Book Description

This is where the legend began! A look into the early, pivotal period of the Marvel Universe, when five fledgling heroes - Iron Man, Thor, Giant-Man, the Wasp, and the Hulk - banded together to fight the foes no single hero could overcome! But how did the public react? How did the U.S. government react? Previously untold secrets surrounding the formation of the Avengers are revealed here. Five individuals must learn to work as a team and forge a legend!Collects Avengers: Earth's Mightiest Heroes #1-8. ... Read more

Book Description

Alchemy: the mystical power to alter the natural world, somewhere between magic, art and science.When two brothers, Edward and Alphonse Elric, dabbled in these powers to grant their dearest wish, one of them has lost an arm and a leg...and the other became nothing but a soul locked into a body of living iron.Now they are agents of the government, slaves of the military-alchemical complex, using their unique powers to obey their orders...even to kill.But their powers aren't unique.The world crawls with evil alchemists.And in pursuit of the ultimate alchemical treasure, the Philosopher's Stone, their enemies are even more ruthless than they are... ... Read more

Reviews (5)

This is the best manga series in my opinion
Don't automatically assume that the manga is based on the anime because you've seen it on Adult Swim first. The anime "Fullmetal Alchemist" is based on the manga, which was later released in the United States. Now that that's out of the way...

This is truly a great manga. Each character is unique. They all have distinct personalities, different talents, beliefs, everything. This is a good thing, the storyline is more engaging that way. Speaking of the storyline, it's great. It is the same as the anime with a few differences, but remember that the ANIME is based on the MANGA. The artwork is really well done.

If you're thinking about getting this manga, take my advice. Stop thinking, and get the manga. Don't listen to people who haven't even gotten the facts straight. This manga series is the best, in my opinion, and it IS great. It will leave you wanting more.

People Listen to what you are saying!!
Lately I have been thinking about buying this first volume of Full Metal Alchemist, but the more I look at it the more dismayed I get. The reason for this is not because I think that the plot needs any work, nor do I think that the book is too pricey. The reason I am dismayed is that everywhere I look I see contradictions. I look at the product descriptions and they say the manga came first,(by first I mean if when they were first coming up with the idea in Japan, did they print the manga, or air the anime originally) but if I read on it always reads something like "...from the anime to the manga." As a customer I am confused, because I want to have the original format in my hands, but with quotes like the one above I can't make any sense of what I am going to buy. As a manga fan however I am outraged, and for one reason only: If the manga came first then SAY THAT!! As I have said before I want the original format in my hands, but the way I'm looking at it it seems as though the anime came first. In conclusion I will say to the people who have written reviews on this product that you have to look at what you are saying, and look at what the facts are, and again I don't think I can stress my point enough; If the manga came first then don't have anything saying otherwise, and vice versa.

Great book to add to your collection
Being a huge fan of the anime series, I had to get a hold of this book. The artwork is very good, being able to see the story flow from one panel to the next. The translation is good, but there were some discrepancies. For example, how the silver pocket that all the state alchemist possess in the anime are in fact gold and how Fuhrer King Bradley in the anime is referred to as the President in the manga. Not really a big deal and doesn't really change the overall quality of the story. The story tends to be slightly more comical than the actual anime and Edward seems more sadistic in this version. Overall, I would still highly recommend this to all FMA fans and anyone who's willing to get into anime for the first time.

The first transmutation
~F1Rst REV1EW~

"Fullmetal Alchemist" has already made a huge success on the [Adult_Swim] program.Because of that, fans of the series, or for those who couldn't stay up to watch the anime or pay $30 for the DVDs, can now enjoy the adventures of the odd Elric brothers from the format that started the franchise: manga.If you'd hope for more of the same drama/comedy hybrid with a unique premise that made "Fullmetal Alchemist" such a hit, you'd be both wrong and right.I say that, because some of the changes here can alter the satisfaction of an anime fan.

You would be right, because conceptually, FMA: The Manga remains the same (come on, it's a book...that was made into a show).Ed is still Ed, Al is still the bodiless metal knight wearing an apron, both are still young alchemists in an alchemy-fad world and on the search to find the philosopher's stone, which will enhance their transmutated abilities to recover their original bodies back after their failed and ill-consequential attempt of reviving a dead human: their mom.The manga also looks as amazing as the anime.This first volume covers up episodes 1, 2, 5 and 8 of the anime series (not in order), with the Elric Brothers stopping a false prophet, train hijackers, and saving a mine town.You'd probably know all this if you've seen the anime.Viz Media does an above-average on the translation, and as always, the company does not believe in japanese sound effects, so they translated those as well.

You would also be wrong, because despite being the same FMA by its essence, the situations and character developements have been altered in the manga, possibly drastic enough to make it look like a whole new FMA.First off, the manga took place in the present, and anything that happened during the past after the tried human transmutation from the anime happened in the current; the whole past scenario doesn't even happen until a MUCH later volume.Second, it's the characters in the manga: Ed is more aggravated over his image, Al is more gullible, and while she isn't in the first volume, metalphiliac Winry became the dominatrix of constant abuse that many shonen babes have before her.Oh, and the flame alchemist Roy Mustang worries less about what he can do for having female soldiers wear skirts and worries more of what he can do for himself.

Some of the characters have changed for the better, leaving the angst and brutality of the characters from the anime in exchange for giving them more, dare I say it, "realistic" feelings that make them act more human, even if act ridiculous.Most characters, however, changed themselves to make them spiteful to the reader, and not in a good way.The villians are the real culprit on this subject, like Cornello, who in the anime is very demeaning and prideful over his ambiguous schemes, but here, he's too loose and when he blows some steam, I couldn't take him seriously.Also (again, not in the first volume), Barry the Chopper is the equivalent of the Killer Klown from Outer Space in the manga, while in the anime, he's the equivalent of Hannibal Lechter, expect more heartless and evil (I say that as a bad thing).At worst, the villians are pathetic.

Also in comparision to the anime, characters like the other elric brothers, and the sexy thief Jeanne, don't exist here.And for the other homunculi (Sloth, Wrath, and Pride), they exist, but they'll look different then what you see in the anime, so for those lusting on anime Sloth should be prepared for the shock.

The story also goes through some changes from the anime, and personally, it's a mixed bag.The mood here seems less on drama and more on comedy.There are also moments where scenes in the manga are just not as acceptable as the anime: death scenes, tragic scenarios and such just doesn't hit me hard like it did in the anime.The manga doesn't take itself too seriously, so for certain moments, it's humorous, light-hearted, and easy to get into, but at the same time, it lacks the impact and confliction that made the anime so heartbreakingly enjoyable.

How would I know some of these facts and comparisons if I only read the first volume?I manage to check out some FMA scanlated chapters before buying this volume.

F1Rst REACTION: somewhat positive

In an estimate scale, I would give this first volume 3.5 stars.Heck, the first five volumes I'd give them 3.5 stars.As I said, this manga is not as serious as the anime, so this and later volumes might be too easy and rushed to be completely satisfied.Don't be discouraged of what I just said.This manga DOES get better after volume 7, because THAT is where the manga is truly a worthwhile read.Trust me, I have to go through the first two boring volumes of "Berserk" before I got to the meat of that title afterwards."Fullmetal Alchemist" will reach its prime, manga readers...just not right now.

Amazing
Being an avid watcher of the Anime, the manga is either just as good or better than the show. Amazing graphics and story. ... Read more

Reviews (45)

The Marvel Universe throguh the eyes of the everyman
First and formost, I am not a very big Marvel fan. I picked this up after reading "Kingdom Come" and thoroughly enjoying Alex Ross' art. The art here was just as good as it was in Kingdom Come but the story was totally different. As a matter of fact, this was different that any comics stories I've read. Nearly all stories put the superheroes in the driver's seat, with the stories being from their point of view and narration. This was the exact opposite. This story, much to its credit is told from the point of view of a photojounalist, Phil Sheldon. He chroicles the entire birth of the Marvel Universe, from the birth of the Human Torch in the 1940's to the death of Gwen Stacy in the more recent chain of events. He tells a story of awe, appreciation, respect and fear regarding the Marvels (as he likes to call these superheroes). He reflects the emotions of how humans would truly react whether this phenomenon had really occurred. The end product being a masterpiece and one of the best comic stories....no, one of the best stories ever written. As I mentioned in the beginning, the art is flawless and truly a feast for the eyes. The details that Ross places on every panel he paints is truly uncanny and cements his status as on the best artists in the medium. Much applause and crdit should go to the author, Kurt Busiek who does the seemingly impossible task of tying together all the events on the Marvel Universe in a very coherent manner (from the sighting of the X-MEN to the senate hearing for Tony Stark, the disbanding of The Avengers to the death of Captain Stacy). This shows that he had put in a lot of work on this painstaking research and story. All of these factors puts MARVELS on the list with other comic masterpieces such as The Watchmen, The Dark Knight Returns, etc. Anybody who believes comics are for kids and just a showcase for colorful and flamboyant superheroes should read this. This story manages to penetrate deeply emotional issues that are comparable and might even rival some of the writing done in the more mature and regular medium.

The Marvel universe as seen by the average Joe
MARVELS is a neat chronicle of watershed events in the Marvel universe that occur over a period of about fifty years. It's also seen from the perspective of the average, non-superpowered 'man on the street'. It all unfolds from the view of a newspaper photographer, as he witnesses the legendary battle between Namor the Sub-Mariner and the original Human Torch, the rise of the X-Men & their battle for equality, the death of Gwen Stacey, the aftermath of the X-Men's first battle with the Hellfire Club, and many more turning points in the Marvel world's history, all from an almost-safe distance.

Alex Ross's photorealistic painted artwork, rather than the pencil-ink-color process that is the norm, gives the book a 'real world' look. It's how the Marvel universe would look like were it shown 'live-action'. MARVELS marks Ross's big break into the comics scene, eventually making him one of the most in-demand talents in the medium today. This book was my first exposure to Ross' efforts, and I've been a big fan of his art ever since.

But there's also Kurt Busiek's story, which shows the man's reactions to the events as an outsider looking in. His story artistry gives you a glimpse, if you were able to, of how you'd experience the world of superheroes.

'Late!

Plotless with little characterization
This book was not worth reading. While it starts out with the 'birth' of the human torch, soon many random superheros and super villains are incorporated within the book. There's lots of action, but the reader doesn't really care who wins or who loses, since other than the torch and the protagonist (a photographer) there is absolutely no characterization! Obviously the author is trying to pack in as many superheros/supervillains into one book as he can. There's almost nothing to keep you turning the pages in this book and i am surprised i even finished it. I recommend sticking with a book that focuses on just one hero (or one group of heros, such as with the X-Men). Don't waste your time reading this book with no plot or characterization.

Idea to fellow female readers: Check out "Merridian" instead. It is way cool.

To female and male readers: pick up an ordinary comic book or a good graphic novel like Galaxy Express 999.

One of the best comics ever in a brilliant special edition
It's hard for me to justify the expense of a hardcover graphic novel, especially if it's a collection of individual issues I already have, but when I heard about the Marvels 10th Anniversary edition I knew I would have to get it. Not only is Marvels one of my favorite comics of all time, but the extras packed into this book really show how collected editions are starting to become the DVD equivalent for comic books.

In "Marvels," Kurt Busiek and Alex Ross took us through the life of photojournalist Phil Sheldon, an old-fashioned newspaperman with printer's ink in his veins and a camera to his eye. Phil, however, lives in a more fantastic universe than you or I, he lives in the Marvel Universe, home of Captain America, the Fantastic Four, Spider-Man and the X-Men. Through four issues, we watch how Phil and his world grew and changed, how people thought about the superheroes -- the Marvels, as Phil called them -- and how perceptions evolved along the way. It's a beautiful, poignant series about ordinary heroism, hero worship, and the heroic ideal. Ten years later, it's still one of the best comics I've ever read.

If you've already read the comics, though, there is still stuff here for you. This collection includes the four pitches Busiek and Ross went through to get the series made, the complete scripts for all four issues, character sketches, production and promotional artwork, a guide to "Easter Eggs" in the artwork, a section on Ross' technique of painting from photographed models and even the text of all the newspaper articles that only partially appeared throughout the series. It's packed, and that makes the reading all the more fun.

If you've never read "Marvels," you're missing out. If you read it and loved it, this book takes the story one step further. Kudos to Marvel for putting out such a great edition of such an important comic book.

Excellent!!! Excellent!!! Excellent!!!
First off, let me say that I absolutely love the art work in the comic series. AMAZING!!!

What a gift it is to have a written story that rivals the artwork.

I thoroughly enjoyed Marvels. I love the concept of seeing the birth of superheros, in the Marvel Universe, through the eyes of a photo journalist. From it's skaky beginnings with the battles between the original Human Torch and the very angry Sub Mariner up until the very sad tragic death of Gwen Stacy at the hands of the Green Goblin.

Everything else in between those two story plots are just comic genius. An accurate timeline of Marvel events happening at once to every and all characters. While the Hulk was on a rampage in Washington, The Fantastic Four were having a wedding, and the Wasp was having her own clothing line... etc.

Upon reading the series, I kept recalling all these stories I had read as a child. To see them all combined, backed by beautiful artwork was a sheer pleasure.

I highly recommend this graphic novel for old and new fans. Very smartly written. Very beautifully drawn. ... Read more

Reviews (4)

Planetary 3
Solid installment of Ellis' _Planetary_ series. The threads begin to come together even more tightly, but remain loose enough for continued mystery as the series continues.

rare 21st century gem
Beautifully drawn and conceived.Ellis takes us on stunning walks of levity and gravity, fantasy and gritty realism.One cannot help but wonder how much is imagained and how much is based on fact.He's found the line where pop-culture and reality collide ... some of his best work, certainly, and perhaps the first great comic book to define life in te 21st century.

A word to the wise, though ... don't pick this volume up if you haven't read the first two ... you'll be missing out.

Warren Ellis is strange and a terrible writer.
The writings of Warren Ellis, well they promote drugs, paranoia, inmature dialoge between men and women, and commentey by aman who clearly hates himself and the world around him. As this load of garbage shows.DC Comics should have nothing to do with this quack's wriings, and speaking as someone who works in the publishing field as both editor andwriter.I would not give the man's scripts one passing thought, They are not worth it.

Planetary: Leaving the 20th Century
In this 3rd installment of Planetary (collecting issues 13-18), Ellis and Cassaday take their X-Files-on-steroids creation through a familiar landscape of comicbook/literary/pop culture - including take-offs on the League of Extraordinary Gentlemen, Thor, kung fu flick 'Crouching Tiger/Hidden Dragon', Tarzan, and Jules Verne's sci-fi classic 'From the Earth to the Moon'.


Warren Ellis rivals Alan Moore aned Neil Gaiman as a writer who commands repeated readings as the war between Planetary and the Syndicate(X-Files)-like 'Four' (who are themselves evil send-ups of Marvel Comics' Fantastic Four) escalates. John Cassaday's art is consistently breathtaking and more than equalls Ellis' strong writing.


Do read the first 2 Planetary graphic novels first ('All Over the World' and 'The Fourth Man') before continuing here and beyond. The good news is there is more to come.


Also recommended: Planetary:Crossing Worlds (excellent short stories outside of regular continuity); Alan Moore and Kevin O'neil's 'League of Extraordinary Gentlemen' (both Vol. I & II are great). ... Read more

Book Description

The war between three armies of vampires, humans, and those in between is in full swing. The Hellsing organization is embattled as London is falling to Nazi vampire forces, turning the city's citizens into rivers of blood and a population of ghouls. It looks like it might be the end of Sir Integral Wingates Hellsing and her henchman, Walter. But what's this? The Vatican? But that means the Vatican is unprotected. If you haven't figured it out yet, Earth is in chaos of a World War like no other. New forces will rise up, surprises of undead power will surge forth, guns will blaze, and blades will sing. There's no telling how this will end, as Hellsing clamors forward with a seething wit and a frantic pace, and style that passes beyond gothic grace. ... Read more

Reviews (2)

Has its own merits
Granted, there was a lot of setup going on in this volume, but I also thought that it had quite a bit in it that made it good on its own. There were several parts that I thought were absolutely hilarous, as well as parts that were awesome and others that were downright disturbing. There was some great action going on. I was sad that Alucard wasn't really in it much, but at the same time I think this allowed some space to develop the other characters. Alucard kicks some serious butt, but some of the other characters can be cool in their own ways, and Volume 6 really shows that. You have to keep in mind that this is part of a SERIES and that Volume Seven will undoubtedly continue what was begun in Volumes 5 and 6.

hopefully volume 7 will be better.
let me just get this out of the way, this volume was pretty much (at least, i sincerely hope), created just to set up volume 7. it doesn't really get interesting until the last couple chapters. the rest is just kind of meh. also, alucard is in this for about 5 pages. not even in a row, just spread out because he is still on the ship that he destroyed in volume 5. so overall, this book is merely ok. not the best, not the worst. i suggest this only to people who are fans of the series and want to know what happens to the hellsing crew. otherwise, this book won't interest you a whole lot. now, to count down the days until volume 7 arrives. ... Read more

Reviews (2)

Beautiful Book!! A Tribute To The Dark Knight!!!
I just recently received this book,and I can tell you it is well worth having. True, there are definitely some covers that are missing (in my opinion all of Jim Lee's covers should have been here from the Hush series. OUTSTANDING!!!) A beautifully done book to add to your Batman collection. This book does not cover all of Batman's many comic book covers, but this was not to be expected. Instead they point out some of his most daring and bold covers. Batman has had the benefit of being drawn by some of the greatest comic book artist ever. I beleive you will find it truly amazing how each one has their own distinctive style on creating the Dark Knight. So make sure you own this one. You won't be sorry. Hey, maybe they'll make a volume 2.

It's about time, for someone like Batman
Well first, it's Batman; that might be enough reason to buy it, even for the price. (I'm a collector anyway, so what's some bucks?) Anyway, it features a number of cool and "forgotten" covers done over the 65+ years of Batman being in comics. I was even surprised some of the covers of War Games got in, really nice. There are some well-written commentaries too, by artists and editors and the like, and what cover they picked.

The cover of the book itself is great. I thought it was just a hardbound book; it turns out, the dust jacket reveals some more to it. I was in awe when I opened it, well done.

My only rant, not all of the covers I wished to be there was not there. Well, that's how it is. Tec#700 and Strange Apparitons, I think, should've been in the list. Well, all in all if you have the money and would really have something to keep for a number of years, get this. Well, if not, I hope you can browse through it when you get a chance. It would be great.

... Read more

Reviews (13)

Fair Book
Golden Age of the Sith is not the best Star Wars comic I have read. I recomend it to any Star Wars fan who wants to learn more about the Sith.

Confusing start for the Old Republic Jedi
On the SW time line this is the first of the OLD REPUBLIC ERA stories released Aug 1997. Written by Kevin j Anderson, author of the JEDI ACADEMY TRILOGY (1994), KJA is one of the more important writers in the SW universe, or at least he was. He wrote the young jedi series, and those kids are now the heart of the jedi in the NJO series of books. He also wrote the Essential chronology with Daniel Wallace released in 2000. These old republic are comics have been criticized as almost unrecognizable from the jedi that luke is training.
It is not my job to defend KJA and his story, but times were different. What I can't explain away is the poor editing. All the ORE comics are confusing as heck. Most of them have no importance to the Skywalker era. The art work that gets a C grade, but Darkhorse has made tremendous strides in later comics. Comics produced in 2002 and 2003 have stunning artwork! I'll give this comic a 3 star review for starting things off.

5,000 years before Anakin and Luke
This is actually the first STAR WARS story in the entire chronology. Although be advised that it was published by Dark Horse Comics later in the TALES OF THE JEDI (TOTJ) run, in 1996-1997, as 5 issues and one #0 issue.

If you're going to read the TOTJ series, I recommend you start with this one. It's a great introduction to the Old Republic and the hidden Sith empire.

Kevin J. Anderson does a good job with the story and the characters. Some backstory on the origin of the Sith is provided. It is very cool to see the Sith and their manipulations, the conflict among themselves. The art is very good, with impressive planets and character designs. There is a nice level of detail and the coloring is above average.

I really like TOTJ because it is so far removed from all other incarnations of SW. There is so much to explore, and the history of the Sith is something that has always been of keen interest to me.

THE GOLDEN AGE OF THE SITH is a fast-paced read that entertains all the way through.

This story is concluded in TALES OF THE JEDI: THE FALL OF THE SITH EMPIRE.

Interesting SW history, but hard to like
'Golden Age of the Sith', as the other Tales of the Jedi books, is a bit of a hard sell for fans and non fans. Fans of Star Wars will buy this book to complete their collections, and just might enjoy it for it's historic tale set in the far past of the Star Wars continuity. However, the tale is so bizarre that it bears almost no resemblance to the current Star Wars universe. For some it might be a drawing point, but I think others will be turned off by this. Non fans will turn away, as the story isn't particularly intriguing and the art is sub-par. The rest of the 'Tales of the jedi' stories are much better.

Hardly the best of Star Wars
I found this to be a mixed package. Once again, I state that I've never been a Kevin J. Anderson fan. His earlier novels and comics were pretty good, but after his first few the quality virtually vanished.

The story of Gav and Jori is a bit of a bore, and even though you're supposed to feel sympathetic toward these two, I just didn't feel it. The Sith, meanwhile, turn out to be a bunch of squabling fools. The only character who is really worth a dime is Naga Shadow.

The art by Carrasco was good, though. His art style is well-fitted for the ancient 'Tales of the Jedi' series. (Any attempts to transplant him into 'modern' Star Wars, though, don't prove very fortunate, as 'Leviathan' proved.) The Sith architecture and garb is well-done, with beautiful vistas and the Egyptian-style tombs and architecture. Even the warships have a certain flair to them.

Overall, the art's about as good as the story is lackluster. Insight into the ancient Sith is unfortunately little. Flip through it, take a look at the nice, old-style art, and then I reccomend putting it back on the shelf. ... Read more

Book Description

A floating city promises hope for humans and mutants alike! But if Cable plans to be Earth's Savior, will Deadpool accept the role of Judas? Plus: the traumatic, tragic, and tantric events of "The Burnt-Offering" have left Cable - well, "regurgitated" - now Deadpool has to save the day! Even if it means confronting his fear of very big-headed villains! And the challenge of finding someone who can fix technology from thousands of years in the future.Collects Cable/Deadpool #7-12. ... Read more

Book Description

Homicide detectives Christian Walker and Deena Pilgrim investigate murders specific to super-hero cases. And with all super-heroes declared illegal, a Powers crime wave has hit the city, and hit it hard! ... Read more

Book Description

She was the catalyst that helped to turn a rag-tag rebellion into the Rebel Alliance. She provided the impetus for the "Heroes of Yavin" in their attack on the Death Star. And she was the spark that ignited the flames of passion in one of the galaxy's most notorious rogues. "She," of course, is Princess Leia, the leader - and heart - of the Rebellion against Palpatine's galactic Empire. The four stories in this volume follow Leia from the weeks just before the events in A New Hope, to the time just before The Empire Strikes Back - from her first transforming experience with armed rebellion, to facing the ramifications of consequences of the destruction of her home planet, to the beginnings of true love. ... Read more

Book Description

From one of the swamp moons of Naboo, to the war-torn cityscapes of Brentaal IV, the battles of the Clone Wars have thrown the galaxy into turmoil. New Separatist threats, ranging from deadly biological weapons, to dark Jedi, to unkillable alien bounty hunters, have the loyalist Jedi and their clone troops pushed to their limits. This graphic novel collection contains three separate, yet linked stories of heroism and sacrifice set during the time between Episode II and Episode III! ... Read more

Reviews (3)

SUPERB QUALITY CONTROL WORKS.
I have been critical of the occasional lack of quality control by lazy editors at dark horse. But this comic is magnificent! I had tripidations when i realized that two writters, 3 pencilers and 3 inkers were involved. But the editors and everyone else did their jobs and the results are tremendous.

The master plan for the entire PRE-QUEL endeavor has been very satisfying so far, unlike the extremely disappointing NJO. Here the master plan combines excellent novels and comic books with the movies to tell the story.

Excellent followup to volume 1. Great job Lucas films and darkhorse.

The New Face of War
The Clone Wars rage on in this exciting volume.

This book contains the first appearances of the two new villains of the Clone Wars: the bounty hunter Durge, and Asajj Ventress, the female Dark Jedi.

If you saw the CW animated series than you are familiar with these villains. They are great new characters, and are the new face of war. Durge has a very cool look as well as an entertaining personality and dialogue.

The art is handled by three artists, all of them excellent. This features the first time Brian Ching drew an issue (Republic #53), and it's nice detailed work. Jan Duuresma is outstanding, as usual. Tomas Giorello also does a commendable job.

Dark Horse is really doing tremendous work with Star Wars right now. In my opinion, the current SW comics are among the best they've ever published.

The Wars continue...
Anyone who has read the first collected comic "Star Wars: Clone Wars; Volume 1" knows that the art work and story lines are excellent!!!

This issue expands on the conflict of the Clone Wars and develops the characters more so you can really get a feel for who they are and how they act, especially the Sith Warriors. Volume 2 contains much more action than Volume 1 and leaves you wanting the next Volume already!

If you have a love for Star Wars and the expanded universe of the comics; or if you just love a few great war stories in a sci-fi setting, this is the comic for you. However it should be said that although this comic can be read without reading the first volume, those that have read the first will enjoy this comic more as they can notice the character development and know the origins of some of the conflicts in this volume.

Happy reading and (Always wanted to say this), May the Force be with you! ... Read more

Reviews (50)

Solid, but ultimately disappointing, Batman murder mystery
This graphic novel gathers together all 13 issues of "Batman: The Long Halloween", written and drawn, respectively, by Jeph Loeb and Tim Sale. The story revolves around Carmine "The Roman" Falcone, the ruthless head of Gotham's fiercest gangster empire. The Roman is responsible for countless murders, hijackings, and crimes throughout Gotham, but authorities have never been able to convict him (most of the graft-ridden city is either on his payroll or bribable). Batman, along with a young Captain Gordon and headstrong District Attorney Harvey Dent, is determined to rid Gotham of Falcone's corruption, but he soon learns that a mysterious figure may have already beaten him to the punch: a serial killer, known only as "Holiday", is currently on the loose in Gotham and preying on members of Falcone's extended "family". Batman, Gordon, and Dent now face a combined problem: bringing Falcone to justice, while also ending Holiday's deadly spree.

One of "The Long Halloween"'s primary goals is to provide backstory on Gotham's crime lord past, and this is where the novel truly shines. Readers finally get to see the crime organizations that controlled much of Gotham in the early days (this dark past was hinted at in other Batman stories, but it's more fully explored here). In addition, "The Long Halloween" contains a fascinating retelling of Harvey Dent's past, which will be warmly welcomed by fans of this sometimes morally-dubious friend of Batman's. Unfortunately, readers hoping for a significant glimpse into Batman's own psyche will be sorely disappointed; Batman remains a cipher throughout most of the novel, speaking always in a terse, stacatto rhythm and providing little in the way of a glimpse into his mind's inner workings.

While "The Long Halloween" is competently written, it suffers from a lack of originality and a workman-like narrative drive. The ideas explored here (Italian gangsters and serial killers) are mildly intriguing within the larger context of Gotham, but Loeb doesn't infuse them with many new twists, so they remain tired cliches in this story. Also, in an attempt to give an "epic" feel to this saga, Loeb introduces many of Batman's most infamous foes into the mix (The Joker, The Riddler, The Scarecrow, and The Mad Hatter are just some of the villains on display here). However, the characters are introduced and then dispatched so quickly by Batman, that they don't provide any real sense of drama (in fact, at times, they almost seem to be there for comic relief, which doesn't seem quite right). I think this story would have benefitted from focusing on a much smaller handful of villains, rather than the scattershot approach it takes.

I similarly found the ending of the story and the mystery to be somewhat unsatisfying, although I acknowledge that this is a matter of individual tastes. While it's interesting to see Batman (and Gordon and Dent) involved in such a bizarre murder mystery, the story doesn't play fair with the standard "rules" of the genre--some may say this makes for a breath of fresh air in the Batman universe (and the mystery genre itself), but I think it amounts to a bit of a cheat for trusting readers. In the end, it's difficult to tell just how ambiguous Loeb intended certain elements of the mystery to be; in fact, there's a convincing argument to be made that some of the ambiguity is merely due to sloppy storytelling. Gotham and the larger Batman universe provide fertile ground for this style of mystery, but "The Long Halloween" ultimately fails to deliver on that promise.

Fantastic early-career Batman story
Long Halloween works on so many levels. I went into this book knowing how it was going to end and it still captivated me. It is both a murder mystery and a story of a fall from grace. The main plotline-the mystery of the identity of a serial killer who murders members of the Falcone and Maroni crime families every major holiday-almost takes a back seat to the tragic transformation of Harvey Dent, who starts out as Batman and Captain Gordon's partner and friend and becomes one of their greatest foes by the end of the story. This series ranks alongside the Killing Joke as an important piece of Batman continuity as well as examining Batman's relationship with his enemies. Loeb's writing is good minimalism, packing so much power into so little dialouge. Tim Sale's artwork is just beautiful. He is one of the most talented pencilers ever, and breaths new visual life to several Batman characters. The series is lenghty but it is also fast paced and can be read in a relatively short amount of time. The pacing of the artwork is near-perfect, save for the unsettling abundance of splash pages. This series also well balances Batman's foes between pyschologically and physically deformed supercriminals and regular human gansters. After reading this and the first issue of its follow-up Dark Victory, one can only wonder why team Long Halloween does not work on a regular Batman title.

My favorite Batman book, part 1
This is the book that got me back into graphic novels/comics. A lush, noir-esque story with great twists and turns as well as a new take on a classic villian that retains the basic origin while expanding it slightly.

It's set early in Batman's career, before Robin and before his role was clear in the eyes of police. The only person who believes in him and what he's doing is Jim Gordon, at this point only a lieutenant in the police force.

Fantastic art and a brilliantly written story. Jeph Loeb and Tim Sale have quickly become my favorite tandem in graphic novels. Brilliant work! Brilliant!

Great Two-Face Story, Terrible Batman Story!
Here's another offering from the kings of retro, Jeph Loeb (writer) and Tim Sale (artist), reexamining Batman during his mythical "Year One" period. If you believe the intro to this volume, this story was meant to be a sequel to Frank Miller's classic retelling of the Dark Knight's early days in "Batman: Year One" (1986/7). As a story, this work is pretty weak in many areas; as a sequel, is simply falls short of the tight, mature storytelling of Frank Miller's original.

The story centers on the Roman family (originally introduced in "Batman: Year One"), a serial killer who offs people in creative ways during holiday seasons and the trio out to stop the crimes - Batman, Jim Gordon and Harvey Dent. Tim Sale is especially suitable for a work like this - his moody, atmospheric and splash-pages art are truly a sight to behold. You feel yourself being sucked into Batman's Gotham. My primary complaint is with Jeph Loeb's writing. Like my previous review of "Superman for All Seasons", my views of the man's writing hasn't changed. I like HOW he writes - I just dislike WHAT he writes! He's a great scripter, providing witty, timely and simply apt dialogues and caption boxes that the whole thing read very smoothly even though it runs into 300+ pages. The problem is with his insipid plotting. He should have someone else plot his tales and script over them. For example, in order to maintain the novelty of "holiday-themed killings", the story is stretched across THIRTEEN months and countless murders - and finally Batman catches the killer (but we are told that he got the wrong guy). And this is the "World's Greatest Detective"? Meanwhile, Batman consults a Hannibal-Lecter-like Calendar Man who is incapacitated in prison but seemingly knows the identity of the killer (?!?). See the problem? Batman, Gordon and Harvey are supposedly super-cops and they run around like madmen without a clue to the killer and you have this locked-up guy knowing the truth behind everything? Granted, Loeb was trying to set up a "Silence of the Lambs" scene with Calendar Man but therein lies the weakness of the whole thing. It is a scene set up for its own sake and doesn't contribute anything to the STORY. We live in times wherein comic writers are a lot more influenced by TV and movies than literature. And Loeb, former screenwriter, epitomize this new breed of writers who set up cool scenes, writes clever dialogue, provides the atmosphere with the right artistic collaboration but ultimately delivers something very hollow and shallow. "The Long Halloween" is often compared to the pulp classics of Chandler and Hammett. I disagree vehemently. Loeb and Sale gave us "mood" and "cool scenes" but ultimately the story is without gusto, the characters lack the machismo and grit of true noirish anti-heroes, and though the atmosphere is there, it lacks the tight, all-encompassing claustrophobia of the great noirish works.

The only redeeming factor in this work is the retelling of Two-Face's origin. Loeb is especially great in the quiet "character" moments and here, the tragic story of Harvey Dent's transformation into Two-Face is beautifully retold. But Loeb's strength is often his most-glaring fault at the same time. For example the book begins with a full-page drawing of a grim-looking Bruce Wayne muttering, "I believe in Gotham City" - a scene I found to be laughably out-of-character for the flamboyant playboy persona of Bruce Wayne! This kinds of out-of-character scenes abound throughout the story. All in all, this story should have been better written by a more gritty writer like Greg Rucka or Ed Brubaker (both of them have written far better Batman stories than Loeb here).

My favorite Batman book, part 1
This is the book that got me back into comics! I've been a Batman fan for years but these two guys reeled me in to the comics.

This story takes place early in Batman's career. How early? No Robin, Harvey is still "Apollo" Harvey Dent, and James Gordon is still married to his wife. It's essentialy a murder mystery involving the Falcone crime family, back when there were REAL criminals running Gotham as opposed to the classic Bond-villians-on-acid criminals! Members of this family are being hit and the killer leaves macabe souveniers related to the holiday on which the murder occurs. Everyone is suspect, the conclusion is startling; everything I love in film noir murder mystery!

The art is more realistic than other Batman books. My only quip is the way catwoman was designed. They reached the design apex on the animated series. But in this book she has large eye holes, large ears, and whiskers in a attempt to make her more cat-like. Selina Kyle is WONDERFULLY done! The best drawn character is the Joker, he's my favorite anyway!

This is my favorite book because it's back to the essentials: Batman kicks the crap out of criminals, no supernatural stuff, and a great emotional comples for our hero! Bravo! ... Read more

Book Description

Process Recess collects the art of James Jean. From his travelogue-sketchbooks of Vienna, London, New York, LA and Taiwan to his finished illustrations and paintings, we get to see a side of the artist that most have not seen. James's artwork blends media such as watercolor, oils, computer work, and sketching - all of which is collected here in a beautiful hardcover format. ... Read more

Book Description

Volumes I & II in paperback of this 1992 Pulitzer Prize-winning illustrated narrative of Holocaust survival. ... Read more

Reviews (107)

More subtle than can be understood in a single reading
These books are an easy and fast read, but by no means are they simple. In two slim comic books, Art Spiegelman chronicles his parents' movement from comfortable homes in Poland to the death camps of Auschwitz and Birkenau, and from there to a surreally banal afterlife in upstate New York. We watch the destruction of the Holocaust continue in Spiegelman's father's transformation from a bright, good-looking youth to a miserly neurotic, his mother's deterioration from a sensitive, sweet girl into a suicide, and in the author's own unhappy interactions with his parents.

I have read some of the most negative reviews of these books, and I respectfully disagree. Some negative reviews ("Spiegelman is a jerk") castigate Spiegelman for his shamefully self-interested milking of his father's life and the Holocaust. Other negative reviews find fault with the unoriginality of the story, or discover historical inaccuracies, self-contradictions, or simplifications in the tale. Finally, a set of reviews are upset with Spiegelman's coding of people of different nationalities as animals(especially the Poles, who were also victimized by the Nazis but are depicted as pigs in the comics.)

The first criticism is both deserved and unfair. Deserved, because Spiegelman profits by the pain and death of millions, including his own family. Unfair, because Spiegelman himself consciously provides the basis for our criticism that he mocked and neglected his elderly father at the same time that he fed his own success upon his father's tales. The two volumes echo with his regret and unexpiable guilt at his treatment of his parents, and at his own success and survival. To attack Spiegelman for these things is like scolding a man in the midst of his self-immolation.

The second type of criticism finds _Maus_ to be sophomoric, inaccurate, or repetitive of other Holocaust survivor's experiences. The defense here is that Maus is the story of a single family, seen through the eyes of a single man (Vladek Spiegelman), and filtered again through his son. It is almost certain that the elderly Vladek forgot, exaggerated, or hid details, just as it is certain that his son summarized and misunderstood. However, the quasi-fictionalized format of the comic book throws this subjectivity into relief. The destroyed diaries of Spiegelman's mother are a reminder of the millions of life stories left untold, including stories perhaps too horrible and shameful for the survivors to reveal. _Maus_ does not claim to be an objective, authoritative history of the Holocaust, and in fact tries to emphasize its own limitations.

While other works may better convey the Jewish experience in the Holocaust, the innovative format of _Maus_ justifies its existence, as it allows the story to reach a greater audience.

Finally, many have objected to the negative stereotyping of the many peoples appearing in the book, especially the Poles. Spiegelman draws the Jews as innocent mice, but the Germans as bloodthirsty cats, and the Poles as selfish pigs. More amusingly (because they appear infrequently in the story) the French are drawn as frogs, the Swedes as reindeer, and the British as cold fish. The Americans are dogs, mainly friendly bow-wow dogs but also sometimes cold-eyed predators capable of pouncing on a mouse or rat. I believe that the wrongness of stereotypes was a major reason why Spiegelman used them. The Nazis are recorded as having called the Jews "vermin" and the Poles "pigs". Whether they had the qualities of these animals or not, they were treated as such... and such they were forced to become despite themselves. The Jews had to hide, hoard, and deceive; the Poles were compelled to act out of self-interest just to survive.

In other words, I think that Spiegelman's stereotypes were a deliberate choice. The WHOLE POINT of _Maus_ is how the dehumanization of the Holocaust twisted people beyond their capacities... how the camps tried to make people as ugly and despicable as their worst racial stereotypes, by making them all alike in their fear. Sometimes they succeeded.

Neither Poles nor Germans are depicted as only selfish, cowardly, and cruel in _Maus_. In fact, there are many Polish in Spiegelman's books who are shown as fellow-sufferers, or kind despite the risks to their own lives, just as there were Jews who betrayed their own. Look closely at the drawings-- I open Maus II to a random page, and see both pigs and mice in the prison suits, both as capos and victims. Who is the kind priest who renews Vladek's hope on page 28? A Pole! Even the Germans are seen to suffer from the war, caught by powers beyond their control. Meanwhile, Vladek himself is shown to be an inflexible racist (II, p. 98).

I argue, therefore, that the above criticisms of _Maus_ show a hasty reading of the books and poor comprehension of how an artist(even of non-fiction) chooses to convey a theme.

As a non-European, I have no personal investment in Jewish, German, or Polish points of view. However, as a second-generation American and child of war survivors [a civil war, so we are both victims and oppressors], I have a chord that resonates with the story of the Spiegelmans. I just re-read "Maus II" this afternoon and found to my amazement that it was still able to draw tears. In fact, when I first read the Maus books ten years ago I don't recall them affecting me so deeply... but I was younger then and had only an intellectual understanding of many things, such as love, fear, guilt, death, and weakness.

I wholeheartedly recommend these books to those who are willing to read them more than once. If you are not moved by them now, perhaps later you will be. Meanwhile, let's do our best to stop such suffering around the world.

A Modern Allegory
A veteran of the underground comic scene in the 1970s and a more recently a cover artist for the New Yorker, in the late 80s, Art Spiegelman undertook a project of interviewing his father Vladek, a Polish Jew who survived the holocaust in Auschwitz. He turned the narrative into an allegorical, graphical representation of the ordeal, in which Europe is a menagerie of humans behaving at our raw, animalistic worst, and perhaps best as well. Umberto Eco claimed that "Maus is a book that cannot be put down, truly, even to sleep." This was certainly true for me when I read it. Perhaps the only 'comic book' (as inappropriate as that term may be here) to win a Pulitzer Prize, Maus is gripping and compelling. Some have criticized it for relating simply a story which was no more remarkable than millions of others. Can anything different be said, however, of Night, or The Diary of Anne Frank? Does that make it any less important that the story be told? And yet, in Spiegelman's cat and mouse play, where moral virtues, failings, and decrepitude are writ large, Maus is also exceptional because of the strength of its allegory, which is almost Spenserian in its strength.

Yet Another Sanctimonious Telling of the Holocaust
This is yet another sanctimonious telling of the Holocaust. Maus is the blatant type of trivialization being taught to our children that leaves most unaware of the other victims of the holocaust. For American school children the Holocaust has become synomous with Jewish history. Maus simply reinforces most historical literature which focuses on the six million Jewish victims to the exclusion of the nine million Gentile victims. This book goes so far as to portray one of the Nazis other targets, the Poles, as fattened pigs going about their business unmolested by the Germans! There were three million non-Jewish Poles who perished in this tragedy, many trying to save their Jewish neighbors. Shame!

"The genocidal policies of the Nazis resulted in the deaths of about as many Polish Gentiles as Polish Jews, thus making them co-victims in a Forgotten Holocaust. This Holocaust has been largely ignored because historians who have written on the subject of the Holocaust have chosen to interpret the tragedy in exclusivistic terms--namely, as the most tragic period in the history of the Jewish Diaspora. To them, the Holocaust was unique to the Jews, and they therefore have had little or nothing to say about the nine million Gentiles, including three million Poles, who also perished in the greatest tragedy the world has ever known. Little wonder that many people who experienced these events share the feeling of Nobel Laureate Czeslaw Milosz, who anxious when the meaning of the word Holocaust undergoes gradual modifications, so that the word begins to belong to the history of the Jews exclusively, as if among the victims there were not also millions of Poles, Russians, Ukrainians, and prisoners of other nationalities." Richard C. Lukas, preface to The Forgotten Holocaust: The Poles under German Occupation 1939-1944

Anti-Polish Propaganda
While this a moving account of one families experience during the holocaust, the depiction of Poles as pigs in Spiegelman's "Maus" an unfair and highly insulting caricature. Poles suffered horribly under Nazi occupation. No nations suffered worse. Six million Poles were murdered. Roughly half were Jewish and half Gentile. In fact exterminating Poles was also part of the Nazi master-plan. They were victims and to portray them as pigs is a grave injustice. While I read the reviews pointing out pigs have positive traits or are neutral animals, it is disingenuous to present the selection of the pig as representative of the Pole as anything but a slur. Germans are shown as cats. This is no wonder since cats chase mice. Apart from that, cats are quite nice animals. This, however, does not pertain to pigs. I suggest when reading this book you research the positive events in the 1000 history of Polish Jews. For starters, visit Yad Vashem in Jerusalem. Over 11,000 'Righteous Gentiles' are honored; almost 5,000 are Polish. These are non-Jews who risked their lives to save Jews during the Holocaust.

A landmark comics work
"Maus," Art Spiegelman's moving tale of the Holocaust and how it impacts a family a generation later, is hailed as a comics classic for a reason. It is a landmark work that transcends the term "comics."

Through the seemingly absurd decision to use animals in place of people - Jews are mice, for instance, while Nazis are cats - Spiegelman manages to avoid coming across as heavy-handed, exploitative and melodramatic. The reader never feels that they are reading an educational tome with badly drawn people better suited for school than compelling entertainment. Instead, through the use of universal cartoon imagery, the emotional tug of the story is successfully conveyed.

Two threads are woven throughout. The first deals with the Holocaust directly, from the years before Jews were taken to the camps and then to release. The second thread deals with Spiegelman's relationship with his father many years later, and that relationship's ups and downs as the author tries to get the oral history he needs to tell the tale of "Maus." All of the pain, confusion, death, turmoil and horror of the Holocaust comes home, as does the autobiographical tale interwoven throughout of the author's relationship with his father - who is also the central figure of Holocaust survival.

Modern editions of this book ("Maus" was originally published in serial form) are generally produced very well. The two-book slipcase offered here is sturdy and attractive to look at. The pages are printed on thick, glossy stock. The black and white artwork really shines, every stroke visible and vibrant. Mine has been read multiple times and still looks great.

"Maus" is compelling reading that requires no great love of comics to enjoy. History lovers, those interested in the Holocaust, and people who like stories about family struggles will enjoy this. Readers will quickly forget they are reading a comic, instead becoming wrapped up in the story Spiegelman has to tell. A highly recommended buy. ... Read more

Book Description

Magneto, the X-Men's deadliest villain, returns. They've faced the Weapon X program, Proteus and even the superhuman strikeforce known as The Ultimates. Now, still licking their wounds from their prior battles, can Xavier's mutant team possibly survive the return of their most powerful foe? ... Read more

Reviews (5)

Magneto is back for his rematch with the Ultimate X-Men
One thing that was always impressive about the X-Men was that it was one of the few superhero comic books where the definitive villain popped up in the first issue. Of course we are talking about Magneto the Mutant Master of Magneticism. The same thing was true for "Ultimate X-Men," where Marvel essentially restarted the series in contemporary times, reconceptualizing some of the core elements. For example, this time around the original X-Men combine Cyclops, Marvel Girl, Beast and Iceman from the first lineup with Storm and Colossus from the second (with Wolverine being recruited from the dark side so that he can appear on every cover of the trade paperback reprints). The result is a lot of familiar items are condensed into each story arc, which is then collected into a trade paperback.

"The Return of the King" is Volume 6 in the "Ultimate X-Men" series and the title, of course, refers to Magneto. In the first volume in the series the X-Men fought Magneto and not only defeated him, but also apparently killed him. However, this turned out to be one of Professor X's mind games; he convinced Magneto that he was Erik Lensheer, unaware of his past life as a mutant terrorist. When the Brotherhood of Mutants discovers Magneto is still alive they find him and remove the mental blocks Xavier had placed in his minds. We are now back to the beginning in many ways, except this time around both Magneto and all the homo sapiens are very wary. In fact, the Bush Administration has Nick Fury and S.H.I.E.L.D. going after all the mutants, including the X-Men. Since they already have Xavier in custody, stopping Magneto is going to be a problem.

Actually, stopping Magneto is always a problem. For a long time I have been convinced that Magneto would actually win and the reason I liked the first volume of this series so much was that I thought it recognized this fact by having Professor X and the X-Men going up against Magneto and the Brotherhood of Mutants go at it just once for all the marbles. In the end Magneto should have been dead because he should be unstoppable in a rematch; indeed, look at what ends up doing in this one, extending his magnetic reach across the entire planet. Besides, if you can explode nuclear reactors, why stop at just one? Magneto is simply the most dangerous super villain in the Marvel (or Ultimate) universe. When they were retooling him they should have ratcheted down his power level a couple of notches (Actually, they should do the same thing for Xavier as well).

But since Magneto winning would mean coming up with a new title for the comic book, Magneto has to be defeated. Once again the key is getting his helmet off of his head and while I like the way that happens this time around, I still do not really buy that anybody could get close enough to actually do it. Besides, as is often the case with these Ultimate titles, things end up reflecting the blockbuster movies (e.g., Magneto, living in a plastic cage). Clearly one of the defining elements of the X-Men today is the relationship between Charles Xavier and Erik Lensherr and the first issue of "Return of the King" provides an encapsulated version of their history (as well as a new explanation for how Xavier ended up in his wheelchair). Certainly there is something to be said for the ongoing debate that the pair have been having for over a decade.

Collected in "Return of the King" are issues #26-33 of "Ultimate X-Men," written by Mark Millar, and illustrated by Adam Kubert and David Finch, with Ray and Ben Lai. The most interesting addition to the X-Men mythos this time around is the sub-plot in which Wolverine finds a way to get Cyclops out of the way so that he can make a move on Jean Grey, especially given the intriguing idea that Logan and Scott are Charles and Eric, the next generation. Most of the relationships between the Ultimate X-Men (e.g., Colossus and Wolverine, Beast and Storm) are more interesting as well. Sometimes I think the "Ultimate X-Men" is overloaded with ideas, but for those who remember Marvel's Mery Mutants from the very beginning the changes are always something to think about.

Final Question: Since the Ultimate version of Nick Fury is African-American (apparently there were Howlin' Commandos in the Vietnam War), does that explain why Colin Powell was omitted from the White House discussions while Dick Chaney and Donald Rumsfeld were not? Just curious at that rather interesting omission.

The Ultimate Tale of The Ultimate Heroes
This TP collection contains the finest story arc yet for The Ultimate X-Men. Magneto is loose. The Ultimates want him after he has massacred hundreds of innocents in bridge collapse, and they figure the best way to get him is through The X-Men. Meanwhile, romantic jealousies lead to tragedy and betrayal as the Wolverine, Scott Summers , Jean Grey triangle goes over the boiling point. This series coincided with The Ultimate War, which you should read as well. Heck, read The Ultimates so you understand what this is all about. Great art, breathtaking plot twists and the great dialogue that only Mark Millar can provide. Don't miss this collection!

Contains "Ultimate X-Men" issues 26-33 (Not Just for Kids)
I have the hardcover "Ultimate X-Men" volumes 1 and 2 [covering issues 1-25] and the paperback, "Ultimate War". The title page includes a brief synopsis that should help you understand what's going on if you haven't read the earlier volumes. If you want a roll call, this volume includes the "ultimate" line versions of Magneto, Professor X, Dr. Moira MacTaggert, Nick Fury, Sabretooth, Multiple Man, Mastermind, Nightcrawler, Forge, the Blob, Iceman, Colossus, Storm, Wolverine, Jean Grey, Cyclops, Shadowcat, Rogue, and a mutant called Detonator whom I have not run across in the regular Marvel X-Men, but I'm still catching up. There's also a cameo by another mutant, but I don't want to spoil the surprise.

This book opens by showing us how Magneto and Prof. X worked together, how their friendship deteriorated over several years, and, in more detail, how Magneto crippled Xavier. Then it moves into the present day and Magneto's progress on his refuge for mutants as well as the unpleasant scene where he deals with plans for a satellite mutant tracker. Meanwhile, the X-Men-in-hiding are dealing with Magneto's brotherhood in the hope of rehabilitating their image.

Is the rumor that Wolverine deliberately left Cyclops to die in the Savage Land true?

In the grand tradition of comic book villains, Magneto tells our heroes something of his frightful plan for eliminating the human-mutant relations problem. The X-Men have only a week to find Magneto's hiding place and save the world. (Let me just say that a machine, different from and much more powerful than the one used in the first X-Men movie, is involved.) The final battle certainly kept my interest.

During most of the action, Professor X is being held prisoner in a S.H.I.E.L.D. detention camp for mutants suspected of being terrorists. He refuses to betray his students, of course. I reread his words of encouragement to a fellow prisoner after rereading earlier volumes and those words became a little unnerving near the end. Why?

Because of what Prof. X tells Nick Fury and what he tells Magneto when they meet again late in the book. You won't have to have read the earlier volumes to speculate on whether or not Xavier is telling the truth. I'm afraid that he *is* telling the truth. If so, that would explain a couple of his moves in earlier volumes that I found incredibly stupid -- and would make this version of Prof. X a little scary.

Ignore the "9-12" age group recommendation. While they might enjoy the action, I think you need to be older than that to fully appreciate this book.

Covers Ultimate X-Men # 26-33
First keep in mind that this should be considered an alternate universe version of the X-Men. That way you won't be screaming about the differences from the regular comics. If you've already read through volume 5, "Ultimate War", the opening does not pick up where that left off. It traces the rise and fall of the partnership between Professor Xavier and Magneto for the first 20 pages or so.

Magneto is getting ready to destroy the entire human race, except for a token man and woman. The X-Men are in hiding, although they do make an attempt to rehabilitate their image and track down Magneto. Prof. X has been moved to that detention unit for mutants in Cuba that was threatned in "Ultimate War". Cyclops is not dead (was anyone expecting he would be?), but he's not in good condition. Of course the X-Men will save the day, Prof. X will escape, and Magneto will be foiled, but there'll be plenty of fighting, explosions, and a threatened nuclear meltdown.

Loved the part where Storm meets the Beast's parents, not to mention having my suspicion about Xavier's cat confirmed.

The final scene between Xavier and Magneto is my favorite part of the book.

X-cellent!
I enjoyed this volume greatly! This picks up from the very badly drawn volume five, the X-Men are recovering from their attack from the Ultimates, and Professor X is still held captive. Many things are revealed in this volume...and the action is extraordinary! I was a bit disappointed that the cover isn't how it's viewed on this page (of course it has Wolverine on the front; but that pic wtih Magneto rocks), but I got over it. Buy your copy today!!! ... Read more

Reviews (30)

Worth the wait
Note: this review refers to the recently released Ultimates TPB entitled Homeland Security. After managing to take down the Hulk, the government sponsored superhero team called the Ultimates have run into some problems. A shape changing alien race, which are responsible for some of humanity's worst moments (Captain America fought them in World War II) are once again rearing their ugly heads with a plan to wipe out the human race. Sad part is, the Ultimates are in shambles with Janet Pym AKA Wasp severely injured by her husband Hank AKA Giant Man, who himself goes on the run with Captain America in pursuit to teach him how to properly treat a lady. New members Hawkeye, Black Widow, Scarlet Witch, and Quicksilver are introduced as well as the team unites to defend the planet. The issues contained in Homeland Security is where the Ultimates really shines, improving on the first few issues by far. Mark Millar has cleverly crafted a modern day version of the Avengers while staying true to their original roots, while Bryan Hitch's artwork is better than ever. All this leads up to the upcoming (hopefully, many single issues of the series were loaded with shipping delays and would not reach shelves for months at a time) Ultimates Vol. 2 monthly series which Millar has hinted at will change everything you think about this modern day Avengers team. All in all, out of all of Marvel's Ultimate line (the new Ultimate Fantastic Four is impressive as well), the Ultimates is something really special.

Humanizing the Superhuman
Not particularly fond of Marvel's Ultimate line, I usually approach any of Marvel's 'Ultimate' series with hesitation. However, I was never that big into the Avengers, so I figured I would give The Ultimates a shot, and I was very pleased with the results.

Once again re-imagining and re-telling the story of one of their most famous super groups, Marvel captures a whole new dimension of story-telling with the Ultimates. Making them seem like real, ordinary people with real problems is probably one of the best parts of the entire story. Of course, there is plenty of action and fighting to go around too. Alot of the character's origins and general appearences have been changed too. For example, instead of Tony Stark having a terminal heart condition, he know his an inoperable brain tumor. Nick Fury is probably the most dramatic change, in that instead of being a grizzled, cigar chomping World War II veteran, he's a blatant Samuel L. Jackson look-alike with attitude and spunk. An interesting reworking of Fury, but I could've done without it, despite how it fits with the story. Hank Pym and his wife Jan Pym, Giant Man and Wasp respectively, have marital problems, with Hank being an abusive, chronic alcoholic. The entire comic seems to revolve around the telling of everyone's personal lives, which gives all the characters alot of depth. Finally, Thor is the son of Odin from Asgard who has spent more than his fair share of time in a mental institution, and is now a peace-loving pacifist...until it comes time to defend the world.

From Tony Stark's pompous, rich jerk attitude to Captain America's good old American spirit, The Ultimates is definitely worth the read. The interesting spin on the Hulk and other story elements make this one of the best Marvel re-tellings yet. The only thing that bothered me was that the comic got