Book Description

Collecting Ultimate X-Men #40-45. ... Read more

Book Description

Professor X thought he'd solved the problem of Magneto, but the mutant master of magnetism has regained his memory and his mission!Now the X-Men are on the run, with the Ultimates hot on their trail!Can the X-Men stop Magneto before he executes his plan to enslave the human race? ... Read more

Reviews (9)

New generation of writers out to destroy comics....
These new stories by Millar contain terrible Kubert drawings and story plots that go no where. They play more like a video game rather then a comic and are the work of people who are more like internet geeks then serious writers. No wonder comic book sales are dead and less then 2,000 comic book stores are still open nationwide.

Los mutantes recontados
La idea del Universo Ultimate que tan bien le esta saliendo a la Marvel, es adaptar sus historias clasicas al entorno actual con la finalidad de atraer nuevos lectores. Es decir, todos sabemos lo geniales que son los mutantes de Stan Lee pero reconozcamos que no atraen lo suficiente a nuevos lectores.
Asi, esta version Ultimate incorpora varios cambios menores que al final hacen un gran cambio, por ejemplo en las personalidades de los personajes, su origen, etc. Y todo eso hace una gran lectura. El escritor es Mark Millar, la actual estrella de la editorial Marvel que ademas ha escrito a los geniales Ultimates y los dibujantes son los hermanos Adam y Andy Kubert que se complementan muy bien el uno al otro. En resumen, buenos autores logran una estupenda historia.
Este tomo de tapa dura tiene los primeros 12 numeros de la coleccion Ultimate X-men:
- del #1 al #6: Tomorrow People, como se reclutan a los nuevos X-men y la pelea contra la version mas malvada de Magneto que se haya visto.
- del #7 al #12: Return to Weapon X, con la aparición estelar del Ultimate Samuel Jackson, perdon, quise decir Nick Fury.
Altamente recomendable para quienes pensaron que no se podian hacer nuevas historias de mutantes, para quienes no tienen nada de los X-men en su coleccion y para quienes llegan a los X-men por la pelicula.

Keep it real
The creators of Ultimate X-men did a very smart thing. They started all the way over. Considering Ult. X-men starts off anew, they can do what they wish with the story. Unlike X-treme and New X-Men which have plots so Twisted, it doesn't feel like the X-Men at all. They changed a few things in this series, like how Wolverine joined. Also Colossus and Storm take Angel's place as one of the first X-men. Making a team of 6 instead of 5. Magneto and the Brotherhood are pretty much the same. These books are solely based on story. Theres action, but its kinda far between.

The Weapon X Program tries to "recruit" the X-Men
Despite the title and the cover art for this second trade paperback volume in the "Ultimate X-Men" series (collecting issues 7-12), "Return to Weapon X" does not focus on the character of Wolverine. True, he is a key part of the solution for the predicament our Merry Mutants have found themselves in this time around, but Weapon X is now a big time secret government program run under the auspices of S.H.I.E.L.D. and Nick Fury that has a rather impressive little roster of mutants in its service: Juggernaut, Rogue, Nightcrawler, and Sabertooth. Think of them as the government's answer to the X-Men and the Brotherhood of Evil Mutants, and that pretty much accounts for all of the mutants belonging to groups at this point in the series.

Despite being on a first name basis with the President of the United States, Xavier's School for Gifted Children is hit by Colonel Wraith and his shock troops, both human and mutant. Now Cyclops, Marvel Girl, and the others will serve the greater good and help the government fight fire with fire (the only good mutant is a mutant with a neural implant). Of course, since this is a comic book, the person in charge of this government program is psychotic and perfectly willing to do anything to do anything to get the job done (or did I mention already that Wraith was in charge?). The main part of the story arc has to do with the X-Men regaining their freedom, but this is also mixed up with Wolverine's search for his past and Nick Fury's search for an illegal genetic operation violating the Superhuman Test-Ban Treaty.

I think that one of the main strengths of the Ultimate comic books is that they emphasize story arcs that take multiple issues (six in this case) so that a dozen issues into the series we have only dealt with two major stories instead of a self-contained episode with a new villain every single month. This should help the well from running dry too quickly. Writer Mark Millar along with Penciller Adam Kubert (with Tom Raney & Tom Derenick) and Inker Art Thibert (with Scott Hanna, Joe Kubert, Danny Miki, & Lary Stucker) are having fun tweaking the "original" X-Men stories and creating some new dynamics (e.g., Storm is interested in Hank McCoy, Nightcrawler does not speak English) so I think that those who have been reading the X-Men since issue #1 of "The Uncanny X-Men" (or issue #1 of "The Giant-Size X-Men") will enjoy the differences more than neophytes and appreciate the way key stories resonant (e.g., Jean Grey is Marvel Girl and not Phoenix when she steps over the line this time around).

"Return to Weapon X" is not as good as the first volume in the series, but it is hard to compete with Magneto when you talking about the X-Men, whichever version of the group is involved. Millar's story is certainly complex enough and you can see all sorts of things being set up for down the road. As long as you are not offended by the very existence of the series, you should find "Ultimate X-Men" or any of the other titles in the Marvel series to be at least entertaining and quite possibility compelling. At the very least, you should be able to appreciate the tweaking.

Awesome!
An alternate X-Men universe is perhaps the best way for newer readers to come to terms with the characters that have amazed many throughout the years. The familiar characters get a stylish upgrade. Jean Grey with red, spiky hair? Cyclops with a goatee? Iceman with a bandana? You get them all here! Fantastic artwork with a reasonably paced storyline. The X-Men's battle with Magneto's Brotherhood of the Evil Mutants opened its first chapter. A highly recommended read. ... Read more

Book Description

When the plan to rescue Han Solo from Jabba the Hutt falls apart, Princess Leia, Lando Calrissian, and Chewbacca embark on another rescue mission that puts them into direct conflict with Boba Fett. Meanwhile, Luke's late arrival on Dagobah ends with him being captured by Darth Vader and the Emperor, just as the second Death Star is about to go on-line! Will the return of the Jedi become the end of the Jedi? The surprising climax is as exciting as that of the film on which it is based, but different from anything Star Wars fans have seen before! ... Read more

Reviews (15)

The End of the Glory...
Once the Dark Phoenix Saga concluded, the X-Men became a victim of their own success, as the sensational collaboration between Chris Claremont and John Byrne began to sag beneath the weight of the artists' egos. The stories became verbose and overwrought as ideas seemed to perpetually recycle, the art lost much of its previous verve, and the title generally settled into a long decline.

There remain some notable highlights in "Essential X-Men Vol. 3", however. The courtship of Dr. Doom and Storm is classic and totally unexpected. The story arc with Cyclops stranded on a desert isle housing his greatest foe is sensational, as is the appearance of Dracula (!). Unfortunately, these high points sink beneath the weight of drecch like Kitty Pryde's fairytale version of the X-Men and the touted return of Dark Phoenix.

If you're a true fan of the X-Men, you'll want this collection to avoid bending the corners of your precious back issues. Otherwise, grab the first two volumes of this series instead.

GREAT
Here we have Uncanny X-Men #145-161. We have Starjammers, Dr. Doom, and all sort of goodie. I just wish it would have been in color.

Good Find!
I bought all of these to back track and read the previous things that had happened within the comic. This serves the purpose but was disapointed that they were not in color.

Issues # 145 - 161and Annuals 3- 5
This book contains X-Men issues #145 thru 161 and anuuals #3-5. Featuring Nightcrawler, Colossus, Storm, Cyclops, Wolverine and Kitty Pryde.

Chris Claremont's X-Men try to survive without John Byrne
When John Byrne left "X-Men" as the penciller and co-plotter after the fiasco over the death of Phoenix (a.k.a. Marvel Girl, a.k.a. Jean Grey), Dave Cockrum, the original artist when Chris Claremont resurrected the merry mutants from the purgatory of being a reprint comic, returned to the fold. Cockrum draws most of the seventeen issues and three annuals collected in "The Essential X-Men Volume 3," but you will also find issues drawn by Jim Sherman, Bob McLeod, Bill Sienkiewicz, Brent Anderson, George Perez, and John Romita, Jr. (the last trio do the annuals). The Perez drawn annual is of note, since he would be drawing the main rival for the "X-Men," D.C.'s "Teen Titans." The Sienkiewicz issues, where the X-Men tackled Dracula, is noteworthy because it is drawn like a regular comic book and not in the striking stylized manner we know associate with Sienkiewicz (I am telling you this now so you will not be disappointed when you read it, although his cover is closer to what you would expect, I imagine since it was not inked by Bob Wiacek like the rest of the comic).

The stories start with a smitten Dr. Doom kidnapping Storm and ends with a flashback story where Charles Xavier and Magnus (the future Magneto) take on Baron Strucker's Hydra gang. In between there is a rematch with Magneto (you have to have one of those at least once a year, but this one is nothing special), a reunion with the Starjammers (which means Corsair and Scott Summers might finally acknowledge they are father and sun), and a reapperance by Dark Phoenix (could it really be her?). In terms of the characters the three main subplots are Storm taking over as the new leader of the X-Men, Kitty Pryde trying to fit in with the gang, and Charles Xavier being terminally ill. The villains are mostly retreads, from the Hellfire Club to the Sentinels, and more guest stars, such as Dazzler and Tigra, and nobody really new and interesting.

In rereading these stories I know that the artwork is not as striking as it was when Byrne was drawing the "X-Men," but it also seems equally clear that the stories are not as epic in scope as what Claremont and Byrne were producing together. When Kitty Pride (a.k.a. Ariel, a.k.a. Sprite) is your most interesting character that is just not a good sign. But then all comic books go through peaks and valleys. Of course, after the issues collected in Volume 2 of this series, it would be hard for these comics not to look lesser in comparison. But eventually the focus will return to Wolverine and things will get a lot more interesting. ... Read more

Reviews (7)

new x-men #13-18
Millar keeps up the high quality of storytelling he has shown us so far. I really don't know what else to say that hasn't been said already.

Someone in Professor X's closet wants to kill him
By now it is clear that Wolverine is going to be on the cover of each and every trade paperback in the "Ultimate X-Men" series, and Volume 3, "World Tour," is no different. The character who should be on the cover would be Professor X, because he is the pivotal character in the major plot line of issues 13-13 of this comic book, which has to do with the X-Men coming face to face with David, his son with Moira MacTaggert, who has escaped from his confinement on Muir Island. In what is essentially the prologue to the story arc, "It Doesn't Have to Be This Way," we check up on the X-Men through the context of Xavier's article on mutants and learn that Magneto is not dead: the Professor has placed a mental block in his lower cerebrum to prevent him from remember who Erik Lensherr really is and how to use his mutant powers. Xavier's position is that he would not take the life of another living creature when a peaceful solution was possible. In the four-part "World Tour" story that follows, Xavier learns to rue his world and rethink his position.

Ultimately, "World Tour" is not simply a retelling of the Proteus story from Volume 1 of "The Uncanny X-Men" (issues 125-128), because the fact that Doctor MacTaggert's son is now also Charles Xavier's is a significant change and placed in the context of Xavier's attempt to blitz the world with a public relations effort in support of mutants forces a reconsideration of what Xavier is trying to do. Remember, in the "original" Proteus story Xavier was in a galaxy far, far away enjoying the first state ball hosted by the newly-crowned Empress Lilandra. The sub-plot, which has Colossus returning to Russia because of his disagreement with Xavier's tactics in general (and letting Magneto live in particular), provides a different take on the issue of responsibility for mutants. The epilogue, "Resignation," returns Xavier to the park when Erik Lensherr is playing where the Professor is entertaining a change of much more than heart.

This trade paperback volume also includes a two part story introducing Gambit as a street hustler who ends up using his mutant gifts to protect a young girl that he has met. The idea is apparently to explore those mutants who are not part of Xavier's School for Gifted Children, the Brotherhood of Evil Mutants, or another other organized group of merry mutants. These "Ultimate X-Men" stories are not, to date, superior to the original comic's glory days under Chris Claremont and John Byrne, but they are an entertaining take on the familiar characters in a slightly different context. Like the best of the Claremont-Byrne story lines it takes several issues to tell the story and for those who remember the X-Men (both the Stan Lee-Jack Kirby originals and the Claremont-Dave Cockrum next generation) it is interesting to see Mark Millar and Adam Kubert's twists on what we remember.

Why not just read the original?
I loved Bacheolo's art in this book. Really good stuff. Again Millar's poor writing of villains shows. Proteus just didn't have an "umph" behind him. Though he did get in his required body count (is it just me or do villains now aday have to kill like 300+ people an issue? Is it like a requirement to get their villain's license?). I will give Millar points for having Proteus being Xavier's son.
Still, over all, I wasn't as impressed with this book as I was Tomorrow People or even Return to Weapon-X. I think Millar is running out of steam. If you want a good telling of the Proteus Saga go pick up the original Claremont/Byrne one, it's worth it.

Ultimate X-Men: Great Stuff!
After countless attempts at creating a new universe, or continuum, the folks at Marvel finally hit on the right approach: recast their franchise characters as younger and more in tune with the issues of the day. Add top-notch writers and artists and voila! we have a hit. Though the story arcs are so far quite familiar to those with any sense of Marvel's history, the fresh approach to characters and the nifty art contribute to an overall great reading experience.

I would recommend this compilation to anyone who can't get enough of the Marvel universe or those who would like to start their trip into said universe. In short, recommended for any Marvel fan!

Proteus, magneto,and gambit oh my
This is a mile stone in the ultimate line. It shows colosuss returning to russia, a battle with xaviers son proteus a reality warping mutant and a issue featuring a heartwarming and violent story of gambit. ... Read more

Amazon.com

Some 4,000 years before Leia bared her midriff in Jabba's palace, another Force-sensitive woman was doing the same for the good of the plot line: Jedi prodigy and lightsaber-wielding Nomi Sunrider, one of the featured Knights in this two-story collection from Dark Horse's quality Star Wars: Tales of the Jedi miniseries. Sunrider begins her training reluctantly, both to avenge the death of her Jedi hubby at the hands of Bogga the Hutt's minions and to realize her enormous potential in the art of "Jedi Battle Meditation." The other story in this volume also involves Battle Meditation, which Jedi Master Arca uses to save the hides of his young charges Ulic Qel-Droma and friends, who are sent to forge a peace between the beastmaster warlords and walled-city defenders on war-torn Onderon.

With plenty of twists, tons of action, and monsters and bad guys at every turn, these two stories are fully worth checking out, although purists be warned: the Ulic tale especially tends more toward the Jedi-as-superhero school of storytelling. It's saberin' time! --Paul Hughes ... Read more

Reviews (8)

SEEMS THERE ARE 3 COMICS USING THE SAME COVER
Anyone confused? Darkhorse has a comic called TALES OF THE JEDI THE COLLECTION that takes place 4,000 years before NH. The ISBN is 1569710203 published aug 1994. Dark horse does indicate that they published Star Wars: Tales of the Jedi - Knights of the Old Republic TPB on Oct 1994, but do not indicated an ISBN. I think that all 3 of these are the same comic. This comic is not to be found on amazon.

Then we have Knights of the Old Republic (Star Wars: Tales of the Jedi, Volume One) by Tom Veitch, Chris Gossett, Janine Johnston (Illustrator), David Roach (Illustrator) ISBN 1569710201 RELEASED BY Dark Horse Oct, 1995 with the same cover.

They also have Star Wars - Tales of the Jedi: Knights of the Old Republic (Star Wars: Tales of the Jedi) by Tom Veitch, Chris Gosset, Dennis Rodier released by titan books May, 2000 with the same cover under ISBN 1840231726 It seems to be the same comic described by amazon here and called KNIGHTS OF THE OLD REPUBLIC, TALES OF THE JEDI 1 THRU 5 with the same cover art and a different ISBN.

I am reviewing a comic called Star Wars: Tales of the Jedi - The collection published by Dark Horse August, 1994 as a TPB compiliation, ISBN: 1569710201. These stories are revealed on Jedi Holocrons recovered by Luke Skywalker. Made in Canada the binding is excellent.
Story 1 - Ulic Qel-Droma and the Beast Wars of Onderon. 51 pages, OK story with some good fights, the artwork is the comic-strip quality used throughout most of the 80's and 90's.

Story 2 - The Saga of Nomi Sunrider. 69 pages, the story of Nomi and her daughter, artwork is cheesy and uninspired.
Either way, they are all probably the same, with a title change. Dark horse published this comic in aug 1994, 3 years before its two comics TPB's that take place 5,000 years before NH. I think you should Skip the first 2 on the Timeline and just start here. While the art work is a C the coloring is a C TO D and looks more like the early 80's art and coloring offerings, the 2 stories here is pretty good. The Stories of Ulic Qel-Droma and Nomi Sunrider are worth a read.

An engaging storyline, but not a visual delight
It rains, it snows, I still say Ulic Qel-Droma and Kir Kanos look the same. And looks belie Knights of the Old Republic, vanguard in the Tales of the Jedi series that it is. This is actually two different stories: the Onderon arc, and the Ambria part, starring bald-headed Nomi. Considering the next installment, the elusive to find Freedon Nadd Uprising continues the Onderon storyline, they should have included it as well.

This is a time when the Republic is still growing, still exploring the stars for new worlds, still ripe for adventure. When Onderon requests Jedi meditation to resolve its internal strife, acclaimed Jedi Master Arca Jeth dispatches his three apprentices to end the civil strife. What they find is dark side mayhem and a 400-year-old Sith spirit, dead but not quite digested.

The art quality is a sample of what you'll put up with in TOTJ: horrible. Comics now, dominated by the ever-popular Republic series, have never looked better; and despite how art technology back then isn't up to today's standards, console yourself that at least this is better than that dreadful so-called art of Dark Empire.

Illustrations aren't so bad. It's just that things look cluttered and messy. But that's the theme, what things were like four millenniums ago: patchy apparel, bizarre starships that look more Transformer toy than space vehicle, ancient-style architecture. Though why lightsabers of that era were drawn with a shimmer glow rather than simple straight lines is a mystery.

Dialogue is nothing to applaud. Reader beware---we're dumb, so we need to be reminded of every character's full name every second appearance. It's enough to put you off the entire series.

It was Jedi Master Jeth that hooked me in. I admit it, purchasing this vanguard of the series merely from an online preview I saw. The aging Arkanian just looked so haunting, so ominous, I knew it would be worth it.

And worth getting despite the awful art quality it is. The plot moves along swiftly, and readers will eventually get used to the fact that the Jedi of this era can talk to animals, perform unusual feats, and bumble around like all good Jedi. I say this because Jeth's fortuitous arrival is all that saves the day, who then reprimands them for not sensing the dark side around them. Which then looks odd for old Jeth, when the students counter he never taught them how to repel it.

More disturbing is Onderon's moon. If it orbits so close that their atmospheres periodically brush, allowing the moon's hostile fauna to migrate to Onderon, how doesn't it succumb to gravity and drop into the planet as well?

Well? That sure heck needed explaining. And if that doesn't raise the cynical brow, then the implausibility of a Jedi character affixing a droid arm in place of his severed limb no probs surely will.

Ah well. It gets worse with the second section, Nomi Sunrider---and so does the art. The art quality is so dirty, so filthy, it's simply shocking. WHY is Sunrider's head half-bald. It's unsightly, ugly, and yes, red-heads have less hair than all other colours, but this was bad!

Beast Jedi Master Thon is a curious fellow, and about all that makes this story more so some tasty features. Like the brief flash of Jedi history, showing the origin of the Sith; and bizarre starships, hollowed out of kilometre-long space insects. Otherwise, you'll be wondering why the art was so poor, why Sunrider is severely balding, or how her late husband can pop in as a Jedi spirit when only wimpy apprentice.

Overall, KOTOR introduces you to the main players and places of the series and is interesting and creative enough to well warrant a purchase.

Not bad. Not bad at all.
This graphic novel provides a decent way to kill an hour and a half or so, and for those interested in the Star Wars Mythos and universe this book has added value in expanding on earlier generations of jedi.

For those of you who have played the superb XBOX RPG - 'Knights of the Old Republic,' it is interesting to note similar story elements found in that game within this 1995 book. For example - Battle Meditation, construction of lightsabers with crystals, etc. The artwork is decent and the story flows at a nice pace. All together a snappy read but not quite a classic.

Feel, don't think. Use your instincts.
Unreal. Amazing. Jedi!!!
And so, with a few bucks to burn, I picked up this holy tome all those years ago. I was fascinated. Never before have I cared about a set of characters so much, save for Han and Chewie. This sets the stage for the next four volumes. The main characters here are Ulic Qel-Droma, Jedi Knight, and Nomi Sunrider, who inadvertently follows the path of the Jedi. Their paths interconnect eventually, and the story unfolds. This a rare set of comics that can actually be classified as a saga. Later volumes introduce Exar Kun, a name you may know from Kevin J. Anderson's Jedi Academy trilogy.

A good introduction
Knights of the Old Republic is the first story published in the Tales of the Jedi storyline. Written by Tom Veitch, the guy who also did the Dark Empire comics, the characters and situations herein are pretty much taken from the backstory he created for his prior Star Wars jaunt. Overall this is a pretty good comic, and it paves the path for what will be one of the most exciting epics in Dark Horse's Star Wars publishing run. Knights of the Old Republic is not one story, but two that will tie together in later Tales of the Jedi books. The art is a mixed bag (more on that later), but the stories told are vintage Star Wars.

The first chapter, 'Ulic Qel-Droma and the Beast Wars of Onderon,' tells the story of several young Jedi given their first task by their Master - a diplomatic/peacekeeping mission to a world that is petitioning to join the Republic. Ulic Qel-Droma is a rash, brash Jedi who despite his impulsiveness is a skilled Jedi and strong in the Force. His companions are his brother Cay and the Twi'lek Tott Doneeta, neither of whom are as good with a lightsaber as Ulic, but both of whom are more cautious. There are no real surprises in this story - there is of course the obligatory brush with the Dark Side and lots of fight scenes, but it does serve very well to introduce these characters, their skills and personalities. Chris Gossett's art is very good here, but the coloring seems somewhat dull.

The second chapter, 'The Saga of Nomi Sunrider,' is a much better story even if the art stinks. Nomi is a Force-sensitive woman who is too timid to be a Jedi, although her husband, Andur, has followed that path. While they are en route to deliver some adegan crystals to Andur's future master, some thugs who want the expensive crystals kill Andur. Nomi, without thinking, takes Andur's lightsaber, kills the thugs, and then proceeds to deliver the crystals to Master Thon. For months she is reluctant to learn the ways of the Force, and absolutely refuses to touch a lightsaber, but when the Hutt whose hoodlums she killed shows up looking for vengeance, she has no choice but to take up arms. This story was much more enjoyable than Ulic's, and all around much better. The art, however, is pretty weak and ugly.

While these stories are not terribly exciting as standalones, when looked at in the context of the rest of the series they are a worthy introductory chapter with lots of lightsaber fights, a few new Force techniques, brash students, wise masters, cruel enemies, and decent artwork. Recommended. ... Read more

Book Description

This hardcover volume features many key introductions, including Proteus (the evil son of Professor X), Gambit (who enjoyed a large fan-following in the hit X-Men cartoon) and Phoenix (the dark split personality of Jean Grey). The X-Men are cut to the emotional core as they battle their way through an obstacle course of deadly trials. First, Professor Xavier -- the mentor of the X-Men -- is forced to confront his past sins when his own son explodes into a destructive force. The question is, will he sacrifice his team to save his son? Then, the X-Men face another internal conflict when Jean Grey turns to the dark side.To save themselves, and the world, will the X-Men strike down their own teammate? ... Read more

Reviews (9)

New generation of writers out to destroy comics....
These new stories by Millar contain terrible Kubert drawings and story plots that go no where. They play more like a video game rather then a comic and are the work of people who are more like internet geeks then serious writers. No wonder comic book sales are dead and less then 2,000 comic book stores are still open nationwide.

Los mutantes recontados
La idea del Universo Ultimate que tan bien le esta saliendo a la Marvel, es adaptar sus historias clasicas al entorno actual con la finalidad de atraer nuevos lectores. Es decir, todos sabemos lo geniales que son los mutantes de Stan Lee pero reconozcamos que no atraen lo suficiente a nuevos lectores.
Asi, esta version Ultimate incorpora varios cambios menores que al final hacen un gran cambio, por ejemplo en las personalidades de los personajes, su origen, etc. Y todo eso hace una gran lectura. El escritor es Mark Millar, la actual estrella de la editorial Marvel que ademas ha escrito a los geniales Ultimates y los dibujantes son los hermanos Adam y Andy Kubert que se complementan muy bien el uno al otro. En resumen, buenos autores logran una estupenda historia.
Este tomo de tapa dura tiene los primeros 12 numeros de la coleccion Ultimate X-men:
- del #1 al #6: Tomorrow People, como se reclutan a los nuevos X-men y la pelea contra la version mas malvada de Magneto que se haya visto.
- del #7 al #12: Return to Weapon X, con la aparición estelar del Ultimate Samuel Jackson, perdon, quise decir Nick Fury.
Altamente recomendable para quienes pensaron que no se podian hacer nuevas historias de mutantes, para quienes no tienen nada de los X-men en su coleccion y para quienes llegan a los X-men por la pelicula.

Keep it real
The creators of Ultimate X-men did a very smart thing. They started all the way over. Considering Ult. X-men starts off anew, they can do what they wish with the story. Unlike X-treme and New X-Men which have plots so Twisted, it doesn't feel like the X-Men at all. They changed a few things in this series, like how Wolverine joined. Also Colossus and Storm take Angel's place as one of the first X-men. Making a team of 6 instead of 5. Magneto and the Brotherhood are pretty much the same. These books are solely based on story. Theres action, but its kinda far between.

The Weapon X Program tries to "recruit" the X-Men
Despite the title and the cover art for this second trade paperback volume in the "Ultimate X-Men" series (collecting issues 7-12), "Return to Weapon X" does not focus on the character of Wolverine. True, he is a key part of the solution for the predicament our Merry Mutants have found themselves in this time around, but Weapon X is now a big time secret government program run under the auspices of S.H.I.E.L.D. and Nick Fury that has a rather impressive little roster of mutants in its service: Juggernaut, Rogue, Nightcrawler, and Sabertooth. Think of them as the government's answer to the X-Men and the Brotherhood of Evil Mutants, and that pretty much accounts for all of the mutants belonging to groups at this point in the series.

Despite being on a first name basis with the President of the United States, Xavier's School for Gifted Children is hit by Colonel Wraith and his shock troops, both human and mutant. Now Cyclops, Marvel Girl, and the others will serve the greater good and help the government fight fire with fire (the only good mutant is a mutant with a neural implant). Of course, since this is a comic book, the person in charge of this government program is psychotic and perfectly willing to do anything to do anything to get the job done (or did I mention already that Wraith was in charge?). The main part of the story arc has to do with the X-Men regaining their freedom, but this is also mixed up with Wolverine's search for his past and Nick Fury's search for an illegal genetic operation violating the Superhuman Test-Ban Treaty.

I think that one of the main strengths of the Ultimate comic books is that they emphasize story arcs that take multiple issues (six in this case) so that a dozen issues into the series we have only dealt with two major stories instead of a self-contained episode with a new villain every single month. This should help the well from running dry too quickly. Writer Mark Millar along with Penciller Adam Kubert (with Tom Raney & Tom Derenick) and Inker Art Thibert (with Scott Hanna, Joe Kubert, Danny Miki, & Lary Stucker) are having fun tweaking the "original" X-Men stories and creating some new dynamics (e.g., Storm is interested in Hank McCoy, Nightcrawler does not speak English) so I think that those who have been reading the X-Men since issue #1 of "The Uncanny X-Men" (or issue #1 of "The Giant-Size X-Men") will enjoy the differences more than neophytes and appreciate the way key stories resonant (e.g., Jean Grey is Marvel Girl and not Phoenix when she steps over the line this time around).

"Return to Weapon X" is not as good as the first volume in the series, but it is hard to compete with Magneto when you talking about the X-Men, whichever version of the group is involved. Millar's story is certainly complex enough and you can see all sorts of things being set up for down the road. As long as you are not offended by the very existence of the series, you should find "Ultimate X-Men" or any of the other titles in the Marvel series to be at least entertaining and quite possibility compelling. At the very least, you should be able to appreciate the tweaking.

Awesome!
An alternate X-Men universe is perhaps the best way for newer readers to come to terms with the characters that have amazed many throughout the years. The familiar characters get a stylish upgrade. Jean Grey with red, spiky hair? Cyclops with a goatee? Iceman with a bandana? You get them all here! Fantastic artwork with a reasonably paced storyline. The X-Men's battle with Magneto's Brotherhood of the Evil Mutants opened its first chapter. A highly recommended read. ... Read more

Reviews (5)

Ultimate excellence!
Ultimate Six
The Concept: Part Ultimate Spiderman, Part Ultimates- the characters of these two books serve to highlight the books true stars- the Ultimate villains. The book presents a unique look at the Ultimate rouges gallery.
The Good: Fans of both book will find there is something for everyone here. Whether it is the continuing development of Peter Parker, or the widescreen cimatetic epic battles for the fans of the Ultimates. Bendis does a superb job of keeping the pages, and the suprises comming. I am confindent many a fan will find themselves glued to thier seat.
The art is by newcomer Trevor Hairsine. The good news is that his art is like Brian Hitch- it is epic, conveys lots of detail, and strength.
The Bad: Mr. Hairsine is not Brian Hitch. Oh he is good, and I look foward to his next projects, but if you read this expecting the slick, and scarily realistic blockbuster art of Hitch you will be disapointed. Some of the action gets a bit cluttered, and Hairsine's art is very slightly reminiscent of another Europeon artist- igor Kordey.
Overall: A smart, suspensful,and suprising rollercoaster of a book. The Ultimate line at its very best.

Recreated Sinister Six
This story is very complicated and for fans who haven't read any Ultimate Spider-man or Ultimates books, don't get this one. There is a little background information that you'll need to understand this. First, Spider-man is about sixteen and has faughten each of the villains he is up against: Green Goblin, Doctor Octopus, Electro, Kraven, and Sandman (note: thats only five villains!) The Ultimates are a super-team to help fight mutant terrorists. They're just improved Avengers. They include Captain America, Giant Man, Wasp, Hawkeye, Black Widow, Iron Man, and Thor. Ok, now the story starts with Ultimate Spider-man #46 where Spider-man fights the Sandman. Later, the story branches out to a SHIELD contaiment prison for the five Spider-man villains. They team up and break out of the prison. They then kidnap the young teen and threaten to kill his aunt if he doesn't cooperate. The team becomes....The Six! The showdown with the Six and the Ultimates begins! Which side will Spider-man fight on???

Should be a stand alone, not #9
This graphic novel is listed as #9 in the Ultimate Spider-Man series, but really only contains one Ultimate Spider-Man comic in it with the other six being Ultimate Six comics.

I grabbed it eagerly hoping for more Ultimate Spider-Man, but the storyline picked up more of the convoluted typical comic fare than the simple-sweet personal style of Ultimate Spider-Man. The art after the first issue isn't typical of that series either, and is made up entirely of the more "realistic" art of Ultimate Six that leaves something to be desired if you're a fan of Ultimate Spider-Man's style up to this point.

Overall it's #9 in the list of these graphic novels, but if you were to skip it there's only a minor detail leading into what will be in #10 that you will have missed (and will pick up soon from there anyway). Since my interest is much more toward Ultimate Spider-Man than what Nick Fury and the Ultimates are up to these days, I found this graphic novel to be very disappointing both in story and art when all I wanted was more Spidey.

Aside from the first issue in the book and its action introduction of The Sandman, the rest is forgettable and not up to par with the eight that preceeded it.

Ultimate Showdown
This is a great story, but I wish the whole thing had been drawn by cover artist John Cassady. Trevor Hairsine is definitely not a bad artist, but sometimes his art seems a little rushed and inconsistent. And also.... why the hell can't the Ultimate Six be in full costume? Yeah yeah yeah it's more realistic that way but I'd choose entertainment over realism anyday, as far as comics go. So basically if this thing had been drawn by Cassady and the villians had their costumes on (except for Sandman - I'd let that slide) I'd love this collection 10 times more. And for crap's sake, Spider-Man, put on your damn mask.

....but yeah, the story is good. Cheers!

The Ultimates battle the Ultimate Six as Spider-Man watches
In 1964 when Stan Lee and Steve Ditko did the first annual for "The Amazing Spider-Man" they came up with a story called "The Sinister Six," which had the web-head going up against Doctor Octopus, the Sandman, the Vulture, Electro, Mysterio, and Kraven the Hunter. In order to rescue Betty Brant and find Aunt May, Spider-Man has to tackle six of his greatest villains working together and to make things really interesting he has to do it while he has apparently lost his powers. Also appearing in the book in the most minor of roles are Dr. Strange, the Fantastic Four, Captain America, the X-Men, Giant Man and Wasp, who have really nothing to do with our hero defeating the villains (one by one it turns out, with Ditko getting to do a splash page of each battle) and saving the day.

"Ultimate Six" is a seven part miniseries that brings together the Ultimates and Ultimate Spider-Man from Marvel's (you guessed it) Ultimate line of comic books, and it seems to me that scripter Brian Michael Bendis, penciler Trevor Hairsine, and inker Danny Miki are doing an updated version of that first "Spider-Man" annual. In keeping with the mission statement of the Ultimate universe to do things with a twist in a bigger way whenever possible, the Ultimate Six have two key rosters changes. Gone are Mysterio and the Vulture to be replaced by the Green Goblin and (surprise) Spider-Man himself. After all, Norman Osborn knows that Spider-Man is really Peter Parker and threatening Aunt May is enough to get our young hero (who is about 16 at this point) to do anything to make sure she stays alive.

The other big change, as you would expect, is that the Ultimates (the new and improved Avengers) do not sit on the sidelines and show up to save the day. The roster assembled at this point consists of Captain America, Giant Man, Iron Man, Wasp, Thor, Hawkeye and the Black Widow, under the direction of Nick Fury, the head of S.H.I.E.L.D. (Note: If you have not been reading either "The Ultimates" or "Ultimate Spider-Man" you are going to be woefully lost with this trade paperback.) The super villains were all being held at a S.H.I.E.L.D. containment center and when they escape Fury sics the Ultimates on them (Thor vs. Electro is a neat idea). But the bad guys manage to destroy the Ultimates' stronghold, the Triskelion, and kidnap Peter Parker. The big show down comes on the lawn of the White House as the battle comes down to the Green Goblin and Spider-Man, although not exactly the way you would expect. It seems Norman thinks of Peter as the son he never had (which will be interesting news to Harry to be sure).

This mini-series will appeal to fans of the Ultimates more than Spider-Man, although it has obvious consequences for the Ultimate Spider-Man story line. After all, Bendis, Hairsine and Miki are correct that Spider-Man is not going to be able to handle these five "mutant" villains (yes, one of them gets a power upgrade), especially if they fight as a team, which, this time they do. One of the key elements of the Ultimate universe is the government's concern with illegally obtained super powers and the idea that the next big war will be fought against mutants (Peter is going to be drafted into the Ultimates as soon as he turns 18). In dealing with the flip side of this, "Ultimate Six" also gets into the distorted psyches of the villains. Once I got used to the idea that Spider-Man was going to be a spectator for most of the action I was able to get with the program. Besides, I like the idea that Spider-Man really is in way over his head at this early stage in his superhero career. The scene were Captain America confronts Spider-Man is a good indication of how far over the rainbow we are in this story from the traditional Marvel universe, which is a main part of the appeal of the Ultimate titles. ... Read more

Book Description

A long time ago, in a galaxy far, far away... The events and players are very familiar but something isn't quite right. Luke Skywalker valiantly attacks the Death Star, fires his torpedoes - and they miss their mark! Welcome to a Star Wars you never imagined, a Star Wars shattered, a Star Wars where the possibilities are ENDLESS! Dark Horse Comics is proud to introduce Star Wars: Infinities - A New Hope, the first in a series of non-continuity Star Wars stories which are sure to delight Star Wars fans of all ages.Taking off from the end of events in the movie Star Wars: A New Hope, Infinities readers will follow Luke, Han, Leia, Threepio, and Artoo on a journey every bit as action-packed and fantastic as the original Star Wars trilogy. ... Read more

Reviews (12)

Parallel Star Wars
I used to be a regular reader of Dark Horse's Star Wars comic books, but my interest in them has dropped off quite dramatically over the past couple of years. It's mainly due to there being far too many of them for any mere mortal to be able to follow without losing his mind! Thank God I never got into collecting 'X-Men' comics...

Anyway, thanks to this Star Wars funnybook glut, nowadays I only read the ones that really stand out and/or grab my attention. This particular entry, 'Infinities', an alternate-timeline 'Star Wars' story, looked promising. Although alternate-reality plots aren't particularly new to the sci-fi genre (especially 'Star Trek') or comic books, this was the first time to my recollection that the Star Wars universe has attempted this oft-tried gimmick.

The story, starting with Luke failing to destroy the Death Star, is fairly easy to follow, and features several interesting new takes on the many famous moments from the classic film trilogy, as well as a few brief bits from Episode I. I wasn't too hip to the pacing of the story, however; it seems to end too abruptly. This series would've worked a bit better had they spread it over six issues, rather than four. The renderings are of standard quality- very good, but nothing particularly spectacular. The likenesses of most of the characters look somewhat like their live-action counterparts, but not uncannily so. And, like just about every other four-color creation that's put out by a major publisher nowadays, the color separation's computer-enhanced. Still, as a fairly fun bit of light reading, 'Infinities' does a competent job. All in all, it's not a half-bad waste of time for the ardent Jedi wannabe.

Fair bit o' warning, though: if you do read this and like it, be careful if & when you introduce this to your fellow geekin' Star Wars fanboys. This baby's started more arguments among my 'Warsie buds over what 'really' would've happened in an alternate Star Wars timeline than our debates about what methods we'd use to administer a slow, painful death to Jar Jar Binks! Then there's my buddies' outrage over the fact that Boba Fett is nowhere to be seen in this illustrated tome, but that's another story...

'Late!

Solid Reading for Star Wars fans
If you are one of those folks with a vivid imagination and have played "what if" scenarios in your mind for Star Wars: ANH over the years, this comic is good for you.

The story is generally solid and the artwork is decent. The book only gets 4 stars though for the end parts, which I found a little strange with a little bit of unexplained information.

But still worth it for most star wars fans!

Intersting concept that falls a little short
For the hardcore Star Wars junkie the appeal of the 'Infinites' series is immediately apparent. Who amongst us isn't curious to see how alternative scenarios would've played out in the Star Wars universe should certain key events not have taken place. In this volume readers are presented with the intriguing scenario on what happens when Luke Skywalker fails to blow up the Death Star as we've come to know based on events in Episode IV. Readers are taken through an epic arc that would've encompassed 3 full movies but somehow seem boiled down to general thumbnail sketches thanks to the cramming of this storyline into four issues of 22 page comics. Surely this series should've been stretched out a bit more to fill in the blanks and to embellish the drama a bit more.

With that being said, it's still worth your while to read through this series if you find the idea of such alternate-scenarios in the Star Wars universe to be of interest.

Superb!
I never thought I'd get into the comic books, but after reading and enjoying Star Wars Tales, I decided to give this one a try too, and I was certainly not dissapointed! The story is done very tastefully, showing what logically would have happened if the attempt to destroy the Death Star had failed. The characters are right on, and the concept of Leia on the dark side is just to cool to resist. The conclusion made the whole book; and I'm sure any true Star Wars fan would agree. Like most comic books it's a little pricy, but well worth it.

Info on ESB
I havent boughten ANH yet, but in the new ESB one it pictures Boba Fett w\o his mask... ... Read more

Book Description

In the weeks before the events in Star Wars: A New Hope, as the Death Star is readied for its fateful first mission, a power-hungry cabal of Grand Mofs and Imperial Officers embark on a dangerous plan to kill Emperor Palpatine and Darth Vader and seize control of the Empire! When word that a "Jedi" has made an appearance on a backwater world lures Vader away from his master, the cabal makes its move. But even the galaxy isn't enough of a prize to sate the ambitions of some of the conspirators, and before long the would-be assassins are turning on one another. Their plans are further complicated by the actions of bounty hunter Boba Fett. And, of course, they may have fatally underestimated the cunning of their primary target: Emperor Palpatine! This is the first in a new line of graphic novels set during the early days of the Rebellion, when the Empire controlled the galaxy! ... Read more

Reviews (2)

Stunningly Mediocre!
I have been singing the praises of dark horse for their run of excellently done Star wars based comics. That is why I was stunned at how poorly done this one was. The story is a mediocre telling rated at 2.5. Pencils are a 3, but coloring is just plain dull. There is not one page that makes you say WOW. I will certainly be more careful in my purchases of comics colored by Curtis Arnold and Dave Stewart in the future as they rate a 2.5 for this rush job. The best part of the comic is the pencil work of Ryan Benjamin, he gets a 4. Hopefully he gets teamed with a better group next time out.

Buy out of desperation, and for nothing less
Simple observation cannot deny the cold truth of Empire: Betrayal. This is mediocre meat, a comic so laudably bland as to be purchased only for the determined collector or just curious buyer. And with so many peculiarities and problems here, preferably not at all.

The art is a mixed meal that incites disappointment. You have page after page of lacklustre illustration and dull colouring, interspersed with these intermittent panels of admirable artwork. The Star Destroyer shot, a familiar and faithful rendition from a movie screenshot, is one that certainly stands out. Strangely, I thought background scenery was actually rendered better and with more creativity than the foreground activity that is the primary focus of a reader.

Apparently there was some difficulty drawing the Padme character. Her hairline was so far back from forehead it brought reminders of Nomi Sunrider, a character from another comic whose half-bald head was most prominent. We also get that blasted face again you'll recognise it from the Mara Jade comic and the Imperial officer's face used for most Imperial officer faces there. Character poses were too often puerile and didn't parallel that character's speech. Like Vader trying to explain something to his Emperor, reaching out to him with one had; like his combat posture that too often just depicts him awkwardly bent. And of course, the Jedi girl was boobed up big, rather conspicuous when the rest if her attire is very covered.

Adding itch to scratch was the dialogue. Just as bad as the lines from Tales of the Jedi, the depth of character dialogue can be summed up as food without flavour, not just flavour missing from food. So many one-sentence lines, so many simple worded conversations as to render speech bubbles a waste of time. The Emperor had some damn good lines in Dark Empire; here he was as stale as the storyline.

That is, if you desire to call a cadre of top Imperial execs plotting the coup of the Sith themselves, as though such reality was possible. This comic lacked a cast readers could identify with. No exploration of the Imperial schemers, no insight to cybernetic Trachta, who was on comradely terms to Palpatine for three decades. They are just there, double-dealing each other, unknown other than name.

Scenes apparently flow they swift here, and without starting them with a new page they can get a bit too fast. You'll be reading the schemers, then abruptly a Vader scene, which is repeated over. Boba Fett was thrown in at the end for no other reason than to have an excuse to feature him for a few pages. His exclusion would have made little difference. And why now, after a couple decades, would Vader ponder his loyalty to his master, that he should flashback to his apprentice childhood?

What is the master plan for ridding themselves of the galaxy's two deadliest individuals? Lure Vader away, as though a contingent of troopers and riffraff would actually succeed where countless Jedi failed. Then---and the part I thought I had misread---march into the throne room and arrest Palpatine! But don't jump for the escape pods just yet, it gets better. You can't say the spastic-brained officer had no idea Palpatine has elite Royal Guardsmen or that he's a Sith, the plotters do say they want to end the Sith reign. And when Palpatine lets loose that lightning, what did that officer think was going to happen?

Overall, this is by far a comic better borrowed than bought, if these aspects are of concern for you. The art is far below par than what it can be these days, character dialogue way to simple and short, and a storyline with no surprises thrown in make this comic lacking behind better peers. ... Read more

Reviews (7)

Very good
This graphic novel is a collection of some fifteen (if I counted correctly) stories set in the Star Wars universe. These stories range from the silly to the fascinating, while the artwork ranges from the simplistic to the sublime. My personal favorite was Incident at Horn Station, in which an unnamed Jedi frees a world from the grip of a murderous tyrant.

Overall, I thought that this was very good book, one that I highly recommend to any Star Wars fan.

enjoyable read with my son
At 224 this is a large comic. Since Dark horse has had trouble producing comics with good binding I was concerned about this offering. The one I have is OK, but these were made in china, where the binding problems exist. The older ones made in Canada were OK.

It was fun to read some of these with my son. For most people I think they will consider these to be 2 to 3 stars in quality, I'll round up to 3 since my son enjoyed them.

16 tales of struggle and intrigue
The first story Extinction, is almost worth the purchase price by itself. We Mara Jade, the Emperor, Vader and a tremendous, 15 page light saber fight.

The second story takes us back to Qui-Gon and Obiwan shortly before QGs death.

The pencils very in quality from 2 stars for some stories, to 3.5 for others. The inking varies from 2 stars to 4. None of the artwork is exceptional. The strength of the book is that there are stories that will interest you, and passable artwork. To bad that the fact that different artists were assembled into one book of stories din't produce a higher quality product due to the competition along! It didn't seem to. By the looks of it, some were trying to complete their work faster, not better.

At 224 this is a large comic. Since Dark horse has had trouble producing comics with good binding I was concerned about this offering. The one I have is OK, but these were made in china, where the binding problems exist. The older ones made in Canada were OK.

It was fun to read some of these with my son. For most people I think they will consider these to be 2 to 3 stars in quality, I'll round up to 3 since my son enjoyed them.

A great read for any Star Wars fan!
If anything, this first volume is even more entertaining than Volume 2. The spoofs are funny, the serious stories deep and interesting, and overall it stays true to the spirit of Star Wars. My favorite was probably the one detailing Darth Vader's conflict with the Dark Woman, but I could find something awesome about every story in this volume. This is a comic book, but it's well put together and durable, so it gets a definite five stars from me. Good for all ages.

Something For Every Star Wars Fan!
Even the most jaded fan will love this collection! The stories range from poignant to absurd (but funny!), and the Darth Vader/Dark Woman tale by Ron Marz is required reading. A top-notch collection that every SW fan should have. ... Read more

Book Description

At the end of World War II, American costumed-adventurer Lobster Johnson led an Allied attack on Hitler's space program, but not before the Nazis were able to launch the first man into space. Now, after sixty years, Hellboy is partnered with an artifical man - a Frankenstein's monster implanted by Bureau scientists with a bomb - to travel to the ruined castle in Norway to intercept the returning capsule, and its single passenger. . .the conqueror worm. ... Read more

Book Description

In the depths of galactic space, a foolish and arrogant young Jedi awakes an ancient, deadly power. This seductive evil will lead him down a path that will make him a Dark Lord of the Sith, and his darkling power will make the very galaxies tremble. ... Read more

Reviews (11)

Electric, explosive, and definitly worthy of buying.
This comic is filled with exciting adventures, and action-packed scenes, this is a must reader in the star wars universe, and the scenes with Exar Kun, the evil Dark Lord of the Sith is great. I recommend this comic to all fans.

I THINK I CAN
I am reviewing Tales of the Jedi Dark Lords of the Sith, ISBN: 1569710953 A TPB comic published Feb 1996 covering individuals issues 1 through 6 of the Dark Horse comic series Star Wars: Tales of the Jedi - Dark Lords of the Sith written by Tom Veitch and KJA. It has the same Hugh Fleming cover as the comic shown in Amazon as Titan books ISBN 1840231297 published nov 1999.

The Art and coloring are still the older style and get about 2.5. the story, as Tom Veitch tells us is intended to reflect what was revealed in Holocrons that are discovered 1,000's of years later. In particular, they foreshadow what happens to Luke Skywalker in dark empire. This is an intense and serious contribution to the star wars Galaxy, and my version is over 100 pages. I think it is worthwhile, and I did like it better the second time I read it, especially if you later read the Jedi Academy Book Trilogy by Kevin J Anderson, I Jedi and Dark Empire by Dark Horse.

There is also an audio tape version of this comic that is a complete dramatization, rather than just a reading; I am reviewing Audio book ISBN: 1565111990 - In short, the dramatization format can be hard to follow at times, but I thought that overall they did a good job - 3 stars.

Greatest Star Wars comic ever...
Except issue 6. I think Kevin Anderson wrote this one, with the corny lines "HE HAS A SITH AMULET! THEY'RE DEADLY!" and "I wonder who that man is? I feel like I will learn much from him!" and "Dace is dead! I told him." The Jedi in the final issue seem to be Supermen, unfallable. The story shows a young Jedi turn to the Dark Side because of the death of his master and another Jedi, Exar Kun turn to the Dark Side because he was just plain dumb. No really, he was. His Jedi Master told him not to go looking into The Sith because he is too young. Maybe he should have listened to the crab Master, I mean he IS A MASTER right? The art is good, except for issue 6. I don't know what happened, but issue 6 can not be part of the series. It is just awful, awful writing and art. The lightsabers are blue sticks. Seriously, they put NO effect into them at all. The coloring is poor on everything too. When it shows lasers or effects, its just 2 colors and not a variety of colors.

Turn to the dark side!!
I like this book. I like the way the evil sith spreads across the galaxy and threatens the existance of the old republic. I like how John Sygan performs the voice of Ulic Qel-droma. I like how Exer-kun resurrects the dark lords of the sith. I love the dark side. Both in human nature and in Star Wars. This book is very cool. The audio drama is also cool. This book is highly recommended to all future Star Wars fans. This is Kevin J. Anderson at his best. Turn to the dark side.

Best of the Series
This is the Tales of the Jedi story arc at an early stage, and in my opinion its best. The writing, while not great, is steady and constant. The art by Chris Gosset also helped make the comic, and his prescence in the last issue is sorely missed. The story is pretty good, especially for one that mishmeshes as much as this does. They do form an interesting parallel nonetheless, one enhanced by Goesset's artwork.

As I said, this is probably the strongest of the TotJ series. Its storyline is the best defined by far, and Gosset's art is very effective. The follow-up is a bit dissapointing, as is the rest of the series in my opinion. Still ,its a nice history lesson and a view into the ancient Jedi. Reccomended. ... Read more

Book Description

Featuring the popular characters from the award-winning Sandman series, THE SANDMAN: ENDLESS NIGHTS reveals the legend of the Endless, a family of magical and mythical beings who exist and interact in the real world.Born at the beginning of time, Destiny, Death, Dream, Desire, Despair, Delirium and Destruction are seven brothers and sisters who each lord over atheir respective realms.In this highly imaginative book that boasts diverse styles of breathtaking art, these seven peculiar and powerful siblings each reveal more about their true-being as they star int heir own tales of curiosity and wonder. ... Read more

Reviews (34)

A great gift for SANDMAN fans
ENDLESS NIGHTS is, well, a dream come true for fans of Neil Gaiman's comic book series THE SANDMAN. Endless Nights is a collection of 7 short stories written by Gaiman and featuring fan-favourite artists such as Glenn Fabry, Bill Seinkiewicz, Frank Quietly, & P. Craig Russell among others.

Each of the 7 stories focuses on one of the 7 members of The Endless (Death, Destiny, Dream, Despair, Desire, Delirium, & Destruction) beings which came before anything and will be around after all the gods are dead and gone. My personal favourite was the story about Dream. It offers a lot of history on The Endless and has more than a few surprises for fans of THE SANDMAN series. A let down was the story on Death. Gaiman himself has written somewhat similar stories for Death so it had a "been-there-done-that" feel to it. A big surprise is the Desire story, which reads like an old Norse legend. Great twist ending, too.

Bottom line is this is a must have for all SANDMAN fans. Buy this book now!

And for new readers I wouldn't say Endless NIGHTS is the best jumping off point to the SANDMAN universe (that would be vol 1) as people who've read THE SANDMAN series will get more out of it. However, it's not necessarily a bad starting off point either. If you know Gaiman's work from novels or other comics, ENDLESS NIGHTS will intrigue you as they are stand-alone stories that have aspects that do blend in to other SANDMAN stories. Just be sure to come back to it for a 2nd reading after you've read the other 10 vol. of SANDMAN.

Up and Down
Gaiman goes for diversity here, made especially clear by his choice in artists. And as with any mixed bag, you'll like some more than others. I prefer the clear lines of Milo Manara, P. Craig Russell, and Frank Quitely, and found Gaiman's storytelling more to my liking there than the abstract episodes (art by Bill Sienkiewicz and Barron Storey). The Delerium story is told in a delerious style, yes, I get it, but I'm not blown away. Glenn Fabry does the art for a tale that reminds me of those old EC science fiction stories - no real explanation, just an anomaly and human reactions fused in. I liked it. Miguelanxo Prado provides some Sandman backstory and depicts the Endless back in the day.

Would I recommend this book if you haven't read other Sandman books? No. But if you have, want more, want to see some beautiful art, and don't want to miss one of Gaiman's best stories ("What I've Known of Desire"), definitely take the time for this collection.

Buy the hardcover version if you can
For those of you ready to take the plunge in making purchase of this excellent graphic novel, do yourself a favor and spend the few extra bucks on the hardcover version. For starters the hardback is slightly oversized and the thick, glossy paperstock wonderfully frames every panel of this diverse and beautifully illutrated book.

Fans of Neil Gaiman will find much to be delighted about in this return to his beloved, 'Sandman,' series. Made up of 7 chapters, each chronicles one of the Endless (Death, Desire, Dream, Despair, Delirium, Destruction and Destiny) in a self-contained story superbly illustrated by a different artist. Particular standouts are Milo Manara's contributions in 'Desire,' the subdued tones of Miguelanxo Prado in 'Dream,' and Barron Storey and Dave McKean's gritty work in 'Despair.' As a volume of bonus material post-Sandman, this book is a wonderful treat for fans and certainly lives up to the quality we've come to expect from Gaiman and company.

Enjoyable for the most part
First, let me say that I am a big fan of Neil Gaiman. That having been said, I enjoyed Endless Nights, but couldn't stay with the stories about Delirium and Despair- the artwork was just too distracting. Not that it is bad, mind you. For me, it's just too abstract to work with following graphic stories panel after panel. I would still recommend this work for Gaiman fans. My satisfaction with most chapters easily outweighs any disappointment in a few others.

like visiting old friends, & they don't have much to say
As a whole, this Sandman collection is weak. Death & Dream have the strongest stories by far. The Delerium & Despair tales are tepid & confusing. Desire & Destruction have so-so appearances & Destiny's story is pretty much redundant.

It's hard to give this collection 3 stars- I was really looking forward to it. The first 10 Sandman books are beautiful. I treasure them. And this was the first 'spin-off' (as in not directly, sequentially linked to the others) that appeared promising. It was fairly enjoyable- it just wasn't on par with the others storywise (the artwork is lovely).

If you've read everything else, by all means read it. I'm just happy I checked it out of the library.

If you're new to Sandman start at the beginning, with 'Preludes & Nocturnes'; I doubt you'll regret it. ... Read more

Book Description

Star Wars Tales Volume 5 features an astonishing variety of stories featuring Boba Fett, Han Solo, Luke Skywalker, Darth Maul, and more! This substantial volume includes a Chewbacca story gorgeously illustrated by Cary Nord (Conan), Haden Blackman's unbelievable Han Solo tale, Scott Kurtz's parody of The Breakfast Club, and the "all-indie issue" - featuring many of the best independent comics creators in the business! ... Read more

Book Description

Star Wars: Episode I The Phantom Menace is the seminal tale of the Star Wars mythos, unlocking the history and events that laid the foundation for the Rebel Alliance`s epic struggle against the Empire as chronicled in the original Star Wars film trilogy. Featuring familiar characters as never before seen and introducing new players destined to become Star Wars icons, Episode I is a must-see film experience, and this comics adaptation is a must-read for all Star Wars enthusiasts. Adapted by Henry Gilroy from the original screenplay by master filmmaker George Lucas and illustrated by Rodolfo Damaggio and comics legend Al Williamson. ... Read more

Reviews (11)

Artful Jedi Knights
Star Wars Episode I: The Phantom Menace translates quite well, from feature film, to comic book. Despite the fact that, the movie had its share of problems, from a story standpoint. Not to mention, very static direction by George Lucas, the Dark Horse Graphic Novel still manages to come out on top.

THE STORY: Writer Henry Gilroy (who would also go on to adapt Attack Of The Clones) makes good use of a limited amount of space. He successfully takes the film's script, gives readers an edited version of it, without making it seem edited. It never seems rushed and none of the scope of the film is lost in the process. Adapting a film for the comics is never easy, but in Gilroy's hands it would seem that way.

THE ART: The team of Rodolfo Damaggio, and Star Wars Comics' veteran Al Williamsom are great together. Their work creates a visual feast, and is at times, stunning. It's very detailed, for the most part, with very few exceptions. The charcters and situations mirror their cinema counterparts to a tee. The artwork is a major reason to own this in first place--it's that good. My favorite artwork in the book is the depiction of the climactic lightsaber duel between Qui-Gon, Obi-Wan, and Sith Darth Maul

As a bonus the 112 page book includes a cover gallery of the artwork of cover illustrator of Hugh Flemming, who worked on all four single issue covers, for the newstand version of the story. The graphic novel trade paperback is recommended

An excellant comic book- graphic novel fans should enjoy it
The graphic novelization of Episode I is very well done- the storyline is good, and the artwork is great. My only complaint is the change of artwork styles at the end. The lightsabers are writen very true-to-life during most of the comic book. During the final battle, however, the blades suddenly become rods of pure color. The white center to the lightsaber blade is gone. This gives the most exciting part of the movie a cheap look. Other than that, it's a good read.

Easy to read, beautifully illustrated comic
This is a review of Episode 1 TPM Dark horse comic. This comic can never replace the imagery created by the movie. Produced in may, 1999 this TPB comic uses reproduction techniques that create a visually beautiful comic.

The main reason I bought the comic version of a movie is that it gives me book with pictures to read with my children that tell a story that will hold their attention. This comic succeeds on that level. But the comic is an abridged version of the movie, and may not be your cup of tea.
The artwork is about average (3.5 stars of 5). The black page background provides richness to the look. Flemings cover art is 4 of 5.

The binding on THIS comic is superior. One of my frustrations with dark horse is the extremely poor quality of their new binding of TPB's. Dark Horse went to the bother of upgrading their artwork, pencils and inking, yet they are producing comics that fall apart in your hands! This comic was made in Canada. The new comics are now made in China. It is a darn shame because just as they start producing some truly awesome looking comics, they seriously