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| 141. The Diary of Anais Nin: Vol. 1 (1931-1934) by Anais Nin | |
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Reviews (9)
Anais Nin began a letter to her father, on the ship that carried her, her mother and brothers, away from him, away from Europe and to New York City. The letter was never sent (her mother did not think it appropriate), but instead developed into a diary she would continue to keep for decades. In this volume we meet Anais Nin living just outside of Paris with her husband, banker Hugh Guiler (who is barely visible in the diary, a point of contention for many who did not know that this was at his request). She has just published her study of DH Lawrence and is about to meet Henry Miller and his fascinating wife June (Nin's descriptions of June are among the most beautiful portions of her work). Her father soon reenters her life. This is a very exciting time in her life! But what have I listed above? Nothing but a pile of facts. Facts are often boring, and seldom poetic - two accusations rarely leveled against Anais Nin. It was only after submerging myself in the history of this volume that I came to realize this: the linear history of this diary does not really matter; the accusations that Anais Nin lied about her life are immaterial. Anais Nin had a beautiful way with words and she was a master of crafting an image, of creating a persona. She was not truly the person she portrays in this volume, which she edited with Gunther Stuhlmann. But this is a beautiful and unique piece of literature that paved the way for many future artists, particularly female writers (Alice Walker has praised her work as profoundly liberating, and I can't help but think Maya Angelou took a cue from Anais Nin's concept of the continuous autobiographical novel). I have come to believe that it is not the possibility that she lied about her life that has upset so many people (some of whom refer to this as a "liary"), but that a woman should have such control over her own portrayal all the while defying so many of society's conventions. Anais Nin may not have truly been the woman she portrays in this or future volumes, but it is the woman she wanted to believe she was - wanted the world to believe she was. I find that quite revealing, as revealing as any diary should be. Andrew Parodi
Volume 1 of Nin's diary, covering 1931-34, was published in the late 1960s when Henry Miller, her lover during the time period covered by this volume and Hugo Guiler, Anais's first husband (whom she never divorced) were both still alive. As a consequence, there are many omissions and edits for the sake of discretion. Those omissions were revealed when _Henry and June_, also taken from Nin's diaries, was published after the death of all protagonists. Consequently, a volume that appears to be frank and honest upon a first reading looks somewhat less so when compared with the alternative version contained in _Henry and June_, which contains material expurgated from the first year of this volume. Confused yet? The more Anais Nin slips away from us, the more we seek her. When reading this volume I come to believe that there is something to be said for Nin's position that she sought to portray a deeper psychological truth and the objective facts were less important.
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| 142. Victoria's Daughters by Jerrold M. Packard | |
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our price: $11.16 (price subject to change: see help) Asin: 0312244967 Catlog: Book (1999-12-23) Publisher: St. Martin's Griffin Sales Rank: 3921 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Reviews (33)
At first it seemed as though the book would be more about Queen Victoria herself than about her daughters. As I read on, though, I realized that the oddity of Victoria's succession to the throne had much to do with the lives of her daughters, as did her early life and her own upbringing. Furthermore, it is against her long life and protracted reign that not only the events in her daughters' lives were measured and chronicled but those of most of the lives of the world's population. There was a reason that most of the 19th Century was labeled "the Victorian era!" In the past I had given very little thought about the connections that existed throughout European history or about what actually brought about the events that occurred during the turn of the century. I knew of course that the Tsarina of Russia was "Victoria's granddaughter" and a "Prussian princess," but I hardly gave thought to what that really meant. Nicholas and Alexandra were charismatic historical figures in their own right. They were a fairy tale couple, much in love, with a cozy little family living the life of a Russian folktale, and their poetic tale came to a tragic but colorful and certainly very memorable finish. End of story, or so it seemed to me. One knows about World War I, I suppose, and all the people that died in trenches of disease and exposure and mustard gas and enemy fire. One has heard of Bismark and Wilhelm II and Lord Mountbattan, but they're all just interesting names, names one memorizes to answer our world history tests, right? Not when one reads Mr. Packard's story of the children of Queen Victoria. Each of the daughters, Victoria, Alice, Helena, Louise, and Beatrice had a unique relationship with their mother. Because of whom and what she was, Victoria's was not a particularly warm and maternal presence in their lives. When she was a presence at all, she was distant, self-centered, imperious, and controlling. Unfortunately some of this early relationship translated into problems with parent-child interactions when the girls had children of their own. Lest anyone think that women do not have an impact on the course of history because they don't lead armies into battle--often anyway--one only need read about the relationships between some of these women and their children. That between Victoria, "Vicky," and her eldest son, Willy--later Wilhelm II--will quickly disabuse one of the notion. Furthermore, the five girls were married into some of the key families of Europe. The titles of each and their in-laws read like a who's who of European nobility, and their sons and daughters became kings, queens, and dukes, many of whom ended up on opposite sides of wars in Europe during the late 19th and early 20th century. The tangled web of personal relationships, treaties, and ambitions ultimately brought about World War I. I was especially entranced with the intimate detail woven into the stories of each of the women. The author mined diaries, extensive family correspondence, and biographies written about each to create very personal characterizations. The reader becomes as engaged in the story of their lives as in those of fictional characters; one just does feels connected. FOR THOSE WRITING PAPERS: in history, anthropology, political science, sociology. One might use this book to discuss the limitations of women of the upper classes at the time and their effects on history. One might look at individuals like Alice, who became a follower of the practices of Florence Nightengale, or her sister Louise, who was an accomplished and professional sculptor, who attempted to break out of the social mold of the time to create an identity and existence of their own. What types of role models did they make for others? What changes did they bring about in society? How did they set the stage for our own era? Might the events of WWI been less likely to have happened if the relationships between countries had been based on less personal grounds? Did the relationships between these women and their children and spouses affect the course of events significantly? Or would they have happened anyway? Would they have happened for the same reasons? How was this era a transitional time?
This book is wonderful simply for it's attention to royal women (some who are often overlooked by other authors) and especially for it's coverage of the family dynamics. But, I also appreciated the way the author described each family member's involvement in wide-reaching European politics. This information is so well weaved into the "story" of their lives, that I was not at all put-off (bored) by it as I usually am. I was quite surprised to finally understand the unification of Germany, the role of landgraves and all those little principalities, and the formation of Canada. Granted, a book of this scope can only touch the surface of these issues. Still, I found it entertaining and elightening.
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| 143. It Seemed Important at the Time : A Romance Memoir by Gloria Vanderbilt | |
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Book Description An elegant, witty, frank, touching, and deeply personal account of the loves both great and fleeting in the life of one of America's most celebrated and fabled women. Born to great wealth yet kept a virtual prisoner by the custody battle that raged between her proper aunt and her self-absorbed, beautiful mother, Gloria Vanderbilt grew up in a special world. Stunningly beautiful herself, yet insecure and with a touch of wildness, she set out at a very early age to find romance. And find it she did. There were love affairs with Howard Hughes, Bill Paley, and Frank Sinatra, to name a few, and one-night stands, which she writes about with delicacy and humor, including one with the young Marlon Brando. There were marriages to men as diverse as Pat De Cicco, who abused her; the legendary conductor Leopold Stokowski, who kept his innermost secrets from her; film director Sidney Lumet; and finally writer Wyatt Cooper, the love of her life. Now, in an irresistible memoir that is at once ruthlessly forthright, supremely stylish, full of fascinating details, and deeply touching, Gloria Vanderbilt writes at last about the subject on which she has hitherto been silent: the men in her life, why she loved them, and what each affair or marriage meant to her. This is the candid and captivating account of a life that has kept gossip writers speculating for years, as well as Gloria's own intimate description of growing up, living, marrying, and loving in the glare of the limelight and becoming, despite a family as famous and wealthy as America has ever produced, not only her own person but an artist, a designer, a businesswoman, and a writer of rare distinction. | |
| 144. An Unfinished Marriage by JOAN ANDERSON | |
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Book Description Reviews (15)
Unfortunately, "An Unfinished Marriage" is a bogus effort to take advantage of that success, with little basis. "Write a sequel, Joan. A lot of readers will buy the book, thinking that you really have something else to say." Most of this book--and most of the so-called work on "finishing" or rescuing the marriage--takes place in Joan's head, not between Joan and Robin. Robin, newly retired, is undeveloped in the book, presented as though he has little or no role in the marriage and little or no interest in taking any steps to preserve it. He is trying to redefine himself as a retired person, a position for which Anderson has little sympathy. Having spent the preceding year re-evaluating and changing her life, she has not much interest in his attempt to do the same in the year she has apparently designated for re-evaluating and changing their marriage. This is a man who has obviously failed to get with the program. Joan seems to feel that the future of the marriage is entirely in her hands and that somehow the marriage will move forward if she is very introspective and contrives everything possible into a series of lame metaphors that supposedly represent the marriage. A trip to the dump makes her realize that the marriage can be recycled like an aluminum can or a plastic bucket? Oh, please. Robin and Joan undertake the renovation of the beach house that has now become their year-round home and that is a metaphor for the remodeling of the marriage. Yes indeed, a recycled metaphor.(Which came first, the renovation or the metaphor?) The dialogue in this book is stilted, way too heavy for normal conversation, fraught with meaning. In fact, everything in the book is fraught with meaning, too significant. If this reflects the their daily life during the period reported in the book, no wonder reassembling the marriage was so difficult. It seems that every action, every conversation, every event must be analyzed, reshaped and forced into significance for the sake of the book. And therein lies the major problem with this book: It was forced into being. There is no book in this book. ... Read more | |
| 145. Appetites: Why Women Want by Caroline Knapp | |
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Amazon.com Reviews (11)
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| 146. The Legacy of Luna: The Story of a Tree, a Woman, and the Struggle to Save the Redwoods by Julia Butterfly Hill, Julia Hill | |
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Amazon.com The daughter of an itinerant preacher, Hill writes of her chance meeting with California logging protesters, the blur of events leading to her ascent of the redwood, and the daily privations of living in the tallest treehouse on earth. She weathers everything from El Niño rainstorms to shock-jock media storms. More frightening are her interactions with the loggers below, who escalate the game of chicken by cutting dangerously close to Luna (eventually succeeding at killing another activist with such tactics). "'You'd better get ready for a bad hair day!'" one logger shouts up, grimly anticipating the illegal helicopter hazing she would soon get.Celebrity environmentalists like Joan Baez and Woody Harrelson stop by, too. The notoriety has, on balance, been good to Hill and her cause.George magazine named her one of the "Ten Most Fascinating People in Politics," Good Housekeeping readers nominated her one of the "Most Admired Women" in 1998, and she was featured in People's "Most Intriguing People of the Year" issue. As a result, more Americans know about controversial forestry practices; it remains to be seen, however, whether public outrage is enough to save California's unprotected and ever-shrinking groves of redwoods. While an agreement allowed Hill to descend from her aerie and Luna to escape the saw, most of the surrounding old-growth forest in the region has been felled or will fall shortly.Still, Hill is optimistic: "Luna is only one tree. We will save her, but we will lose others. The more we stand up and demand change, though, the more things will improve." --Langdon Cook Reviews (73)
As many other reviews attest, "Legacy" is an easy read. I personally finished the book in less than 4 hours. This readability is unfortunately a result of the book's lack of substance and disconnected ramblings. In her rushed effort to complete the book Hill has failed to capture and articulate the genuine spirit of her action, instead providing a mostly dry account of day to day life in the tree mixed with meandering philosophy. By failing to consider the widespread effects and ramifications of the tree-sit - from its context and sometimes controversial influence within the modern environmental movement to the role the action played in effecting the dynamic of government forest policy on a local and national scale - Hill leaves the reader without a definite sense of just what the legacy referred to in the book's title is. "The Legacy of Luna" also falls short of providing a comprehensive account of the story in its failure to address many significant events and efforts on the ground which directly related to Hill's success. The reader is instead brought along on the journey in the vacuum of isolation that was Hill's two years in Luna. Considering that the book was written while Hill remained in the tree, having no opportunity to stand back and take account of the bigger picture, Hill's perspective is understandable. Yet as a reader I was left feeling that much was left unaccounted for, including the massive community effort which supported Hill's action that is at best is given passing reference in the book. This considerable omission, along with comments contained in the book's jacket, unfortunately perpetuates the public's romantic perception that the tree-sit was the action of a lone individual. As the author's Media and Ground Support Coordinator for over one year (I ceased involvement with the tree-sit in April, 1999), I have first-hand knowledge that Hill is a deeply spiritual, gifted activist and a passionate and articulate speaker and writer. Complaints regarding inaccurate timelines and erroneous accounting of events aside, the greatest disappointment is the book's failure to reflect the true legacy of Hill's accomplishments. In the publication of this book Hill was given what may possibly be a once-in-a-lifetime opportunity to create a long-standing and profoundly influential work along the lines of Aldo Leopold's "Sand County Almanac" or Edward Abbey's "Desert Solitaire". Instead, in her hurry to complete the book while under the daily pressures of her action, Hill has produced an interesting, yet unsubstantial account of her experience. Readers desiring to learn more about the context in which Hill's action was conducted are encouraged to read David Harris', "The Last Stand: The War Between Wall Street and Main Street Over California's Ancient Redwoods". For another account of a personal journey within these magnificent forests Joan Dunning's, "From the Redwood Forest: Ancient Trees and the Bottom Line: A Headwaters Journey" will be of interest.
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| 147. My Horizontal Life by Chelsea Handler | |
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our price: $11.16 (price subject to change: see help) Asin: 1582346186 Catlog: Book (2005-06-06) Publisher: Bloomsbury USA Sales Rank: 6255 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (18)
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| 148. Too Close to the Falls by Catherine Gildiner | |
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our price: $11.20 (price subject to change: see help) Asin: 014200040X Catlog: Book (2002-03-01) Publisher: Penguin Books Sales Rank: 51063 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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The author does an excellent job of painting portraits of the people that influenced her life. These include her mother, a very atypical 50s housewife who never cooked or kept house, her hard working civic-minded father, and Roy, the black pharmacy deliveryman who took Cathy on his rounds. Through her prescription deliveries, Cathy met Warty, a disfigured outcast who worked at the garbage dump, Mad Bear, the chief of the Tuscarora Indian tribe, and Marie, a retired prostitute/abortionist. Cathy bumped heads with an assortment of classmates, nuns, and priests at school and church. This is a wonderful coming of age story that is poignant and thought-provoking. There were many humorous touches as Cathy described the world through an innocent child's eyes. There was also a dark side to this memoir as she puzzled over the disturbing and often contradictory elements of society that were often kept under wraps during that era. Having grown up in western New York in the 50s, I recognized many of the details of Cathy's childhood, such as beef on weck, early TV programming with its frequent test patterns, the use of fluoroscopes in shoe stores, and the severe lake effect snow storms in the area. This book makes an excellent selection for a discussion group, and the paperback edition includes a reader's guide for that very purpose. Eileen Rieback
From the intelligently quirky mother to Warty, the self-appointed caretaker of the city dump, all of the characters ring true. And after just a few sentences Gildiner has you feeling like you really know them. And then there's the main character, the author as a child, who basically grew up in her father's drug store. It's a miracle she lived long enough, given her adventures and attitude, to write the book. Lucky for us she did. Each chapter is a short-story unto itself, a la Jean Shepherd. And there just aren't enough of them. After 350 pages you're left feeling cheated because there aren't 350 more. Read this book. ... Read more | |
| 149. Bleachy-Haired Honky Bitch : Tales from a Bad Neighborhood by Hollis Gillespie | |
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Book Description NPR commentator Hollis Gillespie's outrageously funny -- and equally heartbreaking -- collection of autobiographical tales chronicles her journey through self-reckoning and the worst neighborhoods of Atlanta in search of a home she can call her own. The daughter of a missile scientist and an alcoholic traveling trailer salesman, Gillespie was nine before she realized not everybody's mother made bombs, and thirty before she realized it was possible to live in one place longer than a six-month lease allows. Supporting her are the social outcasts she calls her best friends: Daniel, a talented and eccentric artist; Grant, who makes his living peddling folk art by a denounced nun who paints plywood signs with twisted evangelical sayings; and Lary, who often, out of compassion, offers to shoot her like a lame horse. Hollis's friends help her battle the mess of obstacles that stand in her way -- including her warped childhood, in which her parents moved her and her siblings around the country like carnival barkers, chasing missile-building contracts and other whimsies, such as her father's dream to patent and sell door-to-door the world's most wondrous key-chain. A past like this will make you doubt you'll ever have a future, much less roots. Miraculously, though, Gillespie manages to plant exactly that: roots, as wrested and dubious as they are. As Gillespie says, "Life is too damn short to remain trapped in your own Alcatraz." Follow her on this wickedly funny journey as she manages to escape again and again. Reviews (25)
Gillespie draws readers into her life, past and present: Her three best pals are Lary (who offers to shoot her sometimes), Daniel (a likably weird artist) and Grant (gay bartender/seller of porno-religious signs made by an angry ex-nun). She struggles with horrible bleach jobs, jars of teeth, imperfect German ("It would please me greatly to purchase medicine for my fluid nostrils"), and Myrtle the lesbian ghost. She suffers the world's least dignified mugging, a visit to the Amsterdam red light district (rubber fists?), and the question of whether she flashed people when she was soused. At the same time, Gillespie deals with more touching topics. As the daughter of an alcoholic trailor-salesman and a kleptomaniac bomb-making mom who wanted to be a beautician, she describes her family's trials and distances, one of the last visits to her terminally ill mother, and how her young niece was hospitalized. "Bleachy-Haired Honky Bitch" veers between wacky and touching, past and present. Gillespie's stories are less like a memoir or autobiography than like a collection of columns, loosely strung together. She also has the unique knack of being able to take little experiences, ramble about them in an engaging way, and wrap it up without losing her way. Gillespie comes across as real and a bit twisted, like the zany pal of yours who lives down the street. Life keeps swinging at her, and she keeps dodging. Her tone is honest, endearingly self-deprecating, with a dose of sarcasm to keep her observations sharp. Backing her up are her likably eccentric pals, who serve as her partners in crime (translation: in ear-piercing and drinking). Funny and poignant and strange, "Bleachy-Haired Honky Bitch" is a unique look at a witty woman who tells us of her personal storms. Wickedly delicious and highly recommended.
Actually the best way of thinking of this book is as a collection of conversations. This makes a big difference because Gillespie tends to repeat herself from time to time in terms of phrases, descriptions, and events. If this was a paper written by a student I would make sage comments about not arguing the same thing in two different places, but if this is a conversation you just acknowledge that you have heard this part before and let Gillespie continue to tell her story. As with any conversation some parts are better than others. For my money the first one, where Gillespie explains that her first name means "hellish" in bad German and that her translation abilities consist of massacred phrases pronounced perfectly, is the funniest in the entire book (plus it is a more accurate title than what she has, which was just a passing insult by a guy she was trying to run down with her car). This makes for getting off of the right foot, but it also suggests a way in which it is all down hill from here. That is not really the case, because there are some gems scattered throughout the book, such as "The Long Good-bye." Her relationship with the lesbian ghost in her house is interesting, but clearly not as important as her relationship with her dying mother. There is as almost as much pathos in this book as their is humor. Those looking for a narrative theme have picked up the wrong book. Gillespie writes about her family and her friends, as well as the various trials and travails that assail a young woman in the world today. There are some photographs, taken by the aforementioned family and friends, scattered throughout the book and one of them seems particularly insightful. It shows Hollis standing next to her siblings and the family dog, Echo. Kim, Cheryl, and Jim and all wearing solid colors and standing up straight, while little Hollis in her plaid dress is standing wit her legs at an angle. If this is not a sight of what is to come, then I do not know foreshadowing. However, the key psychological insult comes when Gillespie confesses she collects old pictures that she finds at flea markets and thrift stores. The pictures of her own family have long been abandoned and now just clutter the empty corridors of her memory, and she has replaced them with new ones. Reading that revelation it becomes clear what key roles Daniel, Grant, and Lary play in her life. This is one of those books where you can pick up a lot in between the lines.
When I grow up, I wanna be Hollis.
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| 150. The Scalpel and the Silver Bear : The First Navajo Woman Surgeon Combines Western Medicine and Traditional Healing by LORI ALVORD, ELIZABETH COHEN VAN PELT | |
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our price: $10.20 (price subject to change: see help) Asin: 0553378007 Catlog: Book (2000-06-06) Publisher: Bantam Sales Rank: 59817 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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| 151. Educating Esme: Diary of a Teacher's First Year by Esme Raji Codell | |
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Book Description In EDUCATING ESMÉ, the uncensored diary of her first year teaching in a Chicago public school, she opens a window into the closed world of a real-life classroom. Refusing to let anything get in the way of delivering the education her fifth-graders deserve, this dedicated teacher finds herself battling bureaucrats, gang members, inflexible administrators, angry children, and her own insecurities, while at the same time changing her students' lives forever. Now in paperback, here is the book People called "hilarious," Booklist called "screamingly funny," Greensboro News & Record called "brilliantly conceived," and the Boston Phoenix noted "should be read by anyone who's interested in the future of public education." Reviews (107)
I am a future teacher who has trouble standing up for myself. Esme does what she knows is right, never what she is told. This book showed me that I don't have to swallow the garbage that is shoveled at me. Thank you, Madam Esme, for teaching me confidence. PS: One negative reviewer who criticized just about everything in the book REALLY wanted to use the word "kowtowing" instead of that other misspelled one. Perhaps she could have used a few minutes in Madame Esme's class herself.
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| 152. The Story of My Life (Bantam Classic) by HELEN KELLER | |
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Helen Keller, blind and deaf since the age of 1 1/2 has offered, in her own words an accounting of her life experience. It is incredible to imagine how this woman, unable to see or hear can give such a strong voice to descriptions of nature. The book is replete with beautiful, articulate metaphors that draw the reader into the world as Helen knew it. One wonders how a person with no language can "think," and Helen provides some clues. During these "dark days," prior to the arrival of her "Teacher," Annie Sullivan, Helen's life was a series of desires and impressions. She could commnicate by a series of crude signs she and her parents had created. She demonstrated early on that she could learn. I like the way Helen herself takes her readers past that water pump when she learned that "all things have a name." Instead of getting stuck there, Helen takes her readers on the journey of her life to that point. In addition to having a good linguistic base, Helen also demonstrates having a phenomenal memory. When she was twelve, she wrote a story she believed to be her own. Entitled "The Frost King," it bore a strong resemblance to one written by a Ms. Canby called "The Frost Fairies." Many of the sentences are identical and a good number of the descriptions are paraphrased. In relating this devasting incident, Helen and Annie recall that Annie had exposed Helen to the story some three years earlier and Helen had somehow retained that information. This plainly shows intelligence. Both the "Frost" stories are reprinted in full, thus giving the reader a chance to see just how amazing being able to remember such a work really was. Helen describes her work raising money for other deaf-blind children to attend the Perkins School for the Blind in Boston and in so doing, embarks upon her lifelong mission as a crusader for multiply challenged individuals.
It's a 5-star overall story. But in terms of language style and story-telling, it's 4-star for me (understandably, it's 100 years ago). Helen Keller wrote this in her 20s, while pursuing her degree at Radcliffe. So this is not her whole life, but wow.. what an amazing story! A girl is blind and deaf, and I would probably give up on her. But I'm ashamed of myself for that. Helen Keller was deaf and blind and yet this didn't stop her. She's bright and strong-headed. The power of self-determination combined with the great help from the wonderfully patient teacher in Anne Sullivan opened the door for her. Her desire to communicate with people, and her passion to "be normal" made her who she had accomplished to be. How did she "listen"? How did she "speak"? How did she write? She did all that and was good at them. Astonishingly unimaginable. And with such a kind heart, she could easily make a more complete person that we "normal" people can. "Helen sees more with her hands that we do with our eyes." Simply admirable.
Also, if you are interested in Helen Keller's life, please try two other great reads: The first is a bio by Herrmann which delves more into the minutae of Keller's life, and the second is a work of fiction which has quotes from "The Story of My Life" at the beginning of each of its chapters. This book is called "The Bark of the Dogwood," and while it's pretty shocking and steamy in places, it ultimately takes it's inspiration from Keller, along with a host of other southerners.
Her fingers found expression, felt emotion and penetrated the surface into the feelings and depth in the person she encountered, in the words that she read and in the vibrations that she felt. I have read in the East, that consciousness does not come to us solely through the eyes and ears, but when such peripheries are down we can perceive in much more strength through other senses. "I derive genuine pleasure from touching great works of art. As my finger tips trace line and curve, they discover the thought and emotion which the artist has portrayed. I can feel in the faces of gods and heroes hate, courage and love, just as I can detect them in living faces I am permitted to touch." P. 68 In a letter she received from Mr. Gilder, Helen wrote, "In a letter he wrote me he made his mark under his signature deep in the paper so that I could feel it." . . . and " I feel the twinkle of his eye in the handshake." P. 75 Case in point is that of poetry. What the average school teacher and intellectual defines in art and poetry are the stanzas, the numerical structures and literary criticism. Now this actually destroys such forms of art. But what intellectual, a person that uses their head without the heart can fathom any understanding beyond such? Helen wrote: "Great poetry, whether in English or Greek, needs no other interpreter than a responsive heart. Would that the host of those who make the great works of the poets odious by their analysis, impositions and laborious comments might learn this simple truth! It is not necessary that one should be able to define every word and give it its principal parts and its grammatical position in the sentence in order to understand and appreciate a fine poem." p. 59 Not only did she find the external world but went to the university and went further in learning and knowledge than most. But it is her understanding and diligence, her positivism and depth that this autobiography conveys. After reading her account, I can say that if I could love another person, I have fallen in love with Helen. "Is it not true, then, that my life with all its limitations touches at many points the lif of the World Beautiful? Everything has its wonders, even darkness and silence, and I learn, whatever state I may be in, therein to be content. ... Read more | |
| 153. Why I Wore Lipstick : To My Mastectomy by Geralyn Lucas | |
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our price: $16.76 (price subject to change: see help) Asin: 0312334451 Catlog: Book (2004-10-04) Publisher: St. Martin's Press Sales Rank: 19534 US | Canada | United Kingdom | Germany | France | Japan |
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