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| 81. Hilary Putnam: Realism, Reason and the Uses of Uncertainty by Christopher Norris | |
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| 82. This Timeless Moment: A Personal View of Aldous Huxley by Laura Archera Huxley, Laura Huxley | |
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Reviews (4)
If you haven't read Aldous' works, don't bother with This Timeless Moment as it would be as interesting and informative as reading a description of the flavour of a fruit you've never tried. If you have read his texts though and found yourself immersed in the worlds within the man's mind for all its brilliance and receptivity, then this book will give you insights you simply could not get anywhere else. Not being an author herself, This Timeless Moment is not well written by any technical or literary means, but nor is it meant to be. This is a recollection of a husband by his widowed wife; it explores their time together and apart, describes the man she knew for the latter half of his life, and examines the misconceptions of the renowned author as communicated through the media. It is as to the point, as it is a scattered writing as any memory translated to paper promises to be; where it loses in technical merit it gains in heartfelt sincerity. There is also as much in this text for the fans of Aldous Huxley's writing as there is for the man himself. The biggest gift included is the first and only copy of a novel he had begun before his death in which, it is explained, he had hoped to achieve a level of completeness previously unattained- a level he only came to understand as his illness took hold. There is also a great deal of reference to his last published novel, Island, as to how it related to the man himself and his experiences that he'd incorporated into the writing. Of interesting personal note are the many letters and transcripts of recorded conversations between the husband and wife, as well as letters by Aldous to his brother and son. Included among much of the book are references to Aldous Huxley's experiments with psychedics which the media has given such focus and emphasis. It must be said that she is not advocating the use of the drugs, nor is she defending his choice to use them- she speaks of his and her own experiences with LSD and the level of consciousness found within them. Another review I read here on Amazon referred to her as being "preachy" about this issue, but I found that it was anything but. As evident by his writing, Aldous Huxley was interested in virtually every facet of life and the exploration of consciousness was but one of them. Also check out www dot yourwords dot org for more about this text and others. If you're looking for something mind-blowing, read Aldous' own writing itself like Brave New World, The Doors of Perception, Island or any other, and ignore this for now. If you have read these though and want more insight into the man lining each page, read This Timeless Moment and get past the sensationalism of the media into the mind of the woman he had shared it with.
By her own admission, Mrs. Huxley was not a "bookish" person. Nor was English her mother tongue. Her writing style is strangely disjointed and contains both non-sequitors and inconsistent statements. Nonetheless, her love for Aldous Huxley is clear. It is this love that makes the book worthwhile. Due to Mrs. Huxley's tact and her awkward writing style, the reader needs a background knowledge of Aldous Huxley's life and work to understand a number of her anecdotes and veiled references. I re-read Mrs. Huxley's memoir after completing David King Dunaway's ALDOUS HUXLEY RECOLLECTED. Only then did Mrs. Huxley's story begin to make some sense. Mrs. Huxley devotes a chapter and then some to the Huxleys' drug use. This section of the work has a "crusading" tone which I found annoying. It is followed by several heartbreaking chapters describing Huxley's final illness and death. I developed a new appreciation for this great man and his wife who worked so hard to finish one final essay, "Shakespeare and Religion", just days before his death. Mrs. Huxley's reveals that Huxley was working on a novel on mysticism at the time of his death. She states that Huxley told her in his final days that he was on the verge of fitting everything together in one last novel. She then shares the first chapter of this unnamed, unfinished work. It is beautiful (and, unmistakeably, Aldous Huxley). It is the finest chapter in Mrs. Huxley's book. I kept wishing it would go on and on. Mrs. Huxley succeeds in showing a rarely seen side of Aldous Huxley. So often, he is portrayed as cold, aloof and cerebral. Here, Huxley is a warm, vibrant, sensual human being who is utterly at peace with himself and the world.
We learn the truth about his alleged "blindness", his view of psychedelics and how he handled death. Although through my readings it was apparent that Huxley was a brilliant man of letters, the biography brought to light the kindness of the man. He was, according to Ms. Huxley, willing to avail himself and his knowledge to anyone who sought it (except perhaps reporters from whom he understandably sought sanctuary). Even though I am sure it was unintended, we also come away with some notions about Ms. Huxley. Her devotion to Aldous, open-mindedness, and self-effacing manners shine through. I liked the book, but somehow felt the picture was incomplete. Certainly Huxley must have had an interior struggle between his religous beliefs and his intellect. Such a struggle is not discussed in this book. Perhaps Ms. Huxley was unaware of such a struggle or perhaps Aldous had somehow transcended it by the time he met Laura.
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| 83. Albert Camus: A Life by Olivier Todd, Benjamin Ivry | |
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This is a well-written and researched book, with the only negative from me that Camus comes out a lot less heroic and a lot more bitter and stereotypically hepcat and existentialist, which was a disappointment for I, who had raised him toward being a god.... A must read for anyone interested in Camus....
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| 84. Hegel by Terry Pinkard | |
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Book Description Reviews (8)
So, for part one. Hegel is difficult. It was, as I learned, his distinguishing mark in early years: "more obscure than Fichte!" was something like a slogan. Pinkard does a marvellous job of showing the diversity and complexity of Hegel's experience (the chapters on his university friendship with Schelling and Hoderlin are especially absorbing) and pulling out some of the more unexpected sources of his thought. (Adam Smith and Gibbon and the New Testament, for example.) Ever since Dilthey more attention has been payed to Hegel's early work and for good reason. Moving from this account Pinkard gives excellent insights into the genesis and exposition of Hegel's notoriously difficult "system." Having been absoloutely dumbfounded by Hegel in the past I think this book is the best possible introduction to what Hegel is up to in his Philosophical work. Pinkard in addition to being keen has some serious philosophical chops so he brings out some aspects of Hegel that get overlooked. As for the second front Pinkard does a great job of countering some of the more cartoonish and absurd pictures of Hegel: the pioneer of German nationalism, the doddering obscurantist, the proto-fascist conservative. Pinkard does a good job showing how the most common images of hegel are thorough characters whose longevity has more to do with the fact that few people actually read or know much about Hegel. I particularly liked the way Hegel's complex political commitments were mapped out and how the more intimate aspects of Hegel the person (his addiction to whist, his love of coffee) were brought out. I am given to understand that Hegel scholarship is experiencing something of a revival these days, and by my account Pinkard's biography should be at the forefront of any movement. He deserves a great deal of credit for producing a skillfull, well-written and insightful work on an extremely difficult thinker.
Those who have always wanted to know more about Hegel, but didn't know where to begin, and those who are studying him for a required course, should start with this book; and even old radicals who cut their eyeteeth on dialectic should find a few fresh insights.
Hegel's single minded persuit of his career and of his own "Bildung" are described in highly readable fashion. As a bonus we also get a glimpse at the petty infighting among the pleiad of philosophical "stars" of the time. Probably at no other moment in human history since the glory days of Greece so many great thinkers where alive and interacting. The cast of characters includes Kant, Fichte, Schlegel, Schilling, Jacobi, Hamman, Holderlin and Goethe himself, with a special guest appearances by Schopenhauer and Marx. If you are interested in the history of thought, you can't miss this book. ... Read more | |
| 85. A New Life of Dante by Stephen Bemrose | |
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| 86. Hans-Georg Gadamer: A Biography (Yale Studies in Hermeneutics) by Jean Grondin, Joel Weinsheimer | |
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Book Description Reviews (1)
Prospective readers need not be put off by this volume's bulk (478 pages) since almost 140 pages are devoted to scholarly apparatus which most of us will ignore. That leaves only 338 pages of actual text to read (plus a few pages of pictures to enjoy). In this era of bloated biographies, we can be thankful for Professor Grondin's restraint. The average intelligent reader will probably find herself skimming chapters 2 - 5 (Gadamer's ancestry and youth) and chapters 10 - 12 (academic politics in the mid-twentieth century) thereby shortening this book by an additional 115 pages. That leaves about 200 pages of interesting reading about Gadamer, Heidegger, Nazis, poets, Habermas, Derrida, Plato, phenomenology, human finitude, etc. Not surprisingly, Professor Grondin does a fine job of sorting out the influences of others in the formation of Gadamer's conception of hermeneutics and in communicating the gist of his major work, TRUTH AND METHOD. Unfortunately, Grondin never gets around to telling us much about his subject's life-long enthusiasm for the arts (Why did Gadamer love Rilke's poetry? What visual artists was Gadamer excited about?). In short, this is a good biography of an important twentieth century philosopher, but not a great one (for a great one order Ray Monk's WITTGENSTEIN : THE DUTY OF GENIUS). ... Read more | |
| 87. Martin Heidegger: Between Good and Evil by Rudiger Safranski | |
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Reviews (10)
Another virtue of the work is the detached, and at times bemused distance Safranski adopts toward his subject. Given the gravity of the issues at stake, one might object that detachment is hardly called for; yet Safranski's relative coolness permits the damning facts to speak for themselves with that much more force. And none does so more loudly than the matter-of-fact, almost inevitable way in which Heidegger embraced National Socialism. Behind the grotesque intellectual irresponsibility of someone who must have known better we can make out--disturbingly--only a diffuse, tepid banality. In order for this shock to hit home, Safranski must of course first convince us of Heidegger's genius, and he does not disappoint here. The chapter on Being and Time alone makes the book worth buying. Unlike other English-language expositions--especially some highly sympathetic ones--the work never produces the disagreable feeling that Heidegger's words are being "translated" for our consumption. Instead they are allowed to retain that degree of opacity which is probably so essential to their influence and evocativeness. Yet the quality of Safranski's overall exposition is such that, at those times when he chides his subject for hyperbole or obscurantism, one never feels that he i! s motivated by the impatience of Heidegger's usual no-nonsense, positivist critics. The name Heidegger has apparently always generated strong feelings. Safranski's relatively detached approach ("balanced" is not quite the word I would use) has as one of its beneficial effects a subtle kind of displacement. It allows us to see that it is ultimately not Heidegger that is most at stake, but the nature of philosophy itself. Heidegger's thought freed from its historical and political entanglements may well be less objectionable, but also much less interesting in terms of the (ultimately philosophical) aporias they pose for his chosen discipline. F. Gonzalez
When I initially studied Heidegger in college it was with great suprise and disappointment that I learned about his involvement in the Third Reich. Safranski's deft handling and elucidation of this controversial issue will be of interest to anyone who has pondered the reasons behind Heidegger's intellectual capitulation. According to Safranski: 'We are faced with a Heidegger who is woven into his own dream of a history of being, and his movements on the political state are those of a philosophical dreamer. In a late letter he would concede to Jaspers that he had dreamed "politically" and therefore had been mistaken. But that he was politically mistaken because he had dreamed "philosophically" -- that he would never admit, because as a philosopher who wished to discover the essence of historical time he was bound to defend -- even to himself -- his philosophical interpretative competence for what was happening in political history.' [p. 234] The British historian Paul Johnson once said "The worst of all despotisms is the heartless tyranny of ideas," and the chief lesson humanity can learn from the twentieth century is to beware of intellectuals. Heideggar's involvement in National Socialism illustrates the danger of a mind enslaved by intellectual hubris, and should remind today's scholars to conduct themselves with care and humility. Incidentally, the book touches upon the Nazi attempt to enlist Nietzschean philosophy as a resource for propaganda. Given Nietzsche's popular depication as an anti-semite, it was a suprise to learn that Nietzsche actually came under heavy criticism by Nazi philosophers, one of whom, Arthur Drews, went so far as to describe him as an "enemy of everything German", an out an out individualist whose philosophy was completely antithetical to the National Socialist principle that the common good comes before personal advantage. Drews' lament that "most people today who make statements about Nietzsche are only picking the 'raisins' out of the cake of his 'philosophy' and, given his aphoristic way of writing, have no clear idea at all about the context of his thoughts" echoes Walter Kaufman in 'Nietzsche: Philosopher, Psychologist, AntiChrist'. Of course, it was only by this very method that the Nazis were able to enlist Nietzsche as a resource in their propaganda. Perhaps Safranski will have more to say on this matter in 'Nietzsche: A Philosophical Biography' (which I am currently reading). Meanwhile, I heartily recommend 'Between Good and Evil' to anybody interested in Heidegger. ... Read more | |
| 88. Critique and Conviction by Paul Ricoeur, Francois Azouvi, Marc B. De Launay, Kathleen Blamey | |
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| 89. A Stroll with William James by Jacques Barzun | |
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Reviews (1)
Barzun explains James' pragmatism from the ground up, so to speak. He starts with "The Principles of Psychology," which is really one of the best written pieces of American non-fiction on the planet and James' philosophical starting point. Next, he goes into "Pragmatism" and "The Meaning of Truth" taking much of the ambiguity out of a philosophy already difficult to the unaccustomed. Next, "A Pluralistic Universe" gets a summation along with "Varieties of Religious Experience." I hope I am not leaving you with the imppression that Barzun is doing any of this in an academically dry, sardonic manner. Nope. Just like James, his words bubble with excitement and humongous energy. Honestly, before I started this book, I wasn't the biggest fan of William James and after, I'm still not the biggest fan of Wiliam James (preferring John Dewey much more). Still, I've come away the better for getting to know Barzun and James; i've read a great book and learned a bit more about a great (if tragic) philosophy. Also, read "The Metaphysical Club" and James' own "Principles of Psychology." ... Read more | |
| 90. The Story of Philosophy: The Lives and Opinions of the World's Greatest Philosophers by Will Durant | |
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Reviews (43)
He may have popularized philosophy but he hasn't lost the essence as some other authors have done by watering down the messages. It's still there in its original form but he doesn't use pretentious prose to appear learned. You know he knows what he is talking about without him having to resort to the 'specialized' language that other authors speaking about philosophy turn to. This is one great expositor, and he will get you interested in the subject if you were only lukewarm about it before. He explains how a Philosopher develops; he describes the personal influences as well as the societal. You understand by reading him that philosophies do not appear in a vacuum, they are an answer to previous questions and philosophies and the problems most pressing at that time. So you have Durant explaining Schopenhauer's lack of affinity with women and those around him and his almost schizophrenic fear having an effect on his philosophical views. You also understand why Kant wrote the Critique of pure reason and who it was in response to. I found it hard to understand Kant before, but Durant has made his main ideas so lucid that I will now attempt to read _The critique of pure reason._ You also get to know the philosophers in a personal way; you feel with Plato the sorrow of losing a master, who goes stoically to his death because he believes in his philosophy. Only a great author can make you feel for someone who lived thousands of years ago. I must make a note to the Christian reader. Many of the philosophers discussed by Durant were Atheists and many of their philosophies were a reaction to the dominant Christian theology at the time. I found though that some of these philosophers were not attacking Christianity per se, but the organized religion that had called itself by that name. I read this book keeping in mind that these philosophies, although very illuminating, are man made and fallible. I think if you are strong in your faith, you can read this book and take some of their bitter attacks against Christianity as their personal views about the subject, without worrying yourself too much. The greatest thing this book did is introduce Philosophy to me in a straightforward way. I would highly recommend this book to anyone with even a fleeting interest in Philosophy. The writing is so plain and clear that the only things that may be difficult to understand are the philosophies themselves rather than the prose. Good luck to you.
The author, U.S. historian and Pulitzer Prize winner Will Durant (1885-1981) has written an exceptional book for any reader who wants to survey the history and development of philosophical ideas of the Western world. However, this book is just not your typical survey! It is also a stimulating introduction and enthusiastic invitation to philosophy of the Western world. This book concerns itself with fifteen influential Western world philosophers. Each of them has their own chapter title. These thinkers are as follows: (i) Spinoza, Schopenhauer, Nietzsche, Bergson*(ii) Croce* (iii) Plato, Aristotle, Kant, James^(iv) Spencer, Dewey^, Russell* and (v) Bacon, Voltaire, Satayana^. (The three *asterisked* names are under the chapter title "Contemporary European Philosophers" and the three ^arrowed^ names are under the chapter title "Contemporary American Philosopers.") Other Western philosophers that are not as thoroughly discussed have their own sections (or sections in collaboration with others) within these chapters. These include Socrates, Locke, Rousseau, Hegel, and Comte. As well, yet other Western philosopers are briefly mentioned in the main body of the book. Why do I call this book a Magnum Opus (that is, a Masterpiece)? There are several reasons for this: (1) The INTRODUCTION. Even though it is brief, it is written brilliantly and is a treat to read. The reader, especially the first-time reader of Durant's works (such as myself) gets an idea at how skillful Durant is with words. I even recognized some disguised Shakespeare! (2) The BOOK'S CONTENT. This book is not just about philosophies but also about philosophers and the time in which they lived. The author combines his witty and dazzling narrative with excerpts from each philosopher's works so as to weave an interesting story. The author not only quotes the philosophers throughout but he directs the reader to the actual texts from which the quotations came. As a result, when I finished reading the book, I had a desire to read more. (3) A USEFUL CHART (or Table). It is entitled "Table of Philosophic Affiliations" and is located near the beginning of the third chapter. It indicates the main lines of philosophical development in Europe and America by including the names and lifespans of almost fifty philosophers (including the ones detailed in the book) of the Western world. This chart divides the fifty philosophers into five groups where each member of the group practices a similar philosophy. The reader can also tell at a glance the name of the previous philosopher or philosophers that influenced a future philosopher (and vice versa). It also shows how a philosopher in one group can be influenced by a philosopher in another group. As an example, the groupings of the fifteen philosophers in paragraph three (above) of this review are based on this chart. (4) A HELPUL GLOSSARY. Philosophy can introduce many new, unfamiliar words. To aid in deciphering these words, there is a small glossary found at the back of the book. There are two irritations I have with my paperback edition. It should be emphasized that these are NOT the author's fault and they do NOT interfere with the story flow of the book. First, on the front cover of the book there is an omission. It is that the word "Western" should appear in the book's subtitle. It should thus read "The Lives and Opinions of the WESTERN World's Greatest Philosophers." Second, the important chart of (3) above is very easy to miss. It should be indicated in the Table of Contents that it even exists. As well, it would be easier to refer too if it was placed at the back of the book with the glossary. In conclusion, if you want a brilliant and concise account of the lives and ideas of the greatest philosophers of the Western world that's written with wit for the nonspecialist, then get this profound book!! *************************************************************** ... Read more | |
| 91. William and Henry James: Selected Letters by William James, Elizabeth M. Berkeley, John J. McDermott, Henry James, Ignas K. Skrupskelis | |
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| 92. Life of Apollonius of Tyana: Volume I. Books 1-4 : ,(Loeb Classical Library ) by Philostratus, Eusebius, Christopher P. Jones | |
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Book Description This biography of a first-century CE holy man has become one of the most widely discussed literary works of later antiquity. With an engaging style, Philostratus portrays a charismatic teacher and religious reformer from Tyana in Cappadocia (modern central Turkey) who travels across the known world, from the Atlantic to the Ganges. His miracles, which include extraordinary cures and mysterious disappearances, together with his apparent triumph over death, caused pagans to make Apollonius a rival to Jesus of Nazareth. In a new two-volume Loeb Classical Library edition of Philostratus's third-century work, Christopher Jones provides a freshly edited Greek text and a stylish translation with full explanatory notes. Apollonius of Tyana is by far the longest biography that survives from antiquity. Jones in his Introduction asks how far it is history and how far fiction, and discusses its survival from Late Antiquity to modern times. | |
| 93. Ecce Homo: How One Becomes What One Is (Penguin Classics) by Friedrich Nietzsche, R. J. Hollingdale | |
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Book Description Reviews (8)
the titles of the chapters are slightly amusing--"why i am so clever", "why i write such good books", "why i am a beginning". this isn't a question of not worrying about modesty, but one of impending insanity. its almost as though on some level nietzsche was aware that the end was near and that he needed to write something that expressed his heart and soul before he fell apart completely. one of the most stunning parts in the book are nietzsche's wholly accurate predictions for the twentieth century:"there will be wars such as mankind has never seen before." he said it with a certain delight, no doubt, but nonetheless, this man possessed the intuition and foresight of an almost mystical kind, although he would punch me in the mouth for saying that. he also admits some curious things about himself that contradict his professed philosophy more than slightly:"i know nothing of the 'heroic', i know nothing of 'will'. my being would rather say 'no' than 'yes'; in fact, it would rather say nothing at all." this, from the eternal yea sayer? "ecce homo" offers some curious insights into the actual psyche of the man who preached life affirmation with his more formal works.
-- Friederich Nietzsche, Ecce Homo Ecce Homo is not a book of philosophy. It is not, for that matter, a book that conforms to any conventional genre of literature to which one can relate from ordinary reading. Rather, it is an elaborate anamnesis, a haunting excursion into the strange world of a moral hygienist, written by one of the most peculiar, though no less intriguing, minds of modern European history. Very much out of line with the spirit of autobiography, Nietzsche ridicules with remorseless cynicism the very idea of writing a book about oneself. He begins his chapters with such titles as, "Why I Am So Wise", "Why I Am So Clever", "Why I Write Such Good Books", and "Why I Am A Destiny". Such titles, so egregious and perverse, deride the sheer arrogance presupposed by the writing of autobiography. For, if we are to be honest with ourselves, autobiographies are little more than shameless excercises in self-indulgent egotism, written exclusively for the scandalous purpose of public consumption. At no point does Nietzsche exhibit the sort of false modesty with which autobiographers make a mockery of their readers. What is presented in this book is something quite different. The readership here is never assumed to be a general audience. Marketing played was given no consideration in the writing of this book. Nietzsche takes little care (none, in fact) not to offend the reader. He writes absolutely whatever springs to mind, laying bare in defiantly candid terms his essential line of thinking, more rightly described as his 'essential attitudes', esteeming everything pleasing to his instincts and lashing out with utmost violence against every conceivable source of putrefaction and disease - German culture, Christianity, modern industrialism, the obsessive 'scholar' and bibliophilic pedant, dispiriting weather, and even English cookery. Herein lies Nietzsche's famous declaration: "I am the anti-ass par excellence and therewith a world-historical monster - I am, in Greek and not only in Greek, the Anti-Christ..." Ecce Homo follows no chronological order. It reads quite erratically, touching upon the most random points of concern (one might say fetishes) in Nietzsche's brief, but profound life. He elaborates with great passion upon his love of Wagnerian music, his intimate hatred for false 'idealism', and the destructive consequences of excessive rationalism. " 'Rationality against instinct. 'Rationality' at any price as dangerous, as a force undermining life!" He emphasizes endlessly the importance of intellectually and spiritually conducive surroundings, of "[s]electivity in nutriment; selectivity in climate and place", making it painfully clear that Germany was thoroughly godforsaken in this respect. The reader is given a refreshing sense of what is means to be cultured and civilized in Nietzsche's view. He reveals his love of Italian life, French cuisine, and Moorish architecture. He also has been described as having an extraordinary perception for diagnosing symptoms of social rot. Nearly all of Europe, with its embrace of industry and technology, was condemned by Nietzsche as being sick to the bone. Christianity is used as an unfailing example of what it means to be truly dirty in both body and mind. Surprisingly thrown into this wild mix of bitter damnation is alcohol, entirely shunned by Nietzsche for being an influence as criminal and destructive in its effects as Christianity itself: "Alcoholic drinks are no good for me; a glass of wine or beer a day is quite enough to make life for me a 'Vale of Tears'...To believe that wine 'makes cheerful' I would have to be a Christian, that is to say believe what for me is precisely an absurdity". Of practical value and written in the most coherent fashion are the individual chapters devoted to each of Nietzsche's books. These chapters present a 'lightning tour' of his philosophy, giving concrete definition to his most celebrated ideas. The reader is given a taste of the elevated euphoria that went into the writing of the Gay Science. Nietzsche generously quotes from Thus Spake Zarathustra, highlighting its most graceful passages in which his lyrical talents shine forth in resplendent brilliance. In the chapter titled, "The Untimely Essays", Nietzsche offers his views of scientific management and modern industrialism, unveiling "what gnaws at and poisons life, in our way of carrying on science: life sick with this inhuman clockwork and mechanism, with the 'impersonality' of the worker, with the false economy of 'divison of labor' ". Such openly Marxist overtones belie all attempts to characterize Nietzsche as the unsuspecting prophet of fascism. Nietzsche possessed, among other things, an exceptional gift for conveying seemingly simple ideas with a profound, hammering intensity. In these pages, one will encounter a uniquely superior command of language, in lines of unrivaled grace, eloquence, and passion, and laced with the sort of formidable literary power that will violently shake the ground beneath one. It is said that Ecce Homo is "one of the supreme masterpieces of German prose". I would go so far as to suggest that R.J. Hollingdale's translation of this magnanimous work is one of the supreme masterpieces of *English* prose. "I can write in letters that make even the blind see." -- Nietzsche, The Anti-Christ
"Saying 'Yes' to life," says Nietzsche, "is its strangest and hardest problem; the will to life rejoicing over its inexhaustibility even in the sacrifice of its highest types--that is what I call Dionysian, that is what I understood as the bridge to the psychology of the tragic poet." This Dionysian status, he goes on to say, is not gained through "thumbing through books," but by suffering through experience and rejoicing in the vitality of living. Nietzsche also writes, "In questions of decadence I am experienced." In this he intimates his own experience of life denial through words and his imagery compares intellectual endeavors with physical conditions, e.g. digestion. "The German spirit," he says, "is an indigestion: it does not finish with anything." Nietzsche uses the human stomach as a metaphor of the reification of the linguistic world. The stomach digests food by breaking it down into its component parts, readily recognizable to physiology but having little to do with the original product. An orange, after all is not just vitamin C. Furthermore, says Nietzsche, what the body cannot use is rejected as waste product. When disorders of the stomach occur, the body cannot distinguish between waste and nutrient and consequently it churns endlessly, causing distress to the entire organism. Nietzsche, himself, is not embarrassed by his experience of decadence but sees it as something which has given him a special sensitivity to the "signs of ascent and decline." For Nietzsche, the world is a chaotic place, given order only by the imposition of human will. Humans, in this way, says Nietzsche, create something out of nothing. However, in the face of the "abyss," man creates and acts as if his creation is real, in such a manner as to allow himself the vital and joyous activity of affirming the very importance of his creation. The heroic figure then moves on towards greater acts of creation using each personal, willful creation as a stepping stone, not towards an ultimate goal, but towards other projects. Nietzsche tells us to beware of the organizing "idea" which "...leads back from side roads and wrong roads...as a means towards a whole." The endless road of "becoming" is traveled by a will which is excited and invigorated by its trip, enjoying its stops along the way, but which ultimately has no other purpose but to go further and further as the journey becomes more and more exhausting. For Nietzsche, the battle is always emphasized over the goal. It is a simple matter, he tells us, to conquer that which is already beneath you. To move beyond that which is your equal is the real test of the will. This is the essential process of "overcoming" which leads one higher and higher, eventually reaching the experience of the "tragic." As the linguistic world becomes more and more complex, its position in relation to nothingness becomes more and more precarious. This situation threatens a fall of apocalyptic proportions, for it is necessary for the tragic aesthetic that there be a certain height to the descent. For Nietzsche, rejoicing in the sacrifice of the highest types is a key element in experiencing tragedy. "...and whoever wants to be a creator in good and evil, must first be an annihilator and break values." Creation, according to Nietzsche presupposes the willingness to destroy. The order we impose upon the world is a constraint upon us when the time to overcome occurs, and at such times, the spirit of the Ubermensch is needed in order to decimate the linguistic constructs that we have come to depend upon. For original, creative activity to be allowed, there must be nothing available to plagiarize or react against. Nietzsche refers to this resignation in the face of the void as "Russian fatalism" which occurs when the individual no longer attempts to "...accept anything at all--to cease reacting altogether." In the end, for Nietzsche, nobility of spirit is akin to a meniscus, relying on the tension created by contrasting nothingness with creation. It can tolerate very little unequal pressure; too much and it ruptures. And aesthetically pleasing life is to be sought in that in between area inaccessible to words or to action alone. Ironically, Nietzsche's severe philosophy seems to advocate a kind of moderation. For the truly heroic figure is valued for his ability to live a life in which he moderates the need for order with the desire for creative action. Standing between empowerment and dissolution, as he must, the hero, says Nietzsche, is as deserving of "songs of praise" as is any god. ... Read more | |
| 94. My Life as a Seer: The Lost Memories : The Lost Memoirs by Edgar Cayce | |
![]() | list price: $7.99
our price: $7.19 (price subject to change: see help) Asin: 0312971443 Catlog: Book (2002-02-18) Publisher: St. Martin's Paperbacks Sales Rank: 332988 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (2)
Edgar Cayce is also known as the "Father of Holistic Medicine," whose unorthodox naturopathic cures, while helping many regain their health who had been given up as hopeless by the medical establishment, once led to his arrest on grounds of practising medicine without a licence. In "My Life As a Seer," we get to know the Edgar Cayce who struggled with self-doubts regarding his psychic gift, and with concerns about the impact which the information from his readings might have on those who sought his counsel. We meet Cayce the family man, a photographer by profession, whose deep faith sees him through a series of defeats, including the destruction by fire of his studio; the closure, for lack of funds, of the hospital he had spent years trying to build; an eviction from his home; and physical injuries suffered while being the target of a humiliating attempt to expose him as a fraud. Through it all, Cayce remained a sincere and humble man,who was motivated not by fame nor by riches (which eluded him all his life), but by an overwhelming desire to serve God and help his fellow human beings. "My Life As a Seer," as grandson Charles Thomas Cayce says in the foreword, represents "the first account of Edgar Cayce's life told completely in his own words. He does not dwell on all of the personal aspects of his life, but focuses primarily on those experiences that marked him since childhood as decidedly different from anyone else in his world." Reading this fascinating book is the closest most of us will come to talking with Edgar Cayce in this lifetime.
Cayce is a fascinating character. Because of his deep faith, he wrestled with the concept of reincarnation and tries to reconcile a biblical explanation for what he experienced in the "life" readings. I found the final chapters of the book more interesting than much of the rest of the book. But it deserves better treatment overall than was given by Kirkus. ... Read more | |
| 95. Introducing Machiavelli (Introducing...(Totem)) by Patrick Curry, Oscar Zarate, Richard Appignanesi | |
![]() | list price: $12.95
our price: $9.71 (price subject to change: see help) Asin: 1840461160 Catlog: Book (2002-03-01) Publisher: Totem Books Sales Rank: 455225 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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