is an established winner. The art work is the bold, graphic-type that children of that age group prefer. Studies have shown that to be so. The tape then presents Miss Wynonna and Miss Naomi doing what the world so loves. That, too, is a proven fact. Finally, the type font and size also meet the children's preferences. The studies have shown that as well. So, Miss Naomi has scored another winner. I bought it for my own grandchildren. Obviously, I like the book.

Drama Queens (AKA: The Judds)
Drama Queens!!! Wow!!! A fascinating story, but maybe more "story" than "truth", eh? In any case, a good read. Fast, compelling, and lively. A plot twist on every page. The television mini-series didn't live up to the book. Would have been better as a Big Screen Movie. Two thumbs up!!

BETTER THAN "MASTERPIECE THEATER"
After reading this book twice, what I have to offer is this: EVERY AUTOBIOGRAPHY IS A WORK OF FICTION, AND EVERY WORK OF FICTION IS AUTOBIOGRAPHICAL. Ditto for this book.

WoW!!!!
This book was one of the best books I have ever read. It was happy, sad, and surprising. I thought that maybe I wouldn't think Naomi and Wynonna were the best, but the effect was the opposite. I respect and believe The Judds are still the best. This book made me want to work even harder toward my dream, which is to sing. I would like to thank the Judds. Thanks. ... Read more

Amazon.com

The audio version of Even the Stars Look Lonesome, acollection of unabridged essays read by Maya Angelou, plays as if youare spending an evening with the author herself. You'll feel as if, bysome stroke of luck, Angelou had settled down for a pleasant chat overdinner and a glass of wine, telling stories about her family andsharing her powerfully stated opinions about the African Americanexperience, sex versus sensuality, and the ins and outs of growing old.Her reading is lively and intelligent, her words at once lyrical andpowerful, blurring the line between memoir and poetry. Don't besurprised if you find yourself repeatedly hitting rewind, just to savoragain Angelou's wonderful word play and mighty matriarch's voice.(Running Time: 90 minutes) ... Read more

Reviews (8)

Read this!
it talks about essays of aspects in life and what kind of journey that people are planning to have in their experiences and I think its a very interesting book
Best Book

the spoken truth
maya angelou's even the stars look lonesome is an outburst to the african american society. it gives so much hope. her words express a lyrical emotion. her usage of intelligent voice structure titilates the mind.

Even The Stars Look Lonesome
The deep and compelling thoughts of life and how to endear every emotion, experience, and disappointment that comes with growing older day by day, were wonderfully displayed in Maya Angelou's Even the Stars Look Lonesome. This book was an intelligent continuation of her best selling book Wouldn't Take Anything from my Journey Now. Taking life one day at a time, and learning from each experience is what this book is all about. The recreating of each memorable happening from love and intimacy to rage and violence, not discounting her remarkable outlook on age, fame, and perhaps the most impotent, the comfort and security you find in a home and a family. The experiences would relate more to elder women looking for advice and insight on common life issues.
In this novel, Maya Angelou has combined a wonderful collection of life experiences that have formed and made her the person she is today. Each chapter reflects an important stepping-stone of her life. The book consists of twenty chapters that are mumbled together and yet stayed in order of the way they took place.
The plot is always changing each chapter is like a different book. Towards the beginning of the novel, love and divorce where the experience of choice and she soon moves in to her times in Africa, and how challenging it is to be an African American Women earning her well deserved respect. Maya Angelou's novel also voices her opinion on age, denial, and anger to an older age group of African American women, using emotionally over powering stories. The chapters are short and moderately easy to get through, if you're good at combing facts and clues to complete the final picture.
Coming to a conclusion of the eye opening novel Even the Star Look Lonesome we feel as though the experiences displayed in this book would better relate to women between the ages of 20 and 80. The reason for that relation is due to the fact not many people have experienced the things talked about until theses ages have been reached. Also the group felt the book was directed towards African Americans and the troubles that race encounters.

Maya Angelou's Voice Is One To Be Embraced
When Maya Angelou was a young woman -- "in the crisp days of my youth," she says -- she carried with her a secret conviction that she wouldn't live past the age of 28. Raped by her mother's boyfriend at 8 and a mother herself since she graduated from high school, she supported herself and her son, Guy, through a series of careers and buoyed by an implacable ambition to escape what might have been a half-lived, ground-down life of poverty and despair. "For it is hateful to be young, bright, ambitious and poor," Angelou observes. "The added insult is to be aware of one's poverty." In "Even the Stars Look Lonesome," a collection of reflective autobiographical essays, Angelou gives no further explanation for her "profound belief" that she would die young.

"I was thirty-six before I realized that I had lived years beyond my deadline and needed to revise my thinking about an early death," she recalls. "With that realization life waxed sweeter. Old acquaintances became friendships, and new clever acquaintances showed themselves more interesting. Old loves burdened with memories of disappointments and betrayals packed up and left town, leaving no forwarding address, and new loves came calling."

Angelou, looking at tailights of her 20's, is the nearest thing America has to a sacred institution, a high priestess of culture and love in the tradition of such distaff luminaries (all of them, hitherto, white) as Isadora Duncan and Pearl S. Buck, with a bit of Eleanor Roosevelt and Aimée Semple MacPherson thrown into the mix.

"She was born poor and powerless in a land where/power is money and money is adored," the poet Angelou writes in tribute to another astonishing black woman of our time, Oprah Winfrey. "Born black in a land where might is white/and white is adored./Born female in a land where decisions are masculine/and masculinity controls." Angelou's lifelong effort to escape and expose the "national, racial and historical hallucinations" that have burdened black women in America and replace them with a shining exemplar of power, achievement and generosity of spirit is as miraculous as she says it is, even if one suspects that in "real life" Angelou must be a little hard to take.

"I would have my ears filled with the world's music," she writes, "the grunts of hewers of wood, the cackle of old folks sitting in the last sunlight and the whir of busy bees in the early morning ... All sounds of life and living, death and dying are welcome to my ears." At times Angelou seems more like a blast from Olympus than a woman of flesh and blood.

Reading these essays, I found myself longing somewhat guiltily for evidence of smallness on her part, of pettiness, even -- some sign that even an icon as monumental as she is might occasionally allow herself an irritated moment, a lapse into cynicism, or humor that wasn't so resolutely seasoned and wise.

On the other hand, smallness isn't what Maya Angelou stands for. Ordinary is not what she does. Only a cynic, a smaller mind than Angelou's, could fail to welcome the gifts she offers.

Awesome
What a Voice! What an inspiration, and great enunciation. The Lady is her usual awesome self in this wise and eloquent sharing of some of her more intimate life experiences. It's impossible to adequately praise Angelou's ability to speak to the heart and soul, whether through her written work or recorded truth. You'll listen to this over and over again, and will be renewed, and renewed. Enjoy! ... Read more

Book Description

In 1959, at the age of eleven, Michael Keith left a relatively stable life with his mother and sisters in Albany, New York, and surreptitiously set off for California with his irresponsible alcoholic father. For the rest of Michael's childhood, the two crisscrossed America, perpetually en route to someplace else. His memoir, told in the fresh, funny, world-wise voice of the young boy he once was, describes their bizarre encounters hitchhiking the nation's highways. In the rundown rooming houses and homeless missions where they hole up as Michael's father works odd jobs to make enough money for them to move on, or in the AA meetings they attend in every city for a decent doughnut, we glimpse a different America. Pushed onward by Michael's unceasing thirst for new adventures and his father's dreams of the next better place, the careworn twosome live far outside convention.

But despite their peculiar, often dysfunctional life, there is real love between this father and son, and they share the glorious freedom of the peripatetic life. That such happiness exists in a lonely marginal universe doesn't overshadow the fact that a Greyhound bus is the closest Michael comes to experiencing the idea of home. THE NEXT BETTER PLACE explores the fine line between wanderlust and compulsion, between running away and arriving, and leaves us with the understanding that the journey is often more powerful than the destination. ... Read more

Reviews (5)

A Triumph of Memory, a Tempest of Imagination
Smiling ghosts of Mark Twain and Jack Kerouac hover over many pages of Michael Keith's "The Next Better Place." This captivating book places Keith squarely in the same row with America's finest writers of the road adventure story. Which is to say that "The Next Better Place" is so much more than a memoir-cum-novel of a precocious son traversing America's great expanses with an ageing picaro of a father. Keith knows when to embroider his book's perfectly intoned dialogue, tremulous details, and charming teenage bravado with both lyrical pathos and hints at the perverse. The greatest American road novel, Vladimir Nabokov's "Lolita," also came to mind as I devoured Keith's book, and I can only hope that Keith will soon reward his readers with another one.

Sadly overlooked masterpiece
This is a gentle yet tightly written account, both more poetic and thoughtful than the okay but over-hyped Running With Scissors. Really amazing work coming from a writer who has apparently limited himself previously to technical books about the media .

the next better place
I ENJOYED THIS BOOK VERY MUCH,HOWEVER I'M A LITTLE CONFUSED ABOUT MR. KEITH'S DATES. HE SAYS THESE EVENTS TOOK PLACE IN 1959, WHEN HE WAS 11 YEARS OLD. HOWEVER ON THE "AUTHORS NOTE" PAGE IT GIVES HIS YEAR OF BIRTH AS 1945, WHICH WOULD HAVE MADE HIM 14 YEARS OLD AT THE TIME OF THESE EVENTS. ALSO HE MENTIONS SEVERAL TIMES THE SONG FROM THE MOVIE "THE MAGNIFICANT 7". HOWEVER THAT MOVIE WASNT RELEASED TILL THE EARLY 1960'S. NO BIG DEAL. JUST BAD PROOF READING BY THE PUBLISHERS.

Nostalgic review of a traveling boyhood
This delightfully written novelized memoir will hold your interest throughout. Now a professor of electronic media at Boston College, Keith takes us back to his boyhood and the always-on-the-road travels he shared with his well-meaning but ill-fated father who was always in quest of "the next better place" to find acceptance if not a viable livelihood.

Along the way we meet a perfectly amazing cornucopia of characters and places and situations all of which were more typical of a 1950's America before Interstate highways made everything the same. Keith's descriptions and characterizations are both visual and compelling showing that, though he was only briefly in formal schools, he surely learned a lot about life with this seemingly aimless bus and hitchhiker mode of travel.

Keith's tale combines a sometimes wistful tone with the insight that comes early when you are forced on your own resources for lack of much parental guidance. He has done well in recreating his thoughts and ideas in the context of a twelve-year-old amidst an adult world into which he is thrust all too quickly. The writing is compelling---you want to know what place is coming next, and what people he (and we) will meet along the way.

Recommended!

what a life . . . and then some!
I had a chance to see a preview copy of this wonderful book. Never read anything quite like it. The author writes with a unique poetic flare about his childhood, which at once is bend over funny and lump on the throat sad. In both cases it is a marvelous read. He strikes the perfect note in the portrayal of his rogue dad. What an outrageous character! This is a story that really sticks with you. I think it will achieve the stature of classic in the memoir category. Hope the author is writing a sequel. I'll be the first one in line to buy it. ... Read more

Book Description

Here is Picasso as never seen before- the indefatigable painter, the bohemian, the seducer, the father, and ultimately, the man sacrificed on the altar of his own contradictions. ... Read more

Reviews (7)

Bad Man Great Artist?
"Picasso" by Arianna Huffington is a very thorough book that can probably be skipped, except possibly by those with an intense interest in Picasso's personal life. For the rest of us it is sufficient to know that Picasso had no friends or family, just groupies (many of whom were family) throughout his life, and, to a person, he treated them despicably. For example, he usually had several women at a time who each worshiped him. He would play them off against each other, often openly and in public, seemingly in an attempt to provoke jealous rage, murder, depression, or suicide (he succeeded grandly at all except for murder, but his best friend took care of that one for him). He found ways to treat the male groupies with equal misery. But, soap operas should last thirty minutes at most. This book goes relentlessly on and on for 500 pages determined to prove that Picasso did not take one decent breath in his whole entire long life.At a certain point the reader begins to wonder that "thou dost protest too much." So then how did he come to be hailed as the genius of the 20th Century; as the man who showed us what our world really was or at least what it really looked like? The answer to this question is somewhat complex. The easiest part of it is that he was like a human camera. He could paint exactly what he saw as if he were a camera, and, he could paint any impression of what he saw, better than any human being alive. He was half way home on that talent alone, meaningless though it may have been. After all, if you can throw a ball better than anyone you are halfway home too. But Picasso's subject was, seemingly, important; one that intellectuals were interested in. Hence if he could capture their imaginations and somehow add their imprimatur to his painting talent the world would be at his feet, where he always felt it belonged.
Picasso hung out in Paris with many of the world's leading intellectuals. He even wrote a play called "Desire Caught By the Tail" directed by Albert Camus in which Jean Paul Sartre and Simone de Beauvoir acted. The play was about 10 pages long and nothing more than a series of bizarre scenes similar to what might have appeared in his painting. When Picasso commented about literature he said "it seems many writers want to be painters" apparently not knowing that the descriptions of visual objects in literature are often mere back drops for the infinitely larger conceptual themes with which language artists deal. He really didn't seem to understand that there was more in the world than pictures. His friend Sartre, a legitimate genius, set the record straight about the essential triviality of pictures in "What is Literature" when he said, "even when Picasso attempted to approach the real world with "Guernica" does anyone think he changed even a single mind with that painting"? And this was before the visual world was forever trivialized by, affordable travel, cameras, video cameras, TV, and film. We don't need a great painter anymore to create "The Last Supper" and by his choices tell us about the true nature of Jesus.
It did turn out though that the tyrannical and confused little painter did have something in common with the leading existentialist avant guard intellectuals of his day, namely, they all wanted us to see the world differently. The intellectuals because the world of physics had correctly foreshadowed today's confused world of string theory and because philosophy had foreshadowed the concomitant shift from the certain, well defined world of God to the confused existential world of man. Picasso too wanted us to see the world differently not because he was a physicist or philosopher but because 1) he was so hopelessly neurotic that he did see the world differently as any sick person does and 2) he realized he had to paint differently to develop a reputation as a different and great painter. The intellectuals were happy to use Picasso because his technically ingenious but neurotically confusing paintings did help loosen our grip on old realities. Picasso in turn was happy to use their imprimatur of change to normalize his neurosis and to falsely give philosophical meaning to his immense skill at meaningless painting. That he encouraged us toward misogyny and/or other of his gruel narcissistic indulgences did not matter; it was change, and that was what the intellectuals wanted most. The public really had no idea what was going on as Picasso's legend grew and grew to newer and newer heights of irrationality. Today, Picasso's reputation seems mostly in the hands of art owners, museums, and curators all of whom profit in Picasso's on going and growing legend. This summer's hugely successful Picasso/Matisse exhibit at MOMA , for example, drew 100s of thousands of adoring fans. Curators raved at the point, counter point genius of the two artists; everyone made money, had fun, and wished they too could free their troubled souls and enlighten the world by creating great art, but not a word was ever said about the emperor having no clothes.
Norman Mailer, who was taken seriously as the greatest living writer and thinker, is a great fan of Picasso and has written adoringly and extensively about him; so perhaps his view is worth comparing to Huffington's? He and Picasso had things in common: both were diminutive technical genius who gained public adoration and hugely deformed egos at a very early age. Mailer stabbed one of his early wives and clearly behaved a lot like Picasso, and perhaps for many of the same reasons, although he matured as he aged whereas Picasso did not. His portrait of Picasso as a young man tends to be purely forgiving. The idea that internal struggle, suffering, depression, angst, turmoil, and general soap opera leads to great, honest, revolutionary art apparently still lives in Mailer's soul. After all, what can an artist create if not the manifestation of tremendous inner turmoil and growth?
Mailer forgives Picasso for everything because it was all to produce "great art." Sadly, the idea that the traditional, formulaic, hypocritical, country club Republican mentality would be replaced by the existential soap opera playing out in the communist souls of Picasso, Mailer, and French intellectuals seems more a joke today than anything else. So in the end, Huffington is quite right about Picasso, although she doesn't address the meaning of Picasso's art at all, except in so far as she ruthlessly cuts his foundation away.

biased
this book is totally Anti-Picasso, she hardly touches his Art her only concern is ripping him apart.

The title should be: Picasso's sins against women.
I've read quite a bit on Picasso and I was quite aware of his abuses to his lovers and his friends. I also like Arianna Huffington. However, this book quickly degrades in what seems like a personal statement or act of retribution against Picasso. While the writing regarding his major works and career highlights is understated with light cast only on the negative aspects of each, his transgressions and shortcomings in both art and his social life are focused on far too much. The result is an unbalanced book that seems wholly predjudiced. One gets the overall feeling that Arianna was one of Picasso's spurned or mistreated lovers and is out for revenge. I prefer more evenly written objective material on historical characters rather then the polarized point of view offerred here. Overall, I would suggest something by John Richardson who I feel is better informed (via his personal relationship with Picasso) and able to cast objective light on one of mankind's great artists and characters.

A valuable book
The " modernism " Picasso launched was basically the conception of the artist's oeuvre as a diary, albeit he probably, along with most qf the art establishment, would be outraged by this point of view. That was his most significant first; his development of form, merely a bi - product of his auto - biographical method. This book enables us to see clearly the connection between the man and the works, instead of the usual european way of clouding the timid author's confusion about a complex artist with politically correct aestheticism. Whether Picasso's works are all, they're hyped up to be, when considered as individual paintings, is for the individual to decide; this book is about the man Picasso, his life, and as such most refreshing.

A legend deconstructed...
Picasso the legendary artist and symbol of the 20th century is systematically picked apart through interviews with those unfortunate enough to have known him. The sadism, brutality and cruelty juxtaposed with the artist of undeniable genius and creativity is a story of a man walking on the edge of insanity and insecurities throughout most of his life. The book is tedious in places with its highly detailed continued focus on all of the wronged lovers and abused friends, but it is after all a true story. The reader will often find him/herself simply outraged/shocked by Picasso's treatment of those who loved/cared for him and wonder why these intelligent and gifted beings would subject themselves to such horrible and continuing abuse. ... Read more

Book Description

In 1995, his fifth year in Russia as a foreign correspondent celebrated journalist Robert Haupt decided to take a boat trip down the Volga River to Astrakhan by the Caspian Sea. This journey forms the core of his book, which seamlessly interweaves strands of art literature, politics, history, economics and geography to capture a country and a people for which the author had an immense passion. ... Read more

Reviews (1)

An Outstanding Sail Through Russia
For those who worked or lived in Russia during the precarious times just before the dismantling of the Soviet Union and through the economic and lifestyle changes that followed, this book captures the experience of life in Russia.

Expatriots from around the world will marvel at how deftly he captures our own perceptions, but also the heart and sould of the Russian people.

Sure, the book is expensive, it's worth every penny. ... Read more

Reviews (1)

Comprehensive, sympathetic, authoritative.
This is the book that helped resurrect the reputation of one of the most tragic figures in English literature. When this book was originally published, Wilde was nowhere near the iconic figure he is now accepted as. Dying in poverty and disgrace in 1900 in Paris, (where all "bad" Englishmen went in the 19th century!) Wilde was still anathema to the "Establishment" for close to a half century afterward. Today, a bust stands in Westminster Abbey, and Hesketh Pearson's biography can claim a good measure of the credit for it. Comprehensive, detailed and sympathetic without being hagiographic, this book is essential to understanding the enigmatic genius of Oscar Wilde. ... Read more

Book Description

This is the first biography of one of Australia's best loved writers, author of some ten novels including the best-seller 'Careful, He Might Hear You'. This important work is based on Sharon Clarke's conversations with the author, and the privileged access she had to Elliott's papers and his wide circle of friends. ... Read more

Book Description

Homer Hickam won the praise of critics and the devotion of readers with his first two memoirs set in the hardscrabble mining town of Coalwood, West Virginia. The New York Times crowned his first book, the #1 national bestseller October Sky, “an eloquent evocation ... a thoroughly charming memoir.” And People called The Coalwood Way, Hickam’s follow-up to October Sky, “a heartwarmer ... truly beautiful and haunting.”

Now Homer Hickam continues his extraordinary story with Sky of Stone, dazzling us with exquisite storytelling as he takes us back to that remarkable small town we first came to know and love in October Sky.

In the summer of ‘61, Homer “Sonny” Hickam, a year of college behind him, was dreaming of sandy beaches and rocket ships. But before Sonny could reach the seaside fixer-upper where his mother was spending the summer, a telephone call sends him back to the place he thought he had escaped, the gritty coal-mining town of Coalwood, West Virginia.There, Sonny’s father, the mine’s superintendent, has been accused of negligence in a man’s death — and the townspeople are in conflict over the future of the town.

Sonny’s mother, Elsie, has commanded her son to spend the summer in Coalwood to support his father. But within hours, Sonny realizes two things: His father, always cool and distant with his second son, doesn’t want him there ... and his parents’ marriage has begun to unravel. For Sonny, so begins a summer of discovery — of love, betrayal, and most of all, of a brooding mystery that threatens to destroy his father and his town.

Cut off from his college funds by his father, Sonny finds himself doing the unimaginable: taking a job as a “track-laying man,” the toughest in the mine. Moving out to live among the miners, Sonny is soon dazzled by a beautiful older woman who wants to be the mine’s first female engineer.

And as the days of summer grow shorter, Sonny finds himself changing in surprising ways, taking the first real steps toward adulthood. But it’s a journey he can make only by peering into the mysterious heart of Coalwood itself, and most of all, by unraveling the story of a man’s death and a father’s secret.

In Sky of Stone, Homer Hickam looks down the corridors of his past with love, humor, and forgiveness, brilliantly evoking a close-knit community where everyone knows everything about each other’s lives — except the things that matter most.Sky of Stone is a memoir that reads like a novel, mesmerizing us with rich language, narrative drive, and sheer storytelling genius.
... Read more

Reviews (35)

Captivating
Sonny Hickam, the first year college man, returns home to a summer filled with mystery in his hometown of Coalwood. And our boy gains 20 lbs of muscle in the mines. But as in the other two stories about Coalwood, the center of attention is on his views of others in the town, the strong and capable and those who have suffered severely in the town's industry of mining coal. This is a moving story, seen thru the eyes of a bright 18 year old boy who is learning about life. Each Hickam book reveals more about Sonny's father; a special person who is easy to admire but not so easy to like. Sky of Stone is outstanding for adults, and a great book for young teens. I suggest Hickam books (Rocket Boys, Coalwood Way and now Sky of Stone) to all the undergraduates at my university. Exciting and poignant, with all of lifes secrets. Sky of Stone is a book you will re read time and again. And you may be enticed to visit the town where it all took place.

Sonny Does It Again!
Well, here I am again, writing another bleary-eyed rave review for one of Homer Hickam's fantastic books that I could not put down till the wee hours of the morning! This one almost surpasses the wonder I felt when I read ROCKET BOYS-- almost, but not quite--- hence four stars, instead of five! SKY OF STONE has different excellent qualities going for it--- one of which is a mystery, one that is well-constructed so that even the most avid mystery reader does not know what the real truth is until the very last moment. That is what kept me up all night-- I wanted to see how it ended! I love that the characters of Coalwood are once again painted against that familiar tapestry that was "ROCKET BOYS"--- I felt myself drawn into that place I have physically driven through so many times in my life (living only 20 minutes away from Coalwood), but only know personally through Sonny's books. I missed the Rocket Boys in this one, those comrades who shared so much in ROCKET BOYS and THE COALWOOD WAY. But the characters that were involved in the telling of this story had so many wonderful aspects to them that I found myself enthralled by their interactions with Sonny. Floretta was my favorite. I also loved how Elsie Hickam was the puppetmaster for this book, even though she was in her beloved Myrtle Beach for most of the book--- GIRL POWER!!! I cannot say enough about this book or the two that precede it, so I will just say this (in an unfair take on the film "Field of Dreams"), "Sonny Hickam, write them, and I will come!" Another well-written, awesome tale of life in the county I, too, call home!

I'm sure Mr Hickam was a great scientist, but....
just think how many more wonderful literary masterpieces we would have today if he'd focused on writing instead!

I picked this book up at the library after I happened upon some good reviews here. I must say, I am very much impressed with Homer Hickam. The writing is fluid and very well developed. The story is wholesome and reminiscent of simpler times, and the plot is superb.

I am definitely going to be reading more of Mr. Hickam's works, which, if you notice, all receive 4-5 stars here. America, I think the writing of Homer Hickam will continue to do us proud!

Coalwood's swan song
Through Homer Hickam's marvelous memoirs, readers have been transported to Coalwood, West Virginia, of the late 1950s - first in ROCKET BOYS (made into the film OCTOBER SKY), then THE COALWOOD WAY, and now SKY OF STONE.

It's the summer of 1961. After his freshman year at Virginia Polytechnic Institute, Homer wants to join his mother at her new house in Myrtle Beach, a coastal resort in South Carolina. But there's been a fatal accident back in the mine at Coalwood, and Homer's Dad, the mine superintendent, is under investigation by state and federal agencies. So, Mom tells Homer to go back home and keep his Dad company. And, as readers of the series know, Elsie Hickam is not one to trifle with.

SKY OF STONE is, I think, certainly superior to THE COALWOOD WAY, and perhaps even to ROCKET BOYS. It's in this third volume that Homer emerges from adolescence. He comes to grips with his parents' increasing estrangement from each other, his father's emotional distance, the loss of beloved pets, and the primacy of his older brother in his father's affections. Then there's Homer's first serious crush, the object being Rita, a junior mining engineer several years his senior. Finally, to pay off damage done to his father's Buick, Homer defies both parents, joins the United Mine Workers of America, moves out of the family home, and goes to work in the coal mine as a summer job. (SKY OF STONE refers to the ceiling of solid rock over the mine's tunnels.)

Homer's semi-dysfunctional family remains a source of reader sympathy. Over one weekend, young Hickam resides with the Likens family, the menfolk of which are going to improve their guest's softball skills. (Homer's been drafted by the union team that will play management on the Fourth of July.) At breakfast, Homer notices:

"(Mrs. Likens) smiled lovingly at her husband, and I thought again how much I envied her family. They all just seemed to like each other." The poignancy of this observation is heartbreaking.

Hickam self-deprecating humor makes him an eminently likable protagonist. He sets out to that July 4th showdown on the baseball diamond with the thought:

"... I had, in fact, only two hopes: one, that I wouldn't hit myself with the bat, and the other, that nobody would hit a ball in my direction." But, Homer rises to the occasion, much to the satisfaction of the reader.

Since, in the book's epilogue, Homer's narrative summarizes his life since that maturing summer of '61, I assume that SKY OF STONE is to be the last in the Coalwood series, which has been a genuine piece of true-life Americana. I shall miss it.

According to the author, Coalwood's mine has long since shut down, and the town itself barely exists as a place on the map anymore. However, there's a museum there dedicated to the town's mining heritage and the exploits of the Rocket Boys. Homer's books leave me wanting to travel across country to visit. Honor is due.

A budding Hickamite
It