Reviews (248)

"...a multilayered epic sporting a fantastic script..."
I just recently got into graphic novels, but so far have read books from the SANDMAN series, The MAUS books, and of course, THE DARK KNIGHT RETURNS. Needless to say, I've been sucked into the genre by these amazing stories, and I'm simply going down the list of highly acclaimed cult classics. Of course, when I got to WATCHMEN, I was skeptical. I'd heard of Batman and Sandman, but who the Watchmen? Sounded kind of obscure, and fraknly, a bit phony. Of course, after reading countless positive reviews claiming this book to be one of the absolute best in the history of comic literature, I had to pick it up. Right off the bat, I could tell there was something special about this one, which maybe wasn't so noticeable in the others I'd read.

The story starts out simple enough, with the murder of a "superhero," called The Comedian. He was evidently a member of a team, but only one of his former comrades, Rorschach seems to care about his death in the slightest. The others all remember him as a bad, immoral man, and therefore, a terrible hero. At first, you'll be wondering why the others don't grieve for him as Rorschach does, but as you see what foul deeds he committed, you'll start arguing the other way. Why is it that Rorschach is scouring the streets, searching for clues as to who may have killed The Comedian? Why is Rorschach the only one who cares about the ex-superhero's falling?

In this book, much like in THE DARK KNIGHT RETURNS, superheroes are not seen simply as idols and virtual gods through the eyes of the public. They're seen as a rebellious vigilante who disregard the police and take matters into their own hands. This is the story of an alternate 1985 where the world is rapidly turning into a hell which humans are creating for themselves, where superheroes struggling for internal-order are hated and ridiculed for their valiant actions. The superheroes themselves aren't all that important here--they simply represent the steriotypical masked figures in tights; a group of "normal" citizens fighting to change matters which may very well be out of their control. Alan Moore masterfully creates a multilayered epic sporting a fantastic script, filled with controversial dialogue and an interesting plot which changes the way people think about superheroes and comic books in general.

Rorschach's search for truth, along with the reader's search for explanation is explored through a series of flashbacks, side-stories and subplots. The 417 page graphic novel is split into 12 chapters, each with little tidbits in-between, providing some interesting background information on the characters. WATCHMEN is kind of a mini-series of comic-books, and was entirely original. The characters had never appeared in any other comic before, and never appeared in another again. When compared to THE DARK KNIGHT RETURNS, I say that WATCHMEN is slightly superior. While THE DARK KNIGHT was an exciting and moving tale of Batman's aging and eventual returning to the superhero life, where he was needed most, it was very short (about half the length of WATCHMEN) and left open ends, which were covered in some not-as-good sequels. WATCHMEN is simply a great solo-story which requires no background information or further reading, and boasts a strong, recurring theme: "Who watches the watchmen?" Compared to other graphic novels, ranging mainly from 100-200 pages, WATCHMEN is significantly longer, not only giving you more of a bang for your buck, but increasing the amount of pleasure you'll experience from reading this book.

My only real gripe about this book is to do with the art. Don't get me wrong--It's amazing stuff, filled with vivid colors that you wouldn't expect to see in such a dark story--but the action sequences leave something to be desired. Compared to THE DARK KNIGHT RETURNS, filled with tons of cool blurs, lines and other cinematic goodies you'd expect to make a comic book feel more animated, WATCHMEN is severely lacking in that department. If you try to see the book as a cartoon, like many of us do, it will look like a poorly animated one. Or, simply a series of stills, which is what a comic book is, but almost all comics successfully create the illusion of animation and movement within their pages. Nevertheless, the art is still amazing to look at, it will just require more imagination to see the characters moving.

If I were you, I wouldn't read any other reviews or check any futher into this great graphic novel. If you do, you might back out, thinking that it sounds too corny or not your type of book. Some people are turned off by the whole superhero idea, but Watchmen basically handles it in the most intimate and unconventional manner, bringing a whole new light to those imaginary masked-defenders of the Earth. If you enjoyed THE DARK KNIGHT RETURNS, this should be right up your alley, delivering more of what the former excelled in. If you aren't into comic books, then you should probably just head over to your nearest book store and read the first 10 pages or whatever. Chances are, you'll find that you love this and then you can buy it on the spot.

Quis custodiet ipsos custodes (Who watches the watchmen?)
Comic books superheroes are basically fascist vigilantes, with Superman and his dedication to truth, justice and the American way being the exception that proves the rule. Both "Watchmen" and "The Dark Knight Returns," the two greatest examples of graphic storytelling, deal explicitly with the underlying fear the ordinary citizenry have of the demi-gods they worship. The one inherent advantage that "Watchman" has over Frank Miller's classic tale is that it requires no knowledge of the existing mythos of its characters because Dr. Manhattan, Ozymandias, Rorschach, Nite Owl, Silk Spectre, the Comedian and the rest of the former members of the Crimebusters.

The brainchild of writer Alan Moore ("Swamp Thing," "V for Vendetta," "From Hell") and artist Dave Gibbons ("Rogue Trooper," "Doctor Who," "Green Lantern"), "Watchmen" was originally published by DC Comics in twelve issues in 1986-87. Moore and Gibbons won the Best Writer/Artist combination award at the 1987 Jack Kirby Comics Industry Awards ceremony. The central story in "Watchmen" is quite simple: apparently someone is killing off or discrediting the former Crimebusters. The remaining members end up coming together to discover the who and the why behind it all, and the payoff to the mystery is most satisfactory. But what makes "Watchmen" so special is the breadth and depth of both the characters and their respective subplots: Dr. Manhattan dealing with his responsibility to humanity given his god-like powers; Nite Owl having trouble leaving his secret identity behind; Rorschach being examined by a psychiatrist. Each chapter offers a specific focus on one of the characters, yet advances the overall narrative.

Beyond that the intricate narrative, Moore and Gibbons offer two additional levels to the story. First, each chapter is followed by a "non-comic" section that develops more of the backstories, such as numerous excerpts from Hollis Mason's autobiography "Under the Hood" or Professor Mitlon Glass' "Dr. Manhattan: Super-Powers and the Superpowers," an interview with Adrian Veidt, or reports from the police files of Walter Joseph Kovacs. Second, almost every issue has scenes from "Tales of the Black Freighter," a comic-book being read by a kid near a newsstand, which offers an allegorical perspective on the main plot line.

"Watchmen" certainly nudged the comics industry in the right direction towards greater sophistication and intelligence, although a full appreciation of its significance is always going to be lost on the bean counters. The Book Club Edition of "Watchmen" offers the teaser: "He's America's ultimate weapon . . . and he's about to desert to Mars." As a representation of the work as a whole that description is simply stupid, especially since it is followed by a glowing recommendation by Harlan Ellison that concludes "anyone who misses this milestone event in the genre of the fantastic is a myopic dope." If you ever spent time reading and enjoying any superhero comic book, you will appreciate what you find in "Watchmen."

awesome, baby
Yes, this is an graphic novel, but every page carries every ounce of narrative density and depth that you'd expect from a more text-heavy tome. Frankly, there's so much to say about this work that I hardly know where to begin, so I won't. Instead, I'll just heartily recommend it to everyone--not just my comic geek friends. In fact, I would especially recommend it to friends of mine who don't read comics or graphic novels because they think those things are (a). just for kids or (b). not as satisfying as a more traditionally formatted read.

It has its flaws, but WATCHMEN is still excellent
WATCHMEN is by no means perfect. I thought it was when I read it a year ago, but I have revisited it a week ago.

I'm not a huge fan of American comics (although I read Japanese comics regularly), but WATCHMEN is definitely the best that I've read. The art is very blunt, and says what it wants to clearly. This isn't the most beautiful piece of artwork in the world, but it's very good.

For the record, I agree with what some of the people are saying about clichés and having some things repeated over and over again. Some of that does get tedious and a bit boring after a while, but that can also be said about some of my other favorite comic books that I read.

The sex stuff was a bit out there. Laurie isn't the brightest bulb and seems to be sex with two legs. Personally, I don't see why she and her mother had to be like that, and that should have been easily emitted. Oh well. Alan Moore's choice, I suppose...

The violence was tasteful, though.

The political viewpoints are very interesting. I, myself, am very interested in politics, and want to major in political science when I get into college (as well as English). Personally, I think that this is very relevant to what's going on in the world right now, with America slowly crumbling, morals deteriorating (with the exception of gay marriages in Massachusetts), and trying to fix countries that want to be left alone. With the war on terror, a lot of the cold war themes are appropriate for this time. A fair amount of what Alan Moore says is true in his socio-political comments, both about what's going on in our country and our interaction with other countries. The symbolism is sometimes a little subtle, and you'd have to read it over and over again to get all of the tiny little points.

Rorschach is probably one of the most rounded characters I've ever read in a comic book. He's endlessly fascinating, and I really like him. He's my favorite comic book character, and is up there in my favorite fictional characters of all time.

I'm not trying to give anything away, but I think that this story is very sad in its aspect that it says clearly that most human beings, whether they are famous or the most despicable things on the planets, die quietly without a fight.

While, as mentioned before, some of the events in this novel are not very plausible (Dr. Manhattan, Rorschach's psychiatrist becoming depressed because of what Rorschach told him, etc.), this is a comic book. It's not supposed to be completely realistic. They make a simple statement through pictures put to words. That is the point of comics, in my opinion.

I liked the plot. It was all right, although I don't think it compares with Shakespeare or Twain. A more realistic comparison is with Robert Cormier, who writes for young adults with similar themes. Pick up something by him if you read this, you'd probably like that, too. (We All Fall Down is excellent.)

I really liked some of the information at the end of some of the chapters (chapter six, especially), but some of it was just okay.

I didn't really like the ending, but, in a way, it was fitting. It was good, but it was definitely not my favorite part of the book.

In short:

+: Rorschach, art, politics, symbolism, characters in general, tasteful violence, overall themes of the book

In between: plot, ending text, last chapter, plausibility

-: sex, clichés, (although I didn't mention it) language

I don't see why you shouldn't read it, but don't expect it to be perfect. I think how much you like it depends from person to person. If you tend to get easily bored, don't read it. If you haven't ever read comic books before, give it a try. If you are a regular to comics, try it, and ditch it if you think it's overrated by the third chapter. I'm not going to say you aren't going to be disappointed, but I wasn't.

I love this comic despite its faults, and I think it should be read over and over again. It is still a classic, and has not let go of any of its power.

What if costumed superheroes really existed?
That is the simple question that Watchmen poses and is one of the many clever conceits that Alan Moore and Dave Gibbons employ throughout the 12-issue mini-series that is collected in this fine trade paperback.

Moore and Gibbons present a world not unlike ours. An alternate reality where the United States won Vietnam (thanks to Dr. Manhattan--the book's only Superman) and as a result Nixon stayed President. Dirgibles instead of airplanes can be seen in the sky, there are electric powered cars and a popular fast food chain of Indian restaurants known as Gunga Diner are everywhere.

In this world, superheroes have been outlawed because the police felt that their jobs were threatened and so only Government sanctioned costumed heroes can legally operate. That doesn't stop Rorschach, a masked vigilante from plying his trade.

Why am I going into all this detail? Because Watchmen is all about the details. Moore and Gibbons vividly draw us into this world through the most minute details, often populating the backgrounds of panels so that they only become obvious upon multiple readings.

What is so astounding about Watchmen is that it works on so many levels. Superficially, it's a murder mystery. However, it also asks many big questions like, who makes the world? Who is responible? Is everything planned out or is it all up to chance?

Watchmen is also a marvel of technique. Moore and Gibbons employ all sorts of film techniques (zoom ins, close-ups, revolving "the camera" around somebody, lighting effects, etc) and also several techniques of rhythm. For example, look closely at the panel layout for Chapter 5: Feaful Symmetry. The panel layout on the first page is exactly the same as the last page and so on until the center pages which mirror each other perfectly. Or all of the smiley face images that pop up throughout the various chapters. This is only a taste of what is going on in this book. It really is an astounding work.

There is a reason why Watchmen is so highly regarded. It is an amazing accomplishment and one that takes the costumed superhero genre seriously. If you haven't ever read this book before then I strongly recommend checking it out. If you aren't a huge fan of comic books, this one will change your mind. It proves that comics aren't just for kids. Not any more. ... Read more

Reviews (199)

Batman at his best
I've always been a fan of Batman, but I've never been in to comic books that much. Recently I stumbled on to Frank Miller's Batman: The Dark Knight Returns, and I was really impressed. The four book saga, now combined into a graphic novel, tells the story of an aging Batman who has been retired for 10 years. Still tortured by the death of his parents, and by the growing rampant crime in the streets of Gotham, Bruce Wayne once again unleashes the Batman on Gotham's underworld. However, Batman finds himself returning into a world where super heroes are unwanted and have all but vanished.

Miller's portrayal of an overly polictically correct world with little room for Batman, is compelling and original. The book's dark portrayal of a brooding, violent, Batman who has lost his faith in the justice system's ability to rehabilitate criminals set the stage for the modern portrayal of Batman in both comics and film. In my opinion, this is a story of Batman the way he should be portrayed, as the tortured punisher of evil not the friendly neighborhood super hero. We can leave that to Superman, and if you've ever wanted to see Superman get brought down a few pegs, this is the book for you.

The artwork is gritty, intriguing and fits in perfectly with the story. This book inspired me to check out more graphic novels, and works by Frank Miller.

a comic book work unlike any other
I've been a comic book reader for many years, and to this day I cannot recall another single work of comic book art that is quite so brilliant as Frank Miller's Dark Knight. Certainly Cerebus, Sandman, Cages and From Hell are to be lauded for their genuine genius, but Dark Knight remains my all-time favourite creation. Frank Miller has written a gripping story of tragic heroism and bitter social commentary. His Batman is truly a larger-than-life, tormented hero, brilliantly conceived with his many flaws and perverse obsessions intact. Miller plays with the comic book universe beautifully, realising a world wherein the so-called "super-hero" does exist, and exploring the ramifications of this fact. Batman's final confrontation with Superman at the end of this graphic novel is bar-none the most cunningly conceived battle in comic book history. It is achingly poignant to see the two old warriors confront one another at last: Superman with his compromised good-guy! agenda and Batman with his twisted, demoniac fixation. Batman loathes the figure that Superman has become, while Clark Kent pities the poor, lost soul who has sacrificed his very existence for that which he pursues with a vengeance. "You Bruce, with your obsession..." Miller has created in Dark Knight a vividly real and passionately affecting tale of Heroes and Madmen, riveting from start to finish.

The Best Laid Graphic Novels of Mice and Men Often Go Astray
"In MY opinion..." Ankurpanchbudhe said in his list. Well I know for a fact that this is not a graphic novel, -- Ankurpanchbudhe's opinion is stupid -- and so is Ankurpanchbudhe. I'm going to write a criticism of the review that Ankurpanchebudhe started his list with. It never pleases me more than when someone calls a reprint collection in a thick softcover comic book form all in one a graphic novel. I bet if you went to a book store and looked at the "graphic novel" section and got a price guide that you would not find any graphic novels there at all. It's kind of like what we called a oneshot back when I lived in California. Kids that thought they were comic collectors would throw around the word oneshot because it made them sound smart. I got a oneshot! You got a oneshot? I have a oneshot! They have a oneshot. He has a oneshot. She has a oneshot. We have a oneshot. Everbody has a one shot. They would say. Longshot. Deadshot. Shattershot. Bloodshot. Sunspot. Blindspot. Grimlock. Shotshot. (Wouldn't that make a great super hero? Two shots on his name? Put him in a comic book and you could make a million!) Just because it has the word "shot" in it doesn't mean it's good. Don't call something a graphic novel unless you look it up in the price guide and it says GN next to it. Buy this book for what it is and you'll be a lot happier. One of these days I'm going to finish a list that has all of the things that Ankurpanchbudhe's list has criticising each criticisim blow-by-blow. None of the things on Ankurpanchbudhe's list is a graphic novel.

Best graphic novel ever done, period.
Best character (Batman), best writing, cool drawings, and, importantly, Miller does not deviate from the legend like most other comic (and Hollywood) writers seem to have a proclivity for doing. Just watch the recently released "Troy" movie to see how little regard the average writer has in keeping the mythology intact (Hector does NOT kill Meneleus in the texts, Achilles was NOT in the Trojan horse with Odysseus in the texts). Jeph Loeb, in the critically acclaimed "A Superman for All Seasons," tells us that Lex Luthor did not grow up with Clark Kent in Smallville. Why would anyone weed that out of the legend? This is a major peeve of mine. Show some respect for the legend, for Crissakes. Ironically, Loeb now produces the "Smallville" TV series, which is entirely based on the fact that the two rivals were childhood friends before their falling out.

This is the brilliance of "The Dark Night Returns." Miller completely respects the legend, while creating something entirely new at the same time.

poisonous
I'm a pretty big fan of comics; but I got something of a late start, with Sandman about 7 years ago. So there's a lot of stuff I just haven't got around to reading. I'd heard of Frank Miller, naturally -- he's one of the "big names" that you hear about, if you make even a cursory exploration into comics -- but for one reason or another I hadn't actually read any of his stuff. Without knowing anything about his work, there was something about him that didn't appeal to me, viscerally. But I was nosing around the comics section at the library the other day, and I saw his Dark Knight Returns; and it's supposed to be this seminal work, and I thought, "Hey! Finally I'll get to read some Frank Miller!"

My conclusion? Frank Miller is a fine writer, but has absolutely *no business writing superheroes.* He comes from that self-satisfied stratum of hipster, who thinks that if you aren't injecting Politics and Current Events into your art, then it's not Real Art. And it's not even well thought out politics, either. I read as much as I could. You get used to reading leftist politics, when you enjoy things like comics and fantasy and science-fiction, so I figured I could just tune it out and focus on the story. The last straw, though, was when he trots out the old saw of portraying Reagan (this was written in the '80s) as an aw-shucks idiot who is sumultaneously a somnambulist bungler and a sinister mastermind. And maybe another time I would have been able to ignore it. But I think it was just too fresh, too soon.

So I picked up the other comic I got from the library: a volume of Kurt Busiek's Astro City. What a breath of fresh air, after reading Miller's poison! The more I read, the more I just fell in love. I mean, he has superheroes who fight for god.. and they *aren't* jokes. They aren't the bad guys! How novel is that? Busiek takes superheroes seriously. He takes good and evil seriously, while still leaving room for humor, for human frailty, for both despair and hope, for real emotion. This is what superheroes are supposed to be.

So that's my endorsement for Kurt Busiek. He reminds me quite a lot of Gaiman, in the way that he constructs his stories. If you're interested in comics at all, you need to read Astro City. ... Read more

Book Description

Star Wars: A Long Time Ago... features classic Star Wars stories not seen in over twenty years! Originally printed by Marvel Comics, these stories have been re-colored using today’s computer technology, giving "old" work a fresh face. Volume 2 collects issues of the original Marvel run and contains such riveting classics as "Crucible" and the unforgettable "What Ever Happened to Jabba the Hut?" ... Read more

Reviews (4)

Classic Marvel Star Wars
I read the first volume in this series, "Doomworld," and enjoyed it, but thought it was a bit corny and too cartoonish in places. I was surprised and pleased that the comics got much better with time.

A good portion of this set of 19 comics revolves around the Tagge family, who generally opposes Darth Vader, but also opposes the rebellion. Baron Tagge even hopes to supplant Darth Vader himself, though we know where such schemes end. In "Doom Mission," we find Baron Tagge has created a space station within the stormy atmosphere of the gas giant Yavin where Tie fighters launch attacks against the rebel base on the fourth moon. This story is quite creative with how Baron Tagge created the space station, how it was discovered and how it was eventually attacked.

There are quite a few creative moments in the various stories. In a series of three stories, "The Jawa Express," "Saber Clash," and "Thunder in the Stars," we see the Tagge family test and implement an interesting device that freezes anything between implanted towers. The Tagge family uses this device as a weapon against rebel forces.

In one of the most creative stories, "Riders in the Void," we find Luke and Leia have jumped into the void between galaxies. In one of the emptiest places in the universe Luke and Leia discover a unique, organic space ship with only one inhabitant, who is marginally insane. The ship and its inhabitant have an interesting and unique history, and there are moments when I wondered how Luke and Leia were going to escape.

Creature creation was similarly unique and better than in the first 20 comics of "Doomworld." In "The Long Hunt/A Duel of Eagles" we meet the winged people of Skye. In "Cavern of the Crawling Death" we learn about stone mites that destroy everything they contact as they eat it.

There are a few departures from the Star Wars universe as we know it today that are forgivable given that the second two Star Wars movies had yet to be released. We see a Jabba the Hut very different from the slug-like creature we came to know and loathe. We also see the continuing romance between Luke and Leia, though we also know that they are brother and sister. Yet, the general tone of the stories fits well within the Star Wars universe, and the astute reader can see some of the substantial creativity yet to come.

If you read "Doomworld" and liked it, you'll find that "Dark Encounters" is substantially better and more interesting. The quality of the stories is still lower than the general caliber of the Dark Horse stories, but some of them are very creative and interesting. For those readers that look back fondly on memories of comics from the 60s and 70s, these are the types of stories that you remember well. Enjoy!

Solid Improvement
3.5 stars actually.

The artwork, and the plotting improves dramatically in this second collection of Marvel stories. Unlike most of the first collection, these stories mostly feel like they could take place in the Star Wars universe and are viable adventures that the heroes could have had before The Empire Strikes Back.

Still though, they are not stellar work by any means, merely solid. In retrospect, due to the authors not knowing where George Lucas was going, some of the things you see cause some cognitive dissonance. No fault of the authors, but it is still jarring to see things you know are untrue.

Decent artwork, and stories in a rather large collection make this a worthwhile collection if you'd like to read a sort of slightly altered universe of what the Star Wars characters did between the movies.

Green Rabbits and Cyborg Bounty Hunters...
I've just ordered the reprint trade paperback reprints of these Marvel books. I remember reading and re-reading all of these "beyond the movie" adventures when I was a kid. It was just such an incredible charge to see what Luke, Han, and company were doing between the movies. Water worlds, gambling satellites, Darth Vader learning the name of the Death Star's destroyer(a nice plot device), the blocky artwork and awkward poses of Carmine Infantino artwork, wondering WHY these adventurers NEVER changed their clothes as they NEVER seemed to make their way back to Yavin Base after their Flash Gordon-esque side-adventures... Oh, and we can't forget that Obi-Wan Jedi story with the droid 68RKO (which were the call letters of a radio station if I'm not mistaken)...They really DID capture the imagination. Hopefully, Dark Horse will get around to publishing a VOLUME 3 because therein lie the BEST Marvel STAR WARS tales. But these first two will take you to a Long Time Ago in a Decade Not Far Away Enough--The Seventies. You'll see the pop-cultural impact of the first wave of STAR WARS mania, in many ways as endearingly cheesy as that Thanksgiving Holiday special. If you remember these, you will LOVE them all over again...if you don't, then prepare to be mightily entertained, whether you like comics, STAR WARS, or pop-culture in general. These books definitely belong on your shelf...

Even better than the first collection!
This is the second trade paperback reprinting the original Marvel Star Wars comics from the late 70's/early 80's. It picks up immediately following the first trade paperback, and goes forward (timeline-wise) up to the first issue of Marvel's Empire Strikes Back adaptation.

Now, I've already given the first volume a good review, and this one's not going to be any different. I enjoyed these stories immensely when they first came out, and it still gives me a thrill to glance through my collection every now and then. Some of the covers were amazing!

The stories, for the most part, are the strongest from Marvel's entire line. The very last story in the collection, a fill-in tale where Luke and Leia end up on a large ship that is alive and has emotions, is probably the strongest in the entire batch. But there are other great moments mingled in with the rest. I think the issues featuring bounty hunters (including a cyborg) and the role they play in the Star Wars Universe are particulary interesting reads. And the story where Han and Chewy are trapped in a cavern with metal-eating termites chewing away at the Millenium Falcon (while a very thin Jabba the Hut stands outside the cave waiting for Solo to exit) is a classic.

Of course, not all of the stories work. There are some cheesy moments when Luke returns to Tatooine, and a few other issues that look like the artwork was rushed to meet a deadline, but overall, most of the issues are still fun to read.

Should you buy it? If you're a Star Wars nut, of course! But I think these stories would also be great for a parent looking for some good safe stories set in the Star Wars universe to give to their son/daughter. ... Read more

Amazon.com

The Killing Joke, one of my favorite Batman stories ever, stirred a bit of controversy because the story involves the Joker brutally, pointlessly shooting Commissioner Gordon's daughter in the spine. This is a no-holds-barred take on a truly insane criminal mind, masterfully written by British comics writer Alan Moore. The art by Brian Bolland is so appealing that his depiction of the Joker became a standard and was imitated by many artists to follow. ... Read more

Reviews (83)

Moody and Tragic story of the Joker and Batman
A comic nearing perfection in both its graphic and story construction. The art, empasising sickly greens, oranges and reds (especially during Gordon's torture sequence) works brilliantly at evoking a sense of the deranged and desperate mind of the Joker. That this tale is only one brutal cycle in the continuing, and perhaps endless, Joker/Batman confrontation is made all-too clear by the same, full-page panel of rain falling in muddy water being shown at both the beginning and the end. The story itself is also spectacular, from Batman's initial attampt to reason with his archnemesis ("There once were two guys in a lunatic asylum...")Joker's merciless attack and humiliation of Barbara Gordon, to Joker's hideous claim that the only difference between him and the rest of the world is "one bad day." One of the most bizarre and horrifying moments in Batman history must be achieved in the two foes final confrontation...that one brief moment when the Joker turns-halfway to Batman...is he considering accepting the Dark Night's help?...to the final scene when both men laugh uncontollably in the killing rain; a single moment when the both the Batman and Joker get the same Joke: that they are together, forever, until they destroy each other. Perhaps this is the "Killing Joke" of the title?

More than just a comic - True Literature
This is the most in-depth Batman comic I have ever read, and has become my favourite Batman story of all time. The story deals with Joker escaping, paralyzing Barbara Gordon, kidnapping Commissoner Gordon, and trying to prove that any man can go crazy in a single, bad day. As Batman hunts the Joker, the reader is treated to the Joker's origin story, and sees how thin the line is that seperates Batman from the Joker.

I won't try to get into the psychological aspects of this story -suffice it to say that other reviews have covered it throughly and any attempt on my part would only make me look foolish. However, I will say that the most chilling part about this book is how, if you replace Batman and the Joker with two everyday people, the events still feel horribly real. This is not escapist reading as all comic books have been labeled, in fact, this is the book to show people who don't believe that powerful stories can be told in this medium. Both Batman and the Joker had a single bad day - so why didn't Batman go insane like the Joker did? The reader wants to know the fine line that seperates these two characters, partly so they can realize how close to crossing that line they are in their own lives. The art is truly amazing -detailed, moody, and brilliantly inked - the scenes in the Joker's funhouse scare the reader as much as they scare Gordon. The flashbacks are also impressively tied into the present, with similiar situations bookending each scene. The story begins and ends on the same note, like a vicious, never-ending cycle. Plus, you know you have something special when, after all the vicious, sadistic things the Joker has done, you still feel sorry for him.

"The Killing Joke" is a true masterpiece, and earns its place as one of the best comics of all time, and a true work of fiction.

The Worst Alan Moore Work - Even He Says So!
As you can see from nearly every other review here, this work is generally considered a classic - if not one of the all-time best Batman stories, up there with those Frank Miller ones. I disagree. And I disagree reluctantly because Alan Moore's writing is actually very clever and Brian Bolland's artwork is simply gorgeous. Why? Simple. I disagree with nearly everything about Alan Moore's "Batman". Frank Miller mentioned something like that in an interview also. Even Alan Moore has stated countless times that this is his weakest work. But fans still clamour after this book...

Five reasons I dislike this book:

[1] Batman is totally wrong. It seemed like the pet-peeve of every cynical Brit writer in the 80s and 90s to portray Batman as equally insane compared to his foes [check out Grant Morrison's "Arkham Asylum" for more of the same].

[2] The hopeless ending. Agreed, this book has the Joker at his most evil and the book ends with Batman and Joker laughing in the rain?

[3] The level of *sick* shocks in this book. From Barbara Gordon's crippling to Jim Gordon's "circus" experience. This was written at a period where shocking violence in comics is considered a prerequisite in crafting a "mature" work. Granted, I actually prefer Barbara as Oracle than the cheesy Batgirl but I absolutely detest the way Alan Moore did it in this book.

[4] The totally unnecessary "origin" of Joker. Joker is one of those characters in comics who really can do without an origin. He is a sicko, and that's all you need to know. We do not need to see him from a more compassionate perspective by having a "tragic origin".

[5] The use of "Watchmen-transitions". Alan Moore is justly famous for the use of clever transitions between panels. But in this book, we have transitions such as a poster of a fat woman freak in a circus leading to the next panel of Joker's pregnant wife. Where's the catch? This is the real problem of the whole work - clever but ultimately pointless.

Inside The Mind Of The Killer Clown Of Gotham
The Killing Joke, first published in the late 1980's is an atypical Batman story and yet, remains, one of the best ever written. Back in print since the 90's I was happy to relive the tale after losing my original copy of the book.

As regular readers and followers of the Batman mythology already know, the Joker, is the Dark Knight's most well known and popular adversary. Talented comic book scribe Alan Moore broke with tradition. He decided this story would not just be about the Joker having some demented plan and our hero has to find a way to foil those plans, rather, he chose to examine what makes the villian tick. The story has Joker shooting and crippling Barbra Gordon, then kiddnaping her father Police Commissioner James Gordon taunting him, to see if a man can truly go insane within a short period of time. While the Joker awaits the inevitable confrontation with Batman, he allows himself to reflect on his early days, and thus, the reader learns his origin. The book focuses less on typical "superhero action" and more on the psychology of these characters. Mr Moore weaves his story with such effortless ease that it never gets bogged down. It's all about the choices that a person makes and how much these two mortal foes really do mirror each other.

The artistic talents of Brian Bolland and John Higgins really shine in the book. Their rendition of The Joker is quite spectacular and among the best ever produced in a Bat story...Really. The "dynamic duo (sorry I couldn't help myself)" set a standard for the way Joker is now drawn today. Batman doesn't look too bad either. The artwork is a nice mix of subtlty and some broad strokes-matching the story perfectly.

I have read a lot of Batman stories over the years, The Killing Joke may not be what you would expect for these icons, but it is worth reading for sure. It is one of the best. The book has 48 pages

a story you will go back to, time and again
I brought this as a 1st addition when it came out and it's one of the few stories i've re-read time and time again. It's a story of two men who take different paths when their lives hit bottom but find they have a lot in common. I loved seeing the Jokers' life before he turned to crime and evil though he is, you see the events that turn him into the man he is now (with a small contribution from batman - read and find out). Reading this comic is what made is difficult from me to enjoy the first batman movie. Well, how could the joker have killed batman's parents if they are roughly the same age and batman was there when he changed? Read this great comic-novel and enjoy it much as I did, you won't be sorry. ... Read more

Amazon.com

"Wake up, sir. We're here." It's a simple enough opening line--althoughnot many would have guessed back in 1991 thatthis would lead to one of the most popular and critically acclaimed comics of the second half of the century.

In Preludes and Nocturnes, Neil Gaiman weaves the story of a man interested in capturing the physical manifestation of Death but who instead captures the King of Dreams. By Gaiman's own admission there's a lot in this first collection that is awkward and ungainly--which is not to say there are not frequent moments of greatness here. The chapter "24 Hours" is worth the price of the book alone; it stands as one of the most chilling examples of horror in comics. And let's not underestimate Gaiman's achievement of personifying Death as a perky, overly cheery, cute goth girl! All in all, I greatly prefer the roguish breaking of new ground in this book to the often dull precision of the concluding volumes of the Sandman series. --Jim Pascoe ... Read more

Reviews (73)

Sandman
I love this series and am slowly acquiring all the books in it. It's fairly expensive, but, if you like the Sandman series, it's a lot cheaper than buying each individual comic. This book isn't the best in the series, but it's still very good. It's not like most comic books. There's no superhero intent on defeating an evil supervillain for the good of mankind. A group of magicians want to capture Death but instead capture Dream. He stays caged for decades, and, when he finally escapes, he has to find his tools (a bag of sand, his helm, and his Dreamstone).

This first book relies too much on guest appearances made by DC characters, but Gaiman does manage to move beyond that by the eighth issue, "The Sound of Her Wings". I really enjoyed that issue, which has the first appearance of Death. She's the reason I started reading the Sandman series. I'd read The High Cost of Living, and I loved the idea that Death could be a perky goth girl who you could really get to like. Mike Dringenberg, who does the pencils for the eighth issue, does an excellent version of Sandman and Death. I don't really like Sam Keith's version of Sandman that much, but his depictions of horrific things, like Hell, are wonderful. I also liked "Dream a Little Dream of Me", in which Dream has to find his bag of sand and is getting help from John Constantine, and "24 Hours", in which Doctor Destiny has Dream's Dreamstone and is driving the world mad. I consider both of those issues to be top horror. It's definitely worth it to get this book.

Wonderful Book - Incredible series
It's a little sad after reading the Sandman books because you know you will never quite recapture the same feeling of going through such a great story for the first time when you pick them again. And trust me, you will be rereading these.

But the flip side of that is once you have read the series and go back, you see how fully realized Neil Gaiman's vision is. What seems like almost arbitrary bits of exposition are the seeds of future story arcs. "Season of Mists" the fourth book in the series, being just one example.

The main story begins when a necromancer who, intending to capture Death, captures her little brother Dream instead. He and his son keep him locked up for the better part of the 20th century. Once "Sandman" breaks out, he must restore his dream kingdom and reclaim his talismans of power. That takes him to London, Hell and a 24hr diner outside of Gotham.

What I love particularly about this series is that it is esoteric without being pretentious. This is what happens when someone who is remarkably well read is also a comic fan. Gaiman manages to invoke The Old Testament, William Faulkner, old DC Comic mythos, Shakespeare, Bobby Darin, Victorian Literature and Greek Tragedy, makes it relevant to the story, and then makes the concepts comprehensible to a fifteen year old. And that's just in this volume. I say the last because that's how old I was when I started to read these. At the risk of sounding overzealous, it has since challenged me to become as well read as the author.

I've read other reviews arguing that this is not the best one. I disagree only because I know that each volume speaks differently to different people. My humble advice is to start with this one and read them in order the way the author wrote them. I have bought this particular volume three times over the years due to lending it out to friends and not getting it back. Treasure this as well, enjoy and don't lend them out!

Dream a little dream of me
You can't begin to learn about the depth and intense storylines graphic novels conjure up without first paying homage to this, the granddaddy of them all. "The Sandman" series, reinvented and reinterpreted by author Neil Gaiman, took an existing mediocre superhero and transformed him into an otherworldly god. The success of the series is undeniable, and it has the unique additional factor of being equally interested to both men and women. A rarity in comics, I assure you. I had never really read any Sandman before, so I decided to begin at the very beginning. With "Preludes and Nocturnes", you meet the hero of this series naked in a glass container. My kind of show!

With his siblings Death, Destiny, Despair, Desire and others, Dream is one of the Endless that rule at the edges of humanity. In a makeshift ceremony, a cult attempting to capture Death herself find that they have instead captured Morpheus/ the King of Dreams/ the Sandman/ etc. After 75 years, Dream finds a way to escape his captivity, only to find that things have gone horribly wrong in his absence. Three of his tools in which he kept much of his magic have gone missing. Worse still, his very kingdom has disintegrated. To restore it, Dream much locate his items and defeat a villain that wants to use Dream's power to destroy humanity itself.

Oh it's definitely a disturbing tale. No question. There are elements in this story that will haunt you long after you put the book down. Oddly, Dream's visit to Hell is probably one of the tamer tales. Still, it's well written. There's nothing like a good quest tale to keep the reader wanting more. The final chapter in this series introduces the reader to Death, Dream's somewhat punk rock sister. Funny fact: Death's a big fan of Mary Poppins. Who knew? Drawing in elements of everything from Alice in Wonderland to 1950s and 60s pop songs that discuss dreams, dreaming, and the sandman (of which I think there may have been roughly 4 billion) as well as Shakespeare, ancient Celtic myth, and even the original Cain and Abel story, Gaiman goes wild. Remarkably, he does all of this and yet never looses his grip on the tale he's telling. Things are never so wild that they get completely out of hand.

The art in this book is created by the fingers of three meticulous artists. Of them, I had a hard time deciding which I liked best. I'm not an able reviewer of graphic artists, so I can't say who did which story and what style goes with whom. What I can say is that as the stories continue, Dream himself grows and changes. Though he retains his essential look, he goes from contemptuous to thin and drawn to Robert Smith. The last story in the collection, "The Sound of Her Wings" is probably the weakest of the book. While it's wonderful to see Death so perky and mischievous, I was disappointed by the story's hero suddenly looking so much like the lead singer of The Cure. Instead of the Endless master of night and dreams, we have a pouting teenaged kid. Go figure.

Just the same, this is an excellent starter graphic novel. For the person uncertain as to whether or not accept this art form as actual "literature" (and it's going to be many many years before this mindset becomes standard) this book may not convince them wholeheartedly, but it will at least give them something to think about. A great dark tale with a great dark sexy hero. No wonder the ladies like him so.

Whatever you do, don't buy this book...
... at least not if you're only getting started in comics. I say this because the Sandman series is among the finest comics you will ever find.

In fact, "comic" is too small a word. So is "graphic novel," which is most often used by adults who are trying not to feel silly about reading comics. Sandman is one of those rare comics that transcend the medium. This is no mere comic book.

This is fiction, with artwork. This is visual storytelling, a modern descendent of humanity's earliest art forms. Don't let the "comic book" label fool you. This is a full-fledged book.

The entire 10 volume Sandman series centers around Morpheus, the Dream King. One of The Endless, he is one of seven eternal beings who are the embodiments of abstracts. Dream's older sister Death makes an appearance in the final chapter in this volume.

Other reviewers have criticized this volume for not being very representative of the series on the whole, and that is true. But this volume is a supremely important one becuase it lays the groundwork for everything that follows.

Not only that, it's very entertaining in it's own right. Chapters like A Hope In Hell, The Sound of Her Wings, or 24 Hours are extraordinary examples of comics at their best. Any one of those stories makes this volume worth owning, but you get all three of them, plus five more chapters as well.

If you already read comics, then by all means buy this book (and the other nine volumes, too). But if you're just getting started in comics, you should seriously think about starting somewhere else.

Because once you've read Sandman, you're going to be spending a lot of time in a mostly fruitless search for more books that are as good as this series.

Seriously. It's that good. 10 out of 10

Good series, slow start
I'm a late-comer to the Sandman series, but it's become one of my favorites. I read these collections of the original comics out of order, as I encounter them, and started with some of the later collections.

That's why I found this Sandman such a surprise. I really didn't like it that much. I think it suffered from two big problems. First was a problem of the comics business: there's nearly no such thing as a new series. The big publishers, at least when Sandman first came out, felt the need to graft new characters onto old story lines, perhaps to spark initial sales. Sandman really didn't benefit from that surgery.

Second and more understandable is that a new series, esp. something so different from DC's usual, needs a little time to find itself. The good news is that, by the end of this collection, the Sandman story line really did seem to come into its own. The last piece in this book, 'The Sound of Her Wings,' is the Sandman I've come to enjoy. I'm just worried that new readers might be disappointed by this book and not come back to the later, better work.

This isn't bad by any means, it's just a fitful start to an exceptional series. After this, it just gets better. ... Read more

Book Description

A bizarre occurrence brings Spider-Man and Wolverine together for the weirdest team-up in super-hero history! As the two struggle to get to the bottom of this mystery, their lives literally unravel. Why are both heroes too concerned with their own lives to work together? Strap yourself in, True Believer; it's all part of the ride you get when you buy a ticket for the team-up for people who hate team-ups!Plus: Johnny Storm realizes that despite his new flame powers and fame on the horizon, he still doesn't have a high-school diploma. And where does the young New Yorker enroll? Why, none other than a certain Queens high school that also counts one Peter Parker - Spider-Man - as a student. And what's up between Johnny and sweet Liz Allen? Watch the sparks fly! ... Read more

Book Description

Two feudal kingdoms, Midland and Chuder, battle for supremacy in what will become the final clash in a century-long struggle. Spearheading the Midland forces is the Band of the Hawk, a legendary cadre of elite mercenaries led by the charismatic Griffith and with the fearless Guts as its berserker champion. The Hawks' ferocity, courage, and fearsome skills - not to mention Guts' enormous broadsword - are just what Midland needs to turn the bloody tide, but during the fray, Guts and Griffith's most trusted lieutenant, Casca, fall together from a cliff into a raging river. Miraculously, both barely survive, and Guts tends to Casca's wounds as she tells of having her life saved by Griffith, her induction into the Band of the Hawk, and her deep feelings toward Griffith. She even seems to finally be warming up to the grim Guts. But this greeting-card moment won't last long, for Chuder warriors are on the prowl, and the only greetings they carry are on the points of their spears! ... Read more

Reviews (1)

Great manga
Berserk (both anime and manga) put me off at first, I didn't think that I would like it; from what pictures I had seen it looked to be a very violent and bloody manga, not that I'm bothered by those things, but I really prefer a good story.

Truth be told Berserk IS quite violent and bloody, but that is where it catches you off guard; hidden beneath all of the blood an gore is a great story that really draws you in with characters that are deep and have convincing relationships.

If you're looking for a lighthearted adventure Berserk isn't for you, but if you want a great story and don't mind violence and endings that don't necessarily turn out happily ever after definately check it out, you can't help but become engrossed in the story and it's characters. ... Read more

Book Description

Follow Matt Murdock through a story that literally spans the entire history of the Marvel Universe! Who was the Kingpin before the Kingpin, and what was his relationship to Matt? Collects Daredevil #66-70. ... Read more

Book Description

At 592 pages, Blankets may well be the single largest graphic novel ever published without being serialized first. Wrapped in the landscape of a blustery Wisconsin winter, Blankets explores the sibling rivalry of two brothers growing up in the isolated country, and the budding romance of two coming-of-age lovers. A tale of security and discovery, of playfulness and tragedy, of a fall from grace and the origins of faith. A profound and utterly beautiful work from Craig Thompson. The New Printing corrects 3 small typos, widening the spine graphics, but otherwise is identical to the first printing. ... Read more

Reviews (41)

Brilliant "Blankets" A Must-Read
At long last, Craig Thompson returns and it was worth the wait. After wowing the comics world with his "Goodbye Chunky Rice" Thompson left us all wanting more. 'Rice' was a beautiful tale, a poignant little love story and one you could read over and over again and always find something new. It was cute and grotesque, charming and bittersweet, layered and fullfilling. A tough act to follow it would seem. But after devouring his latest (and prolific) illustrated novel "Blankets", we see that 'Rice' was just the tip of the iceburg.

For "Blankets" is everything it should be and then some. Thompson's storytelling skills have skyrocketed to amazing new heights. His drawing skills, brilliant from the begining, continue to amaze and fascinate. Facial expressions, body gestures and scenery are beautifully crafted into each meticulously designed page. The narrative and dialogue are naturalistic and without the usual hint of drama that comes along with these types of stories. From all these somewhat technical aspects of the book, Thompson is no doubt in top form and at the top of his game. There is little to criticize here. He has, no doubt, transcended the genre while at the same time lifting it up to new heights.

But what is most impressive here is the heart of this tale. Thompson isn't telling us a brand new story. On a very basic level, this is an angst teen romance. But how he tells it is key. He wraps his love story in memories of his childhood, his religious beliefs, his family. This, we come to see, is a love story about love. It is about first love. It is about brotherly love. It is about spiritual love. It is about all the complexities and nuances that come with all the different ways in which we love. Thompson avoids using his tale as a soap box to eloquently voice his hatred of the "popular kids". Nor does he candy-coat his childhood memories. Like so much of Thompsons work, it is a mix of joy and darkness. He never overstates to make a point. Such restraint is what sets his work miles apart from any other comic artist/storyteller out there. In one memorable scene, the two young brothers see static electricity in the blankets of the bed they share. These three pages (250-252) sum up the brilliance of this book and capture it's heart so perfectly. These are the passages that make you stop and think. To read over them too quickly would be cheating yourself of the full impact of this book. Like 'Rice' before it, "Blankets" demands to be read more than once. But I'll be happy if everyone read it at least once.

a beautiful work of art
Craig Thompson's drawings are infused with emotion. Where other graphic novelists have experimented with changing visual styles based on the characters' emotions, Thompson's world flows and swirls with feeling. From time to time, it feels nearly psychedelic -- and i mean that in the most positive possible way. Senses are blurred as joy becomes visual, or terror more visceral. I couldn't put this book down, as it's a joy to read, and fascinating for the story as well as for the artful way that it is told. Thompson has lead an interesting life.

A Truly Amazing Experience
This is going to be brief because I'm in agreement with most of the others here. It should be known that I never write reviews here on amazon, I've only written one before.

Secondly, I rarely read, and when I do, it's hard for me to read for very long even if I enjoy it. Call it ADD, call it someone having trouble sitting in one place for too long, call it whatever you want. But I picked up this book and read it in one sitting. I've never done that.

Third, I don't like the majority of comic books out there. I find most of the writing to be corny, forced, and just plain laughable. The dialogue here flows naturally and feels entirely genuine. Beyond the writing, the art is some of the best I've ever seen. It's simple, but incredibly expressive and unique. Craig Thompson is also very gifted when he frames (or composes) his scenes. It's almost like watching a film. He's got the pacing, editing, directing, and quality of "photography" down brilliantly.

I really had no idea there were comics (or "graphic novels") like this. I can't recommend this high enough. I will be lending the book to my friends and buying an extra copy for my library. Everyone should read this book. As well, I will be checking out the rest of the quality graphics novels ("Box Office Poison" and "Goodbye, Chunky Rice" for example) that I've missed. Thank you Craig Thompson for this book. I envy you for you have made a brilliant piece of work that will be remembered fondly by many. You can rest easy now!

such amazing honesty and emotion
Today I read "Blankets" by Craig Thompson, a nearly 600 page illustrated work aka comic. It's only been a few hours and I can't yet entirely put into words how and why it resonated with me. It is almost perfect, and maybe that imperfection at the end just makes it more so. It's hands down the best depiction of Christian teens dating that I've ever come across, in any medium. And it is so much more than that. The protagonist's relationship with Raina, their different worlds... it was intensely real and bittersweet. I lived some of these scenes, and others which at first seemed extreme and foreign I soon realized were not so far from my experiences growing up. There are little things that I now realize must be universal among guys like me, like tucking the girl's hair behind her ear as she lays there because you can't bring yourself to do more but you have to touch her. The "psalm" in appreciation of, and thankfulness for, her creation is sublime. This book has rocked me.

A glorious book.
The day this arrived, I figured I'd be able to ration it out,a few hundred pages a day. This book must be read in one sitting, as I soon found out. I stayed up late into the night, and it was well worth it. This book will make your heart cry softly, and get warm fuzzies, sometimes all at once. The artwork only helps to bring this story to life even more. ... Read more

Book Description

March 6, 2035. Motoko Aramaki is a hyper-advanced cyborg, a counter-terrorist net security expert heading the investigative department of the giant multi-national, Poseidon Industrial. Partly transcending the physical world and existing in a virtual world of networks, Motoko is a fusion of multiple entities and identities, deploying remotely controlled prosthetic humanoid surrogates around the globe to solve a series of bizarre crimes. Meanwhile, Tamaki Tamai, a psychic investigator from the Channeling Agency, has been commissioned to investigate strange changes in the temporal universe,brought about by two forces, one represented by the teachings of a professor named Rahampol, and the other by the complex, evolving Motoko entity. What unfolds will be all in a day's work...a day that will change everything, forever. ... Read more

Book Description

Throughout his adventures across the mythic Hyperborean world, the barbarian called Conan crosses swords with many colorful and dangerous characters, somehow always finding himself on the wrong end of a wizard's wrath, or staring down the hungry jaws of a nightmarish beast. Proving himself more than a match for whatever came his way, Conan has become one of the most enduring and strangely endearing characters in all of popular culture. The stories in this edition feature more tales of thrilling adventure and chilling betrayal as only writer Roy Thomas and artist John Buscema could deliver. ... Read more

Book Description

The misunderstood monster's earliest adventures continue as Robert Bruce Banner's rampaging alter ego clashes with Namor the Sub-Mariner, the Fantastic Four, and the Avengers! He fights his share of super-villains, too - including Maximus the Mad, the Glob, the Leader, the Rhino, the Absorbing Man, Night-Crawler, Tyrannus, the Mole Man, Hydra, the Abomination and the Sandman! Featuring the almost-wedding of Bruce and Betty Ross! Collects Incredible Hulk #118-142, Captain Marvel #20-21, and Avengers #88 ... Read more

Book Description

The Jedi are taught to use the Force for good; to avail themselves only to the light side. But the dark side can be a dangerous temptation to even the strongest Jedi. Set against the backdrop of the Clone Wars, this novel-length adventure is filled with espionage, betrayal, and amazing lightsaber battles. It all begins with a dangerous undercover assignment that leads to...well, we dare not reveal the shocking ending! A story that is sure to have Star Wars fans talking - and wondering whether the fate of the Jedi lies in the light, or the dark. ... Read more

Book Description

Dr. Strange. Namor. The Hulk. The Silver Surfer. Set apart from others by nature and choice, this team of Marvel's mightiest loners embarked a string of strange adventures rarely equaled since - joined by some of the most off-kilter heroes of their time. Sorcery! Super-science! The war of the super-heroes! Learn how the "non-team" got its non-start in this multi-title compilation! Collects Dr. Strange #183, Sub-Mariner #22 and 34-35, Incredible Hulk #126, Marvel Feature #1-3, Defenders #1-14, and Avengers #115-118. ... Read more

Book Description

In celebration of its 65th anniversary, the House of Ideas proudly presents a timeless testament to another true Marvel visionary! Best known as the first artist to bring Spider-Man to life in the pages of Amazing Fantasy, Steve Ditko illustrated Amazing Spider-Man for four years - helping create characters such as Doctor Octopus, the Lizard, the Vulture, and dozens more of Spider-Man's classic villains. In contrast to the grounded realism of Spider-Man, Ditko also drew the adventures of Doctor Strange, a master of the mystic arts who defended Earth's citizens from bizarre otherworldly threats. Now, this deluxe keepsake edition collects his greatest moments.Stories from Tales To Astonish #26, 42; Strange Tales #94, 97, 110, 115, 126-127; 146; Amazing Adult Fantasy #7, 10, 12-13; Amazing Spider-Man #1, 31-33, Amazing Spider-Man Annual #1; Hulk #6, 249; Tales Of Suspence #48, Daredevil #162; MSHS, Speedball #1. ... Read more

Book Description

Volume One of Flight features stories by professionals and non-professionals alike, all playing on the theme of flight in its many incarnations. From the maiden voyage of a home-built plane to the adventures of a young courier and his flying whale to a handful of stories about coming of age and letting things go, this first volume of Flight is full of memorable tales that will both amaze and inspire. ... Read more

Book Description

An epidemic of apocalyptic proportions has swept the globe, causing the dead to rise and feed on the living. In a matter of months, society has crumbled: There is no government, no grocery stores, no mail delivery, no cable TV. Rick Grimes finds himself one of the few survivors in this terrifying future. A couple months ago he was a small town cop who had never fired a shot and only ever saw one dead body. Separated from his family, he must now sort through all the death and confusion to try and find his wife and son. In a world ruled by the dead, we are forced to finally begin living. ... Read more

Reviews (5)

You'll love this book.
I borrowed this from a friend... now I HAVE to get my own copy. I can't wait for volume 2.

This book is that good people. Run... don't walk to get this little gem.

the epic zombie movie we always wanted to see
i am a huge zombie fan and i love romeros work among others, and there was always the problem of not having the best actors possible and the budgets being next to nothing, but i had in my mind a epic zombie tale..this is it!

we have great writing that makes us grow to love the characters and feel for them, there are plenty of moments with just people being people, it's not all gore and zombies, that is why so many non horror fans love this.

but worry not horror/zombie fans, there is plenty of attacks, cities full of zombies living dead horror, no budget worries here, the artist can simply fill the page with as many as he wants, and the art is fantastic, very realistic with a ever so slight cartoony edge that never takes away from the impact of the story, and these are some of the best zombies i have ever seen.

it's all balanced out so well, it keeps you coming back for more, i hope they release more since the series is at issue 8 now and this collects the first 6.

One of the best of the year.
This is an excellent graphic novel that collects issues 1-6 of the Walking Dead series. Robert Kirkman has written a great story here, and Tony Moore's excellent black and white artwork brings it all to life (or should I say, brings life to the dead?). The story unfolds like a well written movie. The characters are well defined and their struggles come across as very human. This is more of a survival story than it is a zombie story, but don't worry...there are plenty of nasty zombies to go around, too. In fact, this is one comic story that I would very much like to see put on the big screen...and I wouldn't change a thing. I enjoy horror comics, but this was different than most. This comic is very intelligent, realistic (for a zombie story) and has a good message about working together to overcome adversity (and what adversity it is here!). Highly recommended.

The Walking Dead rule the earth...
Rick, a small town Kentucky police officer, awakens from a gun shot induced coma to find the world a very different, and very horrifying, place. The dead now walk and attack the far out numbered living. While he slept, the world had ended...

While the opening was a tad too close to 28 Days later for my taste (wouldn't it have been more interesting to start at minute zero and progress through the erupting zombie plague?) the story quickly grew on me and, in the absence of a fourth Romero zombie movie, it satisfies. Required reading for any zombie fan.

Best Graphic Novel of 2004
Brilliant artist Tony Moore takes a superb script by Robert Kirkman to give us a fresh retelling of the "zombie world order" horror story. Inkwash over pen and ink works perfectly to convey a human tale of survival at the end of civilization. This book is a character study with examples of courage, cooperation and compassion balanced by equally well rendered paintings of human fear and envy. I usually walk by black and white comic books, but this one wouldn't have been as good in color. 2004 is not quite halfway over, but I doubt I'll read a work of fiction this year I'll enjoy more. ... Read more