Amazon.com

If you haven't already read Tikki Tikki Tembo, you've probably heard at least someone recite the deliriously long name of its protagonist: Tikki tikki tembo-no sa rembo-chari bari ruchi-pip peri pembo, by now a famous refrain in most nursery schools. In this beautiful edition--complete with line and wash illustrations by artist Blair Lent--Arlene Mosel retells an old Chinese folktale about how the people of China came to give their children short names after traditionally giving their "first and honored" sons grand, long names. Tikki tikki tembo (which means "the most wonderful thing in the whole wide world") and his brother Chang (which means "little or nothing")get into trouble with a well, are saved by the Old Man with the Ladder, and change history while they're at it. Tikki Tikki Tembo is a perfect book to read aloud, but don't be surprised if you find yourself joining the ranks of its chanting followers. (Picture book) ... Read more

Reviews (54)

Not to be confused with Rikki tikki tavi
If you, like my pretty self, grew up reading (or being read) the tale of Tikki Tikki Tembo, then you already know exactly the correct cadences and tones to use when pronouncing his name. Come on, everybody! Say it along with me... Tikki Tikki Tembo-No Sa Rembo-Chari Bari Ruchi-Pip Peri Pembo. Whew! It's a mouthful, which is of course the point. In this book (originally published, I kid you not, in 1968) we learn about the dangers of over-monikering one's own offspring.

Two boys live with their mother near an old well. The eldest is considered the more important of the two, and his is the extraordinarily long name. His younger brother is named Chang. Chang and Tikki love one another, and when Chang falls into the well his brother rushes off to save him. Tikki fetches the old man with the ladder, who rescues the sodden boy. Later (not the same day, thankfully) the boys play around the well again and this time it's Tikki who has fallen in. When Chang attempts to tell his mother what has happened, it's all he can do to spout out that enormous mouthful of a name. When his mother finally understands, he too is sent to the old man with the ladder and a very similar scene occurs. In the end Tikki is rescued, though his prolonged well-exposure leaves him sick for a little while. Hence (according to this tale and, yes yes, not historically accurate in the least), "the Chinese have always thought it wise to give all their children little, short names instead of great long names".

When I was read this book as a kid I remember disliking small sections of it (whilst enjoying the entire thing as a whole). I felt bad for Chang, a boy whose name translated roughly to "little or nothing". Yet Chang and Tikki don't engage in any sibling rivalry or bad feelings. They play together as happily as can be. And though their mother does refer to Tikki with such names as "my first and honored son, heir of all I possess", the final shot of the book is Chang seated snugly on his mother's lap as they speak with the bed-ridden Tikki. So is the book racist? I dunno. Not to my eyes, though I've already admitted that having been read this book while a child, I'm biased towards it. I really don't think there's anything in here to seriously offend someone, unless becoming offended is their goal. Yes, we can all agree that the clothing is Japanese while the characters are Chinese. Confusing, certainly. And the last line in the story is a bit odd, but personally I don't feel it will turn your children into raving-mad racists. It's just an amusing story told with a great deal of zip and verve. Author Arlene Mosel has told it in such a way that the reader really enjoys repeated passages that say things like, "He pumped the water out of him and pushed the air into him, and pumped the water out of him and pushed the air into him". Blair Lent's illustrations are just as amusing and fun. Though a book of limited colors, it almost seems to the reader as if there are millions of subtle variations on the blues and greens shown throughout the story.

The fact of the matter is, this is just a great book. Top drawer. If you've an ability to tell a tale well, then it is a crime and shame that you are not reading this book to a little one right now. For as long as children enjoy hearing rhymes and syncopated rhythms, this book will remain a popular item.

Good book for a read aloud and discussion
This is a retelling of an old Chinese folk tale about unnecessary and overly grandiose events. The initial premise is that the firstborn son is given a grand name, in this case Tikki Tikki tembo-no sa rembo-chari bari ruchi-pip peri pembo, which means "the most wonderful thing in the world." However, all subsequent sons are given short names, so the second son is called Chang, which means "little or nothing."
The tale begins with Chang falling into a well. Tikki Tikki Tembo runs for help and has no difficulty in telling the adults what happened. An old man uses a ladder to rescue Chang and after some brief treatment, he recovers. Later in the story, Tikki Tikki Tembo falls into the well and Chang runs for help. However, because of the length of the name, he has difficulty explaining what is wrong and help is delayed. While Tikki Tikki Tembo is rescued, it takes him a long time to recover. As a consequence of this event, the Chinese change their custom so that now all of their children are given short names.
The artwork of this book is excellent and the moral of the story a good one for children. I strongly recommend it for read-aloud sessions that end in a discussion.

Wonderful
I haven't read this book in...ten years or so, but as soon as I read the title 'TIKKI TIKKI TEMBO, I LOVE THAT BOOK'. That pretty much covers it. It's wonderful, I wish the kids I am around would be patient enough to listen to it. :) WONDERFUL WONDERFUL BOOK!

Fun, but inaccurate
Tikki Tikki Tembo has a beautiful and fun name to say. However, that is where my praise of the book ends. The illustrations are lacking, not to mention inaccurate. A seemingly uncaring mother obviously favoring one son over the other is the main thing that stands out in my mind after having read this book. Perhaps my biggest problem with this text is the sweeping generalization it ends with, "from that day to this, the Chinese have always thought it wise to give their children little, short names, instead of great long names." I believe it is important to eduate and expose children to cultures outside of their own. However, we must do so in a way that promotes their curiousity and an accurate understanding. Multicultural literature can be a wonderful tool in the classroom as well as the home, when used properly; Tikki Tikki Tembo will be left out of my toolbox.

A name that'll stick in your mind for years
I don't understand why people are looking at this book like it's some sort of historical text. I doubt many 5-year-olds are going to read this book and say, "Well, it was OK, but it was full of historical inaccuracies and perpetuated stereotypes harmful to the Chinese community." It's a story, nothing more. It's not meant to teach any life-changing moral. Stop searching for offensive material and enjoy the book the way a child would.

A child will enjoy this, by the way. I know I did, when I first read it perhaps 25 years ago. It may not (as I said above) provide profound revelations, but it does encourage children to do the right thing whether people treat them with respect or not.

Lighten up, enjoy the rhythm of the name, watch kids try to say it all in one breath, and years from now you'll still remember Tikki Tikki Tembo and his helpful brother. ... Read more

Reviews (11)

Excellent presentation of Indian philosophy
This excellent collection of myths and legends in the "oral history" style - either from the mouths of storytellers, or from documents where their words were first captured - presents a wonderful insight into the American Indian spiritual philosophy. The book is neatly organized into chapters from the genesis of the planet and people, through myths and legends emphasizing the social structure, to love stories, warrior myths and on to the final death and afterlife stories. Stories from tribes across the North American continent show both the divergent philsophies, as well as the common ground. The editors have wonderfully resisted any urge to edit these stories. Each chapter opens with an overview provided by Erdoes and Ortiz. There are occasional editorial explanations at the ends of stories. They should expecially be applauded for including stories with humor. As someone with Indian ancestry, but not a traditional Indian upbringing, I enjoyed the experience of spiritual concordance with the basic philosophies, no matter which tribe or region of the country was being presented. The book is easily readable by most age groups; parents of younger children could read these as entertainment and even bed-tiime stories. I consider this akin to a Bible of American Indian spirituality.

Good storyteller
Adult storybook....
I ordered this book to glimpse into the Native American mythology, and I have to say, I am very impressed. This book comprises of ten parts, each consisting of intelligent, sometimes even funny tales and facinating stories of Human Creation, World Creation, Sun-Moon-Stars, Monsters, Love and Sex, Animals and Birds, and Ghosts-to mention a few. It's filled with analogies taken from nature. All these stories come from the tribes once spread across all over the North American continent. The editors claim that some of the stories are completely "untouched" by white people and that they still convey the original folklores started some thousands of years ago.
If you are interested in idiosyncratic facts than forget about it, if you like good stories and folk-tales, this book is for you.

Fantastic Collection of Stories from the First Nations
Richard Erdoes and Alfonso Ortiz really did a wonderful job putting together this compilation. Taking various stories from North America, the duo covers traditional tales of everyone from the Aleut to the Toltecs and pretty much everything in between. Every region and culture group is represented, and tales from well known Nations such as the Cherokee, Lakota, Dine (Navajo), Apache and Iroquois appear beside those of less well known (but no less vibrant and culturally active) Nations such as the Miwok, Caddo, Metis and Shasta. Hopefully this will help expand people's views of Native American culture. After all, stereotypical views of "Indians" rarely include the Nations of California or the Pacific Northwest, or even the Southern Woodlands (the original homeland of the Cherokee and their neighbors). Obviously not every Nation could be represented, but this is still an excellent survey of the continent. It does a wonderful job showing how common cultural themes have woven their way across this entire continent, helping to reinforce the culture and customs of the First Nations. And at the same time, it also shows how each culture was different, having its own beliefs, customs and practices unique to themselves.

Each chapter was divided into a different theme, so the book covers the Creation of People, the Creation of the World, Stories about Celestial Bodies, Monsters, War Heroes, Love, Tricksters, Animal People, Ghosts and the End of the World. Hence the book goes full circle in exploring major themes in North American belief. Each chapter includes the stories of numerous Nations from different regions, linguistic families or "cultural groupings", allowing the reader to see them in a much broader light. All of the stories are short, and they range in mood from hilarious (Intome's description of his nightmare in "Inktome Has a Bad Dream") to being deeply moving (the sun's sacrifice in "The Scabby One Lights Up the Sky"). At the end of each story, the source is given and they come from quite a number of sources. Many are recorded in this book for the first time as far as I am aware, so it is certainly worth looking at even if you are very familar with Native American traditions.

To those familar with Native American culture, some things in this book should be familar, particularly the antics of Coyote, Inktome the spider, Raven and other tricksters, but also the tales of Glooskap, giants, floods, disembodied cannibal heads, the place of emergence, Hiawatha and so forth. One thing I should point out before going further is that some of these tales deal with adult themes (in the Inuit tale "Moon Rapes His Sister Sun" the moon commits the sins of rape and incest and forever chases his sister across the sky) and can be downright raunchy (as is the case with several of the Coyote and Inktome stories). There is nothing wrong with these stories, as they either are meant to teach a moral lesson (as is the case with the former) or because they are meant to amuse (in the case of the trickster stories). But it can come as something of a shock to those who are expecting "mere children's stories". Still, if you or someone you know has an interest in Native American culture, this book is certainly worth getting.

A comprehensive and diverse collection of Indian legends
"American Indian Myths and Legends" is a collection of 166 stories selected and edited by Richard Erdoes and Alfonso Ortiz that represent the heart and soul of the native people of North America. In contrast to the more familiar classical myths of ancient Greece and Roman, the genesis for these stories is much more organic, rising from the animals, plants and herb that made up the every day world of the people who told these tales. These tales also reflect the diversity of the peoples group under the name of American Indians, from the Seneca and Alconquian of the East to the White Mountain Apache and Navajo of the Southwest to the Brule Sioux and Nez Perce of the Plains.

Using an admittedly artificial system of organization, Erdoes and Ortiz present ten sections: (1) Tales of Human Creation; (2) Tales of World Creation; (3) The Eye of the Great Spirit; (4) Monsters and Monster Slayers; (5) War and the Warrior Code; (6) Tales of Love and Lust; (7) Trickster Tales; (8) Stories of Animals and Other People; (9) Ghosts and the Spirit World; and (10) Visions of the End. I have been reading my copy again to consider its inclusion in a Contemporary Mythology class I am toying with teaching, and it certainly offers students an impressive collection of myths and legends in fairly pure form. There is some commentary, but the point here is not to analyze the stories but to preserve them and present them to new readers.

However, teachers at any level who are studying myths can certainly find stories that can be used to create fascinating comparison/contrasts with tales on similar subjects from classical, Celtic, Hindu, African, or any other mythology they can get their hands on for class. I can see an excellent unit being developed just on the various creation myths of both humans and the worlds related in this book, which would provoke students to think about what difference the differences in these stories make in terms of how a people view the world and their place in it.

Note: Many of the stories in this volume were collected by the authors in their extensive field research. Others are classic accounts, which are presented in their original forms, while the rest come from 19th-century sources that have been retold by the authors in an effort to do away with the artificial style typical of the period and restore their authenticity. The result is that there is a wide spectrum of American Indian history and culture covered within these pages.

A great big book of myths!
I am a huge fan of myths in general, but I never was familiar with Native American myths. After a trip to Alaska I found this book and it has opened up a new world. I know this book didn't go over well in Alaska, but I love it and read it over and over again. ... Read more

Book Description

Illus. in full color. Upstarts like Davy Crockett, giants like Paul Bunyan,

and gentle souls like Johnny Appleseed are among the nine "tall" heroes

featured in this exuberant collection of traditional American folk tales.

"McCurdy's intricate wood engravings set these larger-than-life folk on

majestic landscapes brimming with energy, rich with wildlife and local color.

The author's thoughtful introduction and notes round out this superlative

offering."--(starred) School Library Journal.




... Read more

Amazon.com

Exotic, beautiful, and instructive, this "mathematical folktale" by author-illustrator Demi emerged from her love of India. The narrative and the evocative illustrations combine to create a real sense of the culture and atmosphere of this romantic land.

It's the story of Rani, a clever girl who outsmarts a very selfish raja and saves her village. When offered a reward for a good deed, she asks only for one grain of rice, doubled each day for 30 days. Remember your math? That's lots of rice: enough to feed a village for a good long time--and to teach a greedy raja a lesson. ... Read more

Reviews (13)

Beautiful Math, Eloquent Ethics
Demi sweeps us away with this story of a little girl whose quick thinking and knowlege of mathematics teaches a raja a lesson and saves her village.

This story touches on many levels, the first of which is the visual. A few of its glossy pages, each the quality of a fine color print, unfold to over two feet in length for the purpose of illustrating a mathematic principle that could never be explained as well only in words, no matter how many. It also serves up a well-told tale, set in India, that holds a child to the last. Finally, it offers lessons in generosity, keeping one's word, providing for the future, and helping the poor. "A Grain of Rice" is truly original, however, in the way that it brings all of these elements, particularly the mathematic and the humanitarian, together in one arrestingly beautiful book.

This would make a touching gift to anyone who enjoys Indian art and design or mathematics, regardless of age. It is also a perfect gift for a child as it is both aesthetically pleasing and educational--what parent could want more in a children's book?

My daughter loves this book!
We checked this book out from the library 3 years ago when she was five. That year it was at the top of her Christmas wish list. Now three years later it is still one her favorite books. This book has a positive moral about greed and courage. It features a smart, courageous and generous female character who uses math to out whit a greedy raja. It also shows children that sharing and kindness are rewards in themselves. Plus the math lesson is fun and educational. What more could a parent ask for? We could ask for fantastic Indian art illustrations which the book is filled with. So this book does have it all. A positive moral, a brave heroine, an educational math lesson and wonderful vibrant illustrations.

Wonderful Story!
Just wondering if anyone can give us all information on when this book will be available again. It is one of the best storys with the most beautiful pictures for young and old alike. It is a classic that will always be on top of my list!

A lovely book. But why is everybody WHITE?
This book has many strong points. It features a strong and clever female heroine. It makes mathematics fun. The sumptuous illustratations imitate the style of Classical Indian miniatures. But I have a major reservation: all the characters appear Caucasian, with very white skin and very rosy cheeks, even though the book is set in India, and the characters wear Indian clothing. We bought this book for our daughter, whom we adopted from India. I wish that she could see in this book a brave and resourceful heroine who is BROWN like her.

A great book for young kids!
When I was little, this was one of my favorite books. I loved the way the one grain of rice would turn into over ten billion! Every kid from 1st-4th grade will love this! Its fun to read and a great math lesson! Hope you enjoy this sweet book! ... Read more

Book Description

L. Owens, ed. Presents all 215 stories recorded by the Brothers Grimm, many not available elsewhere, illustrated by renowned artists.Includes such timeless favorites as Cinderella, Rapunzel, and The Frog Prince.A delight for young and old alike.100 b&w illustrations.704 pages. ... Read more

Reviews (14)

Good for what it is
My experience was this book was bad, but that was my fault for not reading the other reviews before buying it. If you know what you're buying, it's a good book (which is why I'm giving it four stars).

I bought this to read with my children. Don't do that unless your kids are teenagers at least. The original stories aren't meant for small children. At a minimum the kids get bored; at the worst, they'll be terrified.

I didn't care for the quality of the book myself; it looks like it was layed out by somebody that normally designs dictionaries or phone books. But you might like dense copy and inconsistent illustrations.

OKAY STORIES, OKAY COPY
Not all the stories in this book are winners, and you can take a LONG time reading all of them. For the longest time I'd been hearing that Disney's version of these Grimm classics are much cleaner. No kidding. But being a hardcore fantasy reader, I like all the violence and dark senses of humor that the Grimm brothers have. Generally, for every 10 stories you read, you might find two that you like and one that you REALLY like. As for the actual book, the pages are apparently NOT acid-free, which means that it was cheaply made. It is still hardback, though. I'm not a HUGE Grimm fan, but there were enough illustrations for my taste. Along the same lines, I don't care if the works are out of order--what matters is that they're translated decently. I still hold that there is--somewhere--a better Grimm's book to be found--hence the 3 stars. Apart from all that, this is a good bargain bin book--which is where I found it. My favorite stories--so far--are The Frog Prince, Cinderella, The Three White Snakes, and The Youth Who Could Not Shiver and Shake.

complete brothers grimm fairy tales [hardcover]
when i received this book, i was amazed by how great it was. the condition was very good. i was so plesed by it. it was so clean, and looked untouched. i am very happy with it. thank you for doing a great job. this is the first time i have ever bought anything on the net. i was kind of scared about it. i know i can buy from you guys and not worry about it. ej

Bad for these reasons...
1. Very thin paper used. (recycled?) If this is for environmental purposes, I support it. If it is just to save on production costs, I don't.

2. Ugly, crowed typesetting that would be more at home in a newspaper.

3. Jumbled illustrations by different artists with different styles, none of which are credited, and many are placed out of synch with the corresponding stories. Very few of the illustrations are worth a second glance.

4. Weakly bound. Will fall apart with regular reading.

5. The prose is dreadful. Or is that the stories sound better in their native German???

6. My copy arrived covered in inexplicable dark smudges.

7. Not for collectors, or those who like quality books.

8. Note: If you are buying for your children, they will probably be bored by the stories, or not understand them. As one reviewer pointed out, they were never complied for children in the first place.

Grimm Reality
I received this book as a gift from my sister. Upon reading the reviews she was skeptical to buy it, thankfully she bought the book regardless.(Thank you, Thank you!!!)

I don't see the poor quality that many have discussed.The pages are thin of paper but thick with words and quality to captivate a Fairy Tale lover. Oral story telling has been a tradition for centuries, and this book keeps that alive. These stories are definately memorable and after you've read them you can tell them over and over.

I remember many of these stories from my childhood. They're rich with imagery. Maybe many of them were never intended for small children... but if you can look past the grim images of some stories you will find a deep lesson. I even see some religious symbolism in some of the tales which border on same idea lines as Biblical stories.

I disagree with the negativity and poor ratings this book has gotten. I think it is a must have for the Literature and Fairy Tale collectors (if not for the quality of the book, then definately the quality of the stories therein). Considering that early versions of the book were written in 1812 and its still sold widely today, there must be something about it that causes people to wonder about those brothers Grimm.

Give this book a second glance!! ... Read more

Book Description

For thousands of years, the legendary dragon has inspired awe and wonder in cultures the world over. Fearsome in strength, ferocious in appetite, yet majestic in bearing, this fabulous beast has long been a favorite subject of artists and storytellers.

Now Michael Hague, one of America's most belovedparnters of fantasy, boldly captures seventeen classic dragon tales, armed only with the magic of his paintbrush. Here beside the heroics of Perseus, St. George, and Sigurd are the adventures of the girl who slew a dragon and became queen of China, as well as the dazzling comic twists of Kenneth Grahame's "The Reluctant Dragon" and E. Nesbies "The Dragon Tamers." Here too are such magical authors as J. R. R. Tolkien, C. S. Lewis, and Italo Calvino.

The mythical dragon will be very real indeed for all who read these enchanting tales and pore over the twenty fullcolor and sixteen black-and-white illustrations. Michael Hague's art has never breathed more fire.

Reviews (9)

Cool Book!
I think this book has cool pictures. They have cool knights. It has different kinds of dragons. I like the stories.

Two claws up!
My boys love this book, which we got for them for Christmas. Some stories are too hard for them (they're six and four), but even the younger one loves looking at the pictures. "Why's this dragon happy? Because he like to eat some people?" "Look at this funny dancing dragon!" "Daddy, this dwagon's cwying. Why?" My older son can read some of the stories, a bit. . . But it might take a few more years to grow into all of them. I enjoy them maybe just as much. The authors are all first rate, and each story seems better than the last, and than the one after it, if that makes sense. All in all, this book is a great idea, well-executed. I should add that I myself am a dragon, and find that the book's square, flat shape makes it a good fire-stop.

A wonderful collection of stories with great illustrations..
This book is perfect for any young person, or person young at heart, who loves dragons. It features many of the marvelous illustrations by that master of fantasy, Michael Hague, accompanying 17 classic tales of dragons and their prey.

The tales range in place setting from China to England, Scandinavia to Narnia. The dragons themselves range from fearsome to foolish, rage-filled to reluctant, and everything in-between. If you or your child love dragons and their stories, don't hesitate to buy this book!

Yeeeeeeeeeeeeeeaaaaaaa for dragons!
This is a beautifully illustrated book with many beautiful tales. I sometimes wonder why the dragons are usually the enemies, while the book is titled "The Book of Dragons." My favorite story is "The Dragon and the Enchanted Filly." I like it because the hairs of the filly are magical!

The Book of Dragons
I bought this book for my 6 year old. He loves Dragons. This book has been wonderful. The pictures are great. Some of the stories are a little over his head but he has enjoyed having the other stories read to him. We are enjoying this book specifically devoted to dragons! ... Read more

Book Description

Introduction and translation by Husain Haddawy ... Read more

Reviews (24)

An amazing and entertaining book
"'What an amazing and entertaining story!' said Dinarzad, the sister of queen Shahrazad. And she would reply, 'What is this compared with what I shall tell you tomorrow night if I stay alive.'" This dialogue ends every night of "the nights" and makes us all to wander and expect what will happen the next night. While anticipating the next night, the readers' hearts and minds goes ups and downs with the book. The Stories of "The Arabian Nights", or "The One Thousand and One Nights," are very entertaining and strange. It makes you turn those pages to find out what will happen and you will discover those stories (and stories within the stories within the stories within the stories), you never dreamed of, which made you finish the book fast and delighted.
Although I expected to read the story like "the story of Sindbad," and "the story of Aladdin and the Magic Lamp," which are explained by the introduction, is later addition to fulfill the name of the "one thousand" nights, I really enjoy this translation of the oldest version of the Nights. The translator, Husain Haddawy, even made this book more familiar to us. He changes "Allah" to "God," and such. This book about four hundred more pages will bring you a lot fun time while you read it. I highly recommend you to read this version of "The Arabian Nights."

Absolutely delightful
I thoroughly enjoyed reading Haddawy's translation of "The Arabian Nights". It has a feeling of authenticity, as if it is truely an oral story being passed down through the ages, as it once was. The whole concept of the book is mind-boggling, with stories within stories so many times over that half the fun of reading the book is trying to follow the winding path that the stories lead you down. The physical book itself is also top-notch, as the Everyman's Library editions always are. For me, investing the few extra dollars for such a beautiful edition is well worth it.

This book may not be what you expect. It is not the Disney-fied, watered-down version that most of us were introduced to as children. Several of the more famous stories that most Americans would associate with "The Arabian Nights", such as Ali Baba or Aladdin, are actually not part of the work. They were added much later, by the early European translators. Also, the book contains bawdiness and violence (particularly towards women) that may not be appropriate for young children, so be forewarned. Overall, I feel that this an authentic, lucid translation of a fantastic story, wrapped in the most beautiful of packages. Highly recommended.

Excellent translation
I highly recommend this new translation of the Arabian Nights. Previous translators have sought to colorize or edit the tales, but here the translator sought to stay true to the text. Readers may be surprised to see that the most famous tales (Aladdin, Sinbad) are not here, since they were added on at a later date. I enjoyed working through the story sequence and was surprised at the humor (the Barber's tale was hilarious). Read the introduction - for one thing, it taught me to look at the amazing level of detail in the stories, such as the individual dishes a character prepares for a feast.

Shahrazad would like it....
Haddawy's translation is amazing. His straightforward approach--unlike Burton's, or probably any other English translation--shows in contrast what was missing from earlier versions, and how a florid, 'literary' approach can obscure the brilliance of the stories themselves. His approach is direct; much of the poetry is complete, and he has tried to capture the differing tones of the stories (which belie their insertion at different periods in the Nights' history). A remarkable work, and probably the one against all subsequent translations will be held.

The Ladder of Love
I read this book several years ago during a time in my life when I was free to devote a good deal of time to it. I immersed myself in it for quite a while, making charts and graphs to keep track of the intricate structure of stories within stories. When I was about half or three quarters of the way through, I began to experience a sort of spiritual excitement or intoxication, similar to experiences I had reading Hegel's *Logic*, or the works of Meher Baba, or some other works. I called the author and told him about this, and told him I thought it was a spiritual book. He said no one has done anything, as far as he knows, to examine or explain the book in that way. I believe many of the characters and situations are symbols for characteristics of the spiritual path; I can feel this level of meaning, but I am not sufficiently knowledgable in that area to really explain them fully. However, it is quite clear that the overall scheme of the book has a meaning.

Scheherazade was a beautiful young woman of high status, living in a kingdom where the women had met a great misfortune. The king was betrayed by one of his mistresses, so he took the habit of recruiting a new mistress every night, whom he would slay in the morning to make sure he was not again betrayed. Scheherazade told her family, to their great dismay, that she was going to volunteer for this duty. The stories are the ones she used to engage the interest of the king, so that his curiosity was so great he would delay killing her for at least one more night.

The first stories portray people of the absolute meanest and most crude nature, full of lust, violence, selfishness, suspicion, and a very low nature. Bit by bit, the tone of the stories becomes elevated, until at the end they are stories of unbelievably sublime love, self sacrifice, absolute humility and the willingness to undergo any suffering for the sake of the beloved.

By this method, Scherezade raised the consciousness of the king, and liberated him and his kingdom from the thralldom of his previous state of ignorance.

I hope one day to say more about the specific symbolic meaning of many of the characters and situations, which are extremely evocative and mean a great deal more than what is on the surface. ... Read more

Reviews (4)

Not appropriate for young children
I am very enthusiastic about exposing my children to different cultures and ideas, and when I saw this book and read the reviews on Amazon, I was excited to get it for my girls. When the book arrived, I read it immediately. The story and the pictures are beautiful. I liked everything until the very last sentence of the book -- I was very surprised to read that Yeh-Shen's stepmother and stepsister were "crushed to death in a shower of flying stones." Although I understand that this may be part of the original story, I am giving this book one star because it is supposed to be appropriate for children 4-8. I don't believe, with such a violent and disturbing ending, that it is appropriate for this age group.

A great book
I think this book is very,very good. It was a great book about China also a good book for childrens around the world. This book is about a girl named Yeh-Shen that was a orpahan. She had to work for her stepmother and her stepsister. Yeh-Shen had a fish that she did not know that it was magic fish. The fish's name is goldeyes. Yeh-Shen stepsister found out that Yeh-Shen had a friend that was a fish. The stepsister want and told her mother. The stepmother told Yeh-Shen to get some wood from the far side of the land. At the end of the story Yeh-Shen married the king.

One of the best versions of Cinderella
In almost every culture, parents tell children a story that resembles the European Cinderella. Scholars have collected more than 500 versions of the story. In the past couple of decades a lot of these multicultural variations on Cinderella have been turned into children's picture books. The familiar story gives kids a great introduction to people of the world. Several of these books are very good, but two are exceptional. One is John Steptoe's "Mufaro's Beautiful Daughters," an African version of the story. The other is this one.

"Yeh-Shen," a Chinese version of the tale almost a thousand years older than the earliest known European version, contains many familiar details - a poor over-worked girl, a wicked stepmother and stepsister, a magical helper, a king in search of a wife, and a lost shoe. But while Cinderella is simply handed gifts from her fairy godmother, Yeh-Shen earns her wishes through kindness to a magic fish. This one change makes a big difference in the ethical tone of the book. It also makes the reader feel much more sympathetic toward Yeh-Shen, who seems to deserve every bit of good fortune she gets.

The illustrations greatly add to the book's charm. Ed Young's style is striking and unique. There's a misty, ethereal quality to his art that makes everything look as if it were taking place in a dream - which is just perfect for the book.

THE OLDEST VERSION OF CINDERELLA
This is the oldest known version of Cinderella. It dates back to 9BC China. Having taught a unit on the history of Cinderella to my class every year around Holiday time, I'm pleased to finally have a copy of the book -- the copy from the Minneapolis Public Library is missing -- because it teaches children that not every version is about pumpkin coaches and glass slippers. Beautifully illustrated by Ed Young, the theme of the fish/fairy godmother character plays throughout the book.

Enjoy this version, along with Shirley Chimo's Egyptian and Korean Cinderellas, The Turkey Girl, The Rough Face Girl, Sootface, and of course, the old classic versions.

This book is an excellent addition to your multicultural children's collection! ... Read more

Amazon.com

In older versions of the classic tale Rapunzel, it always seemed improbable that a grown man could scale a tower using only his beloved's hair.Not so in Paul O. Zelinsky's Caldecott Medal-winning version of Rapunzel. Here, Rapunzel's reddish-blonde mane is thick with waves and braids, and cascades like a waterfall down the walls of her isolation tower. In Zelinsky's able hands it's easy to believe that a prince would harbor no hesitations about scrambling up our fair heroine's hair.

Of course, this is not the work of an amateur--Zelinsky's lush versions of Hansel and Gretel, Rumpelstiltskin, and Swamp Angel all earned him Caldecott Honors. His gorgeous, Italian Renaissance-styled illustrations are characterized by warm golden tones and the mesmerizing sensation of trompe l'oeuil. Not only does he have the touch of a world-class illustrator, Zelinsky has also proven himself a master storyteller. We are frightened when the sorceress demands to take the baby Rapunzel, we are alarmed when the flowing locks are cruelly shorn, and we rejoice when the prince and his now modest-haired love are reunited. The notes at the back of Rapunzel reveal his careful scholarship regarding the long history of the story (tracing its origins and transformations from Italy to France and finally to Germany and the Grimm brothers)--work that no doubt contributed to his clean, compelling version of the age-old tale. Children will be captivated by the magical story and evocative pictures and adults will delight in the fresh feel of a well-loved legend. (Click to see asamplespread. Illustration © 1997 by Paul O. Zelinsky, published by Dutton Children's Books, a division of Penguin Putnam Books for Young Readers.) (Ages 4 and older) ... Read more

Reviews (27)

A visually beautiful rendition of a timeless tale
"When I was a young girl, I had long braids, and always wanted to be Rapunzel," confided a colleague at a recent meeting. Paul Zelinsky's Caldecott award-winning retelling of this age-old tale of a mother-to-be's craving for the forbidden rapunzel, a possessive sorceress, a beautiful girl with an unending cascade of silky hair shut away in a remote tower, and a handsome prince just might reawaken those desires. In his informative "Note About Rapunzel ," Zelinsky relates how he drew on elements from the early French and Italian sources as well as from the better known Grimm version of this tale to create his own compelling version. Thus, some details of the story are less familiar. Rapunzel naively reveals that she has had a visitor in the tower when she asks the sorceress to help her with her dress for, "It is growing so tight around my waist, it doesn't want to fit me anymore." Other elements, retold in their familiar spare rhythm, such as "Rapunzel, Rapunzel, let down your hair!" retain ther original power. Zelinsky uses the formal beauty of Renaissance art to evoke both the physical beauty of the characters and the Italian landscape. His large oil paintings overflow with softly muted colors, billowing folds of finely detailed period costumes, ornate architecture, and majestic landscapes. His masterful use of glinting and filtering light illuminates every page. Zelinsky's Rapunzel is a book to be treasured by anyone who appreciates a timeless tale and delights in an object of visual beauty.

Beautiful illustrations and a traditional retelling
Paul O. Zelinsky's "Rapunzel" is a delight of renaissance-like oil paintings depicting a delicately beautiful girl, a frightening witch, and a handsome prince. The illustrations are truly superb, and each page features a beautifully rendered painting rich with color and detail.

Zelinsky's retelling of the story is traditional yet satisfying, but the illustrations really steal the show. Children will get caught up in the fairytale landscapes and the magical locales. Readers will also appreciate the additional information provided by Zelinsky about his retelling of the story and his study of Italian Renaissance art. It's always nice to know why artists choose to illustrate stories in a certain way.

This book won the Caldecott Medal for its fantastic illustrations.

Provacative story line with beautiful illustrations.
"Rapunzel" retold and illustrated Paul O. Zelisky is a version of the fairytale more closely relating to its original form dating back to 1635 called "Petrosinella". The story of "Rapunzel" has been found all over the world and has transcended time and culture, with few minor changes in the detail of the story for instance Rapunzel's hair color. The most distinctive difference between Zelisky's version and more modern interpretations, beginning with the Brother's Grimm is whether or not Rapunzel's pregnancy is mentioned. I think the story is for a more mature audience but children are not likely to catch the fact that Rapunzel is pregnant because they will be enchanted with the illustrations. The illustrations are reminiscent of the Italian Renaissance and will transport any reader into the fantasy world. Having researched several versions of Rapunzel, I have found that Zelisky's version is the most real to life because it does raise issues of sex, the inability for some parents to take care of their children, stealing, and cruelty to others. This book is provocative and will make readers of all ages asked questions; I would recommend this book for both children and adults. I think that both age groups could learn from each other by reading this book together, just be ready to answer your child's questions honestly.

The rare non-Disneyfied fairy tale
The winner of the Caldecott Medal, "Rapunzel" is one of the most lush and beautiful stories ever created for children. Carrying many of the distinctive Zelinsky elements (staggered perspectives, reoccurring background characters, gorgeous lighting, etc.) the book is a joy to look at. Each picture evokes the spirit of the Renaissance, from the first tableau (the husband and wife feeling her pregnant stomach in contentment) to the last (the loving family poses with the cherubim-like children). The text is a little more racy than your average children's picture book. Zelinsky doesn't shy away from the fact that Rapunzel is pregnant when the witch learns of her illicit relations, though he does legitimize the girl's newfound glow with a hasty "marriage" of the prince to Rapunzel in her tower. Sans priest, no less. The book is also remarkable for the dramatic shift that occurs in the character of the witch. A scowling ghoul in one picture, she transforms into an almost nunlike character when receiving the little Rapunzel baby. One might well ask what happens to the witch after she casts Rapunzel and her prince into the desert, but Zelinsky doesn't feel this is worth discussing. A perfect book for storytelling, as the pictures are colorful and easy to see from a distance. Would pair well with his other oil painted fairy tale "Rumplestiltskin".

Gorgeous book
This book has a great story, but above all: the illustrations are AMAZING. They are like oil paintings, full of colour and detail. Very young and older child both will really enjoy this book. This book is essential to any home or school library.
Slight warning- Rapunzel gets pregnant with twins after 'letting down her hair' for the prince.....i was asked 'how did that happen?' :) Some parents might not want their kids to read that part. ... Read more

Book Description

Reviews (8)

Vibrant, vivid illustration and a wonderful tale
The Anansi stories have been handed down through generations of Ashanti culture. This book is a wonderful, vibrant and vivid story for children of all ages. Born in Ghana I left at aged 3, leaving much of the Ghanaian culture behind. At aged 30 I can still remember a song about Anansi the spider, the only remnants left of my native tongue. I was given the Anansi book as a child, it captivated me, I read it over and over again, and it provided a connection to my past. At 16, I spent hours crafting a cushion embroidered an illustration from the book that was a childhood favorite. Sadly, the book was lost and I never thought I could get it again. Now, some 14 years since I last saw the book I can still visualize the pictures and hear the wonderful tale of Anansi the spider, his sons and the moon. I have just bought two copies, one for my niece and one for my two year old daughter. I absolutely cannot wait to read them again and again and pass this memorable story to a new generation.

Anansi
Anansi is one cool African trickster, and he does it again in this book! When he tries to determine which of his six sons to reward for saving his life, he becomes responsible for putting the moon in the sky.

We love Anansi!
My 18 month old son loves the artwork in this book. There is a lot to talk about on each page. For the first time it seems that my son is following the story and not just dealing with one page at a time. He waits eagerly for the page when Anansi is swallowed by a fish (don't worry it is not violent in any way!) Since there are 6 spider sons there are lots of opportunities for counting. My 18 month old can now count to 6.

Why the moon is in the sky!
A short children's book based on a folk tale of the Ashanti tribe of Ghana about the tickster Spider who is rescued by his sons and why the moon is in the sky. Children will enjoy hearing this story and even acting out its parts. The artwork is very appealling. The book was a 1973 Caldecott Honor book (i.e., a runner-up to the Medal winner) for best illustration in a book for children.

A culturally rich story that captures the eye with it's art.
This story captured the attention of 18 pre-schools within a few seconds! Personally, I enjoyed this story, the unique characters and the "trickster" Anansi. The children loved acting out a skit about the 6 sons of Anansi by taping a "spider logo" to their shirt and acting out "cushion", see trouble" and the other brothers. I especially enjoy how McDermott exposes children to the beliefs of other cultures. ... Read more

Book Description

Who was the largest baby ever born in the state of Maine? Who dug the Great Lakes? Who gouged out the Grand Canyon? Why, Paul Bunyan, of course, America's finest, fastest, funniest lumberman and favorite tall-tale hero. ... Read more

Reviews (3)

Jeff's Book Review
This book is very funny and entertaining.It was funny to see how Paul Bunyan, who was gigantic as both a baby and an adult, delt with all of the people and monsters who were much smaller than him. This book has great pictures and will make you laugh.

Wonderfully Illustrated!
This is a very enjoyable story retold with the most captivating illustrations. The vocabulary telling this story is wonderful and is a great book to read to the young and an excellent book for the early reader. Children will enjoy this enhanced version! This is not a book to miss.

fun with tall tales
Students are sure to enjoy this hilarious account of how many of our nation's wonders were created. This tall tale has been "spruced up" with a rich and colorful vocubulary, and is combined with illustrations that will keep the reader coming back for discovery time and time again. Steven Kellog's series of tall tales are invaluable in the classroom as students experience various literary elements such as: genre, author/illustrators, and theme related impressions. ... Read more

Amazon.com

Paul O. Zelinsky, 1998 Caldecott medalist for Rapunzel, also has three Caldecott Honor Books under his belt: Hansel and Gretel, Swamp Angel, and this fine edition of Rumpelstiltskin. Zelinsky's oil paintings are perfectly suited to the strange saga of the little man with the secret name who knows how to spin straw into gold. The golden light infusing the late medieval setting subtly reinforces the theme.

The visual characterization of Rumpelstiltskin is a triumph: an odd elfin man with bulbous eyes, a gigantic, flat black hat, impossibly skinny arms and legs, and long, pointed black shoes. This Rumpelstiltskin is not scary or horrid, but rather mischievous and weird. When the young queen finally guesses his name, and thus is able to keep her baby, he flies off on his huge cooking spoon (with a pout), true to the Grimms's 1819 version of the story. (Zelinsky provides notes on his text in the back of the book, indicating his careful research into various editions of the original Grimm tale.) Zelinsky's retelling is straightforward and smooth, with only a few lines of text on each page to complement the truly magnificent full-page illustrations. A delightful book worth its weight in gold! (Ages 3 to 7)

... Read more

Reviews (17)

Zelinsky Paints a Beautiful Picture of Rumpelstiltskin
The Grimm Brothers wrote one of their most famous tales,"Rumpelstiltskin", over a century ago and others havetranslated and retold it many times since. Paul O. Zelinsky retold"Rumpelstiltskin" based on one of the Grimms' earliest versions of the story. He was also the illustrator. The illustrations in Zelinsky's version are oil paintings. This allows him to create an exceptional antique setting for the story, as well as striking characters. There is such detail in each illustration that there is almost an individual story with in each picture. The intense use of shadowing combined with a kaleidoscopic amount of colors also makes this story's pictures peculiarly realistic. Zelinsky clearly portrays a distinct and more exciting way of seeing the classic tale, "Rumpelstiltskin". The first thing that makes these illustrations so life-like was the individual characters combined with the ornate and detailed backgrounds. The expressions on the characters' faces are drawn in such detail that the reader can easily see what they are feeling at a glance. The reader can also predict whether a character is good or bad from the detail of his/her face. The queen's (miller's daughter) large, gentle eyes and delicate, ivory skin demand the reader's compassion, even though she broke her promise to Rumpelstiltskin that saved her life. Rumpelstiltskin's tiny body accented by his pointy nose and chin gives off a sinister aura. The little details with in each picture make them all unique. An example is when the king is walking into the room where the miller's daughter is with all the spools of gold. There are rays of sunlight coming throughout the window reflecting off the spools that it hits. The colors used makes the room look warmer and more comfortable than when she had entered into it the night before. You can see some of the gold thread unraveling off various spools. The wrinkles in the miller's daughter's clothes shows that she is not in a very comfortable position as she sleeps one of the piles of gold. These are all such minor details that you might not even notice in a photograph. The title page and end papers even include detailed artistry. They show a petite village that is surrounded by a range of mountains and an ocean. The narrow, dirt road winding down to the tiny community gives out the idea that the village is relatively secluded from the rest of the world. I think that the title page and the end papers are a great way to covey the setting and atmosphere to the reader right away. The component of Zelinsky's illustrations in, "Rumpelstiltskin", that made them seem so life-like was his use of shadowing. A good example of this is when the queen sent her servant into the woods to look for Rumpelstiltskin. In this picture the only light the reader can see is from the servant's lantern and the few feet it shines on around her. The reader can also see the moon's reflection in the ocean. This use of shadowing makes these illustrations look not only life-like, but like photographs too. In Zelinsky's version of "Rumpelstiltskin", the illustrations were very realistic, because of his use of shadowing, complex use of colors, and phenomenal detail. Zelinsky's pictures are so effective that the words are practically unnecessary to tell the classic tale of "Rumpelstiltskin".

Beautiful, Complicated Tale with Magnificent Illustrations
As previous reviews have noted, the illustrations are exquisite and quite out of the ordinary; instantly captivating and magical at first glance. My daughter is 3 and 1/2 and is riveted by the book. I feel confused at how strongly some of the readers feel about the book's "message." Yes, many of the characters are "bad" and it is morally ambiguous, but the sheer flight of fancy and imagination captured by the tale has intrigued and fascinated readers and listeners since the early 1800's. It's like a child's version of a scary movie without the macabre details, and even though Rumpelstiltskin himself is ugly and frightening even though he is actually "saving" the queen, the book and story's power coem from the fact that he is such an unusual character; not whether he is good or bad. Furthermore, the additional magical ideas of straw into gold, being locked up in a castle, servants running off in the middle of the night, and a little elfen man riding around on a spoon are bizarre and fanciful and elements like these fill much of the fairy tale genre for centuries. I say, get over the p.c. messages and concetrate on the fantasy and magic of the story that is so compelling to readers, especially with Zelinsky's magnificent pictures. Life is complicated, and so is the story - it doesn't try to answer all the questions and make everybody good/bad/punished/redeemed. That is not the point of this particular story. If you only want a story with a moral, it's true that this is not the book for you. If creative ideas and concepts that you could never think of yourself are what your looking for in a book, then it is the book for you!

The most technically correct spinning wheel in kiddie lit
A rare book. Zelinsky tells the story of "Rumpelstiltskin", evoking a story most American children will know. Especially impressive is his tiny details. A good example of this is his spinning wheel. Many illustrated Rumpelstiltskin stories show the spinning wheel as something that Rumpelstiltskin throws straw towards, causing golden coins appear. In this edition the spinning wheel is technically correct. The miller's daughter is given empty bobbins, onto which Rumpelstiltskin spins golden threads. Zelinsky's accomplished paintings show the golden bobbins gleaming, one on top of another. The portrayal of Rumpelstiltskin himself was described in one review I read as "Rackhamesque". I don't know if this was the illustrator's intent, but he certain does seem culled from a classic European fairy tale book from the early twentieth (or even nineteenth) century. The oil paintings look Southern European, and though a story with an odd moral (if you can outwit your opponent by cheating, you're in the clear) it is an excellent book for children. Like its companion book, "Rapunzel", this too would be a promising book for storytelling.

Nice pictures, twisted story
This is a nearly verbatim rendition of the Grimms' story, and it's hard to understand why Zelinsky would use his talent to illustrate it for children. Even harder to figure out is how the American Library Association could award its Caldecott Medal for distinguished American picture book for children to any rendition of this dreadful tale: The king threatens to kill the miller's daughter if she can't spin gold from straw. Rumpelstiltskin saves her life by spinning gold for her, but extracts a necklace, a ring and, on the third night of spinning, a promise of her firstborn. She then marries the king, whom Zelinsky depicts as young and handsome. When it comes time for the queen to hand over her newborn, Rumpel agrees to relent if the queen can discover his name. She sends a servant to follow him into the woods and discover the name. So the king, though he looks good, is greedy and brutal. The queen is a victim who agrees to give over a future infant to save her own life, and then depends on an anonymous, unrecognized "servant girl" to save the child. And Rumpelstiltskin, shown as physically unattractive and (the message seems to be) therefore bad, is the one who saved the future queen from execution and then relents on the payment he bargained for. A weird, twisted story that offers nothing for kids, illustrated with Renaissance-style pictures that accentuate the perversity by making the bad guy look good and the guy who saved the damsel in distress look bad.

A great classic
The illustrations helped support and great tale. My daughter loves it. I know that there are many different versions but I was slightly disappointed that the ending was different from the version I remembered as a child. In this version Rumpelstiltskin flies off on a spoon. The version from my childhood is where Rumpelstiltskin is so mad that he jumps so hard he goes through the floor. Even w/the slightly updated version it's still a classic and must have for nay household. ... Read more

Reviews (5)

Ed Young drops the ball
Not everyone knows this, but authors don't always have control over the artists that illustrate their books. Sometimes a well-established author will be paired with an up-and-coming illustrator, and sometimes it's the other way around. In an ideal situation, the text and the art compliment one another flawlessly, making it so that the reader finds it impossible to imagine any other pairing for that particular book. If I had been Penny Pollock, I would have been initially overjoyed to learn that Ed Young had been selected to illustrate my work. After all, Mr. Young is a winner of the prestigious Caldecott Medal. His books include the beyond beautiful "Lon Po Po" as well as the technically adept and gorgeous "Seven Blind Mice". Which makes it all the more painful that Ed essentially slept through the making of "The Turkey Girl". While the book has a rather interesting and remarkable story, Young's illustrations look slapdash and amateurish. This is a book that has been ruined by its pictures. Worse still, it's been ruined by a formerly very talent artist.

This Zuni tale is a kind of Cinderella story with a dour ending. It tells the simple tale of a girl who lived in her village and was very poor. Her only means of sustenance came from tending the turkeys of the rich, thereby earning her the moniker, Turkey Girl. One day the Turkey Girl overhears that there is to be a fabulous harvest dance that everyone may attend. The Turkey Girl understands that she hasn't the clothes or appearance for such an event, so she contents herself by telling her woes to her only friends, the turkeys. To her amazement, however, the turkeys respond by talking to her. Not the dumb birds we have taken them for, the turkeys present their mistress with a beautiful dress and jewelry for the dance. They insist, however, that she return to them that night before the sun sets. If she does not, they will fly far away and never return. The Turkey Girl promises and goes off to join the dance. She's a hit, but as the afternoon turns to evening she keeps putting off her return to the turkeys. Finally she tears herself away, only to find that they've all gone and that her dress has been returned to rags. As Pollack says in her Author's Note, this book (like some other Native American versions) ends with, "the hard truth that when we break our trust with Mother Earth, we pay a price".

Though it's a little depressing in the end, I liked what this tale had to say. The author has an excellent voice, and the scenes are beautifully presented through her narration. Then we get to the pictures. At first, I was captivated by Young's style. Using pastel and oil crayon, Young works with colors that are native to the American Southwest (where this tale takes place). Though a little fuzzy at first, I was more than willing to give Young the benefit of the doubt. The fuzzy image of the Turkey Girl leading her charges out of the pueblo village looks as if we are viewing the scene through the wavy lines of heat you get on especially bright sunny days. But as the book continued I realized that this style of drawing, while lovely, was completely misplaced here. Though the action in the text becomes interesting and intense, the illustrations are static and without any detail at all. In the section where the Turkey Girl goes to a spring and hears the other girls gossip (soon followed by the announcement of the dance), the picture shows a fuzzy white image of a girl perched on top of (why?) a pueblo as similarly fuzzy images walk away with pots of water on their heads. The scene where the Turkey Girl receives a beautifully described dress of, "white doeskin...belted with red-and-yellow cloth", is accompanied by a shot of two or three somewhat grotesque turkeys taking up 1.25 pages. Worst of all is the dance. The closest we get to seeing ANYTHING at all is a washed out watery shot of eight or so legs that are, for all intents and purposes, not moving. How hard would it have been for Young to infuse a little life into these pictures? Or even, heaven forbid, a little detail. The illustrator seems to be under the impression that to show any intricacies would be to betray the story itself. If so, allow me to assure you Mr. Young that we would have been GLAD to read a book where in the event that a character does something...you see it! Instead, a section that says that, "The Turkey Girl danced every dance, her heart beating in time with her stomping feet", is accompanied by a lazy-hazy view of slightly turkey-shaped clouds against a peach background. If I have no patience for this, then I can guarantee that a five year old being read this story is definitely not going to have any patience with it either.

Which is a real pity. Though Pollock's tale is a bit dark and sad at the end (not only is the Turkey Girl tawdry once more but she's also out of a job) it could easily have worked beautifully with some well placed illustrations. I just can't understand how Ed Young screwed this up. Maybe he was really busy the month he was supposed to be drawing this. Perhaps it didn't pique his interest. Whatever the reason, this book looks like nothing so much as some rudimentary studies of Zuni color schemes hastily scrawled onto a series of pages. If you'd like an adept and haunting Native American picture book fable, allow me to recommend, Rafe Martin's "The Rough-Face Girl". An Algonquin (rather than Zuni) Cinderella tale, that book has the life and energy that this book lacks. All I can say is that I feel very badly for Penny Pollock. I hope that in the future she's given an illustrator that spends a little more time and energy on the final product. For as much as I admire Ed Young, I cannot understand how he allowed himself to produce such a drab creation. I guess it just happens to the best of us sometimes. Maybe.

Not authentic!
Many professional and lay people have given this a positive review, but my study of the book reveals it strays significantly from the way the Zuni people tell this story. While it may be poetic and well written to an uninformed eye, it fails miserably to convey the values and concepts within Zuni culture. As such, it cannot be used in a unit that teaches children about Zuni people.

A Cinderella with substance
This wonderfully evocative retelling of the Cinderella tale has a very different spin, giving the reader much more to think about than the more familiar version. It will make you reflect on your own integrity and will leave you with a clearer understanding of just how much your actions influence your future. Very powerful.

An excellent American Native version of the Cinderella story
Turkey Girl is one of the finest versions of the Cinderella Story to use in your fairy tale and Native American curriculumns. I use Turkey Girl when reading in school classrooms and in my public library, and the children love to hear a story where there are consequences to one's actions. Too many fairy tales rely on the "happy ever after" ending, when everyone knows that if you break a promise, there are consequences to it. This book leads to lots of good discussion about promises and consequences and can be used with children from first through fourth grade. Penny Pollock writes beautifully as always.

Exquisite Native American tale of Cinderella.
A classic. Beautifully illustrated and a moving story. The book is culturally accurate and well researched. It is an exquisitely retold Cinderella's tale in a Native American setting ... Read more

Book Description

Mufaro was a happy man. Everyone agreed that his two daughters were very beautiful. Nyasha was kind and considerate as well as beautiful, but everyone -- except Mufaro -- knew that Manyara was selfish, badtempered, and spoiled.

When the king decided to take a wife and invited "The Most Worthy and Beautiful Daughters in the Land" to appear before him, Mufaro declared proudly that only the king could choose between Nyasha and Manyara. Manyara, of course, didn't agree, and set out to make certain that she would be chosen.

John Steptoe has created a memorable modem fable of pride going before a fall, in keeping with the moral of the folktale that was his inspiration. He has illustrated it with stunning paintings that glow with the beauty, warmth, and internal vision of the land and people of his ancestors.

Reviews (20)

A beautiful,ancient story where good triumphs over evil.
Mufaro's Beautiful Daughters is a beautifully illustrated story where good triumphs over evil. Both sisters must pass several tests as in the story Arrow to the sun, in order to be considered the most beautiful AND the most worthy daughter for the prince to marry. Teachers: you can use this book to continue with an author study of John Steptoe who has written nothing but wonderful children's books. Another wonderful book by John Steptoe with the moral of selflessness is in the-Story of Jumping Mouse. Parents: If you're lucky you can catch the episode of Reading Rainbow where the story is read by my favorite actress Phylicia Rashad. A wonderful, wonderful story.

A fascinating twist to a familiar Cinderella tale
What happens when you mix two beautiful daughters, one handsome prince, and a marriage proposal? Well, if one is selfish, self-centered, and spoiled, and the other is kind, loving, and sweet, then you get the heartwarming fairytale by John Steptoe, Mufaro's Beautiful Daughters. He credits an Afrcan folktale with inspiring htis original version of a Cinderella-esque story. Steptoe's illustrations compliment the tale at every turn, defining setting, expanding characteriaztion, and adding depth to the text; they are indeed worthy of the Caldecott Honor Book Medal which graces the cover. Pages of stunning paintings capture the very essence of the story's Zimbabwean ancestors and the landscape they inhabited. In this typical fast-paced fairytale where evil is punished and good is rewarded, readers meet Manyara and Nyasha, two sisters of unsurpassable beauty, who are summonded to the city in order to appear before the unmarried prince. Little girls everywhere will identify with the kind and patient Nyasha and delight at the fate that the "evil" sister, Manyara, eventually meets. Children of all ages will thoroughly enjoy a read-aloud of this fairytale. The vivid use of language and exquisite illustrations, such as the scene in which Nyasha meets the king, are sure to entertain even the most discriminating audience, from the youngest listener to the transitional reader. Complete with a surprise ending, a touch of magic, and a moral message, Mufaro's Beautiful Daughters is a wonderful story and makes and excellent comparison to more traditional versions of Cinderella.

In the eye of the beholder
I love how folktales around the world contain so many elements similar to one another. In John Steptoe's elegant, "Mufaro's Beautiful Daughters", careful readers pick up echoes of such myths as Psyche & Cupid, Cinderella, and Roses & Pearls. Yet the story is inspired by an original folktale from 1895. Dedicating this book to the children of South Africa, Steptoe has created one of the most beautiful and eloquent picture books of our time.

Once there was a man with two beautiful daughters. Both were equal in loveliness, but different in temperament. While Nyasha was kind and good, Manyara was vain and cruel. When the king announces that he would like to meet these two girls and decide, between the two of them, which one he shall wed, the sly Manyara does her darndest to become queen and make her sister her servant.

The tale is vaguely disturbing in all the right ways. When Manyara sets out to get a jump on the king's affections by reaching the palace first, she comes across a series of odd sequences. A boy (with ears Spock himself would envy) is denied food, laughing trees are laughed back at, and a man with his head under his arm is ignored callously. The moral of the story is, of course, that to be good and kind is far better than to be cold and mean. Steptoe's illustrations lift this tale from being merely good to extraordinary. There is a realism to the characters that leaves the reader with little doubt that they were fashioned on real people. Steptoe has likewise stayed faithful to