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| 1. The Dark Is Rising Sequence: Silver on the Tree/The Grey King/Greenwitch/The Dark Is Rising/Over Sea, Under Stone by Susan Cooper | |
![]() | list price: $24.95
our price: $16.47 (price subject to change: see help) Asin: 0020425651 Catlog: Book (1993-10-31) Publisher: Simon Pulse Sales Rank: 1243 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (163)
C.S. Lewis set the standard for children's fantasy literature with THE NARNIA CHRONICLES, and Susan Cooper has equaled Lewis' accomplishment in these books. In some ways, the stories are much better because Cooper's target audience is a bit older, wiser, and more mature. Evil characters are not always obvious in Cooper's world, nor are they always super-intelligent. Cooper weaves elements of Arthurian legend and Welsh mythology into modern day England in a way that tends to swallow the reader whole. Even as an adult I find these books rich and enjoyable; it is easy to forget that one is reading 'children's literature'. Fans of THE NARNIA CHRONICLES or HARRY POTTER will find that THE DARK IS RISING is another series readers will enjoy no matter what their age may be. My one caveat would be to parents of young children: there are scenes in these stories that may not be appropriate for children under the age of 10 or so. As always, be aware of what your children are reading. Once your children have reached an appropriate age, however, I would highly recommend THE DARK IS RISING for both you and your children!
The first book in the sequence was clearly originally written as a stand-alone book, but I would guess it planted seeds of ideas which took a decade to germinate when she picked up the story again. After the long gap, the next four books came quite thick and fast (coinciding with my childhood) and the writing of them is dynamic and exciting. The characters are fantastic, with the Merlin figure Merry being one of the most endearing attempts to create that arch-sorcerer. They are great fun from start to finish and are as intelligent, fresh and fantastic as when I first read them nearly thirty years ago (ouch!).
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| 2. Dark is Rising (Dark is Rising Sequence (Paperback)) by Susan Cooper | |
![]() | list price: $4.99
our price: $4.99 (price subject to change: see help) Asin: 0689829833 Catlog: Book (1999-10-01) Publisher: Aladdin Sales Rank: 58467 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description On the Midwinter Day that is his eleventh birthday, Will Stanton discovers a special gift -- that he is the last of the Old Ones, immortals dedicated to keeping the world from domination by the forces of evil, the Dark. At once, he is plunged into a quest for the six magical Signs that will one day aid the Old Ones in the final battle between the Dark and the Light. And for the twelve days of Christmas, while the Dark is rising, life for Will is full of wonder, terror, and delight. Reviews (119)
Will Stanton is an ordinary boy, until his Midwinter eleventh birthday. On that day, he ventures out into a seemingly changed world. There, he encounters a sinister Dark Rider, then a beautiful white horse that leads him to a hidden place, where he finds two of the Old Ones -- the mysterious Lady and Merriman Lyon, one of the stars of the previous book. The Old Ones are immortal, powerful, wise, and it turns out that Will is the last one born. And as an astonishingly cold winter settles over England, Will is taught some of the ways of the Old Susan Cooper is at her peak here. Will Stanton's adventures have a sense of unreal mystery and magic about them, where the slightest actions can have significance, time is easily manipulated, and two kinds of reality intersect. Welsh mythos and legend is interwoven more deeply here, including hints of the Arthurian tilt that was featured more prominently in "Over Sea, Under Stone." At the same time, Cooper accurately displays a more human side of Will, the side that is deeply attached to his family and home. I have a lot of friends with large families -- I think Cooper's portrayal of the bustling, bickering, essentially happy Stanton family was excellent. This book is suitable for all ages, though some younger kids may be frightened by parts of it such as the more menacing moments with the Dark Rider, and the kidnapping of someone Will cares about. There is also a slightly condescending attitude towards Christianity at one point during the book; though the church is shown as being a neutral haven, the pastor is rather naive and Will exhibits some dubious theology. This is, however, an isolated incident. Will himself is an astonishingly three-dimensional character, one of the few that approaches Tolkien's Frodo for reality. He flips between being a smart, quiet eleven-year-old to being an Old One, with all the power that suggests. This transition is not one that is handled lightly, as he gradually loses his innocent, boyish outlook and learns more about the battle between evil and good, and what he must do; he also doesn't "know it all" instantly, but has to learn. Merriman Lyon is a more ancient-seeming, sad person than in "Over Sea, Under Stone," and the reader gets a saddening view of the sacrifices he's had to make for his battle against the Dark. It becomes clear to the reader earlier than it does to Will just who the Walker is; it's saddening when Will goes back and you see the seeds of Walker's existance. The writing is exquisite. Nowhere to be found is the British-kids-on-holiday atmosphere. It's replaced by an alternately warm-but-not-perky atmosphere, and one of utter magic. This isn't magic infringing on our world, but rather Will stepping from one to another. Her dialogue is more believable, even the little old lady bleating about the snowstorm; and Will tends to think, act, and talk like an eleven-year-old boy who is aged before his time. This is hard to do, but she does a great job. This book is probably my favorite of the series. Susan Cooper does an astonishing job with "The Dark is Rising," and kids and adults alike can read and enjoy.
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| 3. Silver on the Tree (Cooper, Susan, Dark Is Rising Sequence.) by SUSAN COOPER | |
![]() | list price: $30.00
our price: $19.80 (price subject to change: see help) Asin: 0807262099 Catlog: Book (2002-02-26) Publisher: Listening Library Sales Rank: 352874 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description
Reviews (23)
Susan Cooper is such an excellent writer. She can make totally realistic, everyday, family scenes, and then turn around and write about journeys through fantastic fantasy worlds. She is also really good about writing descriptive scenes that let you picture something so exactly. I can't decide whether this ties with The Grey King as the best book in the sequence, or if Grey King is a bit better. The ending wraps things up just right. Except, I don't think the Drews & Bran should have had to forget. That's was probably the only complaint I can think of.
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| 4. Over Sea, Under Stone : The Dark is Rising Sequence (Cooper, Susan, Dark Is Rising Sequence (New York, N.Y.).) by SUSAN COOPER | |
![]() | list price: $30.00
our price: $19.80 (price subject to change: see help) Asin: 0807204803 Catlog: Book (2001-07-31) Publisher: Listening Library Sales Rank: 66025 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description
Reviews (63)
The kids themselves are particularly engaging. Cooper has a good ear for dialogue, and the kids never sound like an age that they aren't. Too often I'll read books about eight year-olds that talk, walk, and act like they're thirty-five. Here, an eight-year-old is eight, and the reader never doubts the author's tongue. As for the story, who could complain? Susan Cooper knows how to instill fear. Her villains are always most villainous when they're cool and collected. Her plots are carefully planned and rarely forced. And her writing is melodic. She does suffer from a dire need to often put rhymes and poems in her books that the heroes must solve. But otherwise, one cannot complain. If you've kids looking for something in a Tolkein vein, this is the book for them.
Simon, Jane and Barney Drew have arrived at their great-uncle Merriman's seaside house for a vacation -- and rapidly become quite bored. But when exploring the attic, they unearth a very, very old map that is somehow connected with the legendary King Arthur. As anyone else would do, the kids begin the search to find a golden grail. But they soon find that they are not the only ones who want the map. A seemingly genial pair of vacationers are being slightly too inquisitive, and someone breaks into Merriman's house in search of the map. And Merriman reveals the origins of the map -- and an ages-old conflict between good and evil that hinges on who finds the grail first. Taken alone, "Over Sea Under Stone" is a solid, even excellent fantasy story. But it's a little out of sync with the rest of the series. However it sets excellent groundwork, has an intriguing storyline and a good mix of folklore and Arthuriana, and offers us one of the most mysterious and likable "magic mentors," Merriman Lyon. (Say "Merry Lyon" really fast and see what you get) It starts off with every kid's fantasy -- treasure maps and ancient kings -- and rapidly blossoms into something much more. One of the most noticeable differences between this and Cooper's later books is the writing; the writing later becomes much more verbose and descriptive and magical. Here it's quite stark and plain. And I had a bit of trouble connecting with the Drew kids, because they really didn't have much difference in their personalities. And people hoping for a mystical, mind-blowing experience like "Dark is Rising" will be disappointed; "Over Sea" is mostly very prosaic and very rooted in our world, and many important concepts in the series aren't even touched on. Despite this, the Drew kids are overall quite likable -- they have very little idea what they're getting into, but they're determined to succeed anyway. Merriman is pleasant, humorous, but at the same time you get the sense that still waters run deep; he's more aware than anyone else of what's going on. And she does a wonderful job with the sense of evil and foreboding -- Mr. and Miss Withers are initially very jovial and kindly, but you can sense something rotten underneath. Same with the solemn vicar who is pursuing the kids. "Over Sea Under Stone" is perhaps the most "standalone" of all the Dark is Rising books, an entertaining though not outstanding fantasy adventure. Highlu recommended.
"Over Sea, Under Stone" differs from the other books in the series in that it avoids the overtly supernatural. This is an unusual fantasy novel in which nothing obviously fantastic occurs. The terrors of The Dark and the workings of magic remain subtle hints and hidden undertones beneath the action, as if they are occurring just out of sight of the main characters. This gives the novel a spooky sense of reality, and the reader can easily imagine him or herself in the place of the three children who, during a vacation in Cornwall, slowly discover the battle with The Dark that has existed for centuries. The novels that follow, especially "The Dark is Rising," plunge headlong into the supernatural, but "Over Sea, Under Stone" provides a perfect, gradual introduction. The story introduces us to the three Drew children, Simon, Barney, and Jane, and their mysteriously knowledgeable Great-Uncle Merry, all who will play major parts in the saga. While the Drew children are on vacation in Cornwall (a land steeped in legends), they discover a map which may lead to the Grail of the King Arthur stories. With Great-Uncle Merry's help they start to unravel the clues on the map. But The Dark will do anything to seize the Grail first, for it contains a power that can defeat them. The story unfolds as a fascinating mystery as the Drew children unravel clue after clue while the danger from mysterious individuals grows greater with each stride they make toward the final goal. Few young adult fantasies offer such intelligence and subtlety as "Over Sea, Under Stone." Readers of all ages will become entwined in its mysteries and read swiftly to the tense conclusion. After that, they will definitely want to continue to the epic next book in the sequence, "The Dark Is Rising," where the hidden magical forces of this book burst through the surface to start their titanic battle. The story continues in "Greenwitch," "The Grey King," and concludes in "Silver on the Tree."
And the auther is Susan Cooper.
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| 5. Greenwitch (The Dark Is Rising Sequence) by SUSAN COOPER | |
![]() | list price: $25.00
our price: $16.50 (price subject to change: see help) Asin: 0807262080 Catlog: Book (2001-11-27) Publisher: Listening Library Sales Rank: 330909 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description
Reviews (20)
When a golden chalice (first found by the Drews in "Under Sea Over Stone") is stolen from its museum, the mysterious Old One Merriman enlists their help and the help of the youngest Old One, Will Stanton. At first, the kids don't really get along; things seem fairly uneventful, except for Jane participating in an ancient ritual in which the women of the village get together and weave a vaguely humanoid figure, the Greenwitch. The Greenwitch is then thrown into the sea, after people touch it and make a wish. Jane, followed by strange impressions of the Greenwitch, makes a very unusual wish indeed. But then her brothers and Will bump into someone else -- a strange painter who steals a picture of Barney's, and then lures the Drew boys into his home. He's a member of the Dark, and he forces Barney to scry out a message about the Grail for him. Then a strange, wild chaos strikes the town, with a ghost ship and the angry Greenwitch herself... While this book is not the best of the series (the second takes that honor), it nevertheless is an excellent piece of work, as fantasy and as a study of the characters. The first chapter was a little weak; it felt too much like a part of "Over Sea Under Stone." However, this ceases as soon as Will comes on to the scene. The book then takes on a tone that seems, somehow, to balance out between "Dark is Rising" and "Over Sea Under Stone." The Drews are better fleshed out and individualized in this book. Jane proves that Cooper is one of the few fantasy writers who can create genuinely strong female characters; this is, in a sense, her book. Barney's abilities aside from his siblings are explored, giving them all a sense of being separate people. Will is clearly more comfortable with his role as an Old One, as he is more knowledgeable and smoother at handling situations with the Dark. At the same time, he's also able to shift into being a preteen boy, tapping Morse code to the Drew kids through the wall. (I think that I would have a crush on Will if he weren't about nine years too young) The writing in this book is versatile, becoming dreamy, stark, magical, frightening, or ordinary as the scene requires. The underwater scene with Tethys was one of the best written fantasy scenes I've ever read, while we are also given a horrific nightmare (Jane's) and the chilling pirate ship attacking a modern-day town when reality goes out of whack. Though the Greenwitch ceremony is women-only, Cooper doesn't bash the reader with any ideas; the Greenwitch herself is intriguingly written, childlike and possessive and kind of needy. This is a nice part of an amazing series, and definitely worth the read.
When Simon, Jane and Barney Drew, along with Will Stanton, try to find the Grail, a thing of power, it is not complete. They need to find the scroll that was lost last summer. To do this, they must find help from the mysterious Greenwitch. What gave her life? What is her secret? Why do the Dark have such a sinister intrest in her? Read this book to find out! A must read. It should be required. I'd also like to recomend the other books in the Dark Is Rising sequence.
You really should read both before this one as the characters from the two books come together. This is a direct sequel to the events in Under Sea, Under Stone. The kids, Simon, Jane, and Barney, return to Cornwall where they meet Will Stanton (The Dark is Rising). The Greenwich is under the sea and she has something Will needs. Simon, Jane and Barney know what happened to the object and they combine forces to get it back. This is the thinnest of the series, but it is very pivotal. It brings together two casts and sets the stage for the rest of the series. I found it to be one of the most enjoyable as it was rather straight forward. A fun book for readers of fantasy young and old, but make sure you read the first two books first.
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| 6. The Grey King (The Dark Is Rising Sequence) [UNABRIDGED] by SUSAN COOPER | |
![]() | list price: $25.00
our price: $16.50 (price subject to change: see help) Asin: 0807261963 Catlog: Book (2001-04-24) Publisher: Listening Library Sales Rank: 261512 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Book Description
Reviews (45)
On one level, this book is an all-out fantasy adventure. There is a cryptic poem, magic, good and evil lords, and fascinating uses of classic Arthurian legend. On a deeper level,however, this is a story about coming-of-age and family. Will learns how to be an independent Old One rather than an apprentice. Bran struggles to understand his mysterious past and his place in the world. This book is more than just a thrilling adventure--it is the story of people's choices and what "family" really means. In other word's, _The Grey King_ is deep *and* fun. I highly recommend this book to all readers. It may be a little hard for very young readers--but middle readers and older will enjoy it. I reread this book (and the rest of the series) at least twice a year. It should be read after the three previous books in _The Dark is Rising_ sequence (_Over Sea, Under Stone_; _The Dark is Rising_; _Greenwitch_). Lovers of Arthurian legend will particularly appreciate it.
On the up side though some of the mystique of the second book that emulates "Dark Shadows" is there, standing side by side with the third books more complex immagery. So in the end were this book made into a movie, while it would have been doable in the 60s, lacking anything that would have looked too cheasy, it would also be possible to be done in the 20th century without adding in two hours of mindless action that didn't occurr in the book, just to make the f/x guys happy (do the cave, the Grey King, and a time travel scene for Gwene and Bran, then send them on to the next movie with a smile and a months paycheck for two weeks).
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