Book Description

Babylon 5 creator and Amazing Spider-Man writer J. Michael Straczynski presents a new vision of a world about to give birth to its first generation of super-heroes! Follow the origins of these new heroes and anti-heroes - from their birth through adulthood - and examine how their lives and abilities change and shape the world around them. The god-like Hyperion discovers his whole life has actually been an elaborate government-made lie, and his reaction could mean the end of the Earth! Do the world's other super-powered beings have any chance at stopping Hyperion if the truth sends him over the edge? ... Read more

Reviews (6)

pretty good
in case you were wondering, this collection includes 10 issues:

Uncanny X-Men 210-213
X-Factor 9-11
New Mutants 46
Thor 373-374
Power Pack 27

technically an issue of daredevil also tied into this crossover, but it's not included here.

crossovers are always fun, but as another reviewer mentioned they tend to meander. the writers didn't seem overly concerned about keeping the crossover self-contained, so a lot of the comics bring up events that don't get resolved until after the events in the books contained here. most of the backstories are explained enough that newbie readers shouldn't be too clueless, although if you're new to the x-men you should start off w/ the essential x-men series.

highlights: great fight w/ psylocke, wolvie, and sabretooth; apocalypse assembling his four horsemen; angel getting overwhelmed by the marauders.

minor gripe: WHY does thor not have a beard on the cover when he does at the time of these comics??

Really complete
If you want complete stories, then you are not going to do much better. If you want to see the X-Men in a state of war, then this is a far better storyline than the X-Tinction Agenda. Lots of mutants, lots of fights, and lots of poignant moments, from the injuries that led to the creation of Excalibur and Archangel, to Psylocke joining the X-men, to the death of so many Morlocks. The inclusion of Thor and Power Pack was well-handled. This novel can not be more highly recommended.

Mutants aplenty
Excellant graphic novel. One of the better X-men novels. Allstar cast includes X-men, X-factor, New Mutants, Power Pack, Morlocks, Marauders, Apocalypse and the beginings of his four horseman, and the Mighty Thor. Only dissapointment was not seeing Thor pummel the overrated sabertooth like the insignificant flea that he is, who comments that he would have torn Thor to shreads. All in all I highly reccomend this.

Good Story With Too Many Extras
I'm a comics fan and like most people I got my comics start with Marvel. I eventually bought more than Transformers and G.I. Joe and I got into X-Men. I think this graphic novel epitomizes my feelings about Marvel in general and the mutant comics (X-Men, X-Factor, etc.) in particular. The story here is a compilation of all comics from the storyline. The story is straight forward, a group of mutants has set out to kill all other mutants but in the process the story has to conveniently cross-over into Thor, Power Pack and more. Marvel does this to increase their readership on other titles. Since this is a trade paperback you get everything in order for one price. When reading the story in this fashion I began to see how annying this was since the story meandered due to the cross-vers that were barely related but I also felt sorry for those who bout the cross-overs off the shelf since they spent a ton more than they probably intended to.

The story itself is good but reads more like it's for the die hard fans, not really for comics and graphic novel fans looking for something more to read.

Good story, lots of action, & Sabretooth vs. Wolverine!!!
A good story with good art, featuring the first appearence of the Marauders, the foundation for Excalibur, the loss of Angel's wings, and the deaths of most of the Morlocks! There are two Wolvie vs. Sabretooth battles and some sub plots featuring X-Factor, Power Pack, Thor, and the New Mutants. ... Read more

Amazon.com

Tom Veitch's original comic strip story traces Luke Skywalker's entrance into the Dark Side in the years after the fall of Darth Vader. The Empire is fragmented, and the Rebels seem on the verge of winning their long struggle when the sinister power of World Devastators emerges from the galactic core. These Devastators chew up worlds and manufacture robotic war machines out of the resources they consume. Luke's dark journey seems the only way to halt the massacre. But despite the importance of Luke in Dark Empire, the portrayal of Leia as an emerging Jedi is really the centerpiece of this volume. Married to Han (who goes flat in Veitch's hands) and with two children, Leia is torn between her role as mother and her role as Jedi warrior. While the story sometimes jumps too quickly between major scenes, Veitch does a good job of capturing the epic feel of George Lucas's masterpiece trilogy. Cam Kennedy's artwork is mixed in quality. Some of his drawings of the Millennium Falcon, hunter-killer probes, and robotic TIE-fighters seem to leap directly from the movie screen, while his human figures (especially of Han and Luke) can appear generic. Also, his style of coloring, using washes of similar colors on each page, is good for capturing moods but tends to obscure details. Despite these occasional shortcoming, this comic is recommended for one simple reason: once you start reading it, you won't be able to put it down. The other two parts of the Dark Empire trilogy include: Dark Empire II and Empire's End.--Patrick O'Kelley ... Read more

Reviews (56)

Luke becomes the apprentice of a ressurected Emporer.
The opening pages of "Dark Empire" gripped me instantly, and I wasn't disappointed by the storyline. The characters are familiar and the technology and diversity of aliens, planets, and vehicles are worthy of the "Star Wars" name. The only drawback is that the artwork can become a bit confusing and sloppy at times, but a true "Star Wars" fan will be able to look past that. In chronology, it and its sequel "Dark Empire II" take place between "The Last Command" and "Jedi Search". It contains a vital chunk of the "Star Ears" saga, although this is a comic book with no novelization. Definately worth a look.

Hold the phone! Let's look at the facts here!
Ok, this isn't a review of Dark Empire, but rather a counterpoint to the people who are blasting a very good peice of Star Wars expanded literature. Quite frankly, the Dark Empire trilogy is not the shipwreck that many people are making it out to be. Ok, the "Galaxy Gun" wasn't a very good name for a superweapon (cannon would have been better), but for the sake of Starwars fans everywhere, I'll just deal with the two biggest problems people seem to be having, the return of the Emperor and Luke's supposed switch to the Darkside. Considering you scrolled down this far, you already know the basic plot.

Yes, Vader's killing of Palpatine was a great ending to Lucas' saga. But the idea in Dark Empire is Palpatine and his empire were an evil so great that no one person could destroy them. It took Vader and his children, Luke and Leia, to finally put an end to Palpatine reign. Eventhough Han, in typical fashion, blows away the emperor's last (weak and genetically unstable) clone in Empire's End, it was stated that by Palpatine's doctor that he would die forever very soon unless he found a jedi to posses after his defeat and loss of aceptable clones in Dark Empire and Dark Empire II. So technically, it was Luke and Leia who "defeated" Palpatine. Luke also does the impossible by defeating the Emperor himself in physical combat (Which I felt was lacking even in the movie trilogy), something no jedi had ever done, and destroyed Palpatines best clones (with a little help from a revolting warrior or two). All these grafical novels do is expand the confict with Palpatine from Vader, down to the next generation, Luke and Leia, which is quite appropreate if one is familer with the Star Wars universe.

There is also a crystal clear explanation which is stated several times why Luke "turned" to the darkside. It was stated that Luke was trying to learn all of Palpatines dark secrets and then use them to destroy him and his empire once and for all. Come on! If Luke really turned to the darkside immediately why would he give the New Republic the codes to beat the invincible world devastators? Later on though, Luke does go too far into the darkside and Leia has to save him, like Luke did with Vader. Luke also did it to understand his father better, he needed to know why his father became Darth Vader. There's also a dozen pages in the back of Dark Empire which runs through the whole plot again! For crying out loud! Did these critics even read the book! Anyway, don't be put off by a few naysayers, the Dark Empire trilogy is better than bad, its great!

Purists, lighten up...Dark Empire is classic Star Wars....
It is a time of peril for the New Republic. Six years after the Battle of Endor, the destruction of the Empire's second Death Star, and the defeat of Emperor Palpatine and Darth Vader, the war for control of the galaxy still rages on.

Despite their victory over the infamous Grand Admiral Thrawn a year before, the former Rebels have been forced to evacuate Coruscant after a successful invasion by resurgent Imperial forces. But when the Empire's "leaders" begin to fight over the right to govern, civil war breaks out and gives Luke Skywalker, Lando Calrissian and Alliance troops an opening to carry out a daring raid on Coruscant itself. But the mission goes awry and Skywalker and Calrissian crash-land their captured Star Destroyer at the heart of the Imperial City.

But when Han Solo and his wife Leia, accompanied by Chewbacca and C-3PO, attempt to rescue Luke and Lando, they are taken aback by Luke's refusal to go with them back to the secret Alliance base known as Pinnacle. Instead, he allows himself to be whisked off by a dark side storm, leaving his twin sister and her husband to wonder if the burdens of being a Jedi Master are too heavy for Luke to bear alone.

When this new chapter of the Star Wars Expanded Universe was first published as a six-issue comic book series by Dark Horse, I had mixed feelings. The concept was daring...Luke falls to the dark side of the Force (or does he?), the Emperor, thought to be dead at the end of Return of the Jedi, is back, thanks to the power of cloning technology...heck, even Boba Fett is revealed to having not being found "digestible" by the Sarlacc. All very fascinating, but wasn't Tom Veitch pushing things a bit too far? So even though I read my friend Geno's six issues from cover to cover, I thought, "Nawww....I'm not buying this. It doesn't fit into the Star Wars saga...."

Ah. Silly me. When I read Kevin J. Anderson's Jedi Search, the first installment of the Jedi Academy Trilogy, I noticed certain references to the reconstruction of both Coruscant and Mon Calamari, which had been subjected to battle and siege in Dark Empire. There were also passing references to the reborn Emperor. Later, when I broke down and bought this one volume collection, I read the introduction by Anderson and realized that the changes Veitch made in the Star Wars storyline were just too big to ignore. Even though as a Star Wars fan I know the only "official" version is the six-Episode film saga as written, produced, and/or directed by George Lucas, I lightened up and came to accept Dark Empire and its two sequels as an integral -- and fun -- part of the Expanded Universe.

The story by Veitch (once you get over the "how dare he?" reaction to it) is so well-written that you wish it had been a pure prose novel. The artwork by Cam Kennedy is innovative and at times almost impressionistic....as far as comics art is concerned I prefer the photo-realistic style of the prequel adaptations, but that doesn't take away from its beauty.

An Empire Reborn...
Since Star Wars creator, George Lucas, stated that his original saga only has six parts, it fell to Dark Horse Comics to further the adventures of Luke, Leia, Han, Lando, and the rest after the events in Return Of The Jedi and author Tim Zahn's Thrawn trilogy. The story (fully sanctioned by Lucas) in Dark Empire fits into the Star Wars mythos very nicely.

Six years after Jedi, The ruthless Empire is reborn, under the leadership of a mysterious figure, following the defeat of Grand Admiral Thrawn. This, as the Rebel Alliance restablish order throughout the Galaxy. As the new leader of the empire puts his evil plan into motion, Luke Skywalker, and his allies struggle to figure out what's really going on. Meanwhile, henchmen of Jabba The Hutt, have placed a large bounty on the heads of Han Solo and Leia.

Writer Tom Veich crafted a story that has a Star Wars feel to it. He has captured the escence of these very well known characters on these pages. While Admiral Thrawn is no Vader or Palpatine, he does make a worthy adversary, just the same. The action, humor, and wonder of the first trilogy are for the most part, recreated here.

As for the art, I have to say, I was a bit disappointed with Cam Kennedy's renderings of the Star Wars universe. The character likenesses are ok but not as detailed as the book's cover art by Dave Dorman-great stuff. Kennedy makes everything seem just a bit off. For the most part, abstract color combinations, take over most of the panels---this really detracts from book's fine story. The book also contains the story's original outline

Still, Dark Empire, is a must read for Star Wars fans

This one satisfies your curiosity
OK, your reading the novels and you wonder why Wedge is driving a large recycler in the opening of a book. Then you read references to the Clone Emperor or resurrected emperor and that Luke once went to the dark side and came back. Dark Empire is where those things happen.

It is a pretty good story with above average art work. Some of the art is stunning! It was this comic that got me interested in the art of DAVE DORMAN. DAVE IS AMAZING!

Palpatine gets cloned and has a new super weapon. Luke goes to the dark side to stop the Emperor. Coruscant gets blasted (or is it corresaunt now). Leia, undertrained as she is goes to rescue her brother. The two are never more powerful again.

After surviving and defeating the resurrected emperor, Leia and luke go back to their old selves in future novels ie: Leia is only barely competitent, and Luke is distracted almost to the point of incompetitence at times (one of my big grips in some books).

This is the first of 3 comics on this thread. You can skip the other two, but this one is worthwhile. For an additional treat, do a search of "dave dorman art" and check out where-ever he is. You'll like what you find. ... Read more

Reviews (13)

This comic is a great look at the mutant controversy.
For people (like me) who read X-Men for the parts on mutant prejudice, this is one must read! The plot is based on a group trying to eliminate mutants. They develop a machine harnessing Professor X's telepathic abilities with which they can weed out mutants from humans. The X-Men are forced to stop the plan, and ally with Magneto. The book is definitely aimed at a slightly mature audience. There isn't as much action as a comic, but there is lots of fighting for mutant equality through talking and encounters. Also, the illustrations are touching. Anderson catches the darker side of the X-Men that works well with the story. If you find this, it's a good buy.

The essence of X
"God Loves, Man Kills" is Marvel Graphic Novel Number 5. Written by Chris Claremont and Brent Eric Anderson, the book is lettered by Tom Orzechowski and colored by Steve Oliff. In this science fiction adventure, the superheroic mutants known as the X-Men face a complex struggle against William Stryker, a powerful televangelist who is masterminding an ominous plot. Complicating this conflict is the presence of Magneto, the mutant whose own agenda is at odds with those of both Stryker and the X-Men.

This X-Men adventure features Professor X, Wolverine, Cyclops, Storm, Colossus, Ariel, and Nightcrawler. This is an excellent story which, in my opinion, captures the essence of the X-men mythos. "God Loves" is a thrilling mix of action, interpersonal drama, and philosophy. The authors effectively develop the core idea of the mutants as a misunderstood and persecuted minority. There are some really heart-tugging scenes--these are characters you can really care about. The artists deliver some unforgettable visuals.

Stryker is a truly monstrous, horrifying figure. But his effectiveness is a character lies in the fact that he is so similar to many real-live Religious Right figures. Stryker is a Bible-quoting preacher who uses his vast wealth and political influence to wage a campaign of hate against a particular minority group. With a copyright date of 1982, "God Loves" strikes me as eerily prophetic, and still chillingly relevant.

The plot of "God Loves" is similar in certain aspects to that of the 2003 film "X2"--I don't think it's any accident that the mutant-hating villains in these stories have the same name. But despite the parallels "God Loves" still stands on its own as a powerful, well-written X-Men story. I consider it one of the essential masterpieces in the graphic novel genre.

More X-greatness from Chris Claremont and friends
At the time that I write this, Amazon has not properly identified this item for whatever reason. This is Essential X-Men Vol. 5. The volume is notably thicker than previous entries in the series, apparently because the paper is thicker. This should come as a welcome change for those who have complained about the flimsiness of the paper in the Essentials series - though I never found it to be a problem.

This volume contains The Uncanny X-Men issues 180-198, plus annuals 7 & 8. The bulk of the issues are penciled by John Romita Jr. and inked by Dan Green; a combination which we've already seen in the latter section of volume 4, although the art style is more distinctive here, maybe the artists were honing their technique? And Kitty looks noticably different here, even from earlier issues drawn by the same artists; but then, fans have grown accustomed to the repeated changes in Kitty's appearance as different artists have taken over the magazine.

There are two issues focusing on Storm, titled Lifedeath and (surprise!) Lifedeath II. These are penciled by Barry Windsor-Smith, and they have a look completely unlike any other issues of the magazine (esp. the latter which W-S also inked). Their tone is also atypical, more melancholy than usual - perhaps because of the influence of the artist, who also contributed to the plotting, as was usual with Claremont's X-Men.

Most of these issues display the virtues that are associated with Chris Claremont's long run as writer of The X-Men; chiefly a focus on the characters and their relationships with each other. Among other things, volume 5 shows Kitty's relationship with Peter go through some zig-zags; Storm loses her mutant powers and heads off to her old home in Africa to try to find new meaning in her life; and, wonder of wonders, Magneto - the X-Men's archfoe, whom they have repeatedly combatted since way back in the very first issue - has had a change of heart and has joined forces with Professor Xavier. Actually, this is not too much of a surprise because he experienced a moral crisis at the end of issue 150.

I have just two real complaints. One is that for a while, increasingly throughout the first half of this volume, the writers show a preoccupation with magic and sorcery, which reaches its peak with issues 190-191, which show Manhattan being taken over by the sorcerer Kulan Gath, and magically reduced to primitive barbarism. These two issues in particular have (to my mind, anyway) a rather grim and unpleasant tone. And since our heroes are mutants rather than magicians, they become increasingly helpless throughout these stories and have to be repeatedly bailed out by people such as Peter's sister and Nightcrawler's girlfriend, both of whom secretly practice magic of one sort or another; or by Warlock, a member of the New Mutants who is actually an alien from another planet.

If you find yourself getting depressed at this point, I recommend jumping ahead to Annual #7 (the annuals are included at the back of the volume) which offers a welcome change of tone. After the Kulan Gath sequence, though, Claremont and his collaborators seem to have worked out their fixation with magic, and the following issues return to the character-driven type of story that made this such a great magazine for so long.

My other complaint pertains to the writers' increasing fixation on the theme of anti-mutant prejudice and persecution. Although present in the X-Men since back in Stan Lee's days, the presentation of this theme here starts to become shrill and overbearing. In earlier times there were major characters who were non-mutants, yet were intimates of Prof. Xavier and/or the X-Men, such as Dr. Corbeau and (especially) Moira MacTaggert. I found myself increasingly missing such characters, as the writers sometimes seemed to be slipping into a simplistic world-view in which all mutants are unjustly persecuted and all non-mutants are moral monsters. To be fair, there are some decent non-mutants here, but they are all walk-ons rather than major characters.

However, these flaws are not enough to to spoil the greatness that is Chris Claremont's X-Men. If you have enjoyed the first four volumes of this Essentials series, you owe it to yourself to read this one as well.

Classic X-Men story
This classic X-Men story from the golden years of Chris Claremont's legendary run on the book is one of the most well known and well regarded tales to ever hit the X-Men. The story revolves around William Stryker; a powerful bible banging televangilist with an agenda for mutantkind. The X-Men are thrown into the thick of Stryker's would be crusade, with Magneto waiting in the wings with plans of his own. Claremont's superb and powerful storytelling is at his best here, and maybe is his best next to the classic Dark Phoenix Saga. The art is great as well, although some may find it a bit too 80's. The basic story of God Loves, Man Kills, would be used in the X2: X-Men United movie which used a villian named Stryker, only instead of him having power through religion he had it through the military. Even though this story is out of print, you can find it in the X-Treme X-Men: God Loves, Man Kills 2 book.

Good Read, The Basis For X-Men 2 (Movie)
I've been a fan of the X-Men for some time and I was glad I picked this up. It's nice to read the true origin of the story found in the X-Men 2 movie. The art isn't as flashy as it now but it is still an enjoyable story with a good message. ... Read more

Reviews (5)

The story of the Demon Zabuza and Haku
"Naruto vol. 4" continues the fierce battle begun in vol. 3, against the ninja-hunting Demon Zabuza and his deadly assistant Haku. The stage is set with Sasuke slain, Kakashi literally mystified and Sakura learning her own limitations.As everyone knows, when things look darkest for a band of heroes...it is time for a little payback.

Payback is what you get in vol. 4, but not exactly in the way expected.Naruto, full of rage over his friends death, unleashes the power of the Nine-tailed Fox demon.Kakashi shows that he is more than the Sharingan Eye, using an innovative attack to overcome the loss of vision.Sasuke lies on the ground dead, and there is lots of weeping.

The real story, however, is the love and loyalty between Zabuza and Haku.Compared to this, the trials of the four heroes are trivial.Haku sees himself as a weapon to be wielded by Zabuza, and the true test of his loyalty comes when Zabuza's feelings are made clear.Its some powerful, emotional stuff.

Along with the conclusion of this story arc, vol. 4 also sets up the next adventure for the Naruto gang. This time, they head home to face the challenge of the examinations for chunin, the next level of Ninja. Several groups of older kids come into town to face the examinations, and run foul with Naruto and friends.Cue the music and start the fights!

Insert Title for Review (haha)
When I read this one, I can't say anything surprised me at all. But that's only because I've seen the anime already. I have to say, this manga impressed me even after already seeing the anime. Sure I didn't cry my eyes out like I did in the anime but the shounen-ai scene with sasuke and naruto about sasuke 'dying'... Well lets move onto the blood. The blood was alot cooler than it was in the anime. In the anime, the blood was stupid and purple. In the manga, it was all over the place and dark. Really Dark. Just like blood is supposed to be. And it wasn't drawn out annoyingly like it was in the anime.
The best thing about the manga is you don't have to listen to the annoying music. That made this book so much more intresting, and out of the four I own, I like this one most.
The best thing about this volume is the cover art. If you've seen the cover art on other three, you'll notice SOMEONE is making a stupid face, pose or it just looks weird. The cover art for this volume is beautiful.
Only thing I can complain about is... some of the anime characters are scarey when they're first introduced. The once adorable Shikamaru is now scarey. Very scarey. He looks like evil Betty from Kung Pow. And Temari, once pretty, now ugly. I hope they fix that...

don't write it off just yet...
Ok, so maybe this was a bit of an anticlimax following the huge cliff hanger at the end of volume three.However, loads of new characters are introduced in this volume which give rise to a whole new level of story telling and character development.There are currently 22 volumes of naruto waiting to be translated into English and this volume sets the stage for what is to come.It's a really good read, and if you can't wait for the next volume, there are plently that have been scanlated available on the net, so go check it out...it's definately worth it!

doggies? get out.
Death of a friend, breaking of a seal, final confrontation...here it comes, the final showdown!!!! Dogs? Ninja Dogs? Come on. After all that build up, you give us ninja dogs? It's like listening to a joke you know that's going to be good. You are sitting there waiting for the punchline, and you are ready to clutch your stomach because it's going to be a belly laugh. Then suddenly a clown in a cheap custom jumps out from behind the curtain and starts juggling balls; while the comedian takes a break. By the time he comes back and finish telling the joke, you can't get that cheap clown out of your mind. The joke fizzles, and you felt you got robbed.
Am I going too far? Maybe. Masashi Kishimoto did an awesome job of setting up the story in Volumes 2 and 3. Volume 4 was going to be the climax, the punchline that makes you gasp for air. Enters the clown.

Contains spoilers (if you haven't read Vol. 3)
This volume is awesome.
It picks up where Vol. 3 left off, with Sasuke dead, mid-battle with Zabuza and Haku.

This whole volume is just...great. Once I started reading it I couldn't put it down. ... Read more

Book Description

After the traumatic events of Invincible Volume 3: Perfect Strangers, Mark Grayson (a.k.a. Invincible) is left to pick up the pieces and try to continue on with some sort of life.His mother is a wreck, his friends don't understand and the super-villains of the world just want to beat him up. Mark has a lot on his shoulders and graduation is just around the corner.Containing the fan-favorite and sold-out issues #14-#19 and the short story from Free Comic Book Day 2004's Image Comics Summer Special, this volume is massive! ... Read more

Book Description

When the internationally famous barbarian hero returned to comics, with an all-new fresh start by award-winning writer Kurt Busiek (JLA/Avengers, Astro City) and dynamic artists Cary Nord, Thomas Yeates, and Dave Stewart, the result was instant sell-outs and multiple printings to keep up with the demand. Now Conan's earliest adventures are collected in a handsome 192-page collection. Catch all the action and savagery as he wars with the murderous Vanir, meets the Frost Giant's Daughter, and is taken as a slave by the ancient sorcerers of Hyperborea! This top-selling new series faithfully expands on original author Robert E. Howard's literary creation. ... Read more

Book Description

The heroes have arrived.You've watched them grow.You've learned their secrets.And now, you're about to see them change the world... for better or for worse!When a god-like Hyperion discovers that his whole life has actually been an elaborate government-made lie, his reaction could mean the end of the Earth!Do the world's other super-powered beings have any chance at stopping Hyperion if the truth sends him over the edge? Collects SUPREME POWER #6-12. ... Read more

Book Description

As a superhuman lawyer, She-Hulk has tried some of the strangest cases on Earth... but all of that is about to change! Empowered by the Living Tribunal, Shulkie is heading into deep space to practice Universal Law! Guest-starring Adam Warlock, Gamora, and Pip the Troll!Plus: Out of all of She-Hulk's enemies, no one hates her more than Titania! So what's her beef? Where did all this hostility come from? What made little Skeeter MacPherran into the angry Amazon she is today? And what's about to make her one of the deadliest threats in the Marvel Universe? Special appearances by the Absorbing Man, Spider-Woman, and Doctor Doom! And finally, a major power boost has made She-Hulk stronger than ever - maybe even stronger than special guest-star Hercules! Feats of strength can wait, however, because this emerald enchantress is going to the books and relying on brains, not brawn, to get the Prince of Power out of some Herculean legal problems. ... Read more

Book Description

An epidemic of apocalyptic proportions has swept the globe, causing the dead to rise and feed on the living. In a matter of months, society has crumbled: There is no government, no grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, we are forced to finally begin living. This volume follows our band of survivors on their tragic journey in search of shelter. Characters live and die as they brave a treacherous landscape littered with packs of the walking dead. ... Read more

Book Description

Ten years after the Sith War, the Dark Lord of the Sith`s chief lieutenant, Ulic Qel-Droma has been stripped of his Force powers and has isolated himself in a distant corner of the galaxy, trying to escape from a life he would rather forget. But his past is about to catch up with him as he is tracked down by Vima, the daughter of Nomi Sunrider, the woman who blinded Ulic to the Force. Vima seeks a teacher and Ulic sees in her a chance at redemption. Unfortunately, Vima`s disappearance draws attention, and the search party sent to look for her includes a vicious Jedi seeking revenge upon Ulic for killing her mate. Collecting the four-issue mini-series. ... Read more

Reviews (10)

Redemption in the Star Wars universe
Although the universe of Star Wars novels are cluttered with terrible stories, one can always count the talented writers at Dark Horse comics to deliver a redeeming story for fans, and 'Redemption' is a good one.

A sequel to the 'Sith War' and possibly the last of the Tales of the Jedi books, 'Redemption' focuses on Ulic, a Jedi-gone-bad who seeks to find peace from his crimes. Of course, like in all melodrama, this can't be allowed, as the daughter of his former love comes looking for him. Of course, there are those who seek revenge as well, and come looking for it.

'Redemption' is a good story. Not great, but it definately has all the elements for a fun read. There's some action (although not as much as most other Star Wars stories) plenty of angst and drama, and just a touch of romance. A good story and strong characters make this one of the better Star Wars graphic novels out there, and an excellent finale to the 'Tales of the jedi' series.

The end of the Great Jedi - Sith Wars?
Redemption takes place 10 years after the Sith War, or on my Time Line, 3986 before NH. It is a TPB Comic collecting the issues 1 through 5 of STAR WARS: TALES OF THE JEDI REDEMPTION.

It is the continuing story of Ulic Qel-droma including Nomi Sunrider. Exar kun has been destroyed and Ulic stripped of his powers. This is his story of redemption, and his journey back to from the dark side. This is also supposed to be a story that is in the holocrons discovered 4000 years later.

We are still in the old republic Era but this comic released in July, 2001 presents Art and coloring that are a stunning improvement. Dark horse is on it way to arriving at the products that they finally start releasing in 2002.

On the SW timeline this is the first time we get to see the future of art, drawing and coloring that dark horse will be putting out in the future and it is spin chillingly great! Made in singapore, the binding is good and can stand the stess of someone actually opening the beook and reading it. After Dark Horse moves manufacture to China, the binding takes a sharp decline. Any attempt to actually open and read the comic can result in it falling apart in your hands.

This is written by Kevin j Anderson, so the continuity and foreshadowing are all here for those who are actively reading the SW offering of comic and Novels. I know Kevin gets his knocks, but I am a fan. He is one of the two authors I'd love to meet and talk to. Kevin, I hope you are alive and well! I also still argue that his JEDI ACADEMY trilogy is extremely important to the expanded universe.

The story at times appears to be a splice job, but that is not uncommon with dark horse. The cover is one of the worst ever produced, so turn the cover page out of site and enjoy.

Redemption is something Anderson will never find.
I am a person that loved the old Tales of the Jedi Saga. Originally Started by Tom Veitch, It was a Series ripe with Character, heart, action, and the certain charm that the jedi mythology is known for, all writtem magnificently well. In the Beginning tales of the Jedi was Dark Horses Flagship Star Wars Series. It was a Golden Age.

Then Tom Veitch made a horrible mistake. That mistake was Working with Kevin J Anderson, to create a Villan that would Appear in Andersons Novels, and in the TOTJ Series; Exar Kun. The Villan was one of the favorites in Star Wars expanded universe, but working with anderson meant that Veitch would have to allow Anderson to write the later half of the 12 issue series revolving around Exar Kuns rise to power from Jedi student to Sith Lord. From that Point onward, Thanks to Andersons horrid writing and complete dirth of talent, the TOTJ series started a downward spiral. Andersons Assault and the TOTJ series started with the Sith war, a lackluster story compared to the magnificent Dark Lord Of the Sith Prequal that set it up... Then Anderson Continued to obliterate this once grand series with Golden Age Of the Sith, and Fall Of The Sith Empire. This, was Andersons last chance to revive the series, why they didnt just ask Veitch to write it, I dont know. But this is the last TOTJ story that has been, and likely will ever be published. The Breathtaking and grand saga that Tom Veitch Began, was destroyed by a force darker then any Sith Lord or Dark Jedi; Kevin J Anderson has MUCH to answer for.

In all honesty, for most of this story, it seemed as though Anderson was on the right track. Ulic Found that during a near death experiance, in which he was welcoming death, he had a jedi vision from his dead master. Which should have been impossible, seeing as how his jedi powers were supposed to be sealed. This gave Ulic hope, and purpose to continue living, later... The daughter of the woman he once loved, Vima, showed up asking him to train her in the Jedi arts. Why him, well its a contrived plot point, but Nomi was supposedly too busy As a Jedi to train her daughter, and the other 5000 jedi that were around at the time were busy doing stuff to, or so would Anderson have you beleive. But despite the hideous amount of Plot Contrivance, including Andersons most hideous attempt at a romantic pairing yet, he did manage to create some decent story telling for once... Ulic finds peace with the force, forgive for his crimes, a place back amongst his former comrades, and potentially a way to feel the force once again... Until in the last pages he is shot in the back and killed by a smuggler wanting to be known as the man who killed Ulic Qel Droma, and runs back to the bar to tell his friends. *IM NOT KIDDING*

I dont know what Anderson was smoking at the time, but the thought that this is a suitable way to end Ulics tale of Redemption was just plain Idiocy. In the prior Stories, Ulic had been poisoned by Sith Chemicals, been driven mad by the murder of his master, Disowned the jedi and his lover in his madness, fought and murdered his own brother, and had his Jedi powers sealed by the very woman that once loved him. If he was meant to die, there could have been a thousand more suitable deaths then just to be shot in the back by a unnamed piece of Bar Trash. In the Ten years since he was punished by Nomi Sunrider, his life was one of isolation, and dedication. such a death, is as pointless and meaningless as it is contrived, and a slap in the face of the fans that were looking for The Tales of the Jedi Series to return to its former greatness.

Anderson I doubt will ever write for Star Wars Again, as it is a popular rumor that Lucas himself asked anderson not to write any further tales set in his Universe. Unforutnately the damage is done, and one of my favorite series, is no more. The Title of the story is named redemption, But in the eyes of lucas and casual Fans of the Expanded universe such as myself, Redemption is something Anderson has yet to find.

A fitting end to a series
Redemption is the last of the Tales of the Jedi comics, a series that recounted the events during the Great Sith War 4,000yrs ago. Redemption is better read after at least reading Dark Lord of the Sith and The Sith War. The conflicts here are on a personal and emotional level, not another interstellar battle.

A decade after the Jedi defeated the Sith reemergence, a fallen Jedi wonders the galaxy for solitude, blind to the Force and searching for absolution for past crimes. But when a young girl decides he's the ideal candidate to tutor the Force to her, and a bitter Jedi wants to hand justice to an unpunsihed war criminal, they find they all have much to learn from each other on a frozen world.

The quality of art is much better than the horrible fare Tales of the Jedi is renoun for. While the superb art and vibrant colours inherent in current Star Wars comcis was not available at the time of the TOTJ series, that Redemption was clearly better could have said more for its earlier siblings. Here, you won't find salivating mouths, half-rendered illustrations, or simplistic dialogue. The primary characters have defined roles, where age and events have changed appearances, and an ending that will touch your heart.

However, at times there are just too many single, even double, page shots. This flows the pages to the end way too fast. Some panels and scenes were a bit absurd, but the overall quality of this story balances things up. Qel-Droma genuinely looks grey, as though the price of his actions have drained all colour from his features; while young Vima is bright and chirpy, the vengeful Silvar predatory and relentless.

I'll never understand why Nomi is half bald for a human woman.

Overall, if you've suffered through the earlier comics, this one is a fitting end to the series. And even if further fault is found within, solace can be taken in the fact that we are shown places we rarely have seen, and not yet another Tatooine visit for the twentieth time.

Kevin Anderson WROTE a good story? Judgement day is here...
This takes place some 10 years after The Sith War. All the characters have changed, grown old, morphed (the tiger female looks way cooler) and grown up. Nomi Sunrider's daughter is a teenager now and wants to learn to be a Jedi. Ulic Qel-Droma is hiding on some ice world and wants to die. She seeks him out to learn the ways of the Jedi. The reason I took away a star was because how she found him. Some random guy (who looks exactly like the guys at the start of the original Star Wars) took Ulic to the snow planet and she just randomly picks a ship to stall on and guess who's ship it is? 10 billion people in the universe and she picks the guy who saw Ulic a day earlier. Wow, ironic, eh? There really is no bad guy in this story, it just shows Ulic teaching the girl. The closest thing to a bad guy has to be the good Jedi tiger girl, Silvar. Anyhoo its a good book to end the series with. ... Read more

Book Description

Book Description

Amazon.com

You may have heard somewhere that Neil Gaiman's Sandman series consistedof cool, hip, edgy, smart comic books. And you may have thought, "What the helldoes that mean?" Enter A Game of You to confound the issue even more, while at the same time standing as a fine example of such a description. This is not an easy book. The characters are dense and unique, while their observations are, as always with Gaiman, refreshingly familiar. Then there's the plot, which grinds along like a coffee mill, in the process breaking down the two worlds of this series, that of the dream and that of the dreamer. Gaiman pushes these worlds to their very extremes--one is a fantasy world with talking animals, a missing princess, and a mysterious villain called the Cuckoo; the other is an urban microcosm inhabited by a drag queen, a punk lesbian couple, and a New York doll named Barbie. In almost every way this book sits at 180 degrees from the earlier four volumes of the Sandman series--although the less it seems to belong to the series, the more it shows its heart. --Jim Pascoe ... Read more

Reviews (23)

A great story of identity and finding your inner child
Neil Gaiman does it again! He takes Barbie, a marginal character in the "Doll's House" storyline and makes her into a 3 dimensional character. He also introduces some other great characters like Hazel, Foxglove, Clarissa, and my personal favorite in this volume, Wanda. After reading this tale, I was struck by how the characters matter so much in Sandman stories. How Neil cares about them so much that they keep popping up again and again in unlikely places. Even when someone mentions another person, I can tell that Neil has a character description written up for that person and they will appear in another story. Clarissa will appear again in "Kindly Ones", while Hazel and Foxglove are in both "Death" mini-series. (Also Foxglove is mentioned by another character in the "24 Hours" chapter in "Preludes and Nocturnes.")

That aside, "A Game of You" is probably the most personal story of the entire Sandman oeuvre. It's primarily the story of Barbie and her childhood dreams that become very real. The heart of the story is Barbie's relationship with Wanda which is both funny and touching. Dream doesn't appear much in this one, but the story is so good and the main characters so interesting that you won't mind at all.

The best of the Sandman
No other volume of the magnificent Sandman series so perfectly captures the darkly magical essence as this one. Many people dislike it, and many will say that you should read other tales first, but for me personally, I think that if you like "A Game of You" then you will like all others, and if you dislike it, you probably will dislike many others as well. It is not as important to the story overall as some arcs, and the Sandman himself harldy interacts with the human characters until well into the story. Also absent are most of the Sandman's family, with Death being regelated to a cameo. However, this is what makes the issue so special. It uses the Sandman mileu to create a unique fantasy world of its own, one which uses archtypes to allow readers to identify with it and yet be startled around every turn. If the "death" of the world is not heartrending, then perhaps you lack the imagination that fuels such a world. Read this and enjoy.

Pure Magic
Never content with telling Sandman from one fixed perspective for too long, Gaiman again turns the collection on its head and has yet another character (this time 'Barbie,' a supporting player in the Doll's House), provide the orientation to the text for us. Gaiman seems to be at his best when Morpheus plays more of a supporting role in the narrative. As was the case in the stellar Doll's House, A Game of You focuses on human relationships. Although Morpheus is certainly an interesting character, in the end he is, as his sister Death previously remarked, "an anthropomorphic personification:" an idealized abstraction. Gaiman's human characters, however, are fully rounded: capable of the myriad -and often contradictory- emotions that make us flesh and blood. It's Gaiman's probing exploration of humanity that really sets the series apart from other graphic novels that choose to focus on the wearisome 'superheroes and bad guys' formula. How many other graphic novels, for example, detail the ups and downs of a lesbian couple or the anxieties of transvestism? This is ground breaking stuff, to be sure, and provides much needed realness to the medium.

Barbie's adventures in dreamland bear an eerie resemblance to Frodo's in the Lord of the Rings and Dorothy's in the Wizard of Oz, and for good reason. All three works are manifestations of what Joseph Campbell terms the "hero cycle:" a rite of passage that chronicles the hero's departure and eventual return. The hero cycle is a fundamental aspect of mythology, and Gaiman's skilful usage of it affords the tale a feeling of timelessness, a structural connection to the process of myth making.

The art in this series is fantastic and probably the best in the collection to date. Shawn McManus does a wonderful job of bringing out the mood of the text: note McManus' usage of nearly pure white and black cells in the first chapter to underscore the starkness of Barbie's "dream country." Somewhat jarring, however, is the fact that Colleen Doran drew the art for only the third story. Her less detailed style essentially interrupts the atmosphere created by McManus in the five other stories.

Although this is the fifth text in the Sandman series, Gaiman demonstrates he has plenty of gas left in the tank. His imagination continues to propel him to new and strange places, and I'm more than willing to sit in the passenger's seat and enjoy the view.

great author overrated story
I have never read Sandman before this story but from what I have heard each story can stand alone. I also want to say I read neverwhere and "Sandman: The Dream Hunters" and loved them. This story though just wasn't his best work or really that good. This is my problem with the story. A lady has dreams that continue every single night like an unending story. Suddenly, one of the animals in her dreams finds her in real life. Creative? Original? This idea is all of those things? However, by the end of her story, every single one of her characters in her dreams that she likes die, you are left to wonder, what is the point??? She lost her battle to keep the creaturs in her dream to stay alive and you aren't sure if you care because they are only creatures in a dream.

On another note, although I don't like this story I have a feeling this sandman series gets better as it goes along, however this one just wasnt good, might want to skip it and read a different book in this series

Finally something different
In an age where almost all comics are aimed towards mass media entertainment, such as X MEN and the rest, it's refreshing to read comics with more depth and content to them. A Game Of You is one of my favorite books in the Sandman series. It showcases amazing characters, great storytelling, and a main character who is almost not in the book at all, which I enjoyed because the King of Dreams has always personally annoyed me with his pride and arrogance. However, on a lighter note, this book is amazing, but I would not recommend it as the first book for one to read in the Sandman series. ... Read more

Book Description

One of the best-selling and critically-acclaimed graphic novels of all-time telling the story of two supremely ironic, above-it-all teenagers facing the thrilling uncertainty of life after high school. As they attempt to carry their life-long friendship into a new era, the careful dynamics of their inseparable bond are jolted, and what seemed like a future of endless possibilities looks more like an encroaching reality of strip malls, low-paying service jobs and fading memories.

Already one of the most heavily-publicized graphic novels in history, this new edition (featuring new covers by Clowes) should make the book more popular than ever. With lengthy write-ups in Time, Newsweek, Publisher's Weekly, Details, Vogue, Jane, and many others, press interest in the book and film promises to be higher than ever this spring. ... Read more

Reviews (44)

Identity and confusion
An enjoyable comic book that can aptly be called alternative, GHOST WORLD ultimately disappointed me because I didn't find it to be much more than entertaining. To his credit, Daniel Clowes creates characters that are believable, and I'm sure there are many people out there who can relate to the story, sympathize with Enid's dissatisfaction with her life, and agree with her general view of the world. And Clowes' treatment of his teen characters, a little cruel and unrelenting, but not cold-hearted, is refreshing. But at the end, I didn't feel attached in any way to Enid or Becky or Josh, and didn't really care anyway. Yeah, it was entertaining, but so what? And though this may be a personal bias, I wasn't too fond of Clowes' drawing style, which seemed a bit clumsy and inexpressive. I don't mean for this review to sound negative. I did enjoy GHOST WORLD, and I would recommend it without hesitation to people who are looking for something different. It's short anyway, and reading the other reviews, there's a good chance you'll find more to it than I did.

Haunting little masterpiece
Dan Clowes' graphic novel, "Ghost World" tells the story of Enid Coleslaw and her best friend Rebecca during the months between their high school graduation and the following October. The girls curse a lot, obsess over freaks and strange events in their lives and eventually come to realize their childhood friendship may not survive their transition into adulthood.

Clowes has an amazing ability to zero in on life's smallest moments and find in them a fragile poetry. He's also not afraid to make his characters fallible, and sometimes, in the manner of callous youth, even cruel. Enid and Rebecca dub a waiter "Weird Al" because of his curly hair, and play a rude prank on a poor boob whose only crime was to gain their notice by placing a pathetic personal ad. And yet you won't hate the characters. They're vulnerable and honest in a very believable way, and their emotional journey through their final months together accurately depicts longing and unease, their nostalgia for things the way they were, and their need for different lives. For Rebecca, it's to hold onto things as they are, and for Enid, it's to go someplace else not to find herself, but to become someone different.

The story's also full of humor and mystery. Enid and Rebecca inhabit a world of strange grafitti, of diners and run-down apartments where things tend to happen just outside the frame, or within windows. And Clowes' two-toned, semi-realistic, sometimes cartoony depiction of the various geeks, pervos and schmoes who inhabit "Ghost World" is dead on... the dopey expressions, the sudden crises, the need to feel something and the fear that accompanies that desire... it's all there in his characters' faces.

Reminiscent of Will Eisner's work (and just a touch of Charles Burns'), and with a hip, modern feel, "Ghost World" provides a truly amazing and unique reading experience.

Didn't like the movie...
I didn't like the Ghost world movie, but the graphic novel was a lot better. There were a couple of times I got confused with people (heh, maybe it's just me) but it was funny and there were moments when I could relate to the characters and the artwork was cool what with the blue and all and so overall I would recommend it to anyone who is as addicted to graphic novels as I am.

Brillinat writing, Brilliant art
Daniel Clowes', 'Ghost World,' is a shining example on how effective the medium of the graphic novel can be when coupled with fantastic, highly literate writing. Clowes' brilliance is demonstrated with his remarkable ability in capturing dialogue and the psyches of his late-teenage female characters - Enid and Becky. In fact, their characterizations and conversations seems so authentic and natural that it's almost as if Clowes videotaped real-life snippets of actual teenagers lives and then fashioned comic strips out of them.

Unlike the movie adaptation, which had a sustained narrative, the graphic novel is comprised of episodic vignettes that seem more like a collection of short stories. These little tales are packed with so much melodrama, sharp-humour, keen observation and emotion that by the time you're finished with this 80 or so page book you'll feel like you've already digested volumes.

I can't recommend this book highly enough and whether or not you've seen the movie you definitely need to read the original source. Top quality stuff all the way through.

struggle to find who you are
I saw the movie upon recommendation from my ex-girlfriend (as if that matters), and that's the way I found this gem out, as so many others have. This was my first encounter with Daniel Clowes, and I loved it. He always maintain some self-defacing quality in his humor (see Eightball, for example), but that actually translates to the search for true self in a rather seriously frustrating (pseudo-)real-world experiences of Enid and her pals. It is quite amazing what Clowes captures in what he probably could not experience himself --- the life of a "teenage girl" who avoids to fit in, yet could not find her own comfortable niche.

My criticism is that Ghost World is too short. I find some seriously deep qualities in what are depicted; yet the development of story goes too fast that literally nothing gets elaborate enough for me to slow down and appreciate to the extend that I wish. After reading, I just wished strongly I could read more of the stuff.

Maybe that's the joy of graphic novels --- so much is left for readers to wonder. Or it is just me having read numerous Japanese comics with elaborate story lines --- I can assure that a Japanese manga artist would make 20 volumes of comics out of a cool story like this. In any case, this one certainly made me interested in Clowes other works. ... Read more

Reviews (36)

Something I thought not possible...
The Death of Superman sure surprised a lot of people, comic fans and the average joe. Who would have thought that the Man of Steel could even be beaten let alot die. The media storm that these issues built up were something unaccounted for in the comic world for a long time. People started thinking how could DC, the comics' publisher, kill off the first superhero icon, an American icon similar to McDonald's and Coca Cola, but the did and they sure did it with good storytelling and incredible art. First people should understand that this a tradepaperback collecting the comics in which Superman valiantly fought to fend off Doomsday from Metroplois. The book is not a graphic novel, thus does not read like one. Through that, the editors performed a solid effort to bring in the storyline, which is written by a group of people and the artists, thus at times, the story would be faster and then slow down. This is only due to the different creative teams responsible for bringing out the book and should not be held against them. If the comics were read individually, it would have meant a whole lot better, but since those issues have become a rarity, collecting them was the right choice all in all.

The story introduces Doomsday, a character so bestial and primal he'll make any horror monster run for his money and teh cruelty he portrays is somewhat disturbing. Not much is said about the monster's origin and that could be held as a downpoint to the story, but as mentioned since this was part of an ongoing series, his origins are mentioned and delved in deeper later on. The intrigue on why he wanted Metropolois and why Superman had to stop him are all set in motion here, but are tackled later in future issues not collected here.

All in all, this collection is a must have in the Superman mythos and those interested in Big Blue. It portrays his heart and determination to beat the odds in which he does, even though it meant his life. It is recommended that you check out part 2 and 3 of the trilogy, World without a Superman and The Return of Superman to truly comprehend the big picture of things. This book alone holds true when it comes to standing alone, but do you really want to stop there?

DC embarked on a great risk with this direction, but truly put out an actionpacked, hold on to your hats effort. They're commended for taking the big step and bringing us a good, highly acclaimed form of entertainemt.

It delivers what it promises
The death of superman is exactly what it sounds like...the death of superman. In this story, Superman fights an unknown creature called Doomsday (who is for one reason or other hell-bent on destruction) and falls in battle. The story is fast paced and has pages filled with superman and Doomsday swapping hits and all-in-all racking up a huge amount of collateral damage. In the end, Big Blue dies. This story came out when I was in junior high and at that time I felt it was the best book I had ever read but now, it is hard not to look at the numerous plot holes and loose threads in the story. But comics has matured and has come a long way but this story is still worth picking up for the buzz it generated. It's fun to read but don't expect anything Alan Moore-esque or Jeph Loeb type writing.

It's was like watching Muhammed Ali VS Mike Tyson.....
The absolute best fight in Sperman's existance!!!!!
Picture this; A creature of pure strength, power, rage. (No, not the Incredible Hulk, but at a very close proximity). On a path for an unknown reason to Metropolis. A team of powerful (even though uncoordinated) superheroes literally ripped apart by this creature (Named Doomsday by Booster Gold before he also got the ultimate beatdown). Everything and everyone in his path is destroyed and killed at a blink of an eye. One man, the ultimate boy scout, Big Blue himself is left to fend off thhis creature.
First he underestimated Doomsday's power and that changed Real Quick!!..The battle crossed all across America and the focal point is in his hometown Metropolis..When it come down to it, Superman knows that this is the fight of his life. And as the title goes, it will be his life. Once you get past the side story in the beginning you'll be in for a wild (and painful) ride of your life.

One of the best grapic novels ever
Like I siad before, I hadn't read the entire book intill the other day and still I loved it. I bought this at a book fiar for a decint price, I might have found it at a comic shop signed, by the guy behind the counter! The story is rich in creativety, art and charcter useage. The best part in the story is when the JLA got the crap bbeatin out of them by a Super-Super-Super Villian named Doomsday, Then Superman comes in and kills Doomsday and himself, at Metorpolis. This is the only D.C. comic I have but its great.

What Does It Take To Kill The Man Of Steel?
"The Death of Superman" was one of those times when a comicbook storyline became a media event. In the uncertain and cynical early 1990s, it really looked like the poster-boy for idealistic, traditional morals and the voice of paternal authority may really be headed towards oblivion. Image Comics was booming with their anti-heroes and kids were really digging the songs of Kurt Cobain. Does Superman still have any relevance in the 1990s? In fact, that was one of the underlying (yet often ignored) subtle themes in this storyline. Teenagers in school were supposed to tune in to a Superman interview on TV but many of them were uninterested in listening to a "washed-out has-been", preferring instead the obnoxious and cynical Guy Gardner. In fact, Superman's only "fan" in the story seems to be this little black orphan called Keith.

Then, Doomsday happened! A monster fights Superman for dozens of pages and Superman dies defending his beloved city, Metropolis, against said monster. That's all there really was to the plot.

But suddenly we sat up and took notice. Suddenly we realized just what we have lost. A symbol. A hero. An icon. And we see it most starkly through the teary eyes of "Superman's Girlfriend Lois Lane" and "Superman's Pal Jimmy Olsen".

DC Comics returned to iconic heroism in comics in the mid-1990s. But in the early 1990s, they had to shock the readers into realizing their folly for ignoring the "originals" - thus, Superman got killed, Batman got crippled, Wonder Woman was replaced, Aquaman lost a hand, Green Arrow died and Green Lantern went nuts. But don't blame DC. It was what the disloyal, Image-buying fans deserved... and it was what they ultimately got. This story, "The Death of Superman" is the clearest example of DC's "shock-treatment" event. It is a product of its times. ... Read more

Reviews (25)

"...the uniquely stylish art is what makes this shine..."
Frank Miller is best known for his work with Daredevil and his cult-classic graphic novel THE DARK KNIGHT RETURNS. After reading THE DARK KNIGHT, I was looking around for other graphic novels by Miller, and RONIN seemed like a good choice. Right away, I was amazed by the book's illustrations. Frank Miller uses a very interesting style here, using excessive lines to texture, animate and detail his work. Standard shading is replaced by lines going everywhere. There are certain pages in the book made up entirely of lines going one way, which gives a completely mind-blowing effect, usually of motion. The characters themselves are also unlike anything I've seen before, with sketchy faces and narrow, mean-looking eyes. They're almost bordering on an anime/manga style, yet still very Superhero-esque.

The storyline, on the other hand, isn't quite so fantastic. A nameless samurai is transported to a futuristic New York, where he pursues his arch-enemy. Don't get me wrong, it's imaginative and ambitious enough, but I found that it wasn't scripted all that well, and the pictures were the main medium for storytelling here. The uniquely stylish art is what makes this shine. The words are merely a compliment to the visuals. You would expect it to be the other way around, especially in a comic book, but once you see this, you'll know what I'm talking about. It reads very quickly, because there are often full-pages devoted just to a single action or picture. The book is only 239 pages, and thanks to this fast-paced style, you might be able to finish it in a couple of hours. However, don't let this turn you off from buying it, because you'll probably re-read it at least once, and the art truly is a sight to behold.

I'd recommend this to everyone, so long as they're willing to love the art more than the words. WATCHMEN could be classified as a stylistic opposite of RONIN, not only because the aesthetics are all-around different, but the words play a much larger part than the pictures do. Plus, in WATCHMEN, everything feels very un-animated, and the panels are mostly free of motion-lines, sound-effects and other standard, cinematic comic-book fare, while RONIN is chock-filled with such effects. Read this if you want action, style and a combination of story and art unlike any I've ever encountered.

Miller's diversity is astounding
Frank Miller is nothing if not diverse. I wrote a few weeks ago about his works, the various supe