Amazon.com

"One night, after thinking it over for some time, Harold decided to go for a walk in the moonlight." So begins this gentle story that shows just how far your imagination can take you.Armed only with an oversized purple crayon, young Harold draws himself a landscape full of beauty and excitement. But this is no hare-brained, impulsive flight of fantasy. Cherubic, round-headed Harold conducts his adventure with the utmost prudence, letting his imagination run free, but keeping his wits about him all the while. He takes the necessary purple-crayon precautions: drawing landmarks to ensure he won't get lost; sketching a boat when he finds himself in deep water; and creating a purple pie picnic when he feels the first pangs of hunger.

Crockett Johnson's understated tribute to the imagination was first published in 1955, and has been inspiring readers of all ages ever since. Harold's quiet but magical journey reminds us of the marvels the mind can create, and also gives us the wondrous sense that anything is possible. (Ages 4 to 8) ... Read more

Reviews (73)

Power and a Purple Crayon
*Harold and the Purple Crayon* mesmerized me as a child. My 5 year old adores it, and my ten year old can't hide his continuing enthusiasm. With his purple Crayon, sensible Harold creates the moon so that he can see where he's going. He accidentally creates the sea (his drawing hand shakes, thus making waves appear) but soon negates this potential danger by drawing a boat and, finally, land. When hungry, Harold draws a delicious picnic with purple food. Harold copes.

The central idea is that a child, no matter how small, can exert control over the world, and when that child makes mistakes -- drawing a choppy sea, for instance -- those mistakes can be remedied. This book gives a child power. Grown-ups don't count; Harold makes what he needs without help. Under the influence of this book, at the ripe age of 11, I created a club called "The Purple X", in which, using purple markers to send letters, I set out to right all wrongs. Harold goes one better; he makes light and land. And the book makes children who feel empowered to tackle the problems of a big, scary world.

Harold harold bow-berald, banna fanna foe-ferald...
There's something about Crockett Johnson (real name David Johnson Leisk) that is instantly recognizable. Like Matt Groening of "The Simpsons" fame, Johnson had a particular style of drawing that was both simple and infinitely adaptable. Though he drew the comic strip "Barnabus" and the incredibly simple, "The Carrot Seed", it is "Harold and the Purple Crayon" that won Johnson the fame he has today. The story has been ripped off a million times in a million different ways, but we can all credit this original as the first of the first. All hail that spunky Harold and his oh-so purple crayon.

When we first meet Harold he and his magical purple crayon are already well acquainted. No picture in this book appears that Harold does not draw himself (aside from Harold himself). Our intrepid hero sets off on a series of small adventures that are both intentionally and unintentionally caused by his crayon. Drawing everything from the moon (which makes a point to appear on every single page that Harold finds himself on) to dragons to flying balloons to a policeman, Harold has a gay old time.

Wanna hear a petty complaint? A petty, insignificant, hardly-worth-listening-to complaint? Okay, here goes..... it bothers me that Harold's crayon never gets smaller. By logical extension it should, shouldn't it? Of course, by logical extension I should remember that this is, after all, a MAGIC purple crayon. Maybe magic crayons don't get smaller. Obviously I don't know the rules that govern crayons particularly well. If I did I wouldn't be having these problems. In any case, that's my only objection to this book. It is, I know from personal experience, a heavily adored and respected story. People will carry copies of this book with them all their lives. There is something about Harold and his tiny adventures that speaks to the hearts of millions. If you've never had the pleasure of reading a Crockett Johnson book, this is the place to start. If you have read this book, read it again. It's just that good.

One of the best bedtime books ever!
My 3.5 year old son adores this book and I do too. We read it nearly every night. Harold is an imaginative little boy who draws a world of his own. My son is always talking right along with the book about all the wonderful things he is going to draw. I think every child should have this book. I can't wait 'till my son can read it for himself!

Story of a Little Boy with a Huge Imagination
This classic little book is a lovely reflection on childhood imagination and the joys of creativity.

Tiny wide-eyed Harold, in his one piece jammies and purple crayon in hand, wanders through the night using the dark canvas of sky to draw whatever fanciful dreamscapes his curious young mind can conjure.

No dummy is our Harold. He is an inventive little fellow who devises his own path, invents his own moon to light his way, makes a boat when he finds himself enveloped in a purple sea, creates pies when he is hungry, and so on until he is tired. Thanks to cleverly leaving behind special images as pointers to guide his way, he makes it back home in one piece and with lots of exciting stories to tell.

This is such a delightful book for children and one of the reasons is that it can be used interactively. Read the story with your kids then give them some crayons and a huge sheet of paper and let them loose to design and explore their own magical worlds.

Harold et la differance
Under an everpresent crescent moon, Harold's signifying crayon implies the metacritique immanent in all eschatologies: Outcoding the text beneath him, he at once embraces and negates the subject's death in a meeting of poststructural praxis/(post-)modern framing with narrotological desire. Harold, purple crayon firmly in hand, rises from the smoking ruins of continental thought; but having been "written", will our protagonist find fortitude to "write" his way out of the aporias inherent in a de-centered, post-historical dasein?

There is hope....The trace, in erasure of its present presence, loops back from Harold to Johnson, engendering ample clues for resistance to our clinical gaze...But the specter of psychoanalytic eschatology haunts his every gesture. Every slippage is deferred, in its deferral, of Harold's problematized Lacan, leaving no indivisible remainder, defying the fatal strategies of his feints (forgetting Baudrillard) to attempt that final erasure of Derrida's (cottage) industry through a (re)sound(ing) metanarratalogical poetic. Outdistancing at every step all Derridean slippage, Harold's gestures in the dark problematize the infinite substitution and free play within a field of signifiers (themselves privileged signifieds of the wall/not-wall of the enclosing space/page), resisting inevitably all attempts at reconstituting envelopes of perfomative (de-)coding. With startling metaphysical elan, Harold slips the bounds of our logocentric world to inscribe traces of an essentialist foundation light-years beyond the binary opposition (re)inscribed by la differance: beyond Freud, with (in) Freud, with(out) Freud, to be about Freud, forgetting Freud.

All in all, this "Harold" represents a remarkably vigorous (re)covery of Saussurean categories.

This is no boy scribbling terse graffitos to a lost master narratology; this is the newly minted currency of our retinal field. ... Read more

Reviews (9)

Good Book by a Favorite Author
This is an encouraging autobiographical tale. Tommy was sure he would grow up to be an artist. He is discouraged by people in his life at times but fortunately Tommy prevails. Thank goodness; we now have an excellent children's author/illustrator to enjoy!

The Art Lesson
When Tommy wants to become an artist, he trys everything he can to be the best artist. When Tommy's older brother goes to school and has art class Tommy can't wait till he gets art lessons.
Tommy really wants to draw, and that is what he spends most of his time doing. When Tommy finally gets to go to art lessons, he wants to draw what he wants, not what the teacher tells him. So the teacher tell him once he draws what she wants him to he can draw anything he wants, and he sure did.
I think that it is really great that Tommy never gave up drawing and it followed him through his whole life, and he is still doing it today. I would recommend this book for children ages 4-8, and I think that it would show kids to do what they want to and never give up.

The Art Lesson-- by: Tomie dePaola
I really enjoyed this book. It tells a true story about the author, Tomie dePaola's personal experiences with teachers in his early years of art. My favorite character in this book is Tommy. I love the ending that shows that Tommy's art passion has followed him throughout his whole life, to when he is a grown man. I would recommend this book to any one of any age that is looking for something to read.

A boy who loves to draw
In this picture book, Tomie dePaola tells the story of how a little boy became an artist. DePaola's simple text combined with his wonderfully expressive illustrations tell the story perfectly. My 4 year-old son identified with the little boy in the book. I identified with the mother who gently reprimands him for drawing on bedsheets but proudly displays his artwork throughout the house. This book contains a very pleasant surprise ending for young readers who are familiar with dePaola's works such as STREGA NONA and BILL & PETE. Don't miss this one.

Terrific Read!
Do you want to read a terrific book with fantastic illustrations? If you said yes, then The Art Lesson is the book for you.
We enjoyed reading a book where the child really grows up doing what he has always wanted to do. This is a story about a child who loves to draw. His teacher only gives him one piece of paper and won't let him use his birthday crayons. But still this can't stop him from drawing. Read The Art Lesson to find out how he solves his problem. ... Read more

Reviews (2)

Good simulated art of other cultures
This is another excellent art book in the "A Williamson Kids Can! Book" series. I have several in the series, all of which have provided me many ideas for my students' art projects. I have used this particular book least however, because the projects are more complicated than the other books, and require more adult intervention, especially with younger children. It's advertised as for ages 4-8, but for children to work more independently, I recommend most projects as suitable for ages 7-13.

Materials include paper, aluminum foil, yarn, salt dough, yarn, popsicle sticks, mud, paper plates, papier mache. There are recipes included for the papier mache and salt dough. The projects represent the following cultures: Native American, Latin American, African, Indian, Japanese, Chinese, Korean, Thai and Vietnamese. None are very authentic, but are good simulations of arts from these cultures, and can enhance cultural studies, or be done just for fun. One project I have returned to several times because of it's ease to do, and because of its attractive artistic results is the Guatemalan Wild Cat.

Great Crafts, Great Exposure to Other Cultures
This is a wonderful book with a range of easy to more complicated crafts for children from 4-8. We have done a number of the projects in here and not only do my children enjoy them, but they get some exposure to cultures outside of their own. There are suggestions for changing the art projects to incorporate more creative impulses as well. It's the one craft book I keep returning to because the ideas are so interesting. ... Read more

Reviews (2)

Excellent resource for many fascinating projects.
This book is filled with explicit instructions on many facinating projects. It is clear, concise and easy to understand. Excellent resource for children and teachers.

Practical instruction and insightful comments-Super!!!!
Laurie, I just finished this book and I really appreciated it. My daughter is soon to be three and I have been wanting to learn more about environmentally friendly ways to teach her about life and our world. This is a super resource for me. Thank you so much!! ... Read more

Amazon.com

Arthur Dog, guard at Dogopolis Museum of Art and ardent fan of LeonardoDog Vinci, leads a quiet life--except when the moon is full. On those nights something happens to Arthur. His eyes grow bright and his fur seems to glisten... and soon he is hatted and masked and out on the streets painting secret masterpieces. No one knows who the mysterious Art Dog is, until the night when Brrringggg! the museum alarm goes off, and Arthur finds himself in the middle of a Mona Woofa heist. Can Arthur extricate himself from this terrible predicament and point the paw at the true criminals? Thacher Hurd's wacky story and fabulously splashy illustrations, with witty nods to many famous artists, would dazzle any young reader. Budding art aficionados, especially, will be thrilled to recognize the works of Pablo Poodle, Henri Muttisse, and Vincent Van Dog, among others. A delightful book! (Ages 4 and older) --Emilie Coulter ... Read more

Reviews (8)

Wish there were more kid's books like this
I've read this to my six-year-old since he was a five-year-old - he doesn't get tired of it, and mercifully, neither do I. The idea of a hero who uses _painting_ instead of punches to win the day is so cool it makes me wish I'd written it.
Also, I take my son to the children's floor at Berkeley Main Library, where they have a kid's size version of the Brushmobile (you'll have to read the book to know what that it) that he's loved to 'ride in' even before we'd found the book. The day he no longer fits behind the palette, I think we'll both cry.

Storytime Docent at the Museum of Fine Art Houston
I read stories to little kids at the museum here in Houston. We have many wonderful books the museum has provided for us, and I have had the pleasure of reading many beautiful and interesting books to the children who visit us. But, this book is my personal favorite, and the kids I read to have laughed and applauded Art Dog at every reading. I highly recommend this book. (Also look up Zoom City, which is by the same author. It is my 3yr old son's favorite book). But as for Art Dog: Great Story, and great illustrations. Bravo Arthur Dog and the Dogopolis Museum!

Who is Art Dog?
By day, Arthur Dog, Dogopolis Museum of Art security guard, and lover of paintings by Vincent Van Dog, Pablo Poodle, Henri Muttisse, and Leonardo Dog Vinci. By night, Art Dog, masked grafitti artist painting the city in beautiful color. "No one knew who Art Dog really was... until one night at the museum." Yikes! Someone has stolen the Mona Woofa! After being falsely accused, Art Dog paints his way out of jail, lifts his nose in the air..."I can smell art a mile away," and saves the day in superhero fashion..... Thacher Hurd has authored an entertaining, wacky picture book that's sure to tickle the funny bones of young and old alike. His delightful, high-spirited text begs to be read aloud, and is full of terrific sound effects, wordplay, and dog puns. But it's his bold, bright, and splashy illustrations that really make this book stand out and sparkle. Perfect for youngsters 4-8, Art Dog is a funny, engaging, rip-roarin' adventure you don't want to miss. "Who was Art Dog? Who was this painter in a Brushmobile, catcher of crooks, bringer of light to the Dogopolis night?" Only readers will know!

Woofunderful book!
"Art Dog" is a wigglin' fun story book about Arthur Dog, the security guard at Dogopolis Museum of Art. He lives a secret life as a graffitti artist who finds himself being blamed for the stolen "Mona Woofa". However, he is able to paint his way out of...well, I can't give away the story here! (This detective dog sure is smarter than Scoobi Doo!)

The story is very short, quick, and barkingly fun. Not only will kids love it, but adults will love the depictions of Vicent Van Dog, Pablo Poodle, Henri Muttisse and others. It is dog-gone worth the few bucks for this book. This sure is a good book to sniff out.

My son loves it!
My son who is 2 and half years old loves this book. In fact, he wants us to read him this book over and over again. What a great and humourous way to introduce the very young to the world of art! ... Read more

Book Description

Draw me a star. And the artist drew a star. It was a good star. Draw me a sun, said the star. And the artist drew a sun.And on the artist draws, bringing the world to life picture by beautiful picture until he is spirited across the night sky by a star that shines on all he has made. In Draw Me a Star, Eric Carle celebrates the imagination in all of us with a beguiling story about a young artist who creates a world of light and possibility.A remarkable, quintessentially simple book encompassing Creation, creativity, and the cycle of life within the eternal. -- Kirkus Reviews, pointer reviewThis book will appeal to readers of all ages. An inspired book in every sense of the word. -- School Library JournalA fable about the passage through life and its fullness ofpossibilities, children will like the cumulative effects of the tale, the creation of the world through paints, and Carle'scollages flaring with rainbow hues. --The Bulletin of the Center for Children's Books ... Read more

Reviews (5)

beautiful
This book is simply perfect. The artwork is wonderful(and very appropriate for children... I wonder if parents shy away from it because there is a drawing of a "naked" man and woman standing next to each other? If so, they are missing out on so much) and the story brings tears to my eyes with its simplicity. It is beautiful.

Good but somewhat inappropriate.
I trully love the works of Eric Carle. However, in this instance I do not believe this is a book that should be labeled for sale to ages 4-8. I am a preschool teacher and believe the graphics could have been more appropriately drawn to make this excellent story suitable for all ages. I love the storyline and the graphics in general. I was disappointed by the "graphic" nature of the book when it is supposed to be for children of the stated age range.

Excellence at many levels
This one of Eric Carle's best works, and can be enjoyed by many ages and at many levels. First, there's the art, which is as bright and bold as his later works (Papa get me the Moon, and Slowly Slowly Slowly Said the Sloth). I think that the rainbow picture in this book would make an excellent print, as well as the flying Artist and star page.

Then there's the simple story of creatures asking for other creatures to be made with child-like associations (dog asks for a cat, cat asks for a bird, bird asks for a butterfly), and the neat cycle of starting and ending with a star.

Then there's the whole creation myth aspect. Not "The Creation Myth" which starts with darkness, but one that starts with the need to create the heavens; darkness comes much later in this story. The Artist ages as the world is being created. Could he be the embodiment of Time itself?

Or is the Artist Mr. Carle? I cannot read this without wondering if Mr. Carle is contemplating his life and work. If so, Mr. Carle, grab that star.

A Heads Up for Parents
I am an enthusiastic fan of Eric Carle's work, and found this book to be unique, touching, and beautiful in its craft. However, when I read it through for the fist time with my two-year-old, I was surprised and a little uncomfortable when we turned a page and found a man and woman introduced to the story completely in the nude and basically anatomically correct! The pictures were tastefully drawn, inoffensive, and certainly appropriate in a creation story, but I wasn't expecting a variance from the usual tunic or fig leaf covering in that is usually present in such stories when the book is directed toward a young audience. Personally, I could have used a forewarning to prepare myself with positive and fitting responses to my child's natural curiosity. Whatever your comfort level is with nudity in art for children, it might be helpful to you to know it is there.

A joy for both parents and children to read.
This book is like a spirtual description of how life began, written at a child's level but inspirational to adults, as well. It also includes a drawing exercise from Eric Carle, as well as a personal letter to his readers at the end of the book. And of course, it is beautifully illustrated. ... Read more

Reviews (2)

More than just pictures!
I picked up this book, expecting to find essentially a picture book. However, this book is so much more...and it is lovely.

The book begins with an introduction by Leonard Marcus, the children's book reviewer for Parenting Magazine and a well-known book critic and historian.

Following this is an autobiography with many personal photos. I found the story of Carle's early years interesting: how he was born in the United States but then his parents returned to Germany when he was six. His father was drafted into the German army during World War II and Carle never saw him again for 8 years, when he emerged from a Russian POW camp weighing 80 pounds. Carle was a lackluster student, mainly because his creativity was stifled, but he did have some empathetic art teachers in Germany. In his early 20s he returned to the U.S. where he was promptly drafted into the army!

The next section of this book was by Ann Beneduce, the first editor to publish Carle's work. She first commissioned him to illustrate a cookbook. After that, she decided to publish his first book "1,2,3 to the Zoo" but could find no one in the United States who could satisfactorily produce it, so she had it done in Japan.

Next, Viktor Christen, a German editor, wrote about Carle's vision and what it means to children.

Takeshi Matsumoto, the director of an art museum for picture books in Japan, wrote an essay about Carle's use of color.

The text of a speech, entitled "Where Do Ideas Come From?", given by Carle at the Library of Congress was the next section of this book. He gave this speech to librarians and educators in 1990 at the International Children's Book Day Celebration.

Next was a photo essay on his technique of paper coloring and collaging, which also explained why he colors white tissue paper rather than buying pre-colored papers (they fade with age).

Lastly was a section of illustrations from his books, in chronological order. I found it interesting to see how his art had changed and become much more detailed in 30 years.

Eric Carle's books "do special things" read all about them!
Inspiration is the first word that comes to mind after reading about Eric Carle's successful life as an author and illustrator. This book contains information about his childhood, his books, but most important his art. I especially enjoyed reading the section about where he gets his ideas. What is so special about Eric Carle's books? Many people all over the world could answer that question. My favorite answer is from a little boy named Paul, he said: "One reason I like your books is they do special things." ... Read more

Amazon.com

African-American photographers played an almost invisible role in the late 19th and early 20th centuries, their contribution to the art form largely overlooked and barely documented. Though this book is intended for ages 11 and up, Sullivan does not patronize young readers; he excels at placing his subjects in the context of their times, filling in the background with fine brushstrokes. James Van Der Zee, the best known black photographer, is excluded in favor of important but comparatively obscure names like pioneer daguerreotyper James P. Ball--whose studio rivaled Mathew Brady's--and portraitist Addison Scurlock. ... Read more