Reviews (4)

Planetary 3
Solid installment of Ellis' _Planetary_ series. The threads begin to come together even more tightly, but remain loose enough for continued mystery as the series continues.

rare 21st century gem
Beautifully drawn and conceived.Ellis takes us on stunning walks of levity and gravity, fantasy and gritty realism.One cannot help but wonder how much is imagained and how much is based on fact.He's found the line where pop-culture and reality collide ... some of his best work, certainly, and perhaps the first great comic book to define life in te 21st century.

A word to the wise, though ... don't pick this volume up if you haven't read the first two ... you'll be missing out.

Warren Ellis is strange and a terrible writer.
The writings of Warren Ellis, well they promote drugs, paranoia, inmature dialoge between men and women, and commentey by aman who clearly hates himself and the world around him. As this load of garbage shows.DC Comics should have nothing to do with this quack's wriings, and speaking as someone who works in the publishing field as both editor andwriter.I would not give the man's scripts one passing thought, They are not worth it.

Planetary: Leaving the 20th Century
In this 3rd installment of Planetary (collecting issues 13-18), Ellis and Cassaday take their X-Files-on-steroids creation through a familiar landscape of comicbook/literary/pop culture - including take-offs on the League of Extraordinary Gentlemen, Thor, kung fu flick 'Crouching Tiger/Hidden Dragon', Tarzan, and Jules Verne's sci-fi classic 'From the Earth to the Moon'.


Warren Ellis rivals Alan Moore aned Neil Gaiman as a writer who commands repeated readings as the war between Planetary and the Syndicate(X-Files)-like 'Four' (who are themselves evil send-ups of Marvel Comics' Fantastic Four) escalates. John Cassaday's art is consistently breathtaking and more than equalls Ellis' strong writing.


Do read the first 2 Planetary graphic novels first ('All Over the World' and 'The Fourth Man') before continuing here and beyond. The good news is there is more to come.


Also recommended: Planetary:Crossing Worlds (excellent short stories outside of regular continuity); Alan Moore and Kevin O'neil's 'League of Extraordinary Gentlemen' (both Vol. I & II are great). ... Read more

Book Description

The war between three armies of vampires, humans, and those in between is in full swing. The Hellsing organization is embattled as London is falling to Nazi vampire forces, turning the city's citizens into rivers of blood and a population of ghouls. It looks like it might be the end of Sir Integral Wingates Hellsing and her henchman, Walter. But what's this? The Vatican? But that means the Vatican is unprotected. If you haven't figured it out yet, Earth is in chaos of a World War like no other. New forces will rise up, surprises of undead power will surge forth, guns will blaze, and blades will sing. There's no telling how this will end, as Hellsing clamors forward with a seething wit and a frantic pace, and style that passes beyond gothic grace. ... Read more

Reviews (2)

Has its own merits
Granted, there was a lot of setup going on in this volume, but I also thought that it had quite a bit in it that made it good on its own. There were several parts that I thought were absolutely hilarous, as well as parts that were awesome and others that were downright disturbing. There was some great action going on. I was sad that Alucard wasn't really in it much, but at the same time I think this allowed some space to develop the other characters. Alucard kicks some serious butt, but some of the other characters can be cool in their own ways, and Volume 6 really shows that. You have to keep in mind that this is part of a SERIES and that Volume Seven will undoubtedly continue what was begun in Volumes 5 and 6.

hopefully volume 7 will be better.
let me just get this out of the way, this volume was pretty much (at least, i sincerely hope), created just to set up volume 7. it doesn't really get interesting until the last couple chapters. the rest is just kind of meh. also, alucard is in this for about 5 pages. not even in a row, just spread out because he is still on the ship that he destroyed in volume 5. so overall, this book is merely ok. not the best, not the worst. i suggest this only to people who are fans of the series and want to know what happens to the hellsing crew. otherwise, this book won't interest you a whole lot. now, to count down the days until volume 7 arrives. ... Read more

Reviews (2)

Beautiful Book!! A Tribute To The Dark Knight!!!
I just recently received this book,and I can tell you it is well worth having. True, there are definitely some covers that are missing (in my opinion all of Jim Lee's covers should have been here from the Hush series. OUTSTANDING!!!) A beautifully done book to add to your Batman collection. This book does not cover all of Batman's many comic book covers, but this was not to be expected. Instead they point out some of his most daring and bold covers. Batman has had the benefit of being drawn by some of the greatest comic book artist ever. I beleive you will find it truly amazing how each one has their own distinctive style on creating the Dark Knight. So make sure you own this one. You won't be sorry. Hey, maybe they'll make a volume 2.

It's about time, for someone like Batman
Well first, it's Batman; that might be enough reason to buy it, even for the price. (I'm a collector anyway, so what's some bucks?) Anyway, it features a number of cool and "forgotten" covers done over the 65+ years of Batman being in comics. I was even surprised some of the covers of War Games got in, really nice. There are some well-written commentaries too, by artists and editors and the like, and what cover they picked.

The cover of the book itself is great. I thought it was just a hardbound book; it turns out, the dust jacket reveals some more to it. I was in awe when I opened it, well done.

My only rant, not all of the covers I wished to be there was not there. Well, that's how it is. Tec#700 and Strange Apparitons, I think, should've been in the list. Well, all in all if you have the money and would really have something to keep for a number of years, get this. Well, if not, I hope you can browse through it when you get a chance. It would be great.

... Read more

Book Description

Hundreds of years in the future, Manhattan has become a deadly slum, run by mutant crime-lords and disinterested cops. Stuck in the middle is a young girl who thought she had no future, but learns she has a great destiny. In a world so poisoned that it doesn't notice the monsters on its streets, how can a street kid like Fray unite a fallen city against a demonic plot to consume mankind? Joss Whedon, the celebrated creator of Buffy the Vampire Slayer, brings his vision to the future in this unique tale. As inventive in the comics medium as in that of television of film, Whedon spins a complex tale of a skilled thief coming of age without the help of friends or family, guided only by a demonic Watcher. ... Read more

Reviews (8)

Joss Whedon can do everything!
I loved this book! It is really good. The characters are interesting, although I don't like some of them, such as the villain (I won't name as I don't want to spoil). He didn't look scary at all. I know it was supposed to be a big shocker but they should have made him look scary now. Also, the end seemed kind of rushed. (Spoiler) The big demon whose stomach would open all demensions was a little out there. If you are a fan of Buffy the Vampire Slayer and Angel this is a good book, and I have a feeling a 2nd is on the way.

Brilliant
Buffy the Vampire Slayer creator Joss Whedon wrote this eight issue mini-series for Dark Horse Comics. Taking place in the 23rd century in a Blade Runner-esque world; young "grabber" (pretty much a thief) Melaka Fray finds her world turned upside down when a mysterious demon named Urkonn tells her that she is the Slayer. Faced with a newfound destiny, a tragic past, and plot twists and turns galore; Joss Whedon's Fray is pure brilliance from beginning to end. Whedon's interpretation of future dialogue is amusing to say the least, and his quirky humor which has always been apparent throughout his various television shows is here as well. The art by Karl Moline and Andy Owens is amazing stuff indeed; bringing a surreal look to the dark and gritty future world while showing Mel mature more and more as each chapter passes. The only problem with Fray is in it's pacing. From the time that Mel accepts her destiny to the end of the book, the war against the vampires happens too quickly. If you can get past that though, you'll find some pure comic genius here, Joss Whedon style. Hopefully, Joss will do a much requested follow up to Fray after his current run on Marvel's Astonishing X-Men (also highly recommended).

Great artwork, interesting take on the Slayer storyline
I bought this book in part because Joss Whedon is the writer of this and is the creator of Buffy the Vampire Slayer. The storyline is set centuries after Buffy and is the story of a young slayer who is more like the Faith we know than Buffy.
I found the setting to be depressing, if that is the future it's sure going to be miserable, but the artwork is great- and the story isn't too bad either.

A brilliant alternate take on the Slayer mythology
I was really impressed by this superb graphic novel written by Buffy creator Joss Whedon. While I was expecting a fun and interesting addition to the Slayerverse mythology, I wasn't expecting such a surprisingly nifty take on the mythology that Whedon had established in Buffy and Angel.

The story takes place at some indeterminate place in the future a couple of hundreds years in the future. No Slayer had been called in ages because magic had moved out of earth's dimension. But the vampires have returned, and for the first time in generations a new slayer has been called. The trouble is, apart from being a thief, she doesn't have many of the marks of a slayer--no dreams, no instincts, only the raw physical fighting ability. She is a slayer, but a flawed one.

FRAY is filled with great graphic designs, a fine central storyline, a remarkably complex set of character relations, and some quite stunning plot reversals. I love the conceit of a not-quite-complete-slayer. The fighting skills are clearly the most important part of being a slayer, but Fray has no sense of her heritage, of her destiny, of her vocation. If Buffy at least struggled against her fate, Fray hasn't a hint of what her fate is. When tells the demon who would train her that she really hasn't had the dreams or visions of previous slayers, she is telling the truth. This makes her even more isolated than other slayers, more a loner.

I think anyone who enjoys either graphic novels or any of the work of Joss Whedon is going to love this. Hopefully there will be a follow up. The story ends with things definitely open to future development. I'll keep my fingers crossed.

Not Just For Buffy Fans...
I must be ernest, I am not a fan of buffy..Yet the story of fray isn't so mutch a new instalment of slayor mythose.
even if you know nothing of joss whedons former work, know the man can write a comic book to make it both engaguing and accessable.
the plot is standerd fare, "cool, kinda bad chick is hauled reluctantly into saving the post modern world".
that is where the simmilarities to other silicone heroines stop and whedons tallent as an author and the other artists that created fray shines. the story brings you to the razor edge of the make or break point of any good comic "is it cliche?" but what we learn about frey from the hip neo-english slang to the sometimes gutwrenching fight sceens is the fact that it takes the tough chick storyline and reinvents it to both be familliar ground and yet something fresh and new.
I want to save the fun for the readers but lets just say when you finish it you will be yurning for a sequel... ... Read more

Reviews (13)

Fair Book
Golden Age of the Sith is not the best Star Wars comic I have read. I recomend it to any Star Wars fan who wants to learn more about the Sith.

Confusing start for the Old Republic Jedi
On the SW time line this is the first of the OLD REPUBLIC ERA stories released Aug 1997. Written by Kevin j Anderson, author of the JEDI ACADEMY TRILOGY (1994), KJA is one of the more important writers in the SW universe, or at least he was. He wrote the young jedi series, and those kids are now the heart of the jedi in the NJO series of books. He also wrote the Essential chronology with Daniel Wallace released in 2000. These old republic are comics have been criticized as almost unrecognizable from the jedi that luke is training.
It is not my job to defend KJA and his story, but times were different. What I can't explain away is the poor editing. All the ORE comics are confusing as heck. Most of them have no importance to the Skywalker era. The art work that gets a C grade, but Darkhorse has made tremendous strides in later comics. Comics produced in 2002 and 2003 have stunning artwork! I'll give this comic a 3 star review for starting things off.

5,000 years before Anakin and Luke
This is actually the first STAR WARS story in the entire chronology. Although be advised that it was published by Dark Horse Comics later in the TALES OF THE JEDI (TOTJ) run, in 1996-1997, as 5 issues and one #0 issue.

If you're going to read the TOTJ series, I recommend you start with this one. It's a great introduction to the Old Republic and the hidden Sith empire.

Kevin J. Anderson does a good job with the story and the characters. Some backstory on the origin of the Sith is provided. It is very cool to see the Sith and their manipulations, the conflict among themselves. The art is very good, with impressive planets and character designs. There is a nice level of detail and the coloring is above average.

I really like TOTJ because it is so far removed from all other incarnations of SW. There is so much to explore, and the history of the Sith is something that has always been of keen interest to me.

THE GOLDEN AGE OF THE SITH is a fast-paced read that entertains all the way through.

This story is concluded in TALES OF THE JEDI: THE FALL OF THE SITH EMPIRE.

Interesting SW history, but hard to like
'Golden Age of the Sith', as the other Tales of the Jedi books, is a bit of a hard sell for fans and non fans. Fans of Star Wars will buy this book to complete their collections, and just might enjoy it for it's historic tale set in the far past of the Star Wars continuity. However, the tale is so bizarre that it bears almost no resemblance to the current Star Wars universe. For some it might be a drawing point, but I think others will be turned off by this. Non fans will turn away, as the story isn't particularly intriguing and the art is sub-par. The rest of the 'Tales of the jedi' stories are much better.

Hardly the best of Star Wars
I found this to be a mixed package. Once again, I state that I've never been a Kevin J. Anderson fan. His earlier novels and comics were pretty good, but after his first few the quality virtually vanished.

The story of Gav and Jori is a bit of a bore, and even though you're supposed to feel sympathetic toward these two, I just didn't feel it. The Sith, meanwhile, turn out to be a bunch of squabling fools. The only character who is really worth a dime is Naga Shadow.

The art by Carrasco was good, though. His art style is well-fitted for the ancient 'Tales of the Jedi' series. (Any attempts to transplant him into 'modern' Star Wars, though, don't prove very fortunate, as 'Leviathan' proved.) The Sith architecture and garb is well-done, with beautiful vistas and the Egyptian-style tombs and architecture. Even the warships have a certain flair to them.

Overall, the art's about as good as the story is lackluster. Insight into the ancient Sith is unfortunately little. Flip through it, take a look at the nice, old-style art, and then I reccomend putting it back on the shelf. ... Read more

Book Description

A floating city promises hope for humans and mutants alike! But if Cable plans to be Earth's Savior, will Deadpool accept the role of Judas? Plus: the traumatic, tragic, and tantric events of "The Burnt-Offering" have left Cable - well, "regurgitated" - now Deadpool has to save the day! Even if it means confronting his fear of very big-headed villains! And the challenge of finding someone who can fix technology from thousands of years in the future.Collects Cable/Deadpool #7-12. ... Read more

Book Description

Homicide detectives Christian Walker and Deena Pilgrim investigate murders specific to super-hero cases. And with all super-heroes declared illegal, a Powers crime wave has hit the city, and hit it hard! ... Read more

Book Description

She was the catalyst that helped to turn a rag-tag rebellion into the Rebel Alliance. She provided the impetus for the "Heroes of Yavin" in their attack on the Death Star. And she was the spark that ignited the flames of passion in one of the galaxy's most notorious rogues. "She," of course, is Princess Leia, the leader - and heart - of the Rebellion against Palpatine's galactic Empire. The four stories in this volume follow Leia from the weeks just before the events in A New Hope, to the time just before The Empire Strikes Back - from her first transforming experience with armed rebellion, to facing the ramifications of consequences of the destruction of her home planet, to the beginnings of true love. ... Read more

Book Description

From one of the swamp moons of Naboo, to the war-torn cityscapes of Brentaal IV, the battles of the Clone Wars have thrown the galaxy into turmoil. New Separatist threats, ranging from deadly biological weapons, to dark Jedi, to unkillable alien bounty hunters, have the loyalist Jedi and their clone troops pushed to their limits. This graphic novel collection contains three separate, yet linked stories of heroism and sacrifice set during the time between Episode II and Episode III! ... Read more

Reviews (3)

SUPERB QUALITY CONTROL WORKS.
I have been critical of the occasional lack of quality control by lazy editors at dark horse. But this comic is magnificent! I had tripidations when i realized that two writters, 3 pencilers and 3 inkers were involved. But the editors and everyone else did their jobs and the results are tremendous.

The master plan for the entire PRE-QUEL endeavor has been very satisfying so far, unlike the extremely disappointing NJO. Here the master plan combines excellent novels and comic books with the movies to tell the story.

Excellent followup to volume 1. Great job Lucas films and darkhorse.

The New Face of War
The Clone Wars rage on in this exciting volume.

This book contains the first appearances of the two new villains of the Clone Wars: the bounty hunter Durge, and Asajj Ventress, the female Dark Jedi.

If you saw the CW animated series than you are familiar with these villains. They are great new characters, and are the new face of war. Durge has a very cool look as well as an entertaining personality and dialogue.

The art is handled by three artists, all of them excellent. This features the first time Brian Ching drew an issue (Republic #53), and it's nice detailed work. Jan Duuresma is outstanding, as usual. Tomas Giorello also does a commendable job.

Dark Horse is really doing tremendous work with Star Wars right now. In my opinion, the current SW comics are among the best they've ever published.

The Wars continue...
Anyone who has read the first collected comic "Star Wars: Clone Wars; Volume 1" knows that the art work and story lines are excellent!!!

This issue expands on the conflict of the Clone Wars and develops the characters more so you can really get a feel for who they are and how they act, especially the Sith Warriors. Volume 2 contains much more action than Volume 1 and leaves you wanting the next Volume already!

If you have a love for Star Wars and the expanded universe of the comics; or if you just love a few great war stories in a sci-fi setting, this is the comic for you. However it should be said that although this comic can be read without reading the first volume, those that have read the first will enjoy this comic more as they can notice the character development and know the origins of some of the conflicts in this volume.

Happy reading and (Always wanted to say this), May the Force be with you! ... Read more

Reviews (50)

Solid, but ultimately disappointing, Batman murder mystery
This graphic novel gathers together all 13 issues of "Batman: The Long Halloween", written and drawn, respectively, by Jeph Loeb and Tim Sale. The story revolves around Carmine "The Roman" Falcone, the ruthless head of Gotham's fiercest gangster empire. The Roman is responsible for countless murders, hijackings, and crimes throughout Gotham, but authorities have never been able to convict him (most of the graft-ridden city is either on his payroll or bribable). Batman, along with a young Captain Gordon and headstrong District Attorney Harvey Dent, is determined to rid Gotham of Falcone's corruption, but he soon learns that a mysterious figure may have already beaten him to the punch: a serial killer, known only as "Holiday", is currently on the loose in Gotham and preying on members of Falcone's extended "family". Batman, Gordon, and Dent now face a combined problem: bringing Falcone to justice, while also ending Holiday's deadly spree.

One of "The Long Halloween"'s primary goals is to provide backstory on Gotham's crime lord past, and this is where the novel truly shines. Readers finally get to see the crime organizations that controlled much of Gotham in the early days (this dark past was hinted at in other Batman stories, but it's more fully explored here). In addition, "The Long Halloween" contains a fascinating retelling of Harvey Dent's past, which will be warmly welcomed by fans of this sometimes morally-dubious friend of Batman's. Unfortunately, readers hoping for a significant glimpse into Batman's own psyche will be sorely disappointed; Batman remains a cipher throughout most of the novel, speaking always in a terse, stacatto rhythm and providing little in the way of a glimpse into his mind's inner workings.

While "The Long Halloween" is competently written, it suffers from a lack of originality and a workman-like narrative drive. The ideas explored here (Italian gangsters and serial killers) are mildly intriguing within the larger context of Gotham, but Loeb doesn't infuse them with many new twists, so they remain tired cliches in this story. Also, in an attempt to give an "epic" feel to this saga, Loeb introduces many of Batman's most infamous foes into the mix (The Joker, The Riddler, The Scarecrow, and The Mad Hatter are just some of the villains on display here). However, the characters are introduced and then dispatched so quickly by Batman, that they don't provide any real sense of drama (in fact, at times, they almost seem to be there for comic relief, which doesn't seem quite right). I think this story would have benefitted from focusing on a much smaller handful of villains, rather than the scattershot approach it takes.

I similarly found the ending of the story and the mystery to be somewhat unsatisfying, although I acknowledge that this is a matter of individual tastes. While it's interesting to see Batman (and Gordon and Dent) involved in such a bizarre murder mystery, the story doesn't play fair with the standard "rules" of the genre--some may say this makes for a breath of fresh air in the Batman universe (and the mystery genre itself), but I think it amounts to a bit of a cheat for trusting readers. In the end, it's difficult to tell just how ambiguous Loeb intended certain elements of the mystery to be; in fact, there's a convincing argument to be made that some of the ambiguity is merely due to sloppy storytelling. Gotham and the larger Batman universe provide fertile ground for this style of mystery, but "The Long Halloween" ultimately fails to deliver on that promise.

Fantastic early-career Batman story
Long Halloween works on so many levels. I went into this book knowing how it was going to end and it still captivated me. It is both a murder mystery and a story of a fall from grace. The main plotline-the mystery of the identity of a serial killer who murders members of the Falcone and Maroni crime families every major holiday-almost takes a back seat to the tragic transformation of Harvey Dent, who starts out as Batman and Captain Gordon's partner and friend and becomes one of their greatest foes by the end of the story. This series ranks alongside the Killing Joke as an important piece of Batman continuity as well as examining Batman's relationship with his enemies. Loeb's writing is good minimalism, packing so much power into so little dialouge. Tim Sale's artwork is just beautiful. He is one of the most talented pencilers ever, and breaths new visual life to several Batman characters. The series is lenghty but it is also fast paced and can be read in a relatively short amount of time. The pacing of the artwork is near-perfect, save for the unsettling abundance of splash pages. This series also well balances Batman's foes between pyschologically and physically deformed supercriminals and regular human gansters. After reading this and the first issue of its follow-up Dark Victory, one can only wonder why team Long Halloween does not work on a regular Batman title.

My favorite Batman book, part 1
This is the book that got me back into graphic novels/comics. A lush, noir-esque story with great twists and turns as well as a new take on a classic villian that retains the basic origin while expanding it slightly.

It's set early in Batman's career, before Robin and before his role was clear in the eyes of police. The only person who believes in him and what he's doing is Jim Gordon, at this point only a lieutenant in the police force.

Fantastic art and a brilliantly written story. Jeph Loeb and Tim Sale have quickly become my favorite tandem in graphic novels. Brilliant work! Brilliant!

Great Two-Face Story, Terrible Batman Story!
Here's another offering from the kings of retro, Jeph Loeb (writer) and Tim Sale (artist), reexamining Batman during his mythical "Year One" period. If you believe the intro to this volume, this story was meant to be a sequel to Frank Miller's classic retelling of the Dark Knight's early days in "Batman: Year One" (1986/7). As a story, this work is pretty weak in many areas; as a sequel, is simply falls short of the tight, mature storytelling of Frank Miller's original.

The story centers on the Roman family (originally introduced in "Batman: Year One"), a serial killer who offs people in creative ways during holiday seasons and the trio out to stop the crimes - Batman, Jim Gordon and Harvey Dent. Tim Sale is especially suitable for a work like this - his moody, atmospheric and splash-pages art are truly a sight to behold. You feel yourself being sucked into Batman's Gotham. My primary complaint is with Jeph Loeb's writing. Like my previous review of "Superman for All Seasons", my views of the man's writing hasn't changed. I like HOW he writes - I just dislike WHAT he writes! He's a great scripter, providing witty, timely and simply apt dialogues and caption boxes that the whole thing read very smoothly even though it runs into 300+ pages. The problem is with his insipid plotting. He should have someone else plot his tales and script over them. For example, in order to maintain the novelty of "holiday-themed killings", the story is stretched across THIRTEEN months and countless murders - and finally Batman catches the killer (but we are told that he got the wrong guy). And this is the "World's Greatest Detective"? Meanwhile, Batman consults a Hannibal-Lecter-like Calendar Man who is incapacitated in prison but seemingly knows the identity of the killer (?!?). See the problem? Batman, Gordon and Harvey are supposedly super-cops and they run around like madmen without a clue to the killer and you have this locked-up guy knowing the truth behind everything? Granted, Loeb was trying to set up a "Silence of the Lambs" scene with Calendar Man but therein lies the weakness of the whole thing. It is a scene set up for its own sake and doesn't contribute anything to the STORY. We live in times wherein comic writers are a lot more influenced by TV and movies than literature. And Loeb, former screenwriter, epitomize this new breed of writers who set up cool scenes, writes clever dialogue, provides the atmosphere with the right artistic collaboration but ultimately delivers something very hollow and shallow. "The Long Halloween" is often compared to the pulp classics of Chandler and Hammett. I disagree vehemently. Loeb and Sale gave us "mood" and "cool scenes" but ultimately the story is without gusto, the characters lack the machismo and grit of true noirish anti-heroes, and though the atmosphere is there, it lacks the tight, all-encompassing claustrophobia of the great noirish works.

The only redeeming factor in this work is the retelling of Two-Face's origin. Loeb is especially great in the quiet "character" moments and here, the tragic story of Harvey Dent's transformation into Two-Face is beautifully retold. But Loeb's strength is often his most-glaring fault at the same time. For example the book begins with a full-page drawing of a grim-looking Bruce Wayne muttering, "I believe in Gotham City" - a scene I found to be laughably out-of-character for the flamboyant playboy persona of Bruce Wayne! This kinds of out-of-character scenes abound throughout the story. All in all, this story should have been better written by a more gritty writer like Greg Rucka or Ed Brubaker (both of them have written far better Batman stories than Loeb here).

My favorite Batman book, part 1
This is the book that got me back into comics! I've been a Batman fan for years but these two guys reeled me in to the comics.

This story takes place early in Batman's career. How early? No Robin, Harvey is still "Apollo" Harvey Dent, and James Gordon is still married to his wife. It's essentialy a murder mystery involving the Falcone crime family, back when there were REAL criminals running Gotham as opposed to the classic Bond-villians-on-acid criminals! Members of this family are being hit and the killer leaves macabe souveniers related to the holiday on which the murder occurs. Everyone is suspect, the conclusion is startling; everything I love in film noir murder mystery!

The art is more realistic than other Batman books. My only quip is the way catwoman was designed. They reached the design apex on the animated series. But in this book she has large eye holes, large ears, and whiskers in a attempt to make her more cat-like. Selina Kyle is WONDERFULLY done! The best drawn character is the Joker, he's my favorite anyway!

This is my favorite book because it's back to the essentials: Batman kicks the crap out of criminals, no supernatural stuff, and a great emotional comples for our hero! Bravo! ... Read more

Book Description

Magneto, the X-Men's deadliest villain, returns. They've faced the Weapon X program, Proteus and even the superhuman strikeforce known as The Ultimates. Now, still licking their wounds from their prior battles, can Xavier's mutant team possibly survive the return of their most powerful foe? ... Read more

Reviews (5)

Magneto is back for his rematch with the Ultimate X-Men
One thing that was always impressive about the X-Men was that it was one of the few superhero comic books where the definitive villain popped up in the first issue. Of course we are talking about Magneto the Mutant Master of Magneticism. The same thing was true for "Ultimate X-Men," where Marvel essentially restarted the series in contemporary times, reconceptualizing some of the core elements. For example, this time around the original X-Men combine Cyclops, Marvel Girl, Beast and Iceman from the first lineup with Storm and Colossus from the second (with Wolverine being recruited from the dark side so that he can appear on every cover of the trade paperback reprints). The result is a lot of familiar items are condensed into each story arc, which is then collected into a trade paperback.

"The Return of the King" is Volume 6 in the "Ultimate X-Men" series and the title, of course, refers to Magneto. In the first volume in the series the X-Men fought Magneto and not only defeated him, but also apparently killed him. However, this turned out to be one of Professor X's mind games; he convinced Magneto that he was Erik Lensheer, unaware of his past life as a mutant terrorist. When the Brotherhood of Mutants discovers Magneto is still alive they find him and remove the mental blocks Xavier had placed in his minds. We are now back to the beginning in many ways, except this time around both Magneto and all the homo sapiens are very wary. In fact, the Bush Administration has Nick Fury and S.H.I.E.L.D. going after all the mutants, including the X-Men. Since they already have Xavier in custody, stopping Magneto is going to be a problem.

Actually, stopping Magneto is always a problem. For a long time I have been convinced that Magneto would actually win and the reason I liked the first volume of this series so much was that I thought it recognized this fact by having Professor X and the X-Men going up against Magneto and the Brotherhood of Mutants go at it just once for all the marbles. In the end Magneto should have been dead because he should be unstoppable in a rematch; indeed, look at what ends up doing in this one, extending his magnetic reach across the entire planet. Besides, if you can explode nuclear reactors, why stop at just one? Magneto is simply the most dangerous super villain in the Marvel (or Ultimate) universe. When they were retooling him they should have ratcheted down his power level a couple of notches (Actually, they should do the same thing for Xavier as well).

But since Magneto winning would mean coming up with a new title for the comic book, Magneto has to be defeated. Once again the key is getting his helmet off of his head and while I like the way that happens this time around, I still do not really buy that anybody could get close enough to actually do it. Besides, as is often the case with these Ultimate titles, things end up reflecting the blockbuster movies (e.g., Magneto, living in a plastic cage). Clearly one of the defining elements of the X-Men today is the relationship between Charles Xavier and Erik Lensherr and the first issue of "Return of the King" provides an encapsulated version of their history (as well as a new explanation for how Xavier ended up in his wheelchair). Certainly there is something to be said for the ongoing debate that the pair have been having for over a decade.

Collected in "Return of the King" are issues #26-33 of "Ultimate X-Men," written by Mark Millar, and illustrated by Adam Kubert and David Finch, with Ray and Ben Lai. The most interesting addition to the X-Men mythos this time around is the sub-plot in which Wolverine finds a way to get Cyclops out of the way so that he can make a move on Jean Grey, especially given the intriguing idea that Logan and Scott are Charles and Eric, the next generation. Most of the relationships between the Ultimate X-Men (e.g., Colossus and Wolverine, Beast and Storm) are more interesting as well. Sometimes I think the "Ultimate X-Men" is overloaded with ideas, but for those who remember Marvel's Mery Mutants from the very beginning the changes are always something to think about.

Final Question: Since the Ultimate version of Nick Fury is African-American (apparently there were Howlin' Commandos in the Vietnam War), does that explain why Colin Powell was omitted from the White House discussions while Dick Chaney and Donald Rumsfeld were not? Just curious at that rather interesting omission.

The Ultimate Tale of The Ultimate Heroes
This TP collection contains the finest story arc yet for The Ultimate X-Men. Magneto is loose. The Ultimates want him after he has massacred hundreds of innocents in bridge collapse, and they figure the best way to get him is through The X-Men. Meanwhile, romantic jealousies lead to tragedy and betrayal as the Wolverine, Scott Summers , Jean Grey triangle goes over the boiling point. This series coincided with The Ultimate War, which you should read as well. Heck, read The Ultimates so you understand what this is all about. Great art, breathtaking plot twists and the great dialogue that only Mark Millar can provide. Don't miss this collection!

Contains "Ultimate X-Men" issues 26-33 (Not Just for Kids)
I have the hardcover "Ultimate X-Men" volumes 1 and 2 [covering issues 1-25] and the paperback, "Ultimate War". The title page includes a brief synopsis that should help you understand what's going on if you haven't read the earlier volumes. If you want a roll call, this volume includes the "ultimate" line versions of Magneto, Professor X, Dr. Moira MacTaggert, Nick Fury, Sabretooth, Multiple Man, Mastermind, Nightcrawler, Forge, the Blob, Iceman, Colossus, Storm, Wolverine, Jean Grey, Cyclops, Shadowcat, Rogue, and a mutant called Detonator whom I have not run across in the regular Marvel X-Men, but I'm still catching up. There's also a cameo by another mutant, but I don't want to spoil the surprise.

This book opens by showing us how Magneto and Prof. X worked together, how their friendship deteriorated over several years, and, in more detail, how Magneto crippled Xavier. Then it moves into the present day and Magneto's progress on his refuge for mutants as well as the unpleasant scene where he deals with plans for a satellite mutant tracker. Meanwhile, the X-Men-in-hiding are dealing with Magneto's brotherhood in the hope of rehabilitating their image.

Is the rumor that Wolverine deliberately left Cyclops to die in the Savage Land true?

In the grand tradition of comic book villains, Magneto tells our heroes something of his frightful plan for eliminating the human-mutant relations problem. The X-Men have only a week to find Magneto's hiding place and save the world. (Let me just say that a machine, different from and much more powerful than the one used in the first X-Men movie, is involved.) The final battle certainly kept my interest.

During most of the action, Professor X is being held prisoner in a S.H.I.E.L.D. detention camp for mutants suspected of being terrorists. He refuses to betray his students, of course. I reread his words of encouragement to a fellow prisoner after rereading earlier volumes and those words became a little unnerving near the end. Why?

Because of what Prof. X tells Nick Fury and what he tells Magneto when they meet again late in the book. You won't have to have read the earlier volumes to speculate on whether or not Xavier is telling the truth. I'm afraid that he *is* telling the truth. If so, that would explain a couple of his moves in earlier volumes that I found incredibly stupid -- and would make this version of Prof. X a little scary.

Ignore the "9-12" age group recommendation. While they might enjoy the action, I think you need to be older than that to fully appreciate this book.

Covers Ultimate X-Men # 26-33
First keep in mind that this should be considered an alternate universe version of the X-Men. That way you won't be screaming about the differences from the regular comics. If you've already read through volume 5, "Ultimate War", the opening does not pick up where that left off. It traces the rise and fall of the partnership between Professor Xavier and Magneto for the first 20 pages or so.

Magneto is getting ready to destroy the entire human race, except for a token man and woman. The X-Men are in hiding, although they do make an attempt to rehabilitate their image and track down Magneto. Prof. X has been moved to that detention unit for mutants in Cuba that was threatned in "Ultimate War". Cyclops is not dead (was anyone expecting he would be?), but he's not in good condition. Of course the X-Men will save the day, Prof. X will escape, and Magneto will be foiled, but there'll be plenty of fighting, explosions, and a threatened nuclear meltdown.

Loved the part where Storm meets the Beast's parents, not to mention having my suspicion about Xavier's cat confirmed.

The final scene between Xavier and Magneto is my favorite part of the book.

X-cellent!
I enjoyed this volume greatly! This picks up from the very badly drawn volume five, the X-Men are recovering from their attack from the Ultimates, and Professor X is still held captive. Many things are revealed in this volume...and the action is extraordinary! I was a bit disappointed that the cover isn't how it's viewed on this page (of course it has Wolverine on the front; but that pic wtih Magneto rocks), but I got over it. Buy your copy today!!! ... Read more

Reviews (30)

Worth the wait
Note: this review refers to the recently released Ultimates TPB entitled Homeland Security. After managing to take down the Hulk, the government sponsored superhero team called the Ultimates have run into some problems. A shape changing alien race, which are responsible for some of humanity's worst moments (Captain America fought them in World War II) are once again rearing their ugly heads with a plan to wipe out the human race. Sad part is, the Ultimates are in shambles with Janet Pym AKA Wasp severely injured by her husband Hank AKA Giant Man, who himself goes on the run with Captain America in pursuit to teach him how to properly treat a lady. New members Hawkeye, Black Widow, Scarlet Witch, and Quicksilver are introduced as well as the team unites to defend the planet. The issues contained in Homeland Security is where the Ultimates really shines, improving on the first few issues by far. Mark Millar has cleverly crafted a modern day version of the Avengers while staying true to their original roots, while Bryan Hitch's artwork is better than ever. All this leads up to the upcoming (hopefully, many single issues of the series were loaded with shipping delays and would not reach shelves for months at a time) Ultimates Vol. 2 monthly series which Millar has hinted at will change everything you think about this modern day Avengers team. All in all, out of all of Marvel's Ultimate line (the new Ultimate Fantastic Four is impressive as well), the Ultimates is something really special.

Humanizing the Superhuman
Not particularly fond of Marvel's Ultimate line, I usually approach any of Marvel's 'Ultimate' series with hesitation. However, I was never that big into the Avengers, so I figured I would give The Ultimates a shot, and I was very pleased with the results.

Once again re-imagining and re-telling the story of one of their most famous super groups, Marvel captures a whole new dimension of story-telling with the Ultimates. Making them seem like real, ordinary people with real problems is probably one of the best parts of the entire story. Of course, there is plenty of action and fighting to go around too. Alot of the character's origins and general appearences have been changed too. For example, instead of Tony Stark having a terminal heart condition, he know his an inoperable brain tumor. Nick Fury is probably the most dramatic change, in that instead of being a grizzled, cigar chomping World War II veteran, he's a blatant Samuel L. Jackson look-alike with attitude and spunk. An interesting reworking of Fury, but I could've done without it, despite how it fits with the story. Hank Pym and his wife Jan Pym, Giant Man and Wasp respectively, have marital problems, with Hank being an abusive, chronic alcoholic. The entire comic seems to revolve around the telling of everyone's personal lives, which gives all the characters alot of depth. Finally, Thor is the son of Odin from Asgard who has spent more than his fair share of time in a mental institution, and is now a peace-loving pacifist...until it comes time to defend the world.

From Tony Stark's pompous, rich jerk attitude to Captain America's good old American spirit, The Ultimates is definitely worth the read. The interesting spin on the Hulk and other story elements make this one of the best Marvel re-tellings yet. The only thing that bothered me was that the comic got a bit too political at times. I appreciate seeing the inclusion of real-world problems into the comic, making it that much more realistic and adult, but sometimes it got just a wee bit critical and outspoken. But all in all, The Ultimates was a fantastic read that I just couldn't put down. When I got to the end I was thirsting for more, and The Ultimates: Volume 2 definitely delivers after this great introduction. Great job from Marvel.

Homeland Security
The Ultimates are America's team. They are funded by the government to fight nasty villains, terrorists, and any other badguy Mark Millar can come up with. The members of the Ultimates have a very real feel to them, and they are profoundly more realistic and human than, say, Ultimate Spider-Man.
Now that that's out of the way, on to the actual comic itself! The Ultimates, having recently taken down the Hulk(a.k.a. Bruce Banner), they now realize that the Wasp, wife of Giant Man, has been brutally injured by her husband. Also, Giant Man has run away, and he is nowhere to be found.
On top of all this, The Ultimates uncover that an alien race, dubbed the Chitauri by the Aficans, have reamerged, and that, by the end of the first issue, Captain America has gone to find Hank Pym(Giant Man).
With his team rapidly disentigrating, Nick Fury has to call for the aid of Black Widow, Hawkeye, and, most surprisingly of all, Magneto's children.
When Black Widow and Hawkeye take down an alien cell in two office buildings, the Ultimates realize that they have a problem on thier hands. They are the only ones who can stop them, and Cap is still nowhere to be found.
Finally, they find oiut that Cap has had a huge fight with Hank Pym, and that he broke his jaw, thus putting him out of action. It is only after Cap returns that they finally head for a secret base of operatons for the aliens. Once there, thaey too late realize that it's a trap, and by the time they do, it's (almost) too late. The island explodes, and the Ultimates are nowhere to be found.
Too find out what happens after this point, you'll have to buy it for yourself. Needless to say, though, the volume escalates until you you the last two ussues, which are basically just a collossal war btween the surviving Ultimates and the entire Chitauri fleeet, plus an old "friend" from Captain ASmerica's past.
The main good things about this are that
1.The art by Bryan Hitch is SUPERB.
2.The writing by Mark Millar is FANTASTIC.
3.The volume is STUFFED with both action and development.
4.Hey, it's the Ultimates. What's there not to like?
Unfortunately, nothing is perfect. The Ultimates' main flaw is that it takes forever and a day to ship. (The issues say that it ships monthly. Don't believe them-it's a lie) In other words, unless you are a VERY patient person, wait until the volume comes out to buy this, because takes forever.
Luckily, the Ultimates is well worth the wait.

ONE OF THE BEST COMIC BOOKS OF OUR TIME
The Ultimates, as most of you may already know, is Mark Millar's new take and new look on the Avengers. Millar's story, combined with Bryan Hitch's awesome artwork, makes The Ultimates is one of the best comic books of our time.

The Ultimates is an almost totally new look at the Avengers. The story is set at the present timeline(2002) and this time, the Avengers now works as a military group. The Ultimates is a super-hero team built to protect America from super-human attacks and acts of super terrorism that can no longer be handled by the military. The team is headed by Nick Fury, who is still the head of S.H.I.E.L.D. Among its members are Steve Rogers (Captain America), who is the team leader, Tony Stark (Iron Man), Hank Pym (Giant Man), his wife Janet Pym (The Wasp), Bruce Banner (Hulk) and Thor. New recruits such as Black Widow, Hawkeye, Quicksilver and Scarlet Witch are also added later on in the book.

Readers will also get to see the Avengers in a dimmer, darker and more mature storyline this time. Its story is much more interesting and intruiging this time. Millar did a good job of making The Ultimates fun and full of action, while still keeping the storyline dim. Hitch's pencils and Currie's inks also raised the darkness and maturity level of this comic book.
Mark Millar really outdone himself in this book. The story is very creative, it manages to be deep, intruiging, and would you believe, even realistic at the same time. Almost all of the characters in this comic book have been retold and remade. For example, Thor is now a hippie who drinks booze and protests for human rights and stuff like that, but is still the all-powerful, hammer-wielding Norse God that we love, only without the accent. Hank Pym, also known as Giant-Man, is now a hunky scientist who is witty and funny, but at the same time has an ego and an inferiority complex that could tear apart everything he loves, and he proved it by almost killing his wife Janet after an argument. Nick Fury is now a black man. Need I say more???

In other words, THIS IS AS HUMAN AND AS REALISTIC AS THE AVENGERS ARE EVER GONNA BE. I've never seen such realism in comic books in my life. The characters are heroes, yeah, but at the same time almost all of them have negative traits or dark secrets that could destroy the team. Emotions, egos and personal agendas now play a big part in the story and characters, which makes them more vulnerable not only to their enemies, but to each other as well. (It was jealousy that started the Hulk rampage and Giant Man's almost fatal assault to his wife.)

However, the Ultimates still managed to stay true to each member's roots, even for a little bit. Cap is still the responsible and patriotic fighting machine that he always was (although much more gritty and emotional this time), Hulk is still the strongest there is, Thor is still the all-powerful Norse God (although much more human this time), Quicksilver and Scarlet Witch are still Magneto's offsprings and Tony Stark is still a billionaire playboy.

The way Millar built the characters is also amazing. Millar made sure that each member of the team is built up well. Millar made sure that readers will be able to know the roots of each Ultimate. And unlike in other team comic book titles where some characters gets more presentation and time than others, The Ultimates gives each character his/her fair share of exposure. No one gets overexposed and no one gets forgotten.

The action "scenes" are also unbelievable. You can almost feel everything that is happening in the book. Although I admit that it took a while for the Ultimates to get some action, it was well worth the wait. Chapter 5:The Hulk Does Manhattan gave me one of the best fight scenes that I have ever seen. Every fight/battle scene is detailed to the nth degree. Just read Chapters 1, 5, 8 and 12 and you'll know what I mean.

Next up is the artwork. Bryan Hitch, is without a doubt the best penciller I have ever seen. You might think Im overrating him, well maybe I am, but so far, I haven't encountered a review that says otherwise. Every character is detailed to the bone, and his new designs on Captain America, Thor and the Iron Man armor is fantastic. The backgrounds are unbelievable, certainly the best background in a comic book that I have ever seen. Without Hitch, The Ultimates won't be this good. HITCH'S ARTWORK IS PERFECTION. Trust me on this.

Of course, there are also some negatives about this title as well. First of all, some of Millar's lines are a bit cheesy and dull. Also, I'm not really sure about Giant-Man's outfit, and I don't think The Hulk's "horny" attitude is right for him. But probably the biggest flaw of this comic is not in the comic itself. For me, its biggest flaw is its shipment. It usually takes 2 months or more for the next issue to come out! I feel irritated whenever I finish a chapter, knowing that I have to wait patiently for another 2 months or so to find out what happens next. And its irritating because I'm telling you, The Ultimates WILL leave you hanging at the edge of your seat, and it WILL leave you craving for more.

OVERALL, A COMIC BOOK MASTERPIECE. I know that some people will not agree with me on this, and a lot of people will think that I am overrating this comic book, but I don't care. Traditionalists probably won't agree with me because of the major changes that was done to the Avengers and their enemies, but I personally believe that these changes improved the Avengers a lot. Personally, I believe that this comic book is sheer genius. Millar, Hitch and Currie did a heck of a job. This is the best comic book Marvel has produced in a long time. For me, simply one of the best, if not the best, comic books that I've ever read.

Wonderfully Illustrated, but falls short of the mark.
I was intrigued when I heard about the Ultimates, which is in essence a reformation of the original Avengers. Although the illustrations were very well done, the story was so slow and badly put together that by the end of the story, I both wanted more, and much less.

The plot was both frantically paced and embarrasingly slow at the same time. Nothing was happening, but the story seemed in such a hurry to get there that I felt like I was missing something (perhaps I was). Millar does a pretty good job giving some background on Captain America, but none of the other characters get more than a passing nod from a standpoint of character development. Perhaps this is just as well, as seeing Thor as a tree-hugging raver (ala Woodstock '99) and seeing Dr. Bruce Banner as a pathetic weakling with more fears than brains struck me as uninventive and even a little lazy.

A particularly galling development in this "retelling" is the position of the Ultimates as a branch of the US miliary. Keeping aside the idiocy of having a Norse God in the US military, of all the Avengers, only Captain America has the type of character to follow orders and obey. Iron Man and the two scientists (Giant Man and Banner) would probably be somewhat suspicious of this dubious "honor" to serve one's country. My thought is political correctness in the post 9-11 world won't allow for rogue groups operating outside of the vast government's auspices.

Lastly, what's with all the celebrity worship? A full two pages are spent discussing who's going to play whom in the upcoming movie (Nick Fury's character appears to be drawn with Samuel L. Jackson in mind). Dinner with Freddie Prinze Jr.? Marketing meetings and PR sessions? What's with this garbage? All of these efforts serve to elevate the possible saviors of the world to the status of N*Sync or VH-1 Divas.

If you're into the Avengers, go back and read your old issues. There's nothing to see here. ... Read more

Book Description

The ULTIMATE titles are well-known for adding a unique twist to classic Marvel characters...and you better believe they're about to get a whole lot more twisted!One of the most ruthless villains in the history of the Marvel Universe, the fan-favorite Carnage, gets the Ultimate treatment!And though young Peter Parker has proven himself time and time again on the field of battle, can even he hope to defeat this heartless killing machine? Collecting ULTIMATE SPIDER-MAN #60-65. ... Read more

Book Description

Babylon 5 creator and Amazing Spider-Man writer J. Michael Straczynski presents a new vision of a world about to give birth to its first generation of super-heroes! Follow the origins of these new heroes and anti-heroes - from their birth through adulthood - and examine how their lives and abilities change and shape the world around them. The god-like Hyperion discovers his whole life has actually been an elaborate government-made lie, and his reaction could mean the end of the Earth! Do the world's other super-powered beings have any chance at stopping Hyperion if the truth sends him over the edge? ... Read more

Reviews (6)

pretty good
in case you were wondering, this collection includes 10 issues:

Uncanny X-Men 210-213
X-Factor 9-11
New Mutants 46
Thor 373-374
Power Pack 27

technically an issue of daredevil also tied into this crossover, but it's not included here.

crossovers are always fun, but as another reviewer mentioned they tend to meander. the writers didn't seem overly concerned about keeping the crossover self-contained, so a lot of the comics bring up events that don't get resolved until after the events in the books contained here. most of the backstories are explained enough that newbie readers shouldn't be too clueless, although if you're new to the x-men you should start off w/ the essential x-men series.

highlights: great fight w/ psylocke, wolvie, and sabretooth; apocalypse assembling his four horsemen; angel getting overwhelmed by the marauders.

minor gripe: WHY does thor not have a beard on the cover when he does at the time of these comics??

Really complete
If you want complete stories, then you are not going to do much better. If you want to see the X-Men in a state of war, then this is a far better storyline than the X-Tinction Agenda. Lots of mutants, lots of fights, and lots of poignant moments, from the injuries that led to the creation of Excalibur and Archangel, to Psylocke joining the X-men, to the death of so many Morlocks. The inclusion of Thor and Power Pack was well-handled. This novel can not be more highly recommended.

Mutants aplenty
Excellant graphic novel. One of the better X-men novels. Allstar cast includes X-men, X-factor, New Mutants, Power Pack, Morlocks, Marauders, Apocalypse and the beginings of his four horseman, and the Mighty Thor. Only dissapointment was not seeing Thor pummel the overrated sabertooth like the insignificant flea that he is, who comments that he would have torn Thor to shreads. All in all I highly reccomend this.

Good Story With Too Many Extras
I'm a comics fan and like most people I got my comics start with Marvel. I eventually bought more than Transformers and G.I. Joe and I got into X-Men. I think this graphic novel epitomizes my feelings about Marvel in general and the mutant comics (X-Men, X-Factor, etc.) in particular. The story here is a compilation of all comics from the storyline. The story is straight forward, a group of mutants has set out to kill all other mutants but in the process the story has to conveniently cross-over into Thor, Power Pack and more. Marvel does this to increase their readership on other titles. Since this is a trade paperback you get everything in order for one price. When reading the story in this fashion I began to see how annying this was since the story meandered due to the cross-vers that were barely related but I also felt sorry for those who bout the cross-overs off the shelf since they spent a ton more than they probably intended to.

The story itself is good but reads more like it's for the die hard fans, not really for comics and graphic novel fans looking for something more to read.

Good story, lots of action, & Sabretooth vs. Wolverine!!!
A good story with good art, featuring the first appearence of the Marauders, the foundation for Excalibur, the loss of Angel's wings, and the deaths of most of the Morlocks! There are two Wolvie vs. Sabretooth battles and some sub plots featuring X-Factor, Power Pack, Thor, and the New Mutants. ... Read more

Amazon.com

Tom Veitch's original comic strip story traces Luke Skywalker's entrance into the Dark Side in the years after the fall of Darth Vader. The Empire is fragmented, and the Rebels seem on the verge of winning their long struggle when the sinister power of World Devastators emerges from the galactic core. These Devastators chew up worlds and manufacture robotic war machines out of the resources they consume. Luke's dark journey seems the only way to halt the massacre. But despite the importance of Luke in Dark Empire, the portrayal of Leia as an emerging Jedi is really the centerpiece of this volume. Married to Han (who goes flat in Veitch's hands) and with two children, Leia is torn between her role as mother and her role as Jedi warrior. While the story sometimes jumps too quickly between major scenes, Veitch does a good job of capturing the epic feel of George Lucas's masterpiece trilogy. Cam Kennedy's artwork is mixed in quality. Some of his drawings of the Millennium Falcon, hunter-killer probes, and robotic TIE-fighters seem to leap directly from the movie screen, while his human figures (especially of Han and Luke) can appear generic. Also, his style of coloring, using washes of similar colors on each page, is good for capturing moods but tends to obscure details. Despite these occasional shortcoming, this comic is recommended for one simple reason: once you start reading it, you won't be able to put it down. The other two parts of the Dark Empire trilogy include: Dark Empire II and Empire's End.--Patrick O'Kelley ... Read more

Reviews (56)

Luke becomes the apprentice of a ressurected Emporer.
The opening pages of "Dark Empire" gripped me instantly, and I wasn't disappointed by the storyline. The characters are familiar and the technology and diversity of aliens, planets, and vehicles are worthy of the "Star Wars" name. The only drawback is that the artwork can become a bit confusing and sloppy at times, but a true "Star Wars" fan will be able to look past that. In chronology, it and its sequel "Dark Empire II" take place between "The Last Command" and "Jedi Search". It contains a vital chunk of the "Star Ears" saga, although this is a comic book with no novelization. Definately worth a look.

Hold the phone! Let's look at the facts here!
Ok, this isn't a review of Dark Empire, but rather a counterpoint to the people who are blasting a very good peice of Star Wars expanded literature. Quite frankly, the Dark Empire trilogy is not the shipwreck that many people are making it out to be. Ok, the "Galaxy Gun" wasn't a very good name for a superweapon (cannon would have been better), but for the sake of Starwars fans everywhere, I'll just deal with the two biggest problems people seem to be having, the return of the Emperor and Luke's supposed switch to the Darkside. Considering you scrolled down this far, you already know the basic plot.

Yes, Vader's killing of Palpatine was a great ending to Lucas' saga. But the idea in Dark Empire is Palpatine and his empire were an evil so great that no one person could destroy them. It took Vader and his children, Luke and Leia, to finally put an end to Palpatine reign. Eventhough Han, in typical fashion, blows away the emperor's last (weak and genetically unstable) clone in Empire's End, it was stated that by Palpatine's doctor that he would die forever very soon unless he found a jedi to posses after his defeat and loss of aceptable clones in Dark Empire and Dark Empire II. So technically, it was Luke and Leia who "defeated" Palpatine. Luke also does the impossible by defeating the Emperor himself in physical combat (Which I felt was lacking even in the movie trilogy), something no jedi had ever done, and destroyed Palpatines best clones (with a little help from a revolting warrior or two). All these grafical novels do is expand the confict with Palpatine from Vader, down to the next generation, Luke and Leia, which is quite appropreate if one is familer with the Star Wars universe.

There is also a crystal clear explanation which is stated several times why Luke "turned" to the darkside. It was stated that Luke was trying to learn all of Palpatines dark secrets and then use them to destroy him and his empire once and for all. Come on! If Luke really turned to the darkside immediately why would he give the New Republic the codes to beat the invincible world devastators? Later on though, Luke does go too far into the darkside and Leia has to save him, like Luke did with Vader. Luke also did it to understand his father better, he needed to know why his father became Darth Vader. There's also a dozen pages in the back of Dark Empire which runs through the whole plot again! For crying out loud! Did these critics even read the book! Anyway, don't be put off by a few naysayers, the Dark Empire trilogy is better than bad, its great!

Purists, lighten up...Dark Empire is classic Star Wars....
It is a time of peril for the New Republic. Six years after the Battle of Endor, the destruction of the Empire's second Death Star, and the defeat of Emperor Palpatine and Darth Vader, the war for control of the galaxy still rages on.

Despite their victory over the infamous Grand Admiral Thrawn a year before, the former Rebels have been forced to evacuate Coruscant after a successful invasion by resurgent Imperial forces. But when the Empire's "leaders" begin to fight over the right to govern, civil war breaks out and gives Luke Skywalker, Lando Calrissian and Alliance troops an opening to carry out a daring raid on Coruscant itself. But the mission goes awry and Skywalker and Calrissian crash-land their captured Star Destroyer at the heart of the Imperial City.

But when Han Solo and his wife Leia, accompanied by Chewbacca and C-3PO, attempt to rescue Luke and Lando, they are taken aback by Luke's refusal to go with them back to the secret Alliance base known as Pinnacle. Instead, he allows himself to be whisked off by a dark side storm, leaving his twin sister and her husband to wonder if the burdens of being a Jedi Master are too heavy for Luke to bear alone.

When this new chapter of the Star Wars Expanded Universe was first published as a six-issue comic book series by Dark Horse, I had mixed feelings. The concept was daring...Luke falls to the dark side of the Force (or does he?), the Emperor, thought to be dead at the end of Return of the Jedi, is back, thanks to the power of cloning technology...heck, even Boba Fett is revealed to having not being found "digestible" by the Sarlacc. All very fascinating, but wasn't Tom Veitch pushing things a bit too far? So even though I read my friend Geno's si