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| 1. The Glass Castle : A Memoir by Jeannette Walls | |
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our price: $16.32 (price subject to change: see help) Asin: 0743247531 Catlog: Book (2005-03-08) Publisher: Scribner US | Canada | United Kingdom | Germany | France | Japan |
| 2. Traveling Mercies : Some Thoughts on Faith by Anne Lamott | |
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our price: $9.75 (price subject to change: see help) Asin: 0385496095 Catlog: Book (2000-02-15) Publisher: Anchor Sales Rank: 1493 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (240)
If you can't laugh at yourself, your foibles, and even at God, don't read this--you'll start feeling self-righteous and will be quickly entering a "how dare she?" review. You will, of course, have totally missed the point. Everyone can learn something about the way LIFE has a sneaky way of surfacing painful and joyous memories and feelings. These emotions are triggered by life's details, which Lamott expertly captures. She finds the most unassuming triggers to release a flood of feelings about various topics. The stories she tells are God-given, precious moments. Perhaps we don't "see" these moments and reflect on them enough in our lives. Is that why Lamott touches us? Thankfully, she remind us that they are there. Read and savor this book, if you are open to what makes someone an imperfect person--and a Christian.
Lamott isn't afraid to present herself in a less than flattering light whether it's secretly hating her mom or yelling out of frustration at her young son. We all do these things, but most of us prefer to show the world the "good" side of ourselves. Lamott is wonderful when it comes to making the everyday petty irritations of life funny, so that you empathize with her rather than judging. Lamott writes about children, her friends, relatives and church. She writes about the competitiveness that can develop among parents of young children, and she writes about the path she took to becoming sober. Unlike some reviewers, I don't think it's going to be detrimental to her later relationship with her son when she makes him go to church. There could be a lot worse things she could force him to do. In one essay, she writes about feeling unattractive after standing with a group of teenage girls waiting for a bus back to her hotel. Then she realizes that no one in the group is probably satisfied with her body, and this is something I've started to tell myself when I find myself in that kind of situation, too. This atheist gives this book two thumbs up.
Read with an open heart. God will bless... ... Read more | |
| 3. Three Weeks with My Brother by Micah Sparks, Nicholas Sparks | |
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our price: $15.40 (price subject to change: see help) Asin: 0446532444 Catlog: Book (2004-04-13) Publisher: Warner Books Sales Rank: 504 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description Reviews (48)
On the other hand, the bulk of the book, which details the series of tragedies that have overwhelmed the brothers' adult lives -- deaths of parents and a sibling, as well as the rearing of an autistic child -- is sad but compelling, and ultimately encouraging, because it is written from the heart. I also think another book -- perhaps it will take the form of a novel -- needs to be written about the Sparks' mother. Nicholas professes unblemished love and respect and devotion to the woman, who died tragically at 47, just weeks after his marriage. However, she was a complicated character whose parenting of her three children was often questionable at best. Perhaps additional time is needed for him to examine her -- and his own feelings about her -- more honestly.
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| 4. Night by Elie Wiesel, Stella Rodway, Francois Mauriac | |
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our price: $5.39 (price subject to change: see help) Asin: 0553272535 Catlog: Book (1982-04-01) Publisher: Bantam Sales Rank: 1663 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (744)
A Jew from Transylvania, Wiesel grew up with a strong religious background. He found an unlikely teacher in a man named "Moshe the Beadle." Moshe taught his pupil that man could not understand God's answers to man's questions; man could only ask God the right questions. Would Elie's time in Auschwitz destroy his budding faith? The book explores faith in a searing way. A must read for all. Ages 16 and up.
This book focuses on many themes: conflict, silence, inhumanity to others, and father/son bonding. We see many, too many, conflicts this young man faces. Eliezer struggles with his faith throughout the story. He believes that God is everywhere, and he can't understand how God could let this happen, especially as Eliezer faces conflict everyday in the concentration camp. He also learns silence means. He says he says it is God's silence that he doesn't understand. He feels that God's silence demonstrates the absence of divine compassion. Another silence that drive confuses Eliezer is the silence of the victims. He cannot understand why they don't fight back, especially with the inhumanity that is forced upon them. It is because of this inhumanity that he loses faith, not only in God but also in men. He tells how at the beginning, the Germans were "distant but friendly." However, when they reach the camps, the soldiers are transformed from men to monsters. As part of this inhumanity and lack of faith is the instances when a son betrays his father. He sees this several times and can't comprehend how a son, in order to save his own life, betrays his father. Luckily for Eliezer's father, Eliezer's love and bond is stronger than self-preservation.
To criticize any victim of the Holocaust for doubting or questioning their G-d is to live in a fantasy world. Unless one has lived through the horror and degradations of the Holocaust, he should be quiet. As for me, whenever l see or think of the child-victims and their parents of those terrible days, l think of me and my own children in their place...and it keeps me very humble. ... Read more | |
| 5. Fear and Loathing in Las Vegas : A Savage Journey to the Heart of the American Dream by HUNTER S. THOMPSON, Ralph Steadman | |
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our price: $9.00 (price subject to change: see help) Asin: 0679785892 Catlog: Book (1998-05-12) Publisher: Vintage Sales Rank: 1684 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews On assignment from a sports magazine to cover "the fabulous Mint 400"--a free-for-all biker's race in the heart of the Nevada desert--the drug-a-delic duo stumbles through Vegas in hallucinatory hopes of finding the American dream (two truck-stop waitresses tell them it's nearby, but can't remember if it's on the right or the left). They of course never get the story, but they do commit the only sins in Vegas: "burning the locals, abusing the tourists, terrifying the help." For Thompson to remember and pen his experiences with such clarity and wit is nothing short of a miracle; an impressive feat no matter how one feels about the subject matter. A first-rate sensibility twinger, Fear and Loathing in Las Vegas is a pop-culture classic, an icon of an era past, and a nugget of pure comedic genius. --Rebekah Warren Reviews (292)
Hunter is at his best covering a race in the desert, attending a drug prevention convention (the irony!) and taking as much alternative substances as his body can handle. And then some. Lost in the world post-60s, he decries (with fear and loathing, of course!) what he sees happening as society backs off of "the high water mark". It's a book about the falacy of the American Dream. Vegas - land of illusion - is the perfect setting for a story that pops the balloon that is the American Dream. Travel with Hunter, and you are there, parking the boat he calls a car onto the sidewalk. You're there chatting it up with the law enforcement officers from Podunk Illinois. You're hoping your ODing mammoth of a friend is calming down. Sometimes runny, this gonzo journalism will surprise you with cutting observations of what is happening to society. Awesome read, that will poke holes in your view of Americana.
The drug content was to be expected at that era. The world was still in a white picket fence mode and "creative chemistry" was seen as a tool to escape from it (or at least, take a different view). The stream-of-consciousness writing style is a wonder to behold. You can practically feel your mind bob-sledding through the ether-induced haze, coming to a landing on both feet. As for weither or not it was real, get over it. Just wallow in the genius of the work; how it dissects the "American Dream" and how we were so rudely woken from it. And if you've seen the film, READ THE FREAKIN' BOOK AS WELL! You will discover a favorite quote or two that you'll find yourself using over and over again. I laughed so hard reading it the first time, my face hurt! It's a classic document of the tail end of the "flower power" generation, and the beginning of the narcisism of the 1970's. Classic American literature with sheer outright BALLS that's so dearly lacking in today's pop culture. I am certain that when Dr. Thompson reaches his final reward, he will have a never-ending orgy held in his honor, just for writing this book.
FEAR & LOATHING rocks with an unerring intensity. This book is written like a typewriter tanked on meth. The road trip, the hitchhiker, the booze and the drugs, spending an employers money destroying hotel rooms. It is a full force assault on the senses. It left me dazed and confused. It is hilarious at times but in that guilty way when you know that you really shouldn't be laughing. Raoul Duke is like Jerry Seinfeld in that you know he's a jerk but you can't help liking him. Thompson was an extreme individual. He was notorious for missing deadlines. Reading this book makes it easy to see why. He was very absorbed in the moment. He seemed more intent on getting hammered than on writing the book. But in the end, his extraordinary talent allowed him to produce an amazing book. The description of drug use will be disturbing to many readers. LSD, mescaline, cocaine, ether. Thompson doesn't seem to be very discriminant in what he'll introduce to his bloodstream. His consumption assumes staggering proportions here. The writing is surprisingly good. Thompson is able to convey the sensation of being there as all this insanity unfolds. He had a fine grasp of the English language and a deftness at cutting a good sentence. The carefree excitement of youthfulness is captured here. I always feel more alive when I finish this book. It is also a book that I refer to a lot. It is fun to read a single paragraph and then put it away. This book is for students of the 60s and for readers who like an intense, tumultuous trip into madness. It is shocking and even offensive to some but it is a great ride for those that like a bit of shock value in their entertainment. Truly great -- don't miss it! Along with FEAR & LOATHING, I also recommend THE LOSERS CLUB by Richard Perez, a book whose writing was obviously strongly influenced by Thompson
"Fear and Loathing" is so brilliant, so funny, so biting in its commentary, so revolutionary that I cannot do it justice herein. Thompson is just plain awesome. An insane writer, in the admirable as well as the literal sense. How to describe this book? "The '60s meets the John Birch Society"? "The American Dream meets the American nightmare"? I don't have it in me to analyze Hunter. He's too good, too out there. Just admiration, that's all I have left for him. The only thing left is mystique, because Thompson, despite years of stories and in-depth analyses, is still very much unknown. Can he be the guy he describes and survive? The truth, or the Truth as Hunter might call it, is that he probably is putting on a little act, but it is just questionable enough to leave doubt, or Doubt! I think Thompson is what Michael Moore wishes he was. STEVEN TRAVERS
The world which the protagonist Rauol Duke lives in is one where people are "pigs and creeps" and drugs are an integral part of the daily experience. Fear and Loathing is not a linear tale of reckless abandon in the City of Sin but a convoluted tale of the thin line that exists between sucess and failure in the aftermath of the Acid Culture. Although Thompson claims that this piece of work is non fiction the sheer absurdity and subjective dialogue makes it hard to accept the validity of that claim. If you are an informant for the DEA, strong Christian, or live in the bible belt this book will only infuse anger in your soul, but if the world of chemical experimentation exposed through the use of masterful english and a corollary to the Great Gatsby expose then you are in for a treat. ... Read more | |
| 6. Dry : A Memoir by Augusten Burroughs | |
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our price: $10.50 (price subject to change: see help) Asin: 0312423799 Catlog: Book (2004-04-01) Publisher: Picador Sales Rank: 1952 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (92)
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| 7. A Heartbreaking Work of Staggering Genius by DAVE EGGERS | |
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Book Description "Well, this was when Bill was sighing a lot. He had decided that after our parents died he just didn't want any more fighting between what was left of us. He was twenty-four, Beth was twenty-three, I was twenty-one, Toph was eight, and all of us were so tried already, from that winter. So when something world come up, any little thing, some bill to pay or decision to make, he would just sigh, his eyes tired, his mouth in a sorry kind of smile. But Beth and I...Jesus, we were fighting with everyone, anyone, each other, with strangers at bars, anywhere -- we were angry people wanting to exact revenge. We came to California and we wanted everything, would take what was ours, anything within reach. And I decided that little Toph and I, he with his backward hat and long hair, living together in our little house in Berkeley, would be world-destroyers. We inherited each other and, we felt, a responsibility to reinvent everything, to scoff and re-create and drive fast while singing loudly and pounding the windows. It was a hopeless sort of exhilaration, a kind of arrogance born of fatalism, I guess, of the feeling that if you could lose a couple of parents in a month, then basically anything could happen, at any time -- all bullets bear your name, all cars are there to crush you, any balcony could give way; more disaster seemed only logical. And then, as in Dorothy's dream, all these people I grew up with were there, too, some of them orphans also, most but not all of us believing that what we had been given was extraordinary, that it was time to tear or break down, ruin, remake, take and devour. This was San Francisco, you know, and everyone had some dumb idea -- I mean, wicca? -- and no one there would tell you yours was doomed. Thus the public nudity, and this ridiculous magazine, and the Real World tryout, all this need, most of it disguised by sneering, but all driven by a hyper-awareness of this window, I guess, a few years when your muscles are taut, coiled up and vibrating. But what to do with the energy? I mean, when we drive, Toph and I, and we drive past people, standing on top of all these hills, part of me wants to stop the car and turn up the radio and have us all dance in formation, and part of me wants to run them all over." Reviews (741)
The book itself uses a host of postmodernist, ironical, satirical, etc., etc., etc...techniques, which are rather hackneyed and, given the ostensible topic of the book (his family tragedy), quite off-putting. A fairly representative passage comes when he's heaving his mother's ashes (or cremains) into Lake Michigan : Oh this is so plain, disgraceful, pathetic-- Or beautiful and loving and glorious! Yes, beautiful and loving and glorious! But even if so, even if this is right and beautiful, and she is tearing up while watching, so proud--like what she said to me when I carried her, when she had the nosebleed and I carried her and she said that she was proud of me, that she did not think I could do it, that I would be able to lift her, carry her to the car, and from the car into the hospital, those words run through my head every day, have run through every day since, she did not think I could do it but of course I did it. I knew I would do it, and I know this, I know what I am doing now, that I am doing something both beautiful but gruesome because I am destroying its beauty by knowing that it might be beautiful, know that if I know I am doing something beautiful, that it's no longer beautiful. I fear that even if it is beautiful in the abstract, that my doing it knowing that it's beautiful and worse, knowing that I will very soon be documenting it, that in my pocket is a tape recorder brought for just that purpose--that all this makes this act of potential beauty somehow gruesome. I am a monster. My poor mother. She would do this without the thinking, without the thinking about thinking-- Yeah sure, I get it, the way he's having this discussion shows that he understands what's going on, yadda, yadda, yadda... But unfortunately, the point he's making is more accurate than his style is clever. There simply is something gruesome about this kind of mannered irony and the way, throughout his life, that he seems to interpret his experiences through the filter of the book he plans to write. At the point where every thought, emotion, and action in your life must be considered for how it will appear in print, you've become a fictional character rather than a real human being. And by creating so much distance between the character of Dave Eggers and the supposedly tragic events of his life, Eggers (the author) makes it really hard for the reader to care much. I finished the book unstaggered and heart unbroken, but grudgingly forced to admit that the literary world has a potential new genius, a writer with a genius for self promotion the likes of which we've not seen since Norman Mailer; and we all know how the Norman Mailer story has gone : badly. GRADE : C-
The first half of the book was brilliant. The middle was torturous. The end (being that it followed so closely after the agonizing middle) just didn't feel as captivating anymore. I disagree, however, with the reviewer who criticized Eggers for not caring about his mother and sister. There is tenderness and profound sadness there, you just have to perceive it underneath the facade Eggers constructs. His brutal portrayal of the death of a loved one and the complication of family relationships afterward is, perhaps, too much for some readers. I found it to be honest (probably the most honest aspect of the book). That said, I recommend this book to those with an open mind, an appreciation for ironic humor, and a tolerance for an unconventional approach to writing. It was mad. It was refreshing. But it was just a little too unedited to live up to the title completely.
The book is boring. The narrator does not care about the deaths of his parents nor the future death of his sister, so how is it heartbreaking? Einstein was a genius. Shakespeare was a genius. Eggers is incapable of writing a book with a plot and characters. Then, all the blurbs are lies, as they were all written my people on the McSweeney's payroll. And then, all the insider tax and tuition snark-fests, held by pomo hipsters on college campuses are lies. And then, all the creative-writing workshops which assign this book, as well as postmodern english classes which place it on the suggested reading lists are lies. The sales numbers given by the corporate conglomerates are lies, aimed at bolstering their bottom line while Eggers aims to eradicate literature by spamming the bookstores with his crap, killing trees and displacing quality literature penned by indy presses. Then, all the positive reviews here are lies, written by Eggers himself, as the New York Times reported.
Alright, perhaps I'm being a bit harsh. Eggers is a very talented writer, with enough quirkiness to fill an Olympic-sized swimming pool to brimming. The subject matter he attempts here is very "heartbreaking", and he manages to evoke strong emotions from his readers without becoming overtly sentimental. And in dealing with the tragic loss of two parents to cancer (in the same month), this would be easy to do. Eggers deftly keeps his memoir moving by utilizing humor, anger, and a jarring, schizophrenic leaping from story thread to story thread. Eggers shows a clever and refreshing playfulness in his writing. Where else are you greeted with directions on how to read a book? Where else do you get the story notes "before" the story actually begins? The book is also filled with various other clever devices, such as diagrams which point out optimal areas on his kitchen's hardwood floor for sock-sliding, a chart which explains all of the symbolism in his book (for his less alert readers), and a number of formatting switches, such as to movie script format or interviews written in italics. Eggers has employed nearly every trick in the book to maintain his reader's attention. The story, however, even as Eggers states in his "reading directions", is a bit uneven. The heart of the story, that of Eggers' coping with raising his young, orphaned eight-year-old brother, Toph, is rendered with tenderness and honesty. Simple acts such as throwing frisbee and sliding down a hardwood floor in one's socks take on a philosophic poignancy, and the remarkably realistic dialogue between the brothers is captivating. However, true to his schizophrenic nature, Eggers is not content to merely talk of Toph. The middle of the book he fills with stories of his attempts to start up a (relatively pointless) satirical magazine, Might, and his attempt to get on MTV's even-more-pointless reality show, The Real World. These threads, while somewhat entertaining, tend to wear thin, especially when Eggers continually rants about how great and important he is. The worst part is a nearly fifty page "transcription" of his interview with the producers of The Real World to sell himself onto the show. Pages and pages of where he grew up, what his favorite food was, and why he is so gosh dang vibrant and beautiful and necessary to everyone on the planet. Energy is refreshing. But in Eggers case, it gets self-indulgent at times. Still, there is something to be read here. The first 100 pages and the last 50 are fantastic, particularly his thoughts on his mother, and Eggers exuberance, as well as his ferocious anger, are marvelous to behold. Staggering? Yes. Masturbatory? Very. Genius? Not quite. Entertaining? You betcha'. ... Read more | |
| 8. Tales from the Bed : On Living, Dying, and Having It All by Jenifer Estess | |
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our price: $16.80 (price subject to change: see help) Asin: 0743476824 Catlog: Book (2004-05-18) Publisher: Atria Sales Rank: 320 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description Jenifer Estess is a woman on the verge: She's about to launch her own company; she's looking buff and dating vigorously; she's driving in the fast lane -- with the top down. At the age of thirty-five, Jenifer dreams of falling in love and starting a family. Then she notices muscle twitches in her legs. Walking down a city block feels exhausting. At first, doctors write off Jenifer's symptoms to stress, but she is quickly diagnosed with ALS, a fatal brain disease that is absolutely untreatable. Max out your credit cards and see Paris, suggests one doctor. Instead of preparing to die, Jenifer gets busy. She dreams deeper, works harder, and loves endlessly. For Jenifer, being fatally ill is not about letting go. It's about holding on and reaching -- for family, friends, goals. Jenifer's girlhood pact with her sisters Valerie and Meredith -- nothing will ever break us apart -- guides them as Jenifer faces down one of the most devastating illnesses known to humankind. That same enduring pact inspires the creation of Project A.L.S., a movement started by the sisters that changes the way science and medicine approach research for ALS and the related diseases Parkinson's and Alzheimer's, and which has already raised more than $18 million. Will Project A.L.S. help scientists discover medicine in time for her? Jenifer answers these questions and others in this beautifully written and wholly inspiring memoir that celebrates a life fuelled by memory. Tales from the Bed forces us to reconsider society's notion of "having it all," and illustrates, more than anything, the importance of endurance, hope, and, most of all, love. Reviews (11)
The book kept me up, reading all night long, in a rush to continue with Jenifer on her journey to the end. When I read the final pages, I didn't want to close the book, in fear that the connection I established with Jenifer, Valerie and Meredith would disappear. The writing flowed like a familiar memory and the humor made me smile between the tears that dropped. I feel like I've known the Estess family for my entire life, even though I was introduced to them by mere text in the pages of the book. I recommend this book highly to everyone--not just those who have ALS or know someone with ALS. After all,like Jenifer, ALS could happen to anyone of us.
My husband has ALS and I am very glad I read this book. I am challenged to love others more and do my best to make a positive difference in spite of daunting odds.
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| 9. Quicksands: A Memoir by Sybille Bedford | |
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| 10. Zero: The Biography of a Dangerous Idea by Charles Seife, Matt Zimet | |
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our price: $10.50 (price subject to change: see help) Asin: 0140296476 Catlog: Book (2000-09-01) Publisher: Penguin Books Sales Rank: 10850 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description Reviews (82)
Seiff has an engaging style and he doesn't talk down or talk above the reader. Although Seiff obviously is an expert in difficult math, he doesn't overwhelm you with equations or get too abstract. Even sections on trig and calculus are written in everyday language that you can easily follow. The book does begin to trail off at Chapter 7-8, from here much of the book seems like filler. I preferred "The Nothing That Is" (also about the zero number) a little because I was more interested in the history and that book covers it more, but Seiff still does a fine job here with history of zero, and his book is probably more useful for students trying to know how to use the zero and it's concepts for their math classes, especially figuring out the limit and other calculations.
Seife's book is a very engaging and enlightening read. Seife looks at how zero has become: the foundation for calculus (taking limits to zero), a revolutionary idea in art (3d drawings have a point of infinity to give depth perception...and infinity and zero are just different sides of the same coin), an important concept of the numberline, and many other places. Indeed, I have read this book many times, sometimes for a quick browse and sometimes for an indepth read, and it has always been a pleasure to read. Moreover, Seife is very knowledgeable in what he writes, and he brings a sense of humor as well--if you have ever read his article about the debate on cold fusion in 'Science' or 'Scientific American' (it was one or the other, its been a while since that article was published in the early 90s I believe) you'll see his sense of humor in his concluding paragraph (cold fusion or confusion anyone?). And in response to another review earlier, the reader said that in the appendix there was a proof where a=1 and b=1, and from the equation a^2 - b^2 = a^2 - ab it can be found that 1=0 by factoring the difference of squares and dividing by (a-b). The reader commented that this is dividing by 0, that such an operation violates a fundamental law of algebra (cannot divide by zero), and that an editor should have caught it. The point is that Seife is showing WHY you cannot divide by 0, that the result is 1=0 and that logic and mathematics would be invalid. He is showing why zero may be a 'dangerous idea'! In conclusion, this book is superb in its writing and content. It lives up to what it was meant to do, to show the development of zero through history. It is clear, concise, and witty. You will not be disappointed.
Middle section of the book deals with zero in calculus, useful for any student toughing it out thru intro calc. But Seife gets too drawn in to all the goofy philosophical wanderings you can make about zero, he goes off on way too many tangents that don't make sense. Yes, you can't divide 1 by 0 and the number has a special role in most operations, but how do these properties threaten to bring down the whole framework of math (to paraphrase)? There's all kinds of talk about how zero and infinity are just two sides of the same coin-- why? The author tries to sound like a sage but doesn't make much sense with the claims on these pages. Whole thing comes apart in the last couple of chapters on physics, cosmology, and applied math which are slim on facts and chock-full of flowery language about how important zero is but where the author really doesn't back his claims. In fact, as the book goes on it seems to make less sense, as though it doesn't quite know what it's supposed to be saying as it moves farther afield from history and calculus. Why are these later chapters even here? They don't add anything and detract from the book's overall value.
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| 11. Don't Let's Go to the Dogs Tonight : An African Childhood by ALEXANDRA FULLER | |
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our price: $10.46 (price subject to change: see help) Asin: 0375758992 Catlog: Book (2003-03-11) Publisher: Random House Trade Paperbacks Sales Rank: 1448 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description Reviews (106)
Having spent many an hour, like Bobo Fuller, poking grass into ant-lion holes in the hot dusty veld, this moving story captivated me and painted a moving portrait of people fighting the cruelty of the African landscape. Myth and reality are intertwined in a witty and beautiful story. Everyone should read this book!
Although I think Alexandra Fuller writes very well, and I appreciate her honest writing about her parents' behavior and attitudes, I couldn't warm to the family. Despite their numerous trajedies and troubles, I found it difficult to feel sympathetic. In contrast, when I read "The Flame Trees of Thika", another memoir of an African childhood by another white woman, Elspeth Huxley, I rooted for her colonial, turn-of-the-century, white-is-right parents, Robin and Tilly, through all their successes and setbacks. They held the same attitude of racial superiority as the Fullers, yet there is something intrinsically more likeable about how they handled themselves on a continent where they were the minority race, political upheaval or no. After reading Fuller's memoir, it was a relief to pick up "Nervous Conditions" by black female Zimbabwean Tsitsi Dangarembga, and read about three-dimensional black Africans. Her book is set in 1960s Rhodesia, for those interested (A. Fuller recommends it herself in the Afterword section of her memoir). Despite my personal reaction to this book, I recommend it to anyone interested in African writing, because I think that Alexandra Fuller's perspective is just as important and valid as that of any other African writer.
Fuller's writing style is rich, lyrical and many times, funny. I could picture the land, feel the heat and smell the smoking fish that embodies the Africa she describes. I found myself laughing even as I was shaking my head in disbelief at some of the choices her parents made. Bobo's mother, Nicola Fuller, is racist, resilient, strong and mad as a hatter. In other words, she's the most memorable character in the book. Of course, to Fuller all of this stress and strife was, while not exactly normal, expected. She was a child, after all, and it's all she'd ever known. As I was reading, I couldn't help but think that American kids really have no idea how hard their life could be. Overall a captivating read. It left me reminiscing about my childhood and reflecting on how simple and uncomplicated (read boring) it was. ... Read more | |
| 12. The Spiral Staircase : My Climb Out of Darkness (Armstrong, Karen) by KAREN ARMSTRONG | |
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our price: $10.50 (price subject to change: see help) Asin: 0385721277 Catlog: Book (2005-02-22) Publisher: Anchor Sales Rank: 2175 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (50)
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| 13. Black Boy (Perennial Classics) by Richard A. Wright | |
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our price: $10.46 (price subject to change: see help) Asin: 0060929782 Catlog: Book (1998-09-01) Publisher: Perennial Classics Sales Rank: 11016 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description Black Boy is a classic of American autobiography, a subtly crafted narrative of Richard Wright's journey from innocence to experience in the Jim Crow South. An enduring story of one young man's coming off age during a particular time and place, Black Boy remains a seminal text in our history about what it means to be a man, black, and Southern in America. "The publication of this new edition is not just an editorial innovation, it is a major event in American literary history." Reviews (117)
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