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| 81. Princess Diana: Her Life Story 1961-1997 by Richard Buskin | |
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Reviews (1)
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| 82. Michael Collins: The Man Who Made Ireland by Tim Pat Coogan | |
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Reviews (19)
A better starting place may be Ulick O'Connor's "Michael Collins and the Troubles: The Struggle for Irish Freedom 1912-1922," which is far shorter and breezier. Despite its title, it's not so much a bio of Collins as a survey of Irish politics and political personalities before and during his era. Be warned, though, that only the last half of so of the book discusses Collins himself.
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| 83. Oxford: Son of Queen Elizabeth I by Paul Streitz | |
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Book Description Edward de Vere was an acknowledged playwright, poet, theatrical producer, musician, dancer and literary figure of the Elizabethan era.He wrote under several pen names and also under names of living persons. His most famous pen name was "William Shakespeare." Reviews (11)
This authorship question has been growing for several decades. Streitz has now contributed to the debate by compiling historical evidence to suggest that Elizabeth I was the mother of the Bard, that the biological father was Thomas Seymour, and that the 16th Earl of Oxford (John de Vere) was his foster-father. These suggestions may be considered preposterous by many critics, but Streitz obviously would not have dared to publish his book if he did not have some substance to advance them. Consider the so-called "Virgin Queen". Streitz notes that "in over four hundred years, there have been no critical investigations of whether or not Elizabeth had children". Evidently there had been rumours circulating in 1549, when Elizabeth was just 15 years old. In a letter addressed to Edward Seymour, the Lord Protector, the princess herself referred to "shameful Schandlers" (slanders) that she was "with Child". In a second letter she appealed again to the Lord Protector, requesting that "no such rumours should be spread". Apparently she succeeded in this regard. Now, 450 years later, Streitz is the first person to link the "Schandlers" with events in the summer of 1548, when a child was born in suspiciously secret circumstances to a "very fair young lady" of about "fifteen or sixteen years of age". There is no proof that this young lady was princess Elizabeth, but Streitz considers this as a possibility in the context of events which he strings together to make a possible if not proven case. Notably, suspicions are associated with "the lawfulness or unlawfulness of the birth of the saide Edward, now Earle of Oxforde" (to quote from a late 16th century document).. There is no doubt that the 17th Earl of Oxford was given opportunities to study in Cambridge (in 1564) and in Oxford (1566), and that he travelled to France and Italy (1575). Further, there is no doubt that Edward de Vere did write poetry, but not every modern scholar would accept that the de Vere poems correspond to the quality and style of those attributed to William Shakespeare. By contrast, Gabriel Harvey, a contemporary of the Earl, was absolutely flattering in 1578: "Thou has hast drunk deep draughts not only of the Muses of France and Italy...thine eyes flash fire, thy countenance shakes spears" (from Latin, 'tela vibrat', which can be alternatively translated as "brandishes spears"). Oxfordians venture to say that it is not coincidental that the name Shakespeare can itself be translated into Latin as 'tela vibrat'. "Shakespeare's Sonnets", with a publication date of 1609 , have been interpreted in numerous ways. Streitz provides novel interpretations, suggesting not only that they include cryptic references to the 17th Earl of Oxford, but also that they were written by that dignitary whose dignity was diminished towards the end of his lifetime. A poem with metaphorical references to bees is extraordinary. It includes references to henbane, hemlock and other substances, including tobacco. The line "wordes, hopes, witts, and the all the world [is] but smoke" leads to the statement "Twas not tobacco [that] stupifyed the brain". If the verse was indeed written by the Earl of Oxford, as Streitz suggests, perhaps at times he wrote under the influence of a substance more "bewitching" than tobacco: "from those [leaves] no dram of sweete I drayne, their head strong [fury] did my head bewitch" "Oxford, Son of Queen Elizabeth" makes very interesting reading, even though one need not accept everything contained in it. There are intriguing facts, such as the Queen's grant of 1,000 pounds per annum to the 17th Earl of Oxford. That was an enormous sum of money in 1586. The obvious question is why? Was it really a gift from a benevolent mother to a playwright son? Streitz suggests that the anomalously large grant was intended to support actors and playwrights to prop up political power at a time when Elizabeth I had to be extremely careful against Catholic opposition at home, and the prospect of a Spanish invasion. To assess the merits of the book, it is strongly recommended that it be read in its entirety. Even if one is willing to absorb and accept only parts of it, those parts may help to "flesh out" an understanding of relationships between Elizabeth I and the 17th Earl of Oxford, in the context of literary debate. Reviewed by J.F. Thackeray, Transvaal Museum, Box 413, Pretoria 0001, South Africa
It is a travesty the illiterate bumpkin of Avon has been masqueraded to the public as the brilliant author of these literary jewels. The whole affair is a superb example of successful propaganda by the English royal family and the publishing industry. This book is the most illuminating of all I have read. In his book, Oxford: Son of Queen Elizabeth, Mr. Paul Streitz builds upon the previous scholars who have been building the case for Oxford. Streitz's understanding and presentation of the complex "symbols" left behind by a frustrated artist deprived of the rightful recognition of his royal title and his unparalleled, creative body of work, greatly furthers the cause of Oxfordians. The greatest tragedy of the "Stratford" charade is the reader's loss. Without Oxford as author, the richness and poignancy of his supremely autobiographical works are lost. Even 400+ years later, deVere is due the long-suppressed acknowledgement that he is truly the author of the most marvelous works in the English language. One only has to read the Arts section of the New York Times today to see how many of his plays still dominate our theatres and films. No other author can equal to his gift to our society. He deserves to have his true name on his "ever-living" dramas.
Bottom line - unreadable drivel.
This and other assertions are sure to shock readers and undermine the author's credibility. Mr. Streitz may be out to make a name for himself, if only in notoriety. One thing is for sure: the whole Elizabethan period needs a fresh overhaul, based on the twin assertions, that the commoner from Stratford most certainly did not write the greatest works in this or any language; and that the 17th Earl of Oxford most probably did. Once these premises are accepted as truth, then the whole orthodox history becomes a worthless conceit. Not all that Mr. Stritz asserts is easy to accept, but enough of it falls within the realm of possibility to make this book an interesting diversion. There certainly was a whole lot going on in the second half of the 16th century that, when looked at through the eyes of the born-again Oxfordian, needs deciphering. This book makes a good start, if only by asking a lot of questions and raising possible answers. Only much further research will vindicate or villify Mr. Streitz. I removed one star for mechanics: this book screams for a good editor. ... Read more | |
| 84. The Perfect Prince: The Mystery of Perkin Warbeck and His Quest for the Throne of England by ANN WROE | |
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our price: $35.00 (price subject to change: see help) Asin: 1400060338 Catlog: Book (2003-10-21) Publisher: Random House Sales Rank: 59395 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (13)
Unfortunately the mystery of who he was will have to wait for another writer to inform me. You see, it's not that The Perfect Prince isn't about Perkin Warbeck, for I'm sure it must be since it's sub-titled The Mystery of Perkin Warbeck and His Quest for the Throne of England. It's that Ms. Wroe uses every possible device to confound, distract and annoy the reader along the way in trying to tell the story that even though I've finished it, I'm still not sure I know any more about The Mystery of Perkin Warbeck than I had gleaned from the jacket flaps. The Perfect Prince opens with a description of the only known painting of Perkin Warbeck. Well, it's not really known anymore since all that exists now is a sketch of the portrait by a later artist. Wroe spends at least ten pages describing the portrait/sketch from every possible angle, and fills us in on the opinions of the portrait from other historical characters. Since the sketch is in the book for us all to see, this seems the worst kind of patronage, as if we readers are too stupid to make up our own minds. She not only beats the dead horse, she tosses it in the woodchipper and feeds us the results. The point is so belabored that the reader will start to think the book is about art appreciation and not a real person. Once we get past that, we think we're in the clear. Sadly we're not. The tale of Perkin Warbeck traverses such countries as England, Portugal, France, and Ireland. It also spans many years and numerous Edwards', Charles', and Richards'. All of these countries, years, and characters Wroe casually flits from higgledy-piggledy. At the beginning of a paragraph we may be in Ireland in 1491 with Perkin, but by the end of the paragraph we may be in England in 1498 with Henry. Sometimes she carefully identifies which Henry or Richard, sometimes not. If you're thinking you need a scorecard, you're right. Wroe's style is so self-conscious and distracting that you frequently find yourself backtracking in an effort to follow the timeline. It's clear that Wroe knows the facts of the tale well, but she consistently gets in her own way. She begins to tell us one thing, then sidetracks us as if to say, "Oh, but I forgot to tell you about this first." On and on she does this to the point you just want to scream, "Get on with it!" In fact, while reading The Perfect Prince I couldn't help having my own Mystery Science Theater 3000 monologue running in my head, mocking her. I am a voracious reader, having read more than 10,000 books at this point. I read across all genres and categories. Rarely have I read such a monotonous tale. This is a story that cries out for a more coherent progression and fewer distractions. I get the impression that Wroe's agent/publisher are so impressed with her credentials they didn't have the heart to tell her what a muddled mess this was. I'm well aware of the praise heaped on this book by the professional reviewers, and I can only conclude it's nothing more than academic elitism and/or postmodern back-patting.
Now, this story would make a lavish movie using the star of KING ARTHUR as Perkins Warbeck, a commoner of Flanders. It is just the sort they are grinding out and we are being bombarded with at the theaters with reprises of old historical epics in modern terms. It would be fun to watch a real commoner fool all those pompous royal families who know nothing except a lavish existence. He was the Great Pretender and no one really discovered who theman was. He'd influenced rulers of Spain, France, Scotland and other principalities -- the consumate con man of all time -- as the imposter to the throne of England. For eight years, he harassed the King attempting to take the throne as Duke of York, the young Richard who had been killed with his brother in the tower of London by his uncle, Richard III. He was courted by the aristocracy of several nations in Europe as THE PERFECT PRINCE because of his charisma, manners (where did he learn them if he had been simply the son of a boatman?), and his handsome appearance. He married into the royal family, the daughter of an earl. He'd charmed Ferdinand and Isabella, Charles of France, and Maximilian by his wit and elegance. He was used as a pawn by the rulers of European society to get rid of the new King of England. He'd been so brainwashed by the time of his death at the age of twenty-five, it's doubtful he knew himself who he was -- only what he'd been primed (by whom?) to be -- an imposter on the highest level. He lost his campaign for the throne on the gallows, as did so many 'enemies' of the Kings of England, as history will attest. This book, however, is not history. Using research to fuel a vivid imagination (all historians have that failing), she takes liberties as so many writers of history tend to do to expound upon their own theories.
So I recommend this book to students of royal and/or English history and to anyone who enjoys a fine, well told tale of mystery and intrigue.
In a word, I haven't the vaguest. I didn't find the book difficult to follow at all, and it rewards readers' attention with a wealth of fascinating detail that matches the drama of the story. I don't care to speculate as to whether the intense hostility is motivated by short attention spans or the pique that some people inevitably display when a book they don't care for is praised, but I found Prince to be a rare, cherishable pleasure. ... Read more | |
| 85. Reach for the Sky: The Story of Douglas Bader, Legless Ace of the Battle of Britain (Bluejacket Books) by Paul Brickhill | |
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Book Description Reviews (3)
"242 Squadron were changing their aeroplanes, becoming the second squadron to get Hurricane Mark II's, which were faster, had more power, and the new and better VHF raido. Now in the routine of unexiting readiness, Bader sometimes swashbuckled about, jabbing his thumb nosalgically on an imaginary gun button, with an accompanying 'rasberry' to signify the rattling guns" I just found that hilarious. Another of my favourites is: Douglas Bader was someone who will never give up. He'll just keep on trying, and trying, and trying, until he gets it. He's a man of great wisdom, and should be greatly remembered through out history.
You may remember Brickhill as the author of The Great Escape. This is another spellbinding yarn. Note however that it is more of an inspirational story than a serious biography. In the days when youngsters were more literate than they are today, it would have been called a "boy's book." My son-in-law (who is English) gave an earlier version of this book to me for a Christmas present. He had to search all the used-book websites to find it. I'm delighted (and so is he) that it's available again. Bluejacket Books are distributed in the U.S. by Naval Institute Press, so I'm sure that this is an excellent production and not a cheap reprint. Give it to the "boy" on your list, whether he's eight or eighty. ... Read more | |
| 86. Carrying the Fire: An Astronaut's Journeys by Michael Collins | |
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Book Description First published in 1974 Reviews (31)
Michael Collins was the third astronaut on the famous Apollo 11 flight that landed on the moon in July, 1969. Unfortunately, because he wasn't one of the two in the Lunar Module, he isn't often mentioned. He stayed in lunar orbit as the Command Module Pilot. This book is Collins' telling of what it was like to be an astronaut, both in the Gemini and Apollo programs. He talks about the astronaut selection process, and what it was like to go through it. And he tells the story - from a very personal perspective, of what it was like, what he felt, what he worried about, what angered him, and well...you get the idea - of preparing for and flying a Gemini and Apollo mission. Because this is his story, and his first person telling of the story, there isn't really anything here about the lunar landing itself. Rather, he talks about what he was doing when Neil Armstrong and Buzz Aldrin landed and walked on the moon. I thoroughly enjoyed the book. It often made me laugh out loud and I certainly believe that I now know how Collins felt during his tenure as one of America's Astronauts. I found the book both well-written and engaging. I also found, to my surprise, that this is a humble, revealing and candid story. Highly recommended if you are interested in the genre.
Collins had an illustrious career as an astronaut. Chosen in the third group of astronauts in 1963, he served as backup pilot for Gemini VII, pilot for Gemini X, and command module pilot for Apollo 11. On that last mission he became the loneliest man in the universe when his two crewmates, Neil Armstrong and Buzz Aldrin, landed on the Moon while he remained in orbit around the Moon in the Command Module. In "Carrying the Fire" Collins writes of his solitude in lunar orbit in July 1969. As he disappeared on the backside of the Moon from Earth, he recalled, "I am alone now, truly alone, and absolutely isolated from any known life, I am it. If a count were taken, the score would be three billion plus two over on the other side of the moon, and one plus God only knows what on this side. I feel this powerfully-not as fear or loneliness-but as awareness, anticipation, satisfaction, confidence, almost exultation. I like the feeling. Outside my window I can see stars-and that is all. Where I know the moon to be, there is simply a black void, the moon's presence is defined solely by the absence of stars." He compared it to being in a skiff in the middle of the ocean with only the stars above and black water below. It proved a profoundly moving experience for him. Michael Collins left NASA in 1970 and became the first director of the Smithsonian Institution's National Air and Space Museum, continuing to write eloquently of the possibilities of spaceflight. Among other works he published "Liftoff: The Story of America's Adventure in Space" (1988) and "Mission to Mars" (1990), a powerful exposition on the value of a human mission to Mars. "Carrying the Fire" is the first candid book about life as an astronaut. The author comments on other astronauts, describes the seemingly endless preparations for flights to the Moon, and assesses the results. He also describes what he thinks of as the most important perspective that emerged from his flight, a realization of the fragility of the Earth. He wrote that "from space there is no hint of ruggedness to it; smooth as a billiard ball, it seems delicately poised on its circular journey around the Sun, and above all it seems fragile...Is the sea water clean enough to pour over your head, or is there a glaze of oil on its surface?...Is the riverbank a delight or an obscenity? The difference between a blue-and-white planet and a black-and-brown one is delicate indeed." It is a powerful and moving memoir. Read it more than once and lend copies to your friends. You, and they, will not be disappointed.
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| 87. The Titled Americans : Three American Sisters and the English Aristocratic World into Which They Married by Elisabeth Kehoe | |
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Book Description | |
| 88. J.R.R. Tolkien: A Biography by Humphrey Carpenter | |
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our price: $11.20 (price subject to change: see help) Asin: 0618057021 Catlog: Book (2000-06) Publisher: Houghton Mifflin Sales Rank: 12211 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Carpenter chronicles Tolkien's early life with a special sensitivity; after losing both parents, Tolkien and his brother Hilary were taken from their idyllic life in the English countryside to a poverty-ridden existence in dark and sooty Birmingham. There were bright points, however. A social and cheerful lad, Tolkien enjoyed rugby and was proud of his gift for languages. It was also at this time that he met Edith Bratt, who would later become his wife. Academic life--both as a student and professor--is where this biography shines. Friendship with other men played a huge part in Tolkien's life, and Carpenter deftly reveals the importance these relationships--his complex friendship with C.S. Lewis, membership in the Inklings and the T.C.B.S.--had on the development of his writing. The only criticism one can make about this book is that Carpenter tends to gloss over Tolkien's contributions to comparative philology.True, there is a chapter devoted to Tolkien's academic pursuits, but it tends to skim too lightly over the surface for this reviewer's tastes. Philology is a terribly methodical science, and the author clearly did not want to alienate readers who were primarily interested in Tolkien as a storyteller. Still, it would be nice to understand why Tolkien was held in such high esteem by his fellow academics. As it stands, Tolkien comes off as a slightly eccentric etymologist. Fans who want to delve even deeper into Tolkien's life should pick up a copy of Carpenter's The Letters of J.R.R. Tolkien. --P.M. Atterberry Reviews (26)
This biography demonstrates what we hobbits have suspected all along: Professor JRR Tolkien was one of us! He was, in fact, a hobbit among hobbits. Any hobbit of the Shire who remembers the Great Years can sympathize with Professor Tolkien's terrible experiences during the Great War; the elves will be singing of the love between John and Edith for many ages to come; and the friendship described between the members of the "Inklings" (what a wonderful, hobbitish word!) reminds one of the love and companionship expressed between Frodo, Sam, Merry, and Pippin. All hobbits, especially those who love their land and their people owe it to themselves to acquire and read this book and to share it with their children and grandchildren, so that all hobbits of the Shire can be aware of their debt to the Master of Middle-Earth.
Carpenter makes illuminating connections, linking Tolkien's early fascination with languages to the fact that the author first studied languages with his mother (who died while he was quite young). That nostalgic attachment to language led him to a lifetime of study of all sorts of Scandinavian and Germanic myths and epics, which ultimately inspired him to create his own mythology. Carpenter also mentions that Leaf By Niggle, one of Tolkien's short stories, expressed his own bittersweet feelings about having spent most of his life writing the Silmarillion and Lord Of The Rings; especially given that advancing age made it increasingly unlikely that they would be finished in his lifetime. This was news to me, so I tracked down the story in a secondhand copy of The Tolkien Reader... it was really quite touching.
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| 89. George III: A Personal History by Christopher Hibbert | |
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our price: $14.70 (price subject to change: see help) Asin: 0465027245 Catlog: Book (2000-02-01) Publisher: Basic Books Sales Rank: 317822 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description Rather than reaffirming King George III's reputation as, alternately, a tyrant, a country bumpkin, and a lunatic, Christopher Hibbert portrays him not only as a competent ruler during most of his reign but also as a patron of the arts and sciences, a man of wit and intelligence who greatly enhanced the reputation of the British monarchy until he was stricken with a rare hereditary disease. Teeming with court machinations, sexual intrigues, and familial conflicts, George III opens a window on the tumultuous, rambunctious, revolutionary eighteenth century. It is sure to alter our understanding of this fascinating, complex, and very human king who so strongly shaped England's -and America's-destiny. Reviews (9)
The book begins with a chapter about the King's dissolute father whose personality and relationship with his family were remarkably similar to that of George III's own son, the future George IV. Hibbert establishes George III's own unique personality by examing both his early upbringing and the key political players who helped shape his dedication to duty. George III certainly lacked the flamboyance of both his father and son. In contrast, he was sober and prudish, but nevertheless quite interesting and complex. During his reign he weathered both the American and French Revolutions, long periods of war abroad, and various periods of political unrest at home. Throughout, Hibbert paints a portrait of a monarch selflessly concerned about his subjects and dedication to providing thoughtful leadership. As for his personal life, the King was faithfully resigned to an arranged marriage with a rather plain and increasingly unpleasant woman with whom he had 15 children. The family dynamics make for great reading. His relationships with most of his sons were difficult and a sources of much frustration since they frequently refused to comply with his strict mandates. His many daughters were mostly confined to the royal household and were expected to wait attendance on the King and Queen. A few daughters managed to ecape into marriage late in life, and others had scandalous love affairs with the King's courtiers. All of this family drama was further acerbated by the mysterious "madness" that George III began to suffer from periodically in his middle age. By the time the madness begins, Hibbert has done such a wonderful job of establishing the King's decency and dignity that the reader cannot help but be moved as these very qualities are brutally stripped away by his disease. Also, there is an appreciation of the magnitude of the political crisis it precipitated. My one complaint about this book is that, at least in this American's opinion, Hibbert almost completely glosses over the American Revolution. His general analysis - that the Americans unjustly demonized the King - has some merit, but it virtually ignores the significant economic and social changes that created the Revolution. Perhaps such political theory is beyond the scope of this personal biography, but it should be examined more thoroughly, not only with regards to the American Revolution but also with regards to how these changes were successfully integrated into the British constitutional monarchy.
I knew that George III had been depicted as a tyrant by the framers of the Declaration of Independance. I knew that George III had suffered from an hereditary disease that caused his urine to run purple, hence it's name I wanted to know more about George III because I am fascinated with the history of the French Revolution and the defeat of Napoleon. I wanted to know why George wasn't rousted from his throne like the French King and the monarchy done away with. What I discovered about George III was that he was a good man, a loving father, and a beloved king. I learned he was religious, loved Handel to excess, and was opposed to slavery. I learned that he had all kinds of charities, cared about the poor and the sick, and lived relatively frugally all his life. He admired the Methodists because of their "simple" ways, even though he was High Church Anglican. He lived until he was in his 80's and his madness did not finally put him under until he was 72. He had many children, most of whom disappointed him. He and his wife spoke German behind closed doors, and he owned lands in Hanover in Germany. I learned a lot more, and I enjoyed reading this book even though I wasn't sure I would. Hibbert writes well, his text is interesting and his research thorough. The story is about the private life of George III, so not a lot of political or economic history is discussed although it is always in the background. This is the story of the "upstairs" at Windsor, Buckingham, and Weymouth.
In some ways I found the chapters a bit muddling. The book doesn't follow a complete continuum of time from start to finish. The chapters are all in an ordered timeline, but often the subject digresses and they will discuss events that take place years in advance. It isn't a complaint, I just found it an interesting way of approaching the topic, and quite different from the previous books of Hibbert's that I have read. This is a very sympathetic biography but very interesting. It is easy to see the King slipping into madness and why - and to pick the signs (such as his frenetic energy). It is also more than just an account of a mad King though and I enjoyed it for the depth of focus it bought. Well worth reading. ... Read more | |
| 90. The Last Lion : Winston Spencer Churchill: Visions of Glory, 1874-1932 by WILLIAM MANCHESTER | |
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our price: $14.93 (price subject to change: see help) Asin: 0385313489 Catlog: Book (1984-04-01) Publisher: Delta Sales Rank: 57364 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description It is hard to imagine anything new about Churchill. But in this life of the young lion, William Manchester brings us fresh encounters and anecdotes. Alive with examples of Churchill's early powers, THE LAST LION entertains and instructs. "Manchester is not only master of detail, but also of `the big picture.'...I daresay most Americans reading THE LAST LION will relish it immensely." (National Review) Reviews (48)
In addition to a wonderfully written chronology of Churchill's life, Manchester provides an overview of the times in which Churchill lived. I was fascinated by the author's account of Victorian England -- its culture, its mores, and its view of itself in the world. The sections which describe Churchill's times make highly entertaining and absorbing reading by themselves. "The Last Lion: Visions of Glory, 1874-1932," clearly shows why William Manchester is one of the pre-eminent biographers at work today. The book is written with obviously meticulous scholarship, insightful analysis, and crisp, sparkling prose; I have yet to find a better account of Churchill's life. Now, if only Mr. Manchester would give us that third volume . . .
What makes these two volumes great is that they really portray Churchill as a human being--he isn't simply the man who saved Great Britain (and arguably Western Civilization) from the Nazis. He was man with human strengths and human weaknesses--just like all of us. Manchester never loses sight of this throughout his work. He stresses the man's faults just as much as he stresses his strengths. In addition to this, both volumes--particularly the first one--give the reader an idea of what the world around Churchill was like. The prelude of Vol. I, for example, doesn't even mention Churchill until the very end, when he is born. Rather, it tells of what Victorian Britain was like up to the man's birth in 1874. One sad event to note, however: for many, many years there has been speculation about when Mr. Manchester will publish the third and final volume. I can say with absolute certainty that the third volume will NEVER come about.
Churchill was a man of vision and he was molded in his early years. Manchester makes a case for his growth coming in the Boar War period. There is a beginning of greatness. Manchester introduces us to the world that formed this great man.
Just reading it makes you feel somehow inadequate against the intellectual brilliance, courage and sheer energy of the subject. It would have merited a full five star rating but for two faults. It should have been shorter. It as if every single little titbit of information had to be written out in full, rather than filtered through the critical intellect that Mr Manchester undoubtedly possesses. Instead, he quotes too many letters, reports and speeches in full when his job as a biographer was to summarise them. The second fault was Mr Manchester's tendency to lionise his subject. Brilliant he may have been, but a bit more acknowledgement of Winston's faults would have made him more human and reachable. But this is nitpicking. Overall the book is a good read on a subject well worth reading about.
The only author that has ever kept me glued to a book as much as Manchester's is Michael Crichton. It's odd to compare a biography to Jurassic Park, but Manchester makes history come alive. He spends a lot of time and care setting the "culture" in a way that is not pedantic or boring (unlike some Civil War histories I've read!). And then he builds on Churchill's stories in a way that makes you feel like you're in Churchill's shoes, with the same issues and challenges. Unfortunately, there is no Volume 3 about the war years. Manchester's illness prevented this. What a sad loss to history. Read Vol 1 and 2. You won't regret it. ... Read more | |
| 91. The Wicked Wit of Winston Churchill by Dominique Enright | |
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our price: $9.71 (price subject to change: see help) Asin: 1854795295 Catlog: Book (2001-10-01) Publisher: Michael O'Mara Books Sales Rank: 9190 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description Reviews (2)
I would like to pick some of my favorite quotes for your reference. Hope you like them and can share my feelings of how brilliant Churchill. and also indirectly, this book is. 1. "Trying to maintain good relations with a Communist is like wooing a crocodile. You do not know whether to tickle it under the chin or beat it over the head. When it opens its mouth, you cannot tell whether it is trying to smile or preparing to eat you up." 2. "No one pretends that democracy is perfect or all-wise. Indeeed, it has been said that Democracy is the worst form of government except all those other forms that have been tried from time to time." 3. "You will never get to the end of the journey if you stop to buy a stone at every dog that barks." 4. "Virtuous motives, trammelled by inertia and timidity, are no match for armed and resolute wickedness." 5. "What if I had said, instead of "We shall fight on the beaches", "Hostilities will be engaged with our adversary on the coastal perimeter?". and......many other invaluable quotes. In short, a must buy.
His was born when Queen Victoria sat on the throne of England, and he died when President Lyndon Johnson was serving his second year as President of The United States. There were very few years he was not in the public's eye, and very few moments he was out of the midst of current events. Even the so called, "wilderness years", would become integral in his being prepared to defend The Western Democracies from the threats posed by WWII, and the men who left England horribly exposed. It is too much to say that his words alone carried England through her finest and darkest hours, but that his words were integral cannot be argued. Sir Winston was a great believer in reading the quotations of history's great personages and then following those quotes through to more detailed biographies. Like Disraeli before him who stated one should read biography to learn history, Churchill often took the very same path. He was never concerned with how History would view him, for has often been quoted he stated, "I will write it". Write it he did, and even if he had not, with his words so ever present in the speeches of those who are in the public arena, and writers of all genres whether fiction or non-fiction, this man would never have been forgotten by History. There are seemingly endless books about Churchill and collections of wide varieties of his utterances. As a person who has read many of these books, I can say confidently that this pocket size version is well worth your while, contains many of his better known bon mots, and while specific wording will vary with those that record his words from a variety of sources, I found only one or two that seemed to turn a word differently than I had read before. Few lives have stretched nearly a century, fewer still a century as dramatic as the 20th. He was there for the sunset of the 19th, the dawn of the 20th, and as his lengthy life allowed him to experience the majority of the tumultuous 20th Century. The History of our World has seen few like him, and with our modern penchant for destroying those in one moment who we hold in such tenuous esteem only a breath before, it may be a very long time until his kind is seen once again. ... Read more | |
| 92. Jane Austen : A Life by CLAIRE TOMALIN | |
![]() | list price: $14.00
our price: $10.50 (price subject to change: see help) Asin: 0679766766 Catlog: Book (1999-04-27) Publisher: Vintage Sales Rank: 23248 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description
Reviews (11)
Anyway, I did read it again, and I love it just as much. I re-read Austen at various times, whenever I feel like 'hearing' that crisp, ironic dialogue and beautiful observations that somehow still seem fresh today. Tomalin has achieved something magical in this volume. She has managed to make it feel as if I really know something about Jane, her society and surroundings. When first introduced to Jane Austen in high school, she seemed remote, a woman of another time and place. What could she possibly have to say to a young woman from a distant land? Well, perhaps not much at 15....a bit more life experience would be a good thing. But maybe a good place to start would be this biography. I was fed on the stereotype that Jane Austen was a sickly, sheltered girl and woman, one who had little experience of life outside the drawing room, a sort of consumptive, repressed being. Tomalin shows how far from the truth that portrait is. Jane knew about the ins and outs of the country ball from active participation. She could draw affectionatley hunmorous word pictures of some of her characters through experiencing them. She was quite well-travelled for a woman of her generation, own country, sure, but then only the most extraordinary women were off on the 'Grand Tour'. All these things are obvious in her books if you think about it - Miss Musgrove and friends - male and female- off on their jaunt to Lyme Regis, for example. Jane could write about love and engagement through experience. She did love, and was loved in return, but chose not to marry. Children (nieces and nephews) were a joy to her and she was actively involved in the upbringing of some of them. But never, ever, do we meet an anachronistic Jane. Tomalin does NOT try to shoe-horn her in to some modern day feminist iconography. What we are left with is a portrait of a thoroughly modern woman of HER times. A woman who lived a full life , on her own terms, but within the boundaries of the society of which she was part. That she managed to offer us, the modern reader, such a beautifully resonant portrait of her class and times, that stays fresh today, is a tribute to Austen. That Tomalin has brought that so vividly alive in introducing us to Jane Austen the woman is a tribute to Tomalin.
Claire Tomalin examines her elusive subject from very possible perspective. The Austen genealogy is probed, every known neighbor and witness and every witness's evidence is weighed and balanced, Jane Austen's writings are examined and assessed, and the situations of her brothers' living descendants are sometimes mentioned. Publishing and republishing histories are given, a family tree is included, and the many illustrations are given punchy captions. Gracing (or disfiguring) the cover is the only known pictorial representation of Jane Austen, an unfinished sketch done by her sister Cassandra, a sketch that was not discovered until long after Jane and Cassandra had died and which a niece said was "hideously unlike" her aunt. Don't assume from all this that the book is merely an exhaustive effort of plodding detection. Sensitive and intelligent guesswork is here. Brilliant deductions are made. What is known, for example is that the Austen daughters and their parents had no permanent home during the "unproductive" decade when Jane was in her 20s and early 30s. What is also known is that Jane Austen had drafted three of her novels before this, as well as the novella "Lady Susan". The fact that Claire Tomalin deduces from this is that Jane Austen must have protected and cared for her manuscripts like a mother with newborn babies. Carriers would have been unreliable, cases of paper could break and spill, and a penniless young woman could hardly command premium quality cartage. Other known facts are sometimes given a creative spin. You will read an especially creative and imaginative account of Jane Austen receiving, accepting and then rejecting a proposal of marriage from Harris Biggs. While all this is very satisfying, the effect of this substantial biography is to leave me still unable to perfectly "place" Jane Austen, an effect that will probably prompt me to read a further seven biographies of her.
Here, I wish to draw attention to the fact that the analyses of the novels shows occassional signs of a rather unsubtle reading of Jane Austen. To take one specific example, regarding Mansfield Park, which appears to be her favourite among the novels, Ms Tomalin makes the remarkable statement that the characters of Maria and Julia Bertram are indistinguishable. But the insight and the exquisite touch with which the characters of Maria and Julia are delineated, is in fact one of the amazing things in Mansfield Park. The character of Julia comes through in this kind of thing: She asks Mr. Crawford, regarding his interest in renovating, "You are fond of the kind of thing?" Other places too, she is shown trying to attract his attention (maybe ingratiate herself), by taking an interest in what interests him. Julia, in fact, courts other people. Maria would never do this. She stands proud, and it is the others, including Mr. Crawford, who court her. Something that characterizes Maria is a tendency to rather pretentious, generalized statements like that about some of our best plays being devoid of much scenery, and about good horsemanship having a great deal to do with the mind. The ability to make such statements comes out of her confidence that when she speaks, there will be others to listen. Julia, on the other hand, the younger sister, and the less brilliant one, does not have this confidence. Claire Tomalin fails to appreciate that the subtlety with which Jane Austen wrote can never be overestimated. She doesn't offer any deep analysis of Jane Austen, the woman. What she does do is to suggest the connections between Jane Austen's social circumstances at different times, her state of mind, and her art. Maybe, something of the "Room of One's Own" theme? All said and done, this is a fine book, well worth a read.
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