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| 21. The Rise of Theodore Roosevelt (Modern Library (Paperback)) by Edmund Morris | |
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Book Description Reviews (113)
Beginning with he President's New Year's Day Reception of 1907, the book quickly jumps back to a very youthful TR. In the following pages we read of the close relationship between TR and his father. We read of the father who, by example and word, taught TR his greatest virtues of honesty, social responsibility and concern for others. It was this father who drove him through the streets of New York to get him over his asthma attacks as well as the one who told him that he "had the mind, but not the body" and that he must build his body. When TR was contemplating a scientific career, it was this father who told him that he could pursue such a career, "if I intended to do the very best that was in me; but that I must not dream of taking it up as a dilettante", but that he would have to learn to live within his means. Theodore Roosevelt, Sr.'s payment of a substitute during the Civil War left his son with a sense of guilt which could only be assuaged by his own military service. We learn of the shattering effect that this father's death had on the Harvard student. As president, TR would remark that he never took any serious step without contemplating what his father would have done. Much attention is given to the "Roosevelt Museum of Natural History" assembled by the young taxidermist. This was the first of three career paths considered by TR, scientific, which he abandoned, literary, which supported him for much of his life, and political, which became his life work. We learn of TR's loves, both of Edith and Alice. We learn of how TR pursued love with the same vigor and intensity that he pursued everything else which he desired. The death of his mother and Alice on Valentine's Day, 1884, which drove him into ranching in Dakota, would be almost as shattering as the death of his father. There are details of TR's young life of which I had been unaware, prominent among them are his extensive travels in Europe and the Middle East. In the course of this book we see the step by step maturation of TR from the snobbish Harvard freshman to the inclusive leader which he later became. College, romance, politics, ranching and war all played their parts in the development of the character of TR. During his political career, TR's outlooks on issues developed, but his core values never wavered. From his first caucus meeting, uncompromising honesty was a trademark of TR's character and his demand from others. TR always walked a tight rope between independence and party loyalty, earning both the support an enmity of reformers and the organization alike. After having established himself as an unrelenting foe of corruption during his service on the U. S. Civil Service Commission and the New York Board of Police Commissioners, his appointment as Assistant Secretary of the Navy enabled TR to act on the world stage. Taking advantage of Secretary Long's frequent and extended absences, TR prepared the Navy for its spectacular successes in the Spanish-American War., a war which TR had worked so hard to bring about. The war gave TR the opportunity to pay his inherited debt by service in the Rough Riders. Organizing a volunteer cavalry of westerners, Indians and Ivy League athletes, TR had to work to get his men equipped and to the front. Their heroic charge up San Juan Hill is the stuff of which legends are mad and TR made his legend as a Rough Rider. Exploiting his martial glory, TR road into the Governor's mansion where he continued to walk the fine line between independence and party loyalty. His successes he won and the enemies he made lead him to the vice-presidency. I have mentioned just a few of the highlights of TR's young life, but this book covers many more. Morris employs a talent to tell the details without becoming bogged down. Read "The Rise Of Theodore Roosevelt" to learn of TR's early life and character and then bring on "Theodore Rex". ... Read more | |
| 22. Adams Vs. Jefferson: The Tumultuous Election of 1800 (Pivotal Moments in American History) by John Ferling | |
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| 23. Fidel: Hollywood's Favorite Tyrant by Humberto Fontova | |
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Book Description Reviews (20)
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| 24. Jacqueline Kennedy : The White House Years: Selections from the John F. Kennedy Library and Museum by Metropolitan Museum of Art, Hamish Bowles, Arthur M. Schlesinger, Rachael Lambert Mellon | |
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Amazon.com These photos give a wonderful context to the clothes, and it's clear that Jackie's carriage and persona injected life into these garments--which sometimes appear markedly different from what one might deduce as each item's "personality" when simply viewing it alone. For example, a pale cream embroidered silk Givenchy evening gown looks dull and somewhat dowdy when seen alone, but the accompanying photograph of Jackie wearing it while cuddling a newborn John Kennedy Jr. transforms the dress into something feminine and timeless. Or a very simple, innocently pretty pink shantung evening gown by Guy Douvier becomes arrestingly sexy when she wears it with nothing but white gloves and a Palm Beach tan. Contextualizing and interpreting Kennedy's style is an important part of this book. Featured are essays on Jackie and her effect on the world of style by Arthur M. Schlesinger Jr., Kennedy friend Rachel Lambert Mellon, and the book's author and Vogue editor at large, Hamish Bowles. Jacqueline Kennedy: The White House Years accompanies an exhibition at the Metropolitan Museum of Art in New York City. --Marisa Lencioni, Amazon.co.uk Reviews (14)
During the presidential election of 1960, Ms. Jacqueline Bouvier Kennedy made an immense impression on American society. At 31, she was a dramatic contrast with the vice president's wife, Ms. Patricia Nixon, and recent first ladies (Ms. Mame Eisenhower, Ms. Bess Truman, and Ms. Eleanor Roosevelt). She was much younger than these women, was pregnant with her son, John, and seemed like someone who came from another world. Ms. Kennedy was highly cultured, interested in the fine arts, attractive in a way that showed up well in photographs and on television, and wore gorgeous clothes of the sort usually only seen in the best fashion magazines. Once in the White House, her differences from other first ladies became more apparent. A major effort to redecorate the White House with authentic pieces ensued, Lafayette Square's appearance was conserved, entertaining began to feature people from the world of fine arts, the Rose Garden was redesigned, and the clothes she wore became even more magnificent. A great deal of the sense of Camelot certainly came from Ms. Kennedy. I was disappointed in the book. For someone who had such a wide and important influence on America, the book barely seemed to scratch the surface. It is almost as though a decision had been made to create a book about her dresses on state occasions, and to mention and show all of the other influences she had as little as possible. This book minimally and partially captures the impact she had on our national consciousness. The best essay is found in the foreword by Arthur M. Schlesinger, Jr. who provides a good overview of the influence of Ms. Kennedy (as described above) and her husband, the president, more broadly on the arts (including efforts that helped lead to the National Endowment for the Arts and Humanities, the Kennedy Center in Washington, D.C., and providing a temple from Egypt to the Metropolitan Museum in New York). Most of the book is visually devoted to her clothing during state occasions, with notes about those who created the clothes. A typical section has color photographs of the clothing on mannequins, Ms. Kennedy wearing the clothes at an event, and a black-and-white image of how she appeared in the context of the whole event. The clothing captures what was called at the time, the Jackie look. Most of the dresses are by Oleg Cassini, Givenchy, Chez Ninon, and Gustave Tassell. There are also lots of examples of her hats (often pillboxes by Halston). The outfits are usually as simple and conservative as possible in solid colors, made special by perhaps one elegant bow or sash. Unfortunately, these sections have little material about Ms. Kennedy's views on these apparel, designs for the clothing, or thoughts about how to coordinate them with shoes and accessories. What was most impressive to me was the success with which she selected outfits that fit in with the nations she was visiting. In France, the elegance of Givenchy enveloped her. In India, bright pastel shades made her look like part of the jungle flora. I'm sure the host nations were delighted to see their specialness magnified in her efforts to be an attractively dressed guest. But these clothes are unremarkable without Ms. Kennedy. Like a well-known fashion model, she enhanced the clothes enormously with her youth, vitality, personality, and trim figure. So, for me, the book's real value was in seeing the many photographs of Ms. Kennedy. I especially liked the candid photographs, either talking with guests or playing with her children. How can we recapture a sense of uniquely American style and good taste in ways that will bring approval? What are the ways that the president and first spouse should set a good example for the rest of us?
Jacqueline Kennedy kept it simple - most of her clothes were in solid colors with only huge buttons, cockades or discreet stylized bows, scarves, shawls or frogs for detail. In the Travel Chapter we see the simplicity of her wardrobe & her passion for colors. Combining original & new photographs, this volume presents images we have rarely seen, as well as photos that have become a part of our national consciouness. The final one of the President & First Lady together in the open touring auto needs no words - we all know what happened next. Certainly a treasure of memories - where we were, what we wore, what we wished we could wear. I never realized how Mrs. Kennedy acquired her wardrobe assuming, incorrectly, that she always wore top-of-the-line haute couture - when in actuality she wore "knock-offs", sometimes chosen by her mother-in-law. For anyone who cannot make the pilgrimage to the 40th Anniversary Exhibition at the John F. Kennedy Library & Museum, Metropolitan Museum of Art in New York & who craves visions of those much-mimicked fashions of yesteryear.
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| 25. The Intimate World of Abraham Lincoln by C.A. Tripp | |
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| 26. Master of the Senate: The Years of Lyndon Johnson by ROBERT A. CARO | |
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Amazon.com Reviews (104)
As an historian with a deep background in 20th Century America, I have a professional interest in the topic, but so should any reader with an interest in 1950's America, in particular during the tumultuous challenges brought on by the Cold War and the fight for Civil Rights . However, this book definitively showcases LBJ's years in the Senate. He remains a larger-than-life figure in American politics and his "history" is truly extraordinary.
The problem with the book is that, even though it's 1000 pages long, it feels oddly unsatisfying. I read it through and found myself asking, "Wait, how did he get control of the Senate again?" When you really look at it, Caro tends to say things like, "If so-and-so senator couldn't be persuaded by money or by concessions [or whatever else], then Johnson would just use his power to get the vote." Caro seems to keep using this phrase - Johnson would just use his "power" - to explain things. But that doesn't explain anything, and when you dig down to see what it means, Caro doesn't have any more of an answer than anyone else. He fails to really convey the "why" of things - why no one would vote for Estes Kefauver to get one some committee, or why everyone followed Russell's word so closely, or why the Policy committee decided so much. Any attempt to explain it just hits up against some well-written but basically empty passage saying how "clever" or "feared" or "powerful" Johnson or Russell was. The real reason for this failure is the basic exaggeration of Johnson's power. Caro makes him out to be the wisest, cleverest person since Solomon. But instead of being "Master of the Senate," Johnson is really just "Master of His Times." That is because Johnson, instead of imposing his will on the majority, like some seem to believe, really just shepherded the pre-existing will to passage. The heart of the book, the struggle over the 1957 Civil Rights bill, proves this. It passed not because Johnson singlehandedly made them do it, but because there was finally enough liberal support, coupled with Republican votes, to make it happen. Johnson may have insisted on making the deal, but any majority leader in office at the time could have done so as well. So the book's main failure is one of emphasis. By devoting so much well-written copy to a great story (but re-telling it with Johnson as the prime mover), Caro gives too much credit to his subject, and his slippery definition of the exact source of Johnson's power is a symptom of this. Many future politicians will surely try to use this book to imitate Johnson's feats; too bad there really isn't anything particularly exceptional to learn from them.
Homo-Erotism of a Dead President. LBJ Dead since 1973. It must be a man acting out their homo-erotic fantasies out of another man. Of course, LBJ was Texas roughneck, cowboy, and Robert Caro, the pencil-neck geek must find this guy attractive. LBJ died in 1973 from a Heart Attack. He got kick out after one term in office, the Vietnam War was a diaster. The welfare state left us with billions in debt. All this can be debated in academic circles. But why devote three books to a man dead since 1973. Robert Caro, please get a life, a real job. All humans born, live and then die. The USA life expectancy is about 72. We can debate politics and so on. Weak males tend to be attracted to strong, dominating males and that explains why Robert Caro is devoting three books to a dead man. ... Read more | |
| 27. The Eloquent President : A Portrait of Lincoln Through His Words by Ronald C. White Jr. | |
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Reviews (5)
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| 28. Because He Could by Dick Morris, Eileen McGann | |
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Book Description Who is Bill Clinton? A man whose presidency was disgraced by impeachment -- yet who remains one of the most popular presidents of our time. A man whose autobiography, My Life, was panned by critics as a self-indulgent daily diary -- but rode the bestseller lists for months. A man whose policies changed America at the close of the twentieth century -- yet whose weakness left us vulnerable to terror at the dawn of the twenty-first. No one better understands the inner Bill Clinton, that creature of endless and vexing contradiction, than Dick Morris. From the Arkansas governor's races through the planning of the triumphant 1996 reelection, Morris was Clinton's most valued political adviser. Now, in the wake of Clinton's million-selling memoir My Life, Morris and his wife, Eileen McGann, set the record straight with Because He Could, a frank and perceptive deconstruction of the story Clinton tells -- and the many more revealing stories he leaves untold. With the same keen insight they brought to Hillary Clinton's life in their recent bestseller Rewriting History, Morris and McGann uncover the hidden sides of the complicated and sometimes dysfunctional former president. Whereas Hillary is anxious to mask who she really is, they show, Bill Clinton inadvertently reveals himself at every turn -- as both brilliant and undisciplined, charming yet often filled with rage, willing to take wild risks in his personal life but deeply reluctant to use the military to protect our national security. The Bill Clinton who emerges is familiar -- reflexively blaming every problem on right-wing persecutors or naïve advisers -- but also surprising: passive, reactive, working desperately to solve a laundry list of social problems yet never truly grasping the real thrust of his own presidency. And while he courted danger in his personal life, the authors argue that Clinton's downfall has far less to do with his private demons than with his fear of the one person who controlled his future: his own first lady. Sharp and stylishly written, full of revealing insider anecdotes, Because He Could is a fresh and probing portrait of one of the most fascinating, and polarizing, figures of our time. | |
| 29. Stalin : The Court of the Red Tsar by Simon Sebag Montefiore | |
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Reviews (19)
There are many things that one can say about the story and Stalin but I will try and limit my comments. Needless to say I recommend the book. It holds your attention and in many ways is quite fascinating. In any case, what really brings this book to life are two things, i.e.: the author uses a lot of quotes or accurate summaries from primary sources that are conversations or communications either written or spoken by Stalin or received by Stalin, so we get the feeling that we are back in the USSR on some chilly Moscow night at the Kremlin or on the warm Baltic coast at his dacha listening to the conversations as observers, plus the author inserts four sets of black and white photos that show all the main characters including Stalin's second wife Nadya, different associates (the magnates) such as Beria, and it gives the reader some perspective as one proceeds through the book. Without these photos and good writing I think this would be a much more difficult read for the average person to keep an interest in the book - and to follow while wading through the many pages of Russian names and relationships. So the author has done excellent background research job for the book and then he does a good job at presenting the material to keep our interest. Also there is a certain degree of drama in the book during the loss of Stalin's second wife and the invasion of the USSR by Germany. In the book the author tells us that he is attempting to provide an accurate and complete biography of the man and his politics, not just the one-dimensional evil genius that is the normal perception of the man. We learn that Stalin enjoys his family life, and endless parties and dinners, hunting trips, billiards, visits by his children, comments by his mother, and his reading from an extensive personal library, singing and dancing, etc. His personal life is not all rosy and you will see that when you read the book. The author reveals these human sides to his complex personality and it works to a point in the book. Also, he gives the reader many details on the war, and the near destruction of Moscow, Stalin living in the subway, meetings with Churchill, Mao, Tito, endless diplomatic and business dinners, drinking binges with many including Churchill, and meetings with his associates to plan the war or the next purge, etc. But in the end it is a story about a ruthless killer that seized control of large country and retains power through the use of a terrifying secret police, bands of armed thugs, mind boggling torture techniques, firing squads, rigged courts, random killings, party purges, killing off of millions of independent farmers and business people, labor camps, and all the mayhem that this entails. But the author for the most part manages to keep the book an interesting read and an educational historical experience. Overall this is an excellent and well-written book that I would highly recommend to anyone interested in the man and European history. I read it cover to cover and enjoyed the book. Also, I read many of the notes and comments. As a follow up I would suggest "Khrushchev" by William Taubman. It is a highly acclaimed best seller. The same author Taubman has written other books on the Soviet Union and Stalin's foreign policy. Jack in Toronto
On the other hand this book is not recommended for non-Stalin scholars. Important external details (like much of WW2) are omitted so it is hard to figure out exactly what is happening at times. The onset of the Cold War is even less well explained, although some events, like the meetings with Churchill and FDR are explained in detail. I would say the greatest plus of this book is its description of a tyrant going mad, eliminating every person around him who might be a threat and creating new threats out of an overwhelming imagination. I would say the greatest flaw is the picture much of the book draws of Stalin as some sort of intellectual who likes to eat with friends and party with women. WHile this is going on millions are dieing, but hte focus remains on the fete of the evening and not the atrocities. Finally, while I understand Mr. Montefiore is Jewish, his focus on who is and is not jewish was quite off=putting. If somebody did not tell me he was jewish I would have guessed he was leading to some sweeping anti-semitic conclusions. I was not sure through the whole book why I needed to know who was Jewish and who was not. Maybe in England the word "Jew" is used as an adjective before a name like the Jew, Leon Trotsky, but it is not common in the U.S. and as I just said, it turned me off tremendously.
Interestingly enough, the Soviet leaders were like a small town where everyone knew and lived in close proximitity with each other. Add to this the murderous habits of the Bolsheviks and you get something which looks amazingly like "The Sopranos": family men who were also monsters. (I guess David Chase just has great instincts for this kind of material.) There's also a resemblance to "I, Claudius" in the mixture of power, family banality, and horror. For example secret police chief Beria was a loving husband, father and grandfather who also personally tortured, raped, and killed his victims. (Human bones were recently found in the basement of his old mansion, according to Montefiore.) The author also has a sure grasp on the moral and intellectual issues raised by Stalin's life. He says that the Communists were a fanatical sect and compares them to the "Islamo-fascists" that we face today. He also gives an amazingly rounded portrait of the human side of the dictator and the people around him. We learn about Stalin's mistresses; that the secret policeman Yezov's flighty, doomed wife slept with the great writer Isaac Babel; that Stalin ordered the destruction of his wife Nadya's entire family (including one woman who had an affair with him.) This is an absolutely essential book which you must purchase immediately.
Montefiore makes no effort to dissect the big geopolitical issues of the Stalin era, except to use them as a backdrop to the backstabbing, denunciations, groveling, and horror in which the senior leadership of the Soviet Union operated from the early 30s until the early 50s. Using in-depth interviews and newly-available archival information, including much of the correspondence between and among the senior leadership, Montefiore fleshes out what was going on under the surface, in particular the complex love-hate (mostly hate) relationship of Stalin to his court. It's a wonderful account of a country run by leaders who viewed their role more as mafiosi than as leaders of a legitimate government. In a real sense, they were gangsters and that's the way they ran the country--including the way Stalin required the leadership to all participate in the Great Terror (he wanted all them to have blood on their hands and thus share in the collective guilt). The author's behind-the-scenes view of the Great Terror is the centerpiece of the book. His portraits of Yeshov and Beria, the two most malignant monsters after Stalin, will now be etched into my memory. But in the end, the book is a portrait of Stalin, a man who could turn on the charm, perform an act of kindness for an old comrade, then in the next moment sign the death warrants of hundreds of innocent victims. I disagree with other reviewers who criticize the author for treating Stalin too kindly. There's no question where Montefiore stands: he views Stalin was a monster, and Stalin's occasional human touches makes him even more so. I've had long-term interest in 20th century Russian history, particularly trying to understand how a country could find itself in the hands of the personification of evil. This book helps answer the question. A final point. Montefiore is an excellent story teller. I don't pretend to be in position to judge all his conclusions, but they have the ring of truth to them, and the author is good about telling the reader when he's departed from evidence into speculation. I recommend this book. I only wish that in reading it, I lacked the guilty fascination that comes from watching an entire nation turned into a train wreck by a single evil man. ... Read more | |
| 30. The Kennedy Curse: Why Tragedy Has Haunted America's First Family for 150 Years by Edward Klein | |
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our price: $9.98 (price subject to change: see help) Asin: 031231292X Catlog: Book (2003-07-15) Publisher: St. Martin's Press Sales Rank: 97885 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (41)
Money, power, and fame can be a deadly combination for those who don't know that life is about something more tangible than that. If there is a curse, one might look to the family's patriarch, Joseph Kennedy, who built his fortune on bootlegging. The Bible says something about the sins of the father being inherited by his sons. Perhaps the devil is simply collecting on a debt that old Joe didn't repay.
If Klein was giving examples of the "Kennedy Curse" then why did he leave out the eldest Kennedy son, Joe Jr., or Bobby Kennedy and his sons: David, Micheal, and Joe. It seems that if he really wanted to drive his point home then he would have written about this men as well. With the exception of Bobby's son Joe, they all died while they were young. Bobby died while trying to complete "the family mission" and two of his sons died while doing stupid things. I also thought it was odd that while he would write about William Kennedy Smith and the rape trial, he did not devote a chapter to Ted Kennedy and Chappaquidick. All in all, like I said before, it was a good book, just a little incomplete.
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| 31. Inside Hitler's Bunker : The Last Days of the Third Reich by Joachim Fest | |
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our price: $14.28 (price subject to change: see help) Asin: 0374135770 Catlog: Book (2004-04-01) Publisher: Farrar, Straus and Giroux Sales Rank: 24924 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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This is a highly readable and very powerful book, and the translator (Margot Bettauer Dembo) deserves high marks for the result. I read the book avidly, and as soon as I was done my wife picked it up and did the same. "Inside Hitler's Bunker" may be somewhat disappointing for those who have read a great deal about the Battle of Berlin or Hitler's last days (the book does not appear to break a great deal of new ground), but it will prove to be a gripping narrative for those who are new to the horrors of Berlin in 1945. Part of the continuing fascination of this dark time is the challenge of trying to understand the incomprehensible: how could a madman like Hitler stay in control of Germany in the last weeks of April 1945, and why did so many Germans follow him as he dragged them into the final catastrophe? The answer to those questions may lie in the 12 years of indoctrination that preceded those fateful days in 1945. For a brief and readable perspective on this period (which has been thoroughly explored in numerous more massive tomes), you may want to try "Inside Hitler's Germany: Life Under the Third Reich" by Matthew Hughes and Chris Mann.
Here's Joachim Fest's reason for not using footnotes in his book "Inside Hitler's Bunker": "This volume contains no footnotes. Every citation or incident mentioned can be traced to a source, however. I decided not to use footnote references because of the hopeless confusion in the statements and testimony of the witnesses, much of which can no longer be cleared up. Too often a reference would have to be compared with one or more differing statements or descriptions." In other words, this book is historical fiction. It's still worth reading, but then again, lazy, unaccountable scholarship should not be tolerated, especially for a subject as important as this one. Was Fest hoping that, because he wrote an acclaimed biography of Hitler, that he was therefore an "expert" and could get away with this sort of thing? Sure, I'm not blind to the fact that there are so many contradictory accounts concerning Hitler, that the logistics of unravelling the truth about his reign are formidable. Then again, that is what HISTORIANS do. Surely at least a FLAVOR of the problems in writing this sort of book might have been attempted to be conveyed in a few judicious notes.
Page 111 states that Hitler had his last meal at 2 P.M. on April 30, 1945, the historically accepted day of his suicide. However page 115 mentions that "...some witnesses say they heard one shot at about 3:30 in the morning." That would make it May 1, 1945. Page 123 then goes on to say that Hitler died on the afternoon of April 30, 1945. Additionally, page 116 says that Hitler died on a '"...flowered sofa." while the sofa may have had flowers in the pattern, the primary motif was a Russian Cossaack on horseback with sword drawn. Joachim includes interesting details that some accounts fail to mention. He accurately records that Hiter was shot with a 7.65-mm Walther pistol (not a revolver). He also mentions that Eva Hitler was found with a pistol that was unfired. He excludes the fact that the smaller gun was in fact also Hitler's, the one he carried since the 20's in a holster built into his pants. This book is an excellent addition to others about Hitler's last days in the bunker, but not the best work on the subject .
As you read you see a Hitler who still has dreams of the Americans and Russians turning against each other and Hitler coming in as the cavalry to aid the US. The bunker was a fertile playground for pipedreams of still being able to win the war even as the cement was falling from the ceilings as bombs struck overhead. It made me think of the Iraqi press officer in the recent war as Americans were invading the country saying that all the Americans had been kicked out and defeated. The portrait of Hitler that emerges is the mentality of a gang leader. He wasn't a visionary. He wanted to kill, loot, and pillage. The worl | |