Book Description

Take the Cannoli is a moving and wickedly funny collection of personal stories stretching across the immense landscape of the American scene. Vowell tackles subjects such as identity, politics, religion, art, and history with a biting humor. She searches the streets of Hoboken for traces of the town's favorite son, Frank Sinatra. She goes under cover of heavy makeup in an investigation of goth culture, blasts cannonballs into a hillside on a father-daughter outing, and maps her family's haunted history on a road trip down the Trail of Tears. Vowell has an irresistible voice -- caustic and sympathetic, insightful and double-edged -- that has attracted a loyal following for her magazine writing and radio monologues on This American Life. ... Read more

Reviews (64)

I LOVED THIS BOOK...
...but I will caution readers that they MIGHT find it more enjoyable to hear Consigliere Sarah Vowell read them herself. That's what I discovered. Don't get me wrong, this is a fantastic book start to finish; my favorite This American Life essayist covers a wide and diverse variety of topics, from the Trail of Tears to growing up a gunsmith's daughter to going Goth for a day. Every essay in this book was a delectable morsel of Sarah Vowell's acid, accurate wit. This wonderful piece of insight made me laugh, made me think, and most of all, made me understand why I should leave the gun and take the cannoli. Thank you, Sarah Vowell, for continuing to grace the world of popular culture with your fresh, cutting perspective.

Great, laugh-out-loud funny essays
This is my first experience with Sarah Vowell's work, having seen her on Letterman and Conan O'Brien, and I found it at a used book sale at the local library and decided to get it. I'm glad I did; this is one of the funniest collections of essays I've read in a while. Vowell's unique, almost Gen-X approach to life (though I hate to use the label "Gen-X", as that suggests someone much more mopey than Vowell really is). I'm perplexed by the reviews that cite this as being "boring" or "not funny", I suppose everyone's entitled to their opinion but I couldn't disagree more. Whether knock-down hilarious ("Take The Cannoli", "Shooting Dad", etc) or serious and well-thought historical and emotional ("What I See When I look at The Twenty-Dollar Bill", the Frank Sinatra-Hoboken essay), Vowell is excellent, and I look forward to reading more of her work. I highly recommend this to anyone who's looking for a good laugh, and hopefully I'll get a chance to hear her on NPR sometime. At any rate "Take the Cannoli" is a good primer for Vowell.

Partly cloudy patriot
Read everything Sarah Vowell writes but possibly read radio on after partly cloudy patriot and take the cannoli.

Fairly Decent
Take the Cannoli serves as a decent introduction to Sarah Vowell's writing, although it is not nearly as good as Partly Cloudy Patriot. The most appealing thing about her is the simple fact that one can disagree with her opinions without feeling argumentative. She has a way of presenting her opinions that does an excellent job of articulating why she feels the way she does without sounding like she is attacking any opposing opinion. Very civilized and enjoyable.

Like a lively conversation at a bistro
...and speaking of a bistro, her take on the hidden meaning of your morning mocha is laugh-out-loud funny. This collection of essays deals with her historical, political, religious, and cultural experiences - and who could be more fun to wade through that with than a cynical, lyrical gen-X commentator?!

This book has a little something for everyone. Well, O.K., probably not everyone. If you're a big fan of the Left Behind series, you might not like her take on premillenial dispensationalism. If you have little appreciation for Frank Sinatra, you may need to skip a couple of the essays. It reads like a lively road-trip passenger, full of random opinions and witticisms. Having heard her recently in a live reading, I think we would be well served by an audio version of this book. ... Read more

Book Description

"Well, this was when Bill was sighing a lot. He had decided that after our parents died he just didn't want any more fighting between what was left of us. He was twenty-four, Beth was twenty-three, I was twenty-one, Toph was eight, and all of us were so tried already, from that winter. So when something world come up, any little thing, some bill to pay or decision to make, he would just sigh, his eyes tired, his mouth in a sorry kind of smile. But Beth and I...Jesus, we were fighting with everyone, anyone, each other, with strangers at bars, anywhere -- we were angry people wanting to exact revenge. We came to California and we wanted everything, would take what was ours, anything within reach. And I decided that little Toph and I, he with his backward hat and long hair, living together in our little house in Berkeley, would be world-destroyers. We inherited each other and, we felt, a responsibility to reinvent everything, to scoff and re-create and drive fast while singing loudly and pounding the windows. It was a hopeless sort of exhilaration, a kind of arrogance born of fatalism, I guess, of the feeling that if you could lose a couple of parents in a month, then basically anything could happen, at any time -- all bullets bear your name, all cars are there to crush you, any balcony could give way; more disaster seemed only logical. And then, as in Dorothy's dream, all these people I grew up with were there, too, some of them orphans also, most but not all of us believing that what we had been given was extraordinary, that it was time to tear or break down, ruin, remake, take and devour. This was San Francisco, you know, and everyone had some dumb idea -- I mean, wicca? -- and no one there would tell you yours was doomed. Thus the public nudity, and this ridiculous magazine, and the Real World tryout, all this need, most of it disguised by sneering, but all driven by a hyper-awareness of this window, I guess, a few years when your muscles are taut, coiled up and vibrating. But what to do with the energy? I mean, when we drive, Toph and I, and we drive past people, standing on top of all these hills, part of me wants to stop the car and turn up the radio and have us all dance in formation, and part of me wants to run them all over." ... Read more

Reviews (741)

unstaggered
You've got to give Dave Eggers this, if nothing else, he knows how to market himself. First he wrote this memoir, loaded with irony to appeal to Gen-Xers, continually self-referential to appeal to postmodernists, and centered around his efforts to raise his little brother after their parents both died of cancer, a sure chick magnet. Then, having exposed most of his and his family members' lives to public view (at least in theory) he adopted a Pynchonesque/Sallingeresque reclusive pose, and feigned personal agony at having to discuss the book. All this while cashing in big time on the supposedly "tragic" events of his life. For these savvy ploys alone he deserves to be called a "staggering genius."

The book itself uses a host of postmodernist, ironical, satirical, etc., etc., etc...techniques, which are rather hackneyed and, given the ostensible topic of the book (his family tragedy), quite off-putting. A fairly representative passage comes when he's heaving his mother's ashes (or cremains) into Lake Michigan :

Oh this is so plain, disgraceful, pathetic--

Or beautiful and loving and glorious! Yes, beautiful and loving and glorious!

But even if so, even if this is right and beautiful, and she is tearing up while watching, so proud--like what she said to me when I carried her, when she had the nosebleed and I carried her and she said that she was proud of me, that she did not think I could do it, that I would be able to lift her, carry her to the car, and from the car into the hospital, those words run through my head every day, have run through every day since, she did not think I could do it but of course I did it. I knew I would do it, and I know this, I know what I am doing now, that I am doing something both beautiful but gruesome because I am destroying its beauty by knowing that it might be beautiful, know that if I know I am doing something beautiful, that it's no longer beautiful. I fear that even if it is beautiful in the abstract, that my doing it knowing that it's beautiful and worse, knowing that I will very soon be documenting it, that in my pocket is a tape recorder brought for just that purpose--that all this makes this act of potential beauty somehow gruesome. I am a monster. My poor mother. She would do this without the thinking, without the thinking about thinking--

Yeah sure, I get it, the way he's having this discussion shows that he understands what's going on, yadda, yadda, yadda... But unfortunately, the point he's making is more accurate than his style is clever. There simply is something gruesome about this kind of mannered irony and the way, throughout his life, that he seems to interpret his experiences through the filter of the book he plans to write.

At the point where every thought, emotion, and action in your life must be considered for how it will appear in print, you've become a fictional character rather than a real human being. And by creating so much distance between the character of Dave Eggers and the supposedly tragic events of his life, Eggers (the author) makes it really hard for the reader to care much. I finished the book unstaggered and heart unbroken, but grudgingly forced to admit that the literary world has a potential new genius, a writer with a genius for self promotion the likes of which we've not seen since Norman Mailer; and we all know how the Norman Mailer story has gone : badly.

GRADE : C-

Bitter, Sad, Self-Obessed, Humorous....but not quite genius
Frankly, I felt this was a heartbreaking work of staggering genius that sputtered and stopped just shy of greatness.

The first half of the book was brilliant. The middle was torturous. The end (being that it followed so closely after the agonizing middle) just didn't feel as captivating anymore.

I disagree, however, with the reviewer who criticized Eggers for not caring about his mother and sister. There is tenderness and profound sadness there, you just have to perceive it underneath the facade Eggers constructs.

His brutal portrayal of the death of a loved one and the complication of family relationships afterward is, perhaps, too much for some readers. I found it to be honest (probably the most honest aspect of the book).

That said, I recommend this book to those with an open mind, an appreciation for ironic humor, and a tolerance for an unconventional approach to writing. It was mad. It was refreshing. But it was just a little too unedited to live up to the title completely.

Lies, Lies, Lies, and more Lies
First off, the title is a lie.

The book is boring. The narrator does not care about the deaths of his parents nor the future death of his sister, so how is it heartbreaking?

Einstein was a genius. Shakespeare was a genius. Eggers is incapable of writing a book with a plot and characters.

Then, all the blurbs are lies, as they were all written my people on the McSweeney's payroll.

And then, all the insider tax and tuition snark-fests, held by pomo hipsters on college campuses are lies.

And then, all the creative-writing workshops which assign this book, as well as postmodern english classes which place it on the suggested reading lists are lies.

The sales numbers given by the corporate conglomerates are lies, aimed at bolstering their bottom line while Eggers aims to eradicate literature by spamming the bookstores with his crap, killing trees and displacing quality literature penned by indy presses.

Then, all the positive reviews here are lies, written by Eggers himself, as the New York Times reported.

A Heartwrenching Display of Staggering Hubris
There are so many other good books out there, why waste your time with this one? The title is lofty and ambitious and creates expectations for the reader that this work fails to realize (Of course, Dave, you did ask for it). No question to me that Eggers has potential to be a decent writer, but his smug (oh, but I try to be self-deprecating, and I almost mean it, too!), cooler-than-thou, "Are you in on the joke?" style gets in the way of what could have been, if not a work of staggering genius, a well-told coming-of-age story.

A Self-Indulgent Work of Staggering Verbosity
Have you ever had a friend who just couldn't stop talking about him or her self? They seem to have no other concern in life but to tell you how great, magnificent and important they are. It's as if they think they're the only ones who exist, or worse yet, matter. And after reading Dave Eggers' "A Heartbreaking Work of Staggering Genius", I couldn't help but feel that's exactly who I had been listening to.

Alright, perhaps I'm being a bit harsh. Eggers is a very talented writer, with enough quirkiness to fill an Olympic-sized swimming pool to brimming. The subject matter he attempts here is very "heartbreaking", and he manages to evoke strong emotions from his readers without becoming overtly sentimental. And in dealing with the tragic loss of two parents to cancer (in the same month), this would be easy to do. Eggers deftly keeps his memoir moving by utilizing humor, anger, and a jarring, schizophrenic leaping from story thread to story thread.

Eggers shows a clever and refreshing playfulness in his writing. Where else are you greeted with directions on how to read a book? Where else do you get the story notes "before" the story actually begins? The book is also filled with various other clever devices, such as diagrams which point out optimal areas on his kitchen's hardwood floor for sock-sliding, a chart which explains all of the symbolism in his book (for his less alert readers), and a number of formatting switches, such as to movie script format or interviews written in italics. Eggers has employed nearly every trick in the book to maintain his reader's attention.

The story, however, even as Eggers states in his "reading directions", is a bit uneven. The heart of the story, that of Eggers' coping with raising his young, orphaned eight-year-old brother, Toph, is rendered with tenderness and honesty. Simple acts such as throwing frisbee and sliding down a hardwood floor in one's socks take on a philosophic poignancy, and the remarkably realistic dialogue between the brothers is captivating.

However, true to his schizophrenic nature, Eggers is not content to merely talk of Toph. The middle of the book he fills with stories of his attempts to start up a (relatively pointless) satirical magazine, Might, and his attempt to get on MTV's even-more-pointless reality show, The Real World. These threads, while somewhat entertaining, tend to wear thin, especially when Eggers continually rants about how great and important he is. The worst part is a nearly fifty page "transcription" of his interview with the producers of The Real World to sell himself onto the show. Pages and pages of where he grew up, what his favorite food was, and why he is so gosh dang vibrant and beautiful and necessary to everyone on the planet. Energy is refreshing. But in Eggers case, it gets self-indulgent at times.

Still, there is something to be read here. The first 100 pages and the last 50 are fantastic, particularly his thoughts on his mother, and Eggers exuberance, as well as his ferocious anger, are marvelous to behold. Staggering? Yes. Masturbatory? Very. Genius? Not quite. Entertaining? You betcha'. ... Read more

Book Description

Beginning in 1956 with the publication of A Legacy, the highly acclaimed Sybille Bedford has narrated-in fiction and nonfiction-what has been by turns her sensuous, harrowing, altogether remarkable life. In this memoir, her first new book in over ten years, she provides the moving culmination to an epic personal story that takes readers from the Berlin of World War I, to the artists' set on the C™te d'Azur of the 1920s, through lovers, mentors, seducers, and friends, from genteel yet shabby poverty to settled comfort in London's West End. Whether evoking the simple sumptuousness of a home-cooked meal, or tracing the heartrending outline of an intimate betrayal, she offers both "a deliciously evoked return to worlds" (John Fowles), and spellbinding reflections on how history imprints itself on private lives. ... Read more

Book Description

Jenifer Estess is a woman on the verge: She's about to launch her own company; she's looking buff and dating vigorously; she's driving in the fast lane -- with the top down. At the age of thirty-five, Jenifer dreams of falling in love and starting a family. Then she notices muscle twitches in her legs. Walking down a city block feels exhausting. At first, doctors write off Jenifer's symptoms to stress, but she is quickly diagnosed with ALS, a fatal brain disease that is absolutely untreatable.

Max out your credit cards and see Paris, suggests one doctor. Instead of preparing to die, Jenifer gets busy. She dreams deeper, works harder, and loves endlessly. For Jenifer, being fatally ill is not about letting go. It's about holding on and reaching -- for family, friends, goals.

Jenifer's girlhood pact with her sisters Valerie and Meredith -- nothing will ever break us apart -- guides them as Jenifer faces down one of the most devastating illnesses known to humankind. That same enduring pact inspires the creation of Project A.L.S., a movement started by the sisters that changes the way science and medicine approach research for ALS and the related diseases Parkinson's and Alzheimer's, and which has already raised more than $18 million. Will Project A.L.S. help scientists discover medicine in time for her?

Jenifer answers these questions and others in this beautifully written and wholly inspiring memoir that celebrates a life fuelled by memory. Tales from the Bed forces us to reconsider society's notion of "having it all," and illustrates, more than anything, the importance of endurance, hope, and, most of all, love. ... Read more

Reviews (11)

I've found a new hero (or heroes)
I have seen the HBO documentary, "Three Sisters," with which this book is associated, and also read this book. Both were amazing and powerful, yet different. I walked away from the book, looking to do something more meaningful with my life, whereas the film was more educational as far as ALS is concerned.

The book kept me up, reading all night long, in a rush to continue with Jenifer on her journey to the end. When I read the final pages, I didn't want to close the book, in fear that the connection I established with Jenifer, Valerie and Meredith would disappear. The writing flowed like a familiar memory and the humor made me smile between the tears that dropped. I feel like I've known the Estess family for my entire life, even though I was introduced to them by mere text in the pages of the book. I recommend this book highly to everyone--not just those who have ALS or know someone with ALS. After all,like Jenifer, ALS could happen to anyone of us.

Powerful
This was such a great read that revealed a woman with a lot of class who even though she was dying inch by inch continued to live and fight for the hope of a cure for ALS. Through the writing you can feel her struggle, but her sense of humor comes through so just when you are about to cry over the inhumanity of the disease you crack a smile or even laugh out loud at something Jenifer said. The love she and her sisters had for one another and their determination to help Jenifer is awe inspiring. This book makes you forget about your troubles and makes you want to do something to find a cure for ALS. I'd recommend it for anyone who has a heart.

A moving story of courage
I picked up this book on the way home from a trip for some airplane reading and could not put it down. I was somewhat familiar with Jenifer's story from seeing her and her sisters on the Today Show and other news programs when they started Project ALS. But her courageous story of life and love and what it means to be family really touched my heart - and gave me some much needed perspective in my life. I highly recommend it!

Indomitable spirit an encouragement to all
I deeply admire Jenifer's courage and indomitable spirit. Her sisters' commitment to love, care, and find a cure is also very admirable.

My husband has ALS and I am very glad I read this book. I am challenged to love others more and do my best to make a positive difference in spite of daunting odds.

Wonderful summer read - inspiring and filled with love!
I just read Jenifer's wonderful memoir, TALES FROM THE BED and thought it was one of the most beautiful stories I've read in years. With all that was changing in Jenifer's life, she had her sisters and still had hope, and remained funny, heartwarming, and inspiring you can feel the love that she had for life pouring through the pages. I hope that you'll give yourself the gift of reading Jenifer's wonderful story and the legacy she left behind. ... Read more

Book Description

The epitome of grace, independence, and wit, Lauren Bacall continues to astound generations with her audacious spirit and on-screen excellence. Together with Humphrey Bogart she produced some of the most electric scenes in movie history, and their romance on and off screen made them Hollywood's most celebrated couple.

But when Bogart died of cancer in 1957, Bacall and their children had to take everything he had taught them and grow up fast. In a time of postwar communism, Hollywood blacklisting, and revolutionary politics, she mixed with the legends: Hemingway, the Oliviers, Katharine Hepburn, Bobby Kennedy, and Gregory Peck. She was engaged to Frank Sinatra and had a turbulent second marriage to Jason Robards. But Bacall never lost sight of the strength that made her a superstar, and she never lost sight of Bogie.

Now, on the silver anniversary of its original publication, Bacall brings her inspiring memoir up to date, chronicling the events of the past twenty-five years, including her recent films and Broadway runs, and her fond memories of many close lifelong friendships. As one of the greatest actresses of all time turns eighty, By Myself and Then Some reveals the legend in her own beautiful frank words -- encapsulating a story that even Hollywood would struggle to reproduce.

Reviews (14)

A Wonderful and Engaging Book
If you have read her first book you will probably be a bit disappointed since the present book has just 80 new pages added in a second section at the end, and there is a twenty year gap in her biography, between where the old story stops in the 70s and the addition begins in the 90s. The new part is mostly from the early 1990s through to her Oscar nomination, and then on to the Sept 11, 2001 attack and beyond to the end of 2004. It covers her more recent movies and TV appearances, and plays, including those movies with Nicole Kidman. For readers like myself - and I am a Bogart fan - and I have not read her old book, I found this to be a wonderful biography and I read it cover to cover over a two day period. The book transports the reader back to 1940s Hollywood with Spencer Tracy, Katherine Hepburn, Humphrey Bogart, James Cagney, and many more.

This is a fairly detailed look at the life of Bacall, but mainly about the years to 1957 and before, the year her first husband Humphrey Bogart died. My main complaint is that the book lacks structure, andinstead the 500 page book is one continuous story broken with the occasional short sentence inserted in heavy font to designate a change in the direction of the story, and that line can occur anywhere on a page. There are no chapters nor is there an index - just one break where the new 80 pages are added. The good news here is that this update book by Bacall is a a very well written, reader friendly, and an engaging book. Once you start to read it is almost impossible to put the book down, and I read the first half or over 300 pages almost non stop - to where Bogart dies.

She starts with her early childhood in New York city; she tells us her life story through high school, The American Academy of Dramatic Arts, modelling, then into small parts. She was star struck with visions of Bette Davis and others frorm a young age. The book describes a meeting bewteen the two in a New York hotel, where Bette Davis advised Bacall and her friend on how to become an actress. After some struggles, and by page 80 in this 500 page book, the ambitious Bacall makes a breakthrough when she appears on Harper's Bazaar cover in March 1943. Next she leads us through seemingly hour by hour for her first days in Hollywood at Warners, her screen test, the long wait and then her first film with Bogart, their relationship, threats from the director Hawks who had been supporting her but who opposed the Bogart relationship, Bogart's love letters, etc. They had an intense romance punctuated by Bacall making a middle of the night drive down highway 101- somewhat dramatically in the rain like a Bogart film -looking for a perhaps slightly drunk Bogart - who had phoned her in the middle of the night - and who was walking on foot with a large sunflower in his lapel - while her mother sat at home and was horrified that her daughter was going out with a three times married and 25 years older man.

The book seems to slow in tempo after Bogart's death and her affair with Sinatra - around pages 320 or so - and my only negative feeling about the book is the Sinatra section - about 20 pages long - where one is certain that she is skipping much detail. The last part of the book, the last 150 pages, leads us though her second marriage to Robarts - a mostly dismal and uninteresting period in her life - followed by the death of her mother, and then the rest of her career and awards, and her friends and family. In the last few pages she spills over with opinions about living in New york city, travelling outside the US with a US passport, and a number of other topics including her relationship and admiration of the late Katherine Hepburn.

After her second marriage failed, and her mother's death, and with "Mrs. Bogart" still being part of her core identity, Bacall was able to start a new life and made a comeback on her own in TV, movies, and live theatre. To her credit, the mature Lauren Bacall seems to have had great success in live theatre and on Broadway, and done it mostly on her own. She worked around the country in smaller theatres then in New York. She got a Tony for Applause and in a moment of poetic closure, Bette Davis, the star that Bacall had schemed to see in a hotel 30 years earlier (see above), came backstage and praised her for her performance in Applause, and told her that only she could do the part.

After her comeback she has appeared in a number of films and has reached a total of 50, but never again enjoying the same level of success and popularity as her early 4 Bogart films. But she continues to work into her seventies and is still sought for parts, especially mother roles, and came close to duplicating her old successes with a recent Oscar nomination late in her career. With her success she continues to live in New York overlooking west central park, her home town where she grew up and went to school.

All in all a great biography -5 stars.

Same book, with brief epilogue
BY MYSELF--excellent, heartfelt autobiography.

UPDATE--reads something like this."The next one to die was Adios Hartley.We had enjoyed many wonderful luncheons together over the years and he was my escort to the Golden Globes in 1987.I will miss him terribly."

"Then the next one to die was Beau Bye.He was a delightful person that I got to know well on the set of Uptown Downtown.Such a raconteur!"

and on, and on, and on....

Reads almost like a Roll of the Dead Christmas Letter.

I was disappointed
I har already read the first book by myself.This is a wonderful book.The rest is just not worth reading.

"Loved It"
BY MYSELF AND THEN SOME by Lauren Bacall is anything but boring. What a woman!

I admire Ms. Bacall for many, many reasons, a few reasons...her savvy way of doing things...her spunk... and her own unique style.I, for one, am thrilled she chose to share some of herself with us (her many fans), in this fantastic book.

No-matter what her real age today, I think she is STILL beautiful both inside and out.

Ms. Bacall, you go girl!

(Recommended Reading!)

Loved By Myself.Looking Forward to Reading This One
I have not actually read this follow-up book yet, but am looking forward to in the near future.I am currently re-reading By Myself.I read one of the reviews below, and felt I really have to answer it.Lauren Bacall is in no way ripping off or cheating her readers.Instead, what she has done is a marvelous thing.By Myself was first written 25 years ago.It is a wonderful book.Since then, a whole generation of people has grown up not knowing about this book.She has simply presented it again along with an update so those of us who weren't around the first time can enjoy it, and those of us who read the first book can enjoy it again along with a nice companion update.I just love and admire Lauren Bacall.She really is class all the way. ... Read more

Book Description

In Don’t Let’s Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with candor and sensitivity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller’s endearing ability to find laughter, even when there is little to celebrate. Fuller’s debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. ... Read more

Reviews (106)

Brilliant, funny insight into post-colonial Africa
What makes this book worth reading -- aside from a captivating style and humorous content -- is precisely what separates it from other excellent books about similar subject matter (Godwin's Mukiwa, Dangarembga's Nervous Conditions): the fact that Fuller makes no attempt to analyze, excuse, or explain the racism and insanity of her family history. Rather than rationalizing her parents' racist attitudes, Fuller chooses instead to simply describe in her wry, matter-of-fact voice precisely how the end of the colonial era was experienced by people implicated in it. She does not try to gloss her childhood experiences with politically correct hindsight, and in so doing thrusts the reader into the desperation and the joy of rural African life in the last three decades. Bobo's mother is one of the most memorable and remarkable personalities I've encountered in African literature. The book is worth reading entirely for its hysterical concluding scenes. Fuller's characters are real and human, in all their extraordinary bizarreness!

Having spent many an hour, like Bobo Fuller, poking grass into ant-lion holes in the hot dusty veld, this moving story captivated me and painted a moving portrait of people fighting the cruelty of the African landscape. Myth and reality are intertwined in a witty and beautiful story. Everyone should read this book!

A different perspective
It was interesting to read a book about life in Africa, from the perspective of a white woman brought up in a family who clung fiercely to the notion of white supremacy with every last bit of their strength. I disagree with a previous reviewer, however, who seemed to excuse the racism of the Fuller parents by implying that the historic and political situation they were in "made" them that way. Racism is racism, no matter what the circumstance.

Despite the attitudes of the Fuller parents, their daughter Bobo has documented a well-written account of their life in various African countries, and provides vivid details about the smells, sights, and emotions that the continent evokes for her. Her writing really gives the reader a sense of both the incredible harshness and danger(poisonous snakes, itchy vegetation, scary militaristic governments, etc) of Africa, but also its gentleness and great beauty.

Although I think Alexandra Fuller writes very well, and I appreciate her honest writing about her parents' behavior and attitudes, I couldn't warm to the family. Despite their numerous trajedies and troubles, I found it difficult to feel sympathetic. In contrast, when I read "The Flame Trees of Thika", another memoir of an African childhood by another white woman, Elspeth Huxley, I rooted for her colonial, turn-of-the-century, white-is-right parents, Robin and Tilly, through all their successes and setbacks. They held the same attitude of racial superiority as the Fullers, yet there is something intrinsically more likeable about how they handled themselves on a continent where they were the minority race, political upheaval or no. After reading Fuller's memoir, it was a relief to pick up "Nervous Conditions" by black female Zimbabwean Tsitsi Dangarembga, and read about three-dimensional black Africans. Her book is set in 1960s Rhodesia, for those interested (A. Fuller recommends it herself in the Afterword section of her memoir). Despite my personal reaction to this book, I recommend it to anyone interested in African writing, because I think that Alexandra Fuller's perspective is just as important and valid as that of any other African writer.

Bravo
A wonderful insight into the mind of a child and a precise memoir of life itself. Life isn't straightforward and simple, yet we survive, thrive and love, even in the most difficult situations. Ms. Fuller: You said it all and you said it well.

Just meanders . . .
I read this book for my book club. It just seemed to meander through her childhood, no real plot or climax. Yes, this girl definitely had a different type of childhood, but what makes it that interesting or significant?????

A very different childhood
Don't Let's Go to the Dogs Tonight by Alexandra Fuller is an extraordinary memoir of growing up white in war ravaged Africa. Alexandra, called Bobo by her family, was born in 1969 in England. Her parents moved the family to Rhodesia (now Zimbabwe) in 1972. Always suffering from "bad, bad luck", which included losing three children, the family moves from farm to farm within Rhodesia and Malawi.

Fuller's writing style is rich, lyrical and many times, funny. I could picture the land, feel the heat and smell the smoking fish that embodies the Africa she describes. I found myself laughing even as I was shaking my head in disbelief at some of the choices her parents made. Bobo's mother, Nicola Fuller, is racist, resilient, strong and mad as a hatter. In other words, she's the most memorable character in the book.

Of course, to Fuller all of this stress and strife was, while not exactly normal, expected. She was a child, after all, and it's all she'd ever known. As I was reading, I couldn't help but think that American kids really have no idea how hard their life could be.

Overall a captivating read. It left me reminiscing about my childhood and reflecting on how simple and uncomplicated (read boring) it was. ... Read more

Amazon.com

Karen Armstrong speaks to the troubling years following her decision to leave the life of a Roman Catholic nun and join the secular world in 1969. What makes this memoir especially fascinating is that Armstrong already wrote about this era once---only it was a disastrous book. It was too soon for her to understand how these dark, struggling years influenced her spiritual development, and she was too immature to protect herself from being be bullied by the publishing world. As a result, she agreed to portray herself only in as "positive and lively a light as possible"---a mandate that gave her permission to deny the truth of her pain and falsify her inner experience. The inspiration for this new approach comes from T. S. Eliot's Ash Wednesday, a series of six poems that speak to the process of spiritual recovery. Eliot metaphorically climbs a spiral staircase in these poems---turning again and again to what he does not want to see as he slowly makes progress toward the light. In revisiting her spiral climb out of her dark night of the soul, Armstrong gives readers a stunningly poignant account about the nature of spiritual growth. Upon leaving the convent, Armstrong grapples with the grief of her abandoned path and the uncertainty of her place in the world. On top of this angst, Armstrong spent years suffering from undiagnosed temporal lobe epilepsy, causing her to have frequent blackout lapses in memory and disturbing hallucinations---crippling symptoms that her psychiatrist adamantly attributed to Armstrong's denial of her femininity and sexuality. The details of this narrative may be specific to Armstrong's life, but the meanin! g she makes of her spiral ascent makes this a universally relevant story. All readers can glean inspiration from her insights into the nature of surrender and the possibilities of finding solace in the absence of hope. Armstrong shows us why spiritual wisdom is often a seasoned gift---no matter how much we strive for understanding, we can't force profound insights to occur simply because our publisher is waiting for them. With her elegant, humble and brave voice, she inspires readers to willingly turn our attention toward our false identities and vigilantly defended beliefs in order to better see the truth and vulnerability of our existence. Herein lies the staircase we can climb to enlightenment. --Gail Hudson ... Read more

Reviews (50)

Sprial Staircase
Suberb book!Should be REQUIRED reading for every person who is seeking a more spiritual life.

A bit tedious
I really enjoyed the early chapters of this book.The author's experiences as a young nun and her subsequent disillusionment with convent life make for fascinating reading.The years of struggling with an at-the-time undiagnosed illness also is of interest.Apart from the above, however, her story is one ofquite an ordinary life - perhaps even more inhibited and uneventful than most. Her story bogs down in the descriptions of her academic life and her living situations. Yes, she struggled with her faith - but who hasn't? She spends a great deal of time discovering things about life that would seem fairly obvious to others.At times her story was rather slow-moving, self-absorbed and even tedious.Did it inspire me?Only a little.Would I go on to read any other of this author's books? I doubt it. I could barely finish this one.

Stunning story of a spiritual quest
Karen Armstrong is one of the best general interest writers on religion today, and this wonderful autobiography relates how she got there. Armstrong was a Catholic nun in the 60's, during a time of great upheaval in the church. After a 7 year struggle to subdue her intelligent, inquisitive spirit, described in "Through the Narrow Gate," she left the convent, and the struggle really began. Armstrong describes herself as caught in between, in a sort of no-man's land, having lost the vision of God she pursued for so long, but ill at ease in the secular world. She also suffers from deep depression, loss of memory, and hallucinations, which years of psychiatric treatment fail to cure. It is a measure of her misery during this period that a diagnosis of epilepsy is a liberating turning point for her.

Armstrong's long and tortuous path towards a life as an author includes a failed doctoral thesis, being fired from a teaching job, and a failed TV project on the Crusades. But "Through the Narrow Gate" was a surprising success, and "The History of God" established her as a popular (meaning non-scholarly, but serious) writer on Christianity, Judiasm and Islam.

As honest as Armstrong's account of her struggle is, it's not all here. She dismisses her apparently limited experience with men in a terse paragraph, viewing any such involvement as a loss of freedom. And her view of Christianity is, perhaps understandably, quite negative, her view of Islam perhaps overly positive, as she downplays the fanatical, "jihad" aspects that have marred Islam in modern times.

Armstrong's story is an important one, spanning four turbulent decades in the history of modern religion. Read "Through the Narrow Gate" first, then "Staircase." They're well-worth your time.

A Happy Discovery
I came across this title in a women's magazine book review section.Something about the synopsis intrigued me, and I bought a copy.I was so impressed by Ms Armstrong's writing style, use of language, and her compelling honesty in describing her experiences that I read the book in less than a week.She has a luminous clarity of mind that drew me into the nightmarish world of the convent and on to her self-searching quest for identity and scholarship.Hers is a story of survival and transcendence.I look forward to reading her books on Islam and Buddha, among others.She also has an essay in the April 2005 issue of Utne magazine, warning that "misbegotten U.S. foreign policy is pushing Islamic fundamentalists closer and closer to the use of weapons of mass destruction."She's a brilliant woman, a gifted writer, and I highly recommend this memoir.

For more about temporal lobe epilepsy and religiosity...
This fascinating autobiography describes Karen Armstrong's diagnosis with temporal lobe epilepsy, a little-known but common brain disorder often associated with intense religious feelings and prodigious creativity. To learn more about this remarkable disorder and its appearance in the painter Vincent van Gogh and the writers Fyodor Dostoevsky and Lewis Carroll, go to Eve LaPlante's 1993 book, Seized, available in paperback. ... Read more

Book Description

Dear Readers,

I will never forget the morning that Meinhardt Raabe’s agent called me and insisted on stopping by my office that very same day. "I’ve got a Wizard of Oz project that you have to see to believe." From the moment I looked at Mr.Raabe’s charming memoir and his remarkable collection of Oz memorabilia, Iknew this would be a book unlike any that I have published.

Memories of A Munchkin, written by Meinhardt Raabe with Daniel Kinske, almost feels like three books in one.

Part one is a memoir by Raabe who stepped into film history at the age of 23 when he played the Munchkin coroner in THE WIZARD OF OZ. It’s a charming and inspiring story that begins on a dairy farm in Wisconsin, moves to hisappearance in a special "Midget Village" exhibit at the 1934 World's Fair and on to Hollywood. Through an agent, Raabe was cast in THE WIZARD OF OZ and much of the memoir is devoted to his account of working on the most beloved film of all time - enduring tough auditions, watching as the glorious Munchkinland set was built, putting up with long days of rehearsal, being costumed by legendary MGM designer Adrian, hob-nobbing on the set with the stars, witnessing various mishaps during filming, being visited on the set by curious Hollywood royalty such as Spencer Tracy and Clark Gable, and much more. Here, too, is Raabe's life after THE WIZARD OF OZ: His career as an accomplished pilot with the Civil Air Patrol during World War II; more than 30 years as "Little Oscar," spokesman for the Oscar Mayer ompany; his charity work and his role as advocate and kindred spirit to Little People everywhere. Mr. Raabe’s memoir is lavishly illustrated with the most incredible material such as!blueprints of the Munchkinland set, Adrian’s costume sketches, MGM’s original Oz matte paintings, and many rare, behind-the-scenes photos from director Victor Fleming’s personal scrapbook.

Part two of the book is the most complete collection of OZ movie posters and lobby cards ever published. Included are a beautiful watercolor painted by the legendary Al Hirschfeld, and the jumbo window card that was originallydisplayed in Mr. Raabe’s hometown theater of Watertown, WI!

Part three is a collection of specially commissioned Oz art from some of the world’s best-known and best-loved illustrators – people like Al Hirschfeld, Frank Frazetta, Mort Drucker, Jack Davis and Frank Kelly Freas. I especially like Ron Dias’ painting of what he imagines the interior of a Munchkin house would look like, and Philo Barnhart’s piece that combines the main characters of Oz with those of Snow White. Duck Edwing’s piece, Hearse of aDifferent Color, could not be more colorful or more charming. And you won’t believe all the detail – and clever humor – in Tom Bunk’s piece depicting the Kansas tornado at the beginning of THE WIZARD OF OZ.

Put it all together and you have a treasure trove of Oz stories and memorabilia. No fan of this beloved Hollywood classic will want to be without Memories of A Munchkin.

Mark Glubke Senior Editor Back Stage Books ... Read more

Reviews (1)

Really Most Sincerly .... Wonderful!
This book is a must have for any die hard(like me) fan of the 1939 film THE WIZARD OF OZ. It is brimming with never before seen pictures of the movie set, munchkins, scene direction...not to mention other movie stars of the day & lots of Judy Garland!
Meinhardt's story is both intersting & compelling, he's a sweetheart!
Don't miss out...buy this book TODAY! ... Read more

Book Description

Charles Seife traces the origins and colorful history of the number zero from Aristotle to superstring theory by way of Pythagoras, the Kabbalists, and Einstein. Weaving together ancient dramas and state-of-the-art science, Zero is a concise tour of a universe of ideas bound up in the simple notion of nothingness. ... Read more

Reviews (82)

A good summary
Despite the abstract nature of it's subject matter, this book is a surprisingly breezy and informative read about the history of zero and it's value in the mathematics (and scientific) revolutions of the 1600s and still today. It's part history, part math primer, and part practical guide, with the later chapters focussing on how the zero is used in physics and astronomy.

Seiff has an engaging style and he doesn't talk down or talk above the reader. Although Seiff obviously is an expert in difficult math, he doesn't overwhelm you with equations or get too abstract. Even sections on trig and calculus are written in everyday language that you can easily follow. The book does begin to trail off at Chapter 7-8, from here much of the book seems like filler. I preferred "The Nothing That Is" (also about the zero number) a little because I was more interested in the history and that book covers it more, but Seiff still does a fine job here with history of zero, and his book is probably more useful for students trying to know how to use the zero and it's concepts for their math classes, especially figuring out the limit and other calculations.

A very engaging, interesting, and enlightening read
The title of this book is "Zero: the Biography of a Dangerous Idea." Certainly, what Charles Seife wrote does not disappoint: it IS a biography of zero. It starts from its conception in early history, and progresses to outline its development in history through the branches of mathematics, physics, art, and even philosophy. A previous reader was disappointed that the book took time to focus on physics and philosophy, but keep in mind that zero is not limited only to the mathematical realm. Indeed, it is pervasive in society, and it has affected the way we view the world. So to talk about zero yet disregard its important contributions to fields other than mathematics would be a travesty.

Seife's book is a very engaging and enlightening read. Seife looks at how zero has become: the foundation for calculus (taking limits to zero), a revolutionary idea in art (3d drawings have a point of infinity to give depth perception...and infinity and zero are just different sides of the same coin), an important concept of the numberline, and many other places. Indeed, I have read this book many times, sometimes for a quick browse and sometimes for an indepth read, and it has always been a pleasure to read.

Moreover, Seife is very knowledgeable in what he writes, and he brings a sense of humor as well--if you have ever read his article about the debate on cold fusion in 'Science' or 'Scientific American' (it was one or the other, its been a while since that article was published in the early 90s I believe) you'll see his sense of humor in his concluding paragraph (cold fusion or confusion anyone?).

And in response to another review earlier, the reader said that in the appendix there was a proof where a=1 and b=1, and from the equation a^2 - b^2 = a^2 - ab it can be found that 1=0 by factoring the difference of squares and dividing by (a-b). The reader commented that this is dividing by 0, that such an operation violates a fundamental law of algebra (cannot divide by zero), and that an editor should have caught it.

The point is that Seife is showing WHY you cannot divide by 0, that the result is 1=0 and that logic and mathematics would be invalid. He is showing why zero may be a 'dangerous idea'!

In conclusion, this book is superb in its writing and content. It lives up to what it was meant to do, to show the development of zero through history. It is clear, concise, and witty. You will not be disappointed.

Zero is fundamental
Entertaining book for students of philosophy, historians, and math neophytes, but Seife's simple-minded application of the principle of the conservation of energy to the quantum electrodynamic sea of spacetimemassenergy, i.e. the "zero point field," among other things, reveals him to be among the least imaginitive of physicists. His dismissive proposition that "nothing can come from nothing," overlooks the very simple fact that the QED sea of energy is hardly "nothing," otherwise there would be no such thing as Brownian motion or the Casimir Effect, not to mention the space, time, mass, and energy of our universe. Hal Puthoff claims that a cupful of this so called "vacuum energy" could boil away the oceans of our planet. (The most intriguing concept of "zero" is that promulageted by today's heretics such as Tom Bearden.) Presumably, however, Seife's math and philosophical history of zero is accurate. Before reading this book, this reader had known very little of it, and it was this part that he found quite enjoyable.

Jumbled mess of ideas
This is a mildly interesting and entertaining book about history of zero that unfortunately tries to be too cute with its style and to pull in so many unrelated ideas, it loses focus as you turn the pages. When "Zero" stays on topic it's OK. Seife has a pretty good grounding in most of the history, and it was facsinating to read about how the number was used for such simple purpose for Babylonians but became so important for abstract number systems later.

Middle section of the book deals with zero in calculus, useful for any student toughing it out thru intro calc. But Seife gets too drawn in to all the goofy philosophical wanderings you can make about zero, he goes off on way too many tangents that don't make sense. Yes, you can't divide 1 by 0 and the number has a special role in most operations, but how do these properties threaten to bring down the whole framework of math (to paraphrase)? There's all kinds of talk about how zero and infinity are just two sides of the same coin-- why? The author tries to sound like a sage but doesn't make much sense with the claims on these pages.

Whole thing comes apart in the last couple of chapters on physics, cosmology, and applied math which are slim on facts and chock-full of flowery language about how important zero is but where the author really doesn't back his claims. In fact, as the book goes on it seems to make less sense, as though it doesn't quite know what it's supposed to be saying as it moves farther afield from history and calculus. Why are these later chapters even here? They don't add anything and detract from the book's overall value.

Zero is not just a number, its a way of life
A very interesting book. The Author shows how mindsets, philosophies and cultures had to change to enable the Zero to be accepted. The West overlooked then resisted the idea of zero.
When the zero idea took hold and was finally accepted it affected everything from Aristoteloism, to commerce, to Art. Even the biblical creation stories took on a different light.
Art in the West during the Renaissance gained a major improvement
as the sense of perspective was developed. This vanishing point within a painting is the equivalnt of the introduction of Zero into the art world .
I would read other books by this author, interesting history, The book moves right along, I like the Author's style, plenty of background, but always stayed the coure. I believe an audio book
is probably not the correct format for this information. I would have liked to have seen the test portraying some of the
equtions. ... Read more

Book Description

From the award-winning screenwriter and director -- a collection of irreverent and hilarious rants on the absurdity of just about everything.

In 1994, Kevin Smith debuted his low-budget film Clerks at the Sundance Film Festival. It became an instant cult classic and made Smith the top dog of the indie film world. Next he was an executive producer of the smash hit Good Will Hunting and quickly earned the title "King of Gen X Cinema" from Time magazine. He appeared on Charlie Rose, Politically Incorrect, Late Night with Conan O’Brien, and currently holds a regular spot on The Tonight Show with Jay Leno hosting a segment entitled "Roadside Attractions." Fans of his films will instantly recognize Smith as Silent Bob -- the character with no lines. And last year Smith began writing a hilarious monthly column covering popular culture for Arena magazine.

In this side-splitting rant-fest, Kevin Smith waxes rhapsodic and obnoxious on everything from his platonic infatuation with Ben Affleck to his bloodcurdling hatred of Britney Spears, from his shocking diagnosis with morbid obesity to the fatal flaws of SpiderMan -- all done in his inimitable, raunchy style.

Silent Bob Speaks interweaves the best of the Arena columns with a new introduction by the author to produce Smith’s first collection of bawdy, over-the-top essays, guaranteed to make his legions of fans choke on their Cheerios. ... Read more

Reviews (3)

Enjoyable read, worth picking up.
Kevin is the type of guy you'd love to hang with. Intelligent, witty, has a wonderful way with the english language, colorful phrasing and all.

If you're not really into Kevin, his films, or the whole View Askew thing this isn't really the best place to start. This is however a nice collection containing previously published material from magazines and the web. Perfect for me since I'm not a magazine person and don't really read the web stuff regularly.

I am however a total "movie snob" and appreciate the anecdotes, opinions, truths and obvious biased views spewed into the ether by this dude. It is very interesting for example reading some of these essays years after movies being discussed have been released (and in some cases tanking at the box office). His interview with Cruise was a pleasure to read and made me want to take a second look at some of the projects T.C. has done recently, while he openly gushes (and of course is hard for) Affleck. Again, this ends up being a very revealing read especially after the Bennifer debacle.

While I will always disagree with Kevin about the Star Wars prequels (dude, they're self indulgent pieces of poopie), Rats was the bomb yo!

Pick up the book, 4 out of 5 from the Canadian judge!

Like his movies, mostly hits and few bad jokes...
This not a serious book and Smith himself makes no bones about that.It is filled with the same kind lol jokes that his films are--some dumb--but mostly hilarious.The pieces cover much of his career the last 8 years or so.They are from various sources.With the except of his piece defending Star Wars and his final piece on ComicCon, the book is a great look at Smith.I happen to be big fan of all of his work (even liked Jersey Girl) and the man himself.He is humble, self-effacing, and just damned happy to be where he is.His take on Cruise and Affleck is rare in this media age--he loves these guys and tells us why.He is still a fan.He is also a husband and a father--some of the best stuff in here is about that.And, his essay on New Jersey and his friend Walt was just awesome.No need to nitpick over the few things don't work--the book is great for any big KS fan.Even one like me, who doesn't read comics.

Don't read this review - just buy the book!
It's a quick read, primarily made up of articles that Kevin wrote for Arena magazine.Definitely worth the $10 Amazon's charging for it. The bit where Kevin interviews Tom Cruise is one of my favorites. Pretty funny stuff - caught my self laughing out loud at just about every story.Oh man, when Ben is telling Kevin's daughter that he's her real father..... ... Read more

Book Description

Jean Shepherd (1921-1999), master humorist, is best known for his creation A Christmas Story, the popular movie about the child who wants a BB gun for Christmas and nearly shoots his eye out. What else did Shepherd do? He is considered by many to be the Mark Twain and James Thurber of his day. For many thousands of fans, for decades, "Shep" talked on the radio late at night, keeping them up way past their bedtimes. He entertained without a script, improvising like a jazz musician, on any and every subject you can imagine. He invented and remains the master of talk radio. Shepherd perpetrated one of the great literary hoaxes of all time, promoting a nonexistent book and author, and then brought the book into existence. He wrote 23 short stories for Playboy, four times winning their humor of the year award, and also interviewed The Beatles for the magazine. He authored several popular books of humor and satire, created several television series and acted in several plays. He is the model for the character played by Jason Robards in the play and movie A Thousand Clowns, as well as the inspiration for the Shel Silverstein song made famous by Johnny Cash, "A Boy Named Sue." Readers will learn the significance of innumerable Shepherd words and phrases, such as "Excelsior, you fathead," and observe his constant confrontations with the America he loved. They will get to know and understand this multitalented genius by peeking behind the wall he built for himself - a wall to hide a different and less agreeable persona. Through interviews with his friends, co-workers and creative associates, such as musician David Amram, cartoonist and playwright Jules Feiffer, publisher and broadcaster Paul Krassner, and author Norman Mailer, the book explains a complex and unique genius of our time. "Shepherd pretty much invented talk radio ... What I got of him was a wonder at the world one man could create. I am as awed now by his achievement as I was then." - Richard Corliss, Time magazine online ... Read more

Reviews (14)

A wonderful mix
What a wonderful mix of in-depth information about both Jean Shepherd's body of work (which to me seems timeless) and revealing interviews that draw Shepherd's enigmatic life and humanity into sharper focus.Bergmann does a fine job of explaining why Shep's fans are so loyal; what were Shep's best contributions to radio, TV, film, literature, and stage; and does this while making us aware of Shep's enigmatic less-than-perfect personal life.This latter subject, however, does not detract from portraying the man as an overall likeable character or significant artist.A great read for anyone, whether familiar with Jean Shepherd's work or not.Thank you Eugene Bergmann!

Best book EVER on Jean Shepherd and his particular genius
Imagine doing a radio show every night and not just ANY radio show but one in which you told stories that sounded like you'd made them up on the spot. That was part of the unique charm, eccentricity and genius of Jean Shepherd, a man who was a wonderful writer as well (anyone who has ever seen A Christmas story, complete with Ralphie and his coveted BB gun, has come in contact with one of Shepherd's works).

Bergmann has really done his homework in writing this bio of Shepherd and the results make for a wonderful read and a glimpse into days when radio really had an impact on people, a time when people took the time to listen to stories on the radio, something that may be making a bit of a comeback (as evidenced by Prairie Home Companion and other shows which feature short stories and other works read aloud). Shepherd was a pioneer, however, and no one has come close to his skill and genius. This book goes a long way in explaning why while it also reveals the particular demons that tormented and drove Shepherd. Highly recommended!

Shep Lives!
"Excelsior you Fathead" left as many questions as it answered, but, then again, so did its subject - Jean Shepherd.Punctuated by Shepherd's own words, this insightful book chronicles the most innovative, and underrated, American humorist of all time. Jean Shepherd will forever be known as the creative force, and narrator, behind "A Christmas Story" - a movie that has achieved "classic" proportions.Thankfully, Mr. Bergmann does not dwell on this topic, but digs much deeper into Shepherd's less popularly known, but far more groundbreaking, pursuits - including, particularly, his nightly broadcasts on the powerful New York radio station, WOR.Bergmann weaves together Shepherd's own words with biographical highlights and first-hand accounts of those who knew him.Sprinkled in along the way are Bergmann's personal musings on the often dark, but always fascinating, enigma that characterized his subject's life.Thankfully, and to his great credit, Bergmann stops just short of making sense of it all - recognizing, wisely, as Shepherd himself did, that our world is more about contradictions and pretensions than abject certainties.

In his landmark book, "In God We Trust, All Others Pay Cash" (from which much of "A Christmas Story" was drawn), Shepherd posed a question.He wondered whether the coming-of-age, Midwestern-value-laden innocence embodied by his childhood best friend, Flick, had managed to survive in modern America.Immediately after the book's publication, graffiti artists all over New York City answered with the spray-painted declaration, "Flick Lives" - which was read by millions, but only understood by Shepherd's clued-in fans (who he often referred to as his "gang").Now, forty years later, and six years after Shepherd's passing, Bergmann should be justifiably proud because, due his comprehensive and entertaining book, I can happily report that not only does Flick live, but so does Shep!I strongly urge you to buy a copy and join the gang of those whose lives have been forever enhanced by Jean Shepherd's genius.

A Must Read for Shepherd Fans
If you are a Jean Shepherd fan like I am, this book is essential - you may not be able to put it down.I have never seen such an in-depth analysis of Shep's radio work.The author clearly did his homework, listening to and transcribingover 500 radio shows.I already knew some of the dark side - for example, that Shepherd became extremely bitter late in his career and virtually disowned his radio work.Unfortunately, it was rather disillusioning to find out Shep was also quite possibly the World's Worst Father, abandoning his two children while they were still in the crib and denying their existence in his last will and testament. I guess everyone has their issues... As the author warns, this is not a standard biography, and there may never be one, as Shepherd was a master at obscuring the facts of his life.

Excellent book! A Must Read for all of Shepherd's Flock!
Open this book and you will enter a portal into the world of Jean Shepherd as you have never quite experienced him before. This book is pure bliss for any Shepherd follower! A "must read" for any and all who count themselves among his flock!As with Shep's broadcasts, you will not ever want it to end.The great thing is you can savor it at your own pace, reading and re-reading it until late into the night. Just wish Shep was around to see THIS! ... Read more

Book Description

Book Description

What happens when the person who is your family is someone you aren't bound to by blood? What happens when the person you promise to love and to honor for the rest of your life is not your lover, but your best friend? In Truth & Beauty, her frank and startlingly intimate first work of nonfiction, Ann Patchett shines a fresh, revealing light on the world of women's friendships and shows us what it means to stand together.

Ann Patchett and Lucy Grealy met in college in 1981, and, after enrolling in the Iowa Writers' Workshop, began a friendship that would be as defining to both of their lives as their work was. In her critically acclaimed and hugely successful memoir, Autobiography of a Face, Lucy Grealy wrote about losing part of her jaw to childhood cancer, the years of chemotherapy and radiation, and then the endless reconstructive surgeries. In Truth & Beauty, the story isn't Lucy's life or Ann's life, but the parts of their lives they shared. This is a portrait of unwavering commitment that spans twenty years, from the long, cold winters of the Midwest, to surgical wards, to book parties in New York. Through love, fame, drugs, and despair, this book shows us what it means to be part of two lives that are intertwined.

This is a tender, brutal book about loving a person we cannot save. It is about loyalty, and about being lifted up by the sheer effervescence of someone who knew how to live life to the fullest.

Reviews (31)

AUTOBIOGRAPHY OF A BROKEN HEART AND A BRILLIANT MIND
If you've read Lucy Grealy's book AUTOBIOGRAPHY OF A FACE, you must read Ann Patchett's book TRUTH & BEAUTY. Ann was Lucy's best friend and tells the story of their loving and literary friendship. Ann's book is filled with Lucy's letters. The book tells of how Lucy was taunted by kids and adults because of her facial cancer. Readers get to see into Lucy's heart and how because of her "ugly" face she thought no one would ever love her. yet she beds every man who says something nice to her out of a need to connect and feel "love.". this book is a fantastic look into the heart and mind of someone with a visible disability. it is about someone with a brilliant mind. and it's filled with triumph and tragedy. And if you haven't read AUTOBIOGRAPHY OF A FACE, I recommend that too. In both books you'll see the life of a driven woman hoping her genius and writing abilities will save her from what she thinks is the tragedy of her disability and make someone love her and she will live happily ever after. Sadly Lucy died of a drug overdose a few years ago. was it an accident or suicide?? she was heartbroken. she never thought she would find love. but so many of her friends loved her.

Patchett's Frank and Tender First Work of Nonfiction
Female friendships are one of the most complex human relationships, regardless of age. And in TRUTH & BEAUTY, author Ann Patchett does nothing to dispel the mystery of girlfriends. If anything, she adds to it.

Although this book is nonfiction, it reads like fiction. Readers will dive into the story, greedily gathering information about the two main subjects --- Patchett and her friend, Lucy Grealy --- like characters in a novel. They were two young and ambitious women who go directly from Sarah Lawrence to the Iowa's Writers Workshop, the most coveted graduate school for writers. They develop a friendship that straddles the lines of intimacy, and they find literary fame. Along the way they form a bond that is difficult to describe. It spans continents, weathers illnesses both physical and mental, and seems to survive even death. But this is not a work of fiction, and so the eloquent writing of this well-known author packs even more of a punch. These are real people; this is Patchett's life, her beloved friend who lives, metaphorically speaking, just beyond her reach.

Patchett recreates her life with Grealy by interspersing their history with letters she received from Grealy over the years, postmarked from Scotland, New York, Providence, Connecticut, and all of the other places she traveled, taught and lived. They are letters that reveal a literary voice filled with love and admiration for a woman to whom she referred as "Pet." She was a competitive woman who was known to jump into Patchett's lap and ask repeatedly, "Am I your favorite? Do you love me the most?" And inevitably the answer was yes.

"Dearest Anvil, she would write to me six years later, dearest deposed president of some now defunct but lovingly remembered country, dearest to me, I can find no suitable words of affection for you, words that will contain the whole of your wonderfulness to me. You will have to make due with being my favorite bagel, my favorite blue awning above some great little café where the coffee is strong but milky and had real texture to it."

Narrated by Patchett, TRUTH & BEAUTY could be described as an analysis of Grealy, a woman who fights an uphill battle to recover physically from a cancer that robbed her of her outward beauty as a child, though it amplified an inner beauty. Grealy, as Patchett tells us, had a kind of animal magnetism that drew the best of people to her. She underwent at least 35 surgeries to rebuild a jaw decimated by radiation and lived her life subsisting on mashed fruits, ice cream and the occasional milkshake. Despite the staggering number of surgeries, the procedures never quite worked and much of Grealy's life was spent lamenting what she believed were her physical inadequacies. Yet TRUTH & BEAUTY is not a sad story. In fact, it features the gifts of Grealy's best features: her wit, gaiety and zest for life.

And while it focuses on Grealy and Patchett's friendship, TRUTH & BEAUTY may be better described as a study of human nature. Patchett writes about the intricacies of the human heart in THE MAGICIAN'S ASSISTANT, THE PATRON SAINT OF LIARS and BEL CANTO, and she tackles the subject once again in TRUTH & BEAUTY. The constant search for a love that seems to be right in front of a person's eyes is a recurring theme for Patchett, who weaves a beautiful if not frustrating story of a friendship that she worked diligently to maintain.

In life many people struggle to find reciprocal friendships in men and women. And, frequently, outsiders perceive even the best of friendships to be one-sided. This may also be the case here. Readers will complete TRUTH & BEAUTY with a keen appreciation for the love that exists between women, the unwavering loyalty that friends can maintain through years of turmoil and emotional trials. And while loyalty (as we see in this 257-page story) may falter occasionally, it can withstand the test of time. And perhaps even beyond.

--- Reviewed by Heather Grimshaw

Not recommended for tender sensitivities
Well written, strangely powerful and often horrifying. I can't quite recommend it. It's a special sort of pathology that many of us have encountered.

Painful and Questionable
I read this book directly after reading Autobiography of a Face. Lucy seemed to have a huge black hole in her soul that she constantly looked to others to fill up. Obviously she never learned to love herself, so her friends were her mirrors to her soul. She searched endlessly for love on the outside but her greatest quest was her search for the ability to love herself with all her physical flaws.
I saw Lucy's repeated surgeries simply a way to stay connected with something she knew and a place where she felt comfortable and accepted. The surgeries were physically painful but they gave her an opportunity to have everyone care for her openly and with such extraordinary allegiance, a true sign of love. Lucy could never quite embrace it and assimilate that love into her psyche.
Was it guilt that drove Ann to write this book wondering if there wasn't something she could have done to make the ending different? I felt a sense of relief when Lucy's life was finally over. What quality did she ever have in her existence? I think Ann went above and beyond the realm of friendship. One has to wonder why she hung in there through everything for a one-way friendship? Why was Ann so possessed by Lucy? It's a question we will never know but one that the book continually asks.

Beautiful tribute
Patchett's book is a beautifully written tribute to an exceptionally intense friendship. The author takes you through her relationship with Lucy Grealy although side-stepping prolonged analysis of why their bond was so tight. The reader can draw his or her own conclusion; close attention should be paid to the excerpts from Grealy's letters, which reveal her intellect, her delight in words and her charisma. One thing that astonishe