Book Description

It’s Valentine’s Day and you know what that means—lots of chocolates for the cutest boys at school! In this case it’s a pretty close tie between hot-headed Kyo Sohma and "Prince Charming" Yuki Sohma. Of course the kind-hearted Tohru, guest of the Sohma family, has chocolates for everyone! But when White Day comes around, what will the Sohma family give her in return? ... Read more

Reviews (22)

Truly amazing. Needent I say more. :P
Fruits Basket (or Furuba as it's known to many fans) is a truly amazing manga.

From the title of it, you would expect it to be very hentai-ish, but it's not. In my opinion it has to be the cleanest manga that one can possibly stand. (IE it's not so clean and happy go lucky as Hamtaro *shudders* Hamataro is evil, pure evil). Well I got off track. This review has spoilers abound so beware if you haven't read the manga (or seen the anime).

Fruits Basket is about a girl name Tohru Honda a girl with a heart of gold and truly a wonderful person, whoes father died when she was very young. She is now 16, her mother had just died in a car wreck, and she went to live with her grandpa on her fathers side. (Because her mother and she were not exactly on speaking terms with her mothers side of the family). Her grandfather has to get his house remoldeld for some distant relatives on his side of the family so Tohru has to move out for a while. He told her to find some friends to stay with.

Not wanting to be a burden to any of her friends Tohru decides to rough it, and she finds a tent and campsout for about a week, on the Sohma familys property (not knowing of course). One day while walking to school she comes across the Sohma family household. She looks around in it for a while and comes across some stones with the Chinese Zodiac on it. Than she run's into Shigura (who is the year of the dog) and Yuki (her high-schools "Prince" He is the year of the rat) Later on in the story we are introduced to Kyou (the year of the cat, who is not in the zodiac because he was betrayed by rat). And this is where the trouble starts.

The Sohma family is cursed and therefore whenever they are touced or huged by a member of the opiset sex of someone NOT in there family, they turn into the animal that they are the year of. Tohru finds out this secret, and therefore she might have to have her memories erased from her. What will become of our poor Tohru? Find out when you read the manga! And belive me, you will. It is a must read.

Now I odviously left out a lot of details from this manga, but I didn't want to give away the whole storyline, that would be quite dumb wouldn't it?

Also this manga is printed in the original left to right reading format, therfore preserving the original artwork and sound-effects. It makes it even more enjoyable. All in all this manga is a must read. It's kinda of a comedy/romance, kind of. And it's shojo, so it's more or less going to be apealing to the femail gender a little bit more. That's not to say that a guy wouldn't like it. It has quite a bit of action in it (not like Trigun action) more martial arts action. But it is a must read. And I really hope my review helped. Do you believe it was written by a 16 year old? The reveiw I mean.

Just thought I'd mention this
I was depressed for several days, then I went to Border's and bought some manga, one of them Fruits Basket #3. I swear, I felt so... happy afterwards! I'm serious, every time I read Fruits Basket, it just puts me in such a good mood... it's full of hope and compassion without seeming forced or sappy. Natsuki Takaya really has a talent for this! In this volume, after Momiji was talking about "The Most Foolish Traveler in the World" story in the "funny" stories book, and how he related it to Tohru, I actually cried, and I rarely cry over manga! XD Most of my favorite mangas are the more serious or sinister kind for older audiences, such as Confidential Confessions, Petshop of Horrors, Uzumaki, etc. and I'd never thought I'd enjoy a series like this. But I love it and it's one of my favorites... even though it sounds a little rediculous in its description (turning into animals when hugging the opposite sex ^^;) when you actually read it, it's really enjoyable, touching, and funny, and the characters all have deep personalities. I highly reccommend Fruits Basket!!

Great!!!!!!
I love this manga!!!!

Clean and sweet, without being sappy, Fruits Basket is a really cute story about a sixteen year old orphan named Honda Tohru. One day when walking through the woods, she discovers a strange house. Under further investigation, she finds that the house happens to be the home of none other than the prince of her school, Sohma Yuki. When Yuki and his cousin Shigure find out that Tohru had been living in a tent, they immediately take her in. However, Tohru soon discovers their family secret. The Sohmas are the bearers of the "juunishi" (zodiac) curse. When their bodies grow weak, or when they are embraced by a member of the opposite sex, they transform into their designated animal of the Chinese zodiac, or in Kyo's case the outcast aka the cat.

I have only read two volumes of the manga, but I own all four anime dvds and love them. It starts out sweet and gentle, but the end, of the anime at least, is dark, depressing and to use a word I hate a real "tear-jerker." I cried. A lot. Even so, it was wonderful. Don't not buy it now because you think it to be dark and full of pain and misery. It's not. Every {good} story needs some dark pasts, mental scars, and evils. Otherwise, how did the villian become a villian, why is the good guy good? There would be no motivation. GO buy the manga. NOW.

Fruits Basket
Fruits Basket in general is a touching series that really makes you look at yourself--when you see what these people go through, and see that they can still smile, you'll wonder if crying was/is ever worth it in the first place.(But of course, we all don't have a cute little bordering house-maid to give us the wisdom we need in those times.)

Anyways.

The book can be described in a few words; really sweet. In this book we meet a new character, Hatsuharu Sohma(though you may have seen a little of him in number 2), who has a 2 sided personality. That's all I know--I have yet to buy the book.

But if *I* like it so much without even having seen it, then who says YOU won't like it either?

Fruits Basket just have something special about it. It's like a parasite--it weasels into you and embeds itself into your heart. I think everyone can find something they like about it, even male otakus(otaku=anime fans, though not all are pale-faced doughballs)...

Now. Go. Now. Grab all the money you have and waste it(heh) on Furuba(Fruits Basket) stuff. OR YOU SHALL DIE WITH THE HAUNTING KNOWLEDGE THAT YOU MISSED OUT ON SOMETHING GREAT. Heh-heh-heh. Bye. ^^;

fRUITS bASKET
The book starts out with a young girl,Tohru, who with the death of her mother is living alone in a tent. She then meets the Sohma family who is suprised to hear that she lives near by, because all the land in the area is owned by them.
She goes to school with her new found friend Yuki who is the popular handsome guy of the school. Later you find that for some reason Yuki hates cats as they walk together. Yuki and Tohru go their seperate ways, but later that night Yuki finds Tohru living in a tent and he takes her in because she dosn't look well.
In return Tohru cleans the house to earn her keep. Then a boy named kyo challenges Yuki to a fight. As they fight Tohru falls and keeps her balance by hugging Kyo. Kyo then transforms into a cat.
Thoru freaks out and then everyone else in the family transforms into a different animal.
They explain that their family is cursed wwith the spirts of the Chinese Zodiac. Each family member is possesed by a different animal spirit and when under great stress or embraced by a member of the oppisit sex they transform.
This first book takes you through the events of the first 5 episodes of the anime.
This first book is awsome and is followed up by more just as good! ... Read more

Book Description

After the traumatic events of Invincible Volume 3: Perfect Strangers, Mark Grayson (a.k.a. Invincible) is left to pick up the pieces and try to continue on with some sort of life.His mother is a wreck, his friends don't understand and the super-villains of the world just want to beat him up. Mark has a lot on his shoulders and graduation is just around the corner.Containing the fan-favorite and sold-out issues #14-#19 and the short story from Free Comic Book Day 2004's Image Comics Summer Special, this volume is massive! ... Read more

Book Description

When the internationally famous barbarian hero returned to comics, with an all-new fresh start by award-winning writer Kurt Busiek (JLA/Avengers, Astro City) and dynamic artists Cary Nord, Thomas Yeates, and Dave Stewart, the result was instant sell-outs and multiple printings to keep up with the demand. Now Conan's earliest adventures are collected in a handsome 192-page collection. Catch all the action and savagery as he wars with the murderous Vanir, meets the Frost Giant's Daughter, and is taken as a slave by the ancient sorcerers of Hyperborea! This top-selling new series faithfully expands on original author Robert E. Howard's literary creation. ... Read more

Book Description

The heroes have arrived.You've watched them grow.You've learned their secrets.And now, you're about to see them change the world... for better or for worse!When a god-like Hyperion discovers that his whole life has actually been an elaborate government-made lie, his reaction could mean the end of the Earth!Do the world's other super-powered beings have any chance at stopping Hyperion if the truth sends him over the edge? Collects SUPREME POWER #6-12. ... Read more

Book Description

As a superhuman lawyer, She-Hulk has tried some of the strangest cases on Earth... but all of that is about to change! Empowered by the Living Tribunal, Shulkie is heading into deep space to practice Universal Law! Guest-starring Adam Warlock, Gamora, and Pip the Troll!Plus: Out of all of She-Hulk's enemies, no one hates her more than Titania! So what's her beef? Where did all this hostility come from? What made little Skeeter MacPherran into the angry Amazon she is today? And what's about to make her one of the deadliest threats in the Marvel Universe? Special appearances by the Absorbing Man, Spider-Woman, and Doctor Doom! And finally, a major power boost has made She-Hulk stronger than ever - maybe even stronger than special guest-star Hercules! Feats of strength can wait, however, because this emerald enchantress is going to the books and relying on brains, not brawn, to get the Prince of Power out of some Herculean legal problems. ... Read more

Book Description

An epidemic of apocalyptic proportions has swept the globe, causing the dead to rise and feed on the living. In a matter of months, society has crumbled: There is no government, no grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, we are forced to finally begin living. This volume follows our band of survivors on their tragic journey in search of shelter. Characters live and die as they brave a treacherous landscape littered with packs of the walking dead. ... Read more

Reviews (9)

This has movie written all over it...
John Broome and Gil Kane pretty much mapped out the world of GL through these stories. The GL corps, the Guardians, Hal's origin with getting the power ring, the first battle with Sinestro. It's all in here. Would make a great movie.

Comics as they should be
The first Volume reprinting the Hal Jordan Green Lantern series.

As the issues are not affordable this is just the way to enjoy the old stories that we all loved.

Some Classic stories here including the first Hector Harmond and the first glimpse of the Guardians of the Universe.

Far and away better than the current series both story and art.

Looking forward to future issue featuring Alan Scott crossovers.

Classic stuff
The first volume of the Green Lantern Archives is delightful stuff. Great sci-fi adventures, with terrific art by the late Gil Kane. I wasn't a Hal Jordon fan before I read this, but now I'm rethinking my position.

My only real grumble is that, aside from Hector Hammond, the really good GL villains aren't on display. But you have to start somewhere. If you've never really dug on GL before, give this a shot. It's worth it.

Silver age classic stories on Green Lantern Hal Jordan!
Green Lantern Archives Volume 1 reprints the early stories of the second Green Lantern of Earth, Hal Jordan, from the Silver Age of comics. Reprinting Showcase #22-24 and Green Lantern (second series) #1-5, we see the early days of Hal Jordan becoming a superhero as well as his supporting cast of characters. True classics. A must read for any fan of Green Lantern Hal Jordan!

Beware his power!
Green Lantern - arguably as powerful as Superman but back in the 1960s perhaps one of the more unsung super-heroes - returns in his earliest Silver Age adventures! Nobody did it better than John Broome and Gil Kane - the heroes, allies and villians are - out of this world!

This is one of only a handful of Silver Age archives in print right now - many of the others, especially those for Superman and Batman, showcase Golden Age stories. While these are classics, it is the Silver Age where comics really blossomed, and Green Lantern (Hal Jordan) is a prime example.

The Green Lantern archives published to date (#1-3) contain hard-to-find (and expensive!) issues of Hal Jordan's earliest exploits, including origins and battles with his yellow power-ringed arch enemy Sinestro, Hector Hammond and others, plus his classic, colorful and extraordinary team-ups with The Fastest Man Alive - Flash (Barry Allen).

This is a must-buy, must-own and must-read series for any serious fan of the Silver Age - or comics in general. Good reading for those darkest days and blackest nights! ... Read more

Book Description

Ten years after the Sith War, the Dark Lord of the Sith`s chief lieutenant, Ulic Qel-Droma has been stripped of his Force powers and has isolated himself in a distant corner of the galaxy, trying to escape from a life he would rather forget. But his past is about to catch up with him as he is tracked down by Vima, the daughter of Nomi Sunrider, the woman who blinded Ulic to the Force. Vima seeks a teacher and Ulic sees in her a chance at redemption. Unfortunately, Vima`s disappearance draws attention, and the search party sent to look for her includes a vicious Jedi seeking revenge upon Ulic for killing her mate. Collecting the four-issue mini-series. ... Read more

Reviews (10)

Redemption in the Star Wars universe
Although the universe of Star Wars novels are cluttered with terrible stories, one can always count the talented writers at Dark Horse comics to deliver a redeeming story for fans, and 'Redemption' is a good one.

A sequel to the 'Sith War' and possibly the last of the Tales of the Jedi books, 'Redemption' focuses on Ulic, a Jedi-gone-bad who seeks to find peace from his crimes. Of course, like in all melodrama, this can't be allowed, as the daughter of his former love comes looking for him. Of course, there are those who seek revenge as well, and come looking for it.

'Redemption' is a good story. Not great, but it definately has all the elements for a fun read. There's some action (although not as much as most other Star Wars stories) plenty of angst and drama, and just a touch of romance. A good story and strong characters make this one of the better Star Wars graphic novels out there, and an excellent finale to the 'Tales of the jedi' series.

The end of the Great Jedi - Sith Wars?
Redemption takes place 10 years after the Sith War, or on my Time Line, 3986 before NH. It is a TPB Comic collecting the issues 1 through 5 of STAR WARS: TALES OF THE JEDI REDEMPTION.

It is the continuing story of Ulic Qel-droma including Nomi Sunrider. Exar kun has been destroyed and Ulic stripped of his powers. This is his story of redemption, and his journey back to from the dark side. This is also supposed to be a story that is in the holocrons discovered 4000 years later.

We are still in the old republic Era but this comic released in July, 2001 presents Art and coloring that are a stunning improvement. Dark horse is on it way to arriving at the products that they finally start releasing in 2002.

On the SW timeline this is the first time we get to see the future of art, drawing and coloring that dark horse will be putting out in the future and it is spin chillingly great! Made in singapore, the binding is good and can stand the stess of someone actually opening the beook and reading it. After Dark Horse moves manufacture to China, the binding takes a sharp decline. Any attempt to actually open and read the comic can result in it falling apart in your hands.

This is written by Kevin j Anderson, so the continuity and foreshadowing are all here for those who are actively reading the SW offering of comic and Novels. I know Kevin gets his knocks, but I am a fan. He is one of the two authors I'd love to meet and talk to. Kevin, I hope you are alive and well! I also still argue that his JEDI ACADEMY trilogy is extremely important to the expanded universe.

The story at times appears to be a splice job, but that is not uncommon with dark horse. The cover is one of the worst ever produced, so turn the cover page out of site and enjoy.

Redemption is something Anderson will never find.
I am a person that loved the old Tales of the Jedi Saga. Originally Started by Tom Veitch, It was a Series ripe with Character, heart, action, and the certain charm that the jedi mythology is known for, all writtem magnificently well. In the Beginning tales of the Jedi was Dark Horses Flagship Star Wars Series. It was a Golden Age.

Then Tom Veitch made a horrible mistake. That mistake was Working with Kevin J Anderson, to create a Villan that would Appear in Andersons Novels, and in the TOTJ Series; Exar Kun. The Villan was one of the favorites in Star Wars expanded universe, but working with anderson meant that Veitch would have to allow Anderson to write the later half of the 12 issue series revolving around Exar Kuns rise to power from Jedi student to Sith Lord. From that Point onward, Thanks to Andersons horrid writing and complete dirth of talent, the TOTJ series started a downward spiral. Andersons Assault and the TOTJ series started with the Sith war, a lackluster story compared to the magnificent Dark Lord Of the Sith Prequal that set it up... Then Anderson Continued to obliterate this once grand series with Golden Age Of the Sith, and Fall Of The Sith Empire. This, was Andersons last chance to revive the series, why they didnt just ask Veitch to write it, I dont know. But this is the last TOTJ story that has been, and likely will ever be published. The Breathtaking and grand saga that Tom Veitch Began, was destroyed by a force darker then any Sith Lord or Dark Jedi; Kevin J Anderson has MUCH to answer for.

In all honesty, for most of this story, it seemed as though Anderson was on the right track. Ulic Found that during a near death experiance, in which he was welcoming death, he had a jedi vision from his dead master. Which should have been impossible, seeing as how his jedi powers were supposed to be sealed. This gave Ulic hope, and purpose to continue living, later... The daughter of the woman he once loved, Vima, showed up asking him to train her in the Jedi arts. Why him, well its a contrived plot point, but Nomi was supposedly too busy As a Jedi to train her daughter, and the other 5000 jedi that were around at the time were busy doing stuff to, or so would Anderson have you beleive. But despite the hideous amount of Plot Contrivance, including Andersons most hideous attempt at a romantic pairing yet, he did manage to create some decent story telling for once... Ulic finds peace with the force, forgive for his crimes, a place back amongst his former comrades, and potentially a way to feel the force once again... Until in the last pages he is shot in the back and killed by a smuggler wanting to be known as the man who killed Ulic Qel Droma, and runs back to the bar to tell his friends. *IM NOT KIDDING*

I dont know what Anderson was smoking at the time, but the thought that this is a suitable way to end Ulics tale of Redemption was just plain Idiocy. In the prior Stories, Ulic had been poisoned by Sith Chemicals, been driven mad by the murder of his master, Disowned the jedi and his lover in his madness, fought and murdered his own brother, and had his Jedi powers sealed by the very woman that once loved him. If he was meant to die, there could have been a thousand more suitable deaths then just to be shot in the back by a unnamed piece of Bar Trash. In the Ten years since he was punished by Nomi Sunrider, his life was one of isolation, and dedication. such a death, is as pointless and meaningless as it is contrived, and a slap in the face of the fans that were looking for The Tales of the Jedi Series to return to its former greatness.

Anderson I doubt will ever write for Star Wars Again, as it is a popular rumor that Lucas himself asked anderson not to write any further tales set in his Universe. Unforutnately the damage is done, and one of my favorite series, is no more. The Title of the story is named redemption, But in the eyes of lucas and casual Fans of the Expanded universe such as myself, Redemption is something Anderson has yet to find.

A fitting end to a series
Redemption is the last of the Tales of the Jedi comics, a series that recounted the events during the Great Sith War 4,000yrs ago. Redemption is better read after at least reading Dark Lord of the Sith and The Sith War. The conflicts here are on a personal and emotional level, not another interstellar battle.

A decade after the Jedi defeated the Sith reemergence, a fallen Jedi wonders the galaxy for solitude, blind to the Force and searching for absolution for past crimes. But when a young girl decides he's the ideal candidate to tutor the Force to her, and a bitter Jedi wants to hand justice to an unpunsihed war criminal, they find they all have much to learn from each other on a frozen world.

The quality of art is much better than the horrible fare Tales of the Jedi is renoun for. While the superb art and vibrant colours inherent in current Star Wars comcis was not available at the time of the TOTJ series, that Redemption was clearly better could have said more for its earlier siblings. Here, you won't find salivating mouths, half-rendered illustrations, or simplistic dialogue. The primary characters have defined roles, where age and events have changed appearances, and an ending that will touch your heart.

However, at times there are just too many single, even double, page shots. This flows the pages to the end way too fast. Some panels and scenes were a bit absurd, but the overall quality of this story balances things up. Qel-Droma genuinely looks grey, as though the price of his actions have drained all colour from his features; while young Vima is bright and chirpy, the vengeful Silvar predatory and relentless.

I'll never understand why Nomi is half bald for a human woman.

Overall, if you've suffered through the earlier comics, this one is a fitting end to the series. And even if further fault is found within, solace can be taken in the fact that we are shown places we rarely have seen, and not yet another Tatooine visit for the twentieth time.

Kevin Anderson WROTE a good story? Judgement day is here...
This takes place some 10 years after The Sith War. All the characters have changed, grown old, morphed (the tiger female looks way cooler) and grown up. Nomi Sunrider's daughter is a teenager now and wants to learn to be a Jedi. Ulic Qel-Droma is hiding on some ice world and wants to die. She seeks him out to learn the ways of the Jedi. The reason I took away a star was because how she found him. Some random guy (who looks exactly like the guys at the start of the original Star Wars) took Ulic to the snow planet and she just randomly picks a ship to stall on and guess who's ship it is? 10 billion people in the universe and she picks the guy who saw Ulic a day earlier. Wow, ironic, eh? There really is no bad guy in this story, it just shows Ulic teaching the girl. The closest thing to a bad guy has to be the good Jedi tiger girl, Silvar. Anyhoo its a good book to end the series with. ... Read more

Amazon.com

You may have heard somewhere that Neil Gaiman's Sandman series consistedof cool, hip, edgy, smart comic books. And you may have thought, "What the helldoes that mean?" Enter A Game of You to confound the issue even more, while at the same time standing as a fine example of such a description. This is not an easy book. The characters are dense and unique, while their observations are, as always with Gaiman, refreshingly familiar. Then there's the plot, which grinds along like a coffee mill, in the process breaking down the two worlds of this series, that of the dream and that of the dreamer. Gaiman pushes these worlds to their very extremes--one is a fantasy world with talking animals, a missing princess, and a mysterious villain called the Cuckoo; the other is an urban microcosm inhabited by a drag queen, a punk lesbian couple, and a New York doll named Barbie. In almost every way this book sits at 180 degrees from the earlier four volumes of the Sandman series--although the less it seems to belong to the series, the more it shows its heart. --Jim Pascoe ... Read more

Reviews (23)

A great story of identity and finding your inner child
Neil Gaiman does it again! He takes Barbie, a marginal character in the "Doll's House" storyline and makes her into a 3 dimensional character. He also introduces some other great characters like Hazel, Foxglove, Clarissa, and my personal favorite in this volume, Wanda. After reading this tale, I was struck by how the characters matter so much in Sandman stories. How Neil cares about them so much that they keep popping up again and again in unlikely places. Even when someone mentions another person, I can tell that Neil has a character description written up for that person and they will appear in another story. Clarissa will appear again in "Kindly Ones", while Hazel and Foxglove are in both "Death" mini-series. (Also Foxglove is mentioned by another character in the "24 Hours" chapter in "Preludes and Nocturnes.")

That aside, "A Game of You" is probably the most personal story of the entire Sandman oeuvre. It's primarily the story of Barbie and her childhood dreams that become very real. The heart of the story is Barbie's relationship with Wanda which is both funny and touching. Dream doesn't appear much in this one, but the story is so good and the main characters so interesting that you won't mind at all.

The best of the Sandman
No other volume of the magnificent Sandman series so perfectly captures the darkly magical essence as this one. Many people dislike it, and many will say that you should read other tales first, but for me personally, I think that if you like "A Game of You" then you will like all others, and if you dislike it, you probably will dislike many others as well. It is not as important to the story overall as some arcs, and the Sandman himself harldy interacts with the human characters until well into the story. Also absent are most of the Sandman's family, with Death being regelated to a cameo. However, this is what makes the issue so special. It uses the Sandman mileu to create a unique fantasy world of its own, one which uses archtypes to allow readers to identify with it and yet be startled around every turn. If the "death" of the world is not heartrending, then perhaps you lack the imagination that fuels such a world. Read this and enjoy.

Pure Magic
Never content with telling Sandman from one fixed perspective for too long, Gaiman again turns the collection on its head and has yet another character (this time 'Barbie,' a supporting player in the Doll's House), provide the orientation to the text for us. Gaiman seems to be at his best when Morpheus plays more of a supporting role in the narrative. As was the case in the stellar Doll's House, A Game of You focuses on human relationships. Although Morpheus is certainly an interesting character, in the end he is, as his sister Death previously remarked, "an anthropomorphic personification:" an idealized abstraction. Gaiman's human characters, however, are fully rounded: capable of the myriad -and often contradictory- emotions that make us flesh and blood. It's Gaiman's probing exploration of humanity that really sets the series apart from other graphic novels that choose to focus on the wearisome 'superheroes and bad guys' formula. How many other graphic novels, for example, detail the ups and downs of a lesbian couple or the anxieties of transvestism? This is ground breaking stuff, to be sure, and provides much needed realness to the medium.

Barbie's adventures in dreamland bear an eerie resemblance to Frodo's in the Lord of the Rings and Dorothy's in the Wizard of Oz, and for good reason. All three works are manifestations of what Joseph Campbell terms the "hero cycle:" a rite of passage that chronicles the hero's departure and eventual return. The hero cycle is a fundamental aspect of mythology, and Gaiman's skilful usage of it affords the tale a feeling of timelessness, a structural connection to the process of myth making.

The art in this series is fantastic and probably the best in the collection to date. Shawn McManus does a wonderful job of bringing out the mood of the text: note McManus' usage of nearly pure white and black cells in the first chapter to underscore the starkness of Barbie's "dream country." Somewhat jarring, however, is the fact that Colleen Doran drew the art for only the third story. Her less detailed style essentially interrupts the atmosphere created by McManus in the five other stories.

Although this is the fifth text in the Sandman series, Gaiman demonstrates he has plenty of gas left in the tank. His imagination continues to propel him to new and strange places, and I'm more than willing to sit in the passenger's seat and enjoy the view.

great author overrated story
I have never read Sandman before this story but from what I have heard each story can stand alone. I also want to say I read neverwhere and "Sandman: The Dream Hunters" and loved them. This story though just wasn't his best work or really that good. This is my problem with the story. A lady has dreams that continue every single night like an unending story. Suddenly, one of the animals in her dreams finds her in real life. Creative? Original? This idea is all of those things? However, by the end of her story, every single one of her characters in her dreams that she likes die, you are left to wonder, what is the point??? She lost her battle to keep the creaturs in her dream to stay alive and you aren't sure if you care because they are only creatures in a dream.

On another note, although I don't like this story I have a feeling this sandman series gets better as it goes along, however this one just wasnt good, might want to skip it and read a different book in this series

Finally something different
In an age where almost all comics are aimed towards mass media entertainment, such as X MEN and the rest, it's refreshing to read comics with more depth and content to them. A Game Of You is one of my favorite books in the Sandman series. It showcases amazing characters, great storytelling, and a main character who is almost not in the book at all, which I enjoyed because the King of Dreams has always personally annoyed me with his pride and arrogance. However, on a lighter note, this book is amazing, but I would not recommend it as the first book for one to read in the Sandman series. ... Read more

Book Description

One of the best-selling and critically-acclaimed graphic novels of all-time telling the story of two supremely ironic, above-it-all teenagers facing the thrilling uncertainty of life after high school. As they attempt to carry their life-long friendship into a new era, the careful dynamics of their inseparable bond are jolted, and what seemed like a future of endless possibilities looks more like an encroaching reality of strip malls, low-paying service jobs and fading memories.

Already one of the most heavily-publicized graphic novels in history, this new edition (featuring new covers by Clowes) should make the book more popular than ever. With lengthy write-ups in Time, Newsweek, Publisher's Weekly, Details, Vogue, Jane, and many others, press interest in the book and film promises to be higher than ever this spring. ... Read more

Reviews (44)

Identity and confusion
An enjoyable comic book that can aptly be called alternative, GHOST WORLD ultimately disappointed me because I didn't find it to be much more than entertaining. To his credit, Daniel Clowes creates characters that are believable, and I'm sure there are many people out there who can relate to the story, sympathize with Enid's dissatisfaction with her life, and agree with her general view of the world. And Clowes' treatment of his teen characters, a little cruel and unrelenting, but not cold-hearted, is refreshing. But at the end, I didn't feel attached in any way to Enid or Becky or Josh, and didn't really care anyway. Yeah, it was entertaining, but so what? And though this may be a personal bias, I wasn't too fond of Clowes' drawing style, which seemed a bit clumsy and inexpressive. I don't mean for this review to sound negative. I did enjoy GHOST WORLD, and I would recommend it without hesitation to people who are looking for something different. It's short anyway, and reading the other reviews, there's a good chance you'll find more to it than I did.

Haunting little masterpiece
Dan Clowes' graphic novel, "Ghost World" tells the story of Enid Coleslaw and her best friend Rebecca during the months between their high school graduation and the following October. The girls curse a lot, obsess over freaks and strange events in their lives and eventually come to realize their childhood friendship may not survive their transition into adulthood.

Clowes has an amazing ability to zero in on life's smallest moments and find in them a fragile poetry. He's also not afraid to make his characters fallible, and sometimes, in the manner of callous youth, even cruel. Enid and Rebecca dub a waiter "Weird Al" because of his curly hair, and play a rude prank on a poor boob whose only crime was to gain their notice by placing a pathetic personal ad. And yet you won't hate the characters. They're vulnerable and honest in a very believable way, and their emotional journey through their final months together accurately depicts longing and unease, their nostalgia for things the way they were, and their need for different lives. For Rebecca, it's to hold onto things as they are, and for Enid, it's to go someplace else not to find herself, but to become someone different.

The story's also full of humor and mystery. Enid and Rebecca inhabit a world of strange grafitti, of diners and run-down apartments where things tend to happen just outside the frame, or within windows. And Clowes' two-toned, semi-realistic, sometimes cartoony depiction of the various geeks, pervos and schmoes who inhabit "Ghost World" is dead on... the dopey expressions, the sudden crises, the need to feel something and the fear that accompanies that desire... it's all there in his characters' faces.

Reminiscent of Will Eisner's work (and just a touch of Charles Burns'), and with a hip, modern feel, "Ghost World" provides a truly amazing and unique reading experience.

Didn't like the movie...
I didn't like the Ghost world movie, but the graphic novel was a lot better. There were a couple of times I got confused with people (heh, maybe it's just me) but it was funny and there were moments when I could relate to the characters and the artwork was cool what with the blue and all and so overall I would recommend it to anyone who is as addicted to graphic novels as I am.

Brillinat writing, Brilliant art
Daniel Clowes', 'Ghost World,' is a shining example on how effective the medium of the graphic novel can be when coupled with fantastic, highly literate writing. Clowes' brilliance is demonstrated with his remarkable ability in capturing dialogue and the psyches of his late-teenage female characters - Enid and Becky. In fact, their characterizations and conversations seems so authentic and natural that it's almost as if Clowes videotaped real-life snippets of actual teenagers lives and then fashioned comic strips out of them.

Unlike the movie adaptation, which had a sustained narrative, the graphic novel is comprised of episodic vignettes that seem more like a collection of short stories. These little tales are packed with so much melodrama, sharp-humour, keen observation and emotion that by the time you're finished with this 80 or so page book you'll feel like you've already digested volumes.

I can't recommend this book highly enough and whether or not you've seen the movie you definitely need to read the original source. Top quality stuff all the way through.

struggle to find who you are
I saw the movie upon recommendation from my ex-girlfriend (as if that matters), and that's the way I found this gem out, as so many others have. This was my first encounter with Daniel Clowes, and I loved it. He always maintain some self-defacing quality in his humor (see Eightball, for example), but that actually translates to the search for true self in a rather seriously frustrating (pseudo-)real-world experiences of Enid and her pals. It is quite amazing what Clowes captures in what he probably could not experience himself --- the life of a "teenage girl" who avoids to fit in, yet could not find her own comfortable niche.

My criticism is that Ghost World is too short. I find some seriously deep qualities in what are depicted; yet the development of story goes too fast that literally nothing gets elaborate enough for me to slow down and appreciate to the extend that I wish. After reading, I just wished strongly I could read more of the stuff.

Maybe that's the joy of graphic novels --- so much is left for readers to wonder. Or it is just me having read numerous Japanese comics with elaborate story lines --- I can assure that a Japanese manga artist would make 20 volumes of comics out of a cool story like this. In any case, this one certainly made me interested in Clowes other works. ... Read more

Reviews (36)

Something I thought not possible...
The Death of Superman sure surprised a lot of people, comic fans and the average joe. Who would have thought that the Man of Steel could even be beaten let alot die. The media storm that these issues built up were something unaccounted for in the comic world for a long time. People started thinking how could DC, the comics' publisher, kill off the first superhero icon, an American icon similar to McDonald's and Coca Cola, but the did and they sure did it with good storytelling and incredible art. First people should understand that this a tradepaperback collecting the comics in which Superman valiantly fought to fend off Doomsday from Metroplois. The book is not a graphic novel, thus does not read like one. Through that, the editors performed a solid effort to bring in the storyline, which is written by a group of people and the artists, thus at times, the story would be faster and then slow down. This is only due to the different creative teams responsible for bringing out the book and should not be held against them. If the comics were read individually, it would have meant a whole lot better, but since those issues have become a rarity, collecting them was the right choice all in all.

The story introduces Doomsday, a character so bestial and primal he'll make any horror monster run for his money and teh cruelty he portrays is somewhat disturbing. Not much is said about the monster's origin and that could be held as a downpoint to the story, but as mentioned since this was part of an ongoing series, his origins are mentioned and delved in deeper later on. The intrigue on why he wanted Metropolois and why Superman had to stop him are all set in motion here, but are tackled later in future issues not collected here.

All in all, this collection is a must have in the Superman mythos and those interested in Big Blue. It portrays his heart and determination to beat the odds in which he does, even though it meant his life. It is recommended that you check out part 2 and 3 of the trilogy, World without a Superman and The Return of Superman to truly comprehend the big picture of things. This book alone holds true when it comes to standing alone, but do you really want to stop there?

DC embarked on a great risk with this direction, but truly put out an actionpacked, hold on to your hats effort. They're commended for taking the big step and bringing us a good, highly acclaimed form of entertainemt.

It delivers what it promises
The death of superman is exactly what it sounds like...the death of superman. In this story, Superman fights an unknown creature called Doomsday (who is for one reason or other hell-bent on destruction) and falls in battle. The story is fast paced and has pages filled with superman and Doomsday swapping hits and all-in-all racking up a huge amount of collateral damage. In the end, Big Blue dies. This story came out when I was in junior high and at that time I felt it was the best book I had ever read but now, it is hard not to look at the numerous plot holes and loose threads in the story. But comics has matured and has come a long way but this story is still worth picking up for the buzz it generated. It's fun to read but don't expect anything Alan Moore-esque or Jeph Loeb type writing.

It's was like watching Muhammed Ali VS Mike Tyson.....
The absolute best fight in Sperman's existance!!!!!
Picture this; A creature of pure strength, power, rage. (No, not the Incredible Hulk, but at a very close proximity). On a path for an unknown reason to Metropolis. A team of powerful (even though uncoordinated) superheroes literally ripped apart by this creature (Named Doomsday by Booster Gold before he also got the ultimate beatdown). Everything and everyone in his path is destroyed and killed at a blink of an eye. One man, the ultimate boy scout, Big Blue himself is left to fend off thhis creature.
First he underestimated Doomsday's power and that changed Real Quick!!..The battle crossed all across America and the focal point is in his hometown Metropolis..When it come down to it, Superman knows that this is the fight of his life. And as the title goes, it will be his life. Once you get past the side story in the beginning you'll be in for a wild (and painful) ride of your life.

One of the best grapic novels ever
Like I siad before, I hadn't read the entire book intill the other day and still I loved it. I bought this at a book fiar for a decint price, I might have found it at a comic shop signed, by the guy behind the counter! The story is rich in creativety, art and charcter useage. The best part in the story is when the JLA got the crap bbeatin out of them by a Super-Super-Super Villian named Doomsday, Then Superman comes in and kills Doomsday and himself, at Metorpolis. This is the only D.C. comic I have but its great.

What Does It Take To Kill The Man Of Steel?
"The Death of Superman" was one of those times when a comicbook storyline became a media event. In the uncertain and cynical early 1990s, it really looked like the poster-boy for idealistic, traditional morals and the voice of paternal authority may really be headed towards oblivion. Image Comics was booming with their anti-heroes and kids were really digging the songs of Kurt Cobain. Does Superman still have any relevance in the 1990s? In fact, that was one of the underlying (yet often ignored) subtle themes in this storyline. Teenagers in school were supposed to tune in to a Superman interview on TV but many of them were uninterested in listening to a "washed-out has-been", preferring instead the obnoxious and cynical Guy Gardner. In fact, Superman's only "fan" in the story seems to be this little black orphan called Keith.

Then, Doomsday happened! A monster fights Superman for dozens of pages and Superman dies defending his beloved city, Metropolis, against said monster. That's all there really was to the plot.

But suddenly we sat up and took notice. Suddenly we realized just what we have lost. A symbol. A hero. An icon. And we see it most starkly through the teary eyes of "Superman's Girlfriend Lois Lane" and "Superman's Pal Jimmy Olsen".

DC Comics returned to iconic heroism in comics in the mid-1990s. But in the early 1990s, they had to shock the readers into realizing their folly for ignoring the "originals" - thus, Superman got killed, Batman got crippled, Wonder Woman was replaced, Aquaman lost a hand, Green Arrow died and Green Lantern went nuts. But don't blame DC. It was what the disloyal, Image-buying fans deserved... and it was what they ultimately got. This story, "The Death of Superman" is the clearest example of DC's "shock-treatment" event. It is a product of its times. ... Read more

Reviews (25)

"...the uniquely stylish art is what makes this shine..."
Frank Miller is best known for his work with Daredevil and his cult-classic graphic novel THE DARK KNIGHT RETURNS. After reading THE DARK KNIGHT, I was looking around for other graphic novels by Miller, and RONIN seemed like a good choice. Right away, I was amazed by the book's illustrations. Frank Miller uses a very interesting style here, using excessive lines to texture, animate and detail his work. Standard shading is replaced by lines going everywhere. There are certain pages in the book made up entirely of lines going one way, which gives a completely mind-blowing effect, usually of motion. The characters themselves are also unlike anything I've seen before, with sketchy faces and narrow, mean-looking eyes. They're almost bordering on an anime/manga style, yet still very Superhero-esque.

The storyline, on the other hand, isn't quite so fantastic. A nameless samurai is transported to a futuristic New York, where he pursues his arch-enemy. Don't get me wrong, it's imaginative and ambitious enough, but I found that it wasn't scripted all that well, and the pictures were the main medium for storytelling here. The uniquely stylish art is what makes this shine. The words are merely a compliment to the visuals. You would expect it to be the other way around, especially in a comic book, but once you see this, you'll know what I'm talking about. It reads very quickly, because there are often full-pages devoted just to a single action or picture. The book is only 239 pages, and thanks to this fast-paced style, you might be able to finish it in a couple of hours. However, don't let this turn you off from buying it, because you'll probably re-read it at least once, and the art truly is a sight to behold.

I'd recommend this to everyone, so long as they're willing to love the art more than the words. WATCHMEN could be classified as a stylistic opposite of RONIN, not only because the aesthetics are all-around different, but the words play a much larger part than the pictures do. Plus, in WATCHMEN, everything feels very un-animated, and the panels are mostly free of motion-lines, sound-effects and other standard, cinematic comic-book fare, while RONIN is chock-filled with such effects. Read this if you want action, style and a combination of story and art unlike any I've ever encountered.

Miller's diversity is astounding
Frank Miller is nothing if not diverse. I wrote a few weeks ago about his works, the various superhero works like Daredevil and Batman that made him famous and the groundbreaking works he's done outside of the genre since then, especially in regards to 300, a work of historical fiction. Aside from 300, he has also gone into a futuristic sci-fi setting in his Martha Washington stories, and with his Sin City tales he explored gritty crime drama.

And then there's Ronin, a book that defies easy categorization.

Imagine it is the beginning of summer in 1983 and you are first discovering this book. (Unfortunately I too must imagine here, since I didn't find the book myself until a few years ago.) Unlike every other book you come across, Ronin #1 is a whopping 48 pages, completely free of ads. The colors are richer, deeper than the average book, and somehow more muted as well, giving the book a darker look than most of the garishly bright superhero tales it sits beside.

The style is different too than what you are used to; like he did with Daredevil, Miller is experimenting here with how to construct a comic book page. Many pages feature long panels that stretch across the page, sometimes top to bottom, sometimes from one side to the next. Of course, Miller often uses the staple he has become known for today, a device he used throughout 300, the full two-page spread, to splendidly establish the world Ronin is set in.

The drawings themselves featured in these pages can also easily be separated from the rest of the fare you find in the racks. The motions are fluid, the fight scenes dynamic, avoiding all the normal clichés. In fact in the sixth and final issue of the miniseries (which reached stores in late summer of 1984-Ronin was published bimonthly but suffered delays between issues four and five), at the end of the story the action explodes off the page with such force that it literally cannot be contained. So Frank Miller does the only thing he can do, something unseen in comics up to that time; he lets the scene unfold on a beautiful four-page fold-out spread.

Ronin featured widescreen action years before the term became popular in comics, employed to serve a story unlike any other being published at the time. On the one hand, it is the story of post-apocalyptic New York City; on the other, it is a tale of samurais in feudal Japan. Miller balances these two influences in his tale deftly, mixes them together in one tale that is about demons and magic swords and biotechnology and artificial intelligence. It is a story in which reality and fantasy blend until the only thing the characters can trust is their sense of honor, duty, and loyalty, especially to those they love most.

Luckily it is not 1983, and you don't have to wait for over a year for the entire story to be complete. Ronin is available now in trade paperback so that you can explore its world for yourself today, as I did, without any of the wait yet still with all of the assets I listed above.

Excellent story, so-so artwork
PLOT SYNOPSIS:
Ronin begins in feudal Japan, when a samurai's master is killed by Agat, the demon who has been his archenemy for years. Forced to become a disgraced ronin to avenge his master's death, the samurai finally confronts and slays the demon, but at a terrible price. Leap to the 21st century, where the Aquarius Project and its biotechnological wonders are the last saving grace for a New York that has become a festering corpse. A telepath named Billy Callas becomes the focal point for the renewed battle between the ronin and the demon, a battle which will take on horrific proportions as the violence and corruption brought on by the enemies' resurrection spreads. Who will survive?

Ronin is everything I expect from Frank Miller-a solid, hard-hitting story that deftly mixes action, intriguing characters, intelligent dialogue, and some biting social commentary. My only complaint is the artwork, which I've always felt was very crude and amateurish-looking. The cover artwork and character designs are very good but overall everything just looks like storyboard-quality drawings that were colored instead of finished artwork, especially anything that features Aquarius and its products. This is a purely subjective gripe, however, and should not disuade you from dropping what you're doing and immediately buying this book.

Miller's Earliest Opus
Of all Miller's significant works this is perhaps the most overlooked and one of the most atypical. Heavily influenced by Japanese Samurai Manga, notably Lone Wolf and Cub, this appears to both stylistically and thematically riff on the genre. To claim such does the book a disservice.

Ostensibly the story of a telekinetic cripple who is possessed by the reincarnated spirit of a masterless samurai (the ronin of the title) and his fight with a demon this is a story that can be read on many levels. The characterisation is better than most of Miller's work, with the art owing a debt to Moebius and the story showing why Miller must be considered a master of comic book pacing. There are flaws, however: certain plot points are inconsitent and explained away off panel. The paper stock and reproduction are also perhaps a little lacklustre for a work of this calibre.

Overall this is a great read of surprising depth, and personally I prefer it over the Dark Knight Returns, which was Miller's next work.

seminal
One of Frank Miller's best works. Considering it was done way back in 1983 (where cyberpunk was at its zenith), the story is still gripping. You could see where most movies, comics, games and tv series of today got their ideas. It's a must have. ... Read more

Book Description

Dark Horse Comics is proud to present Classic Star Wars: A Long Time Ago... featuring classic Star Wars stories not seen in over twenty years! Originally printed by Marvel Comics, these stories have been recolored and are sure to please Star Wars fans both new and old. Volume 1 contains stories from the original Marvel run like the riveting classics"Eight for Aduba-3," "Star Search," and the smash hit of June 1978 "Doomworld!" ... Read more

Reviews (10)

20 stories all in one hugh book
This is a review of Star Wars - A Long time Ago... Doomworld, also referred to as volume I, which collects issues 1 through 20 of the Marvel comic series Star Wars. This is ISBN 1569717540 published June, 2002; made in China.

First the binding. Because Dark horse has had trouble with the TPB's bindings that are made in China, and because this is 369 pages, my copy has excellent binding. I actually read it without the comic falling apart in my hands!

With the exception of the binding problems, Dark horse has been producing comics that are visually awesome in terms of the inking and reproduction quality. You can still argue about the artwork and pencil work itself, because they use so many people and try different styles. There are those artists whose style I just don't care for. I say that to remind one that these are reproductions of comics that marvel created A LONG TIME AGO... Dark Horse has actually enhanced the original quality.

The quality of the pencil work varies here by story, but generally it was not bad. You'll have little trouble identifying who is who. Generally the artwork is a D to a C when compared to what DH produces today. However the inking is excellent. I recall no story where the color appeared to be washed out.

As for the stories themselves, I read these with my son, and he likes the ones with lots of action and vibrant drawings. You get both here, because with 20 different stories you do get variety.

This is a 2.5 star rounded up to 3 for the effort that DH put into improving the quality of this comics visual elements.

A Blast From the Past (When Comics weren't Just For Adults!)
I was 6 when Star Wars was first unleashed on the public, and I was lucky enough to have a Mom that supported her young son's comic-book reading habit; The biggest problem of any comic reader in those long-forgotten days was spotty newsstand distribution- It was almost impossible to collect EVERY issue of your favorite comic.....for almost 25 years I've been wondering how Luke and company managed to get off of that Water Planet in Star Wars #14....

THANK GOD FOR DARK HORSE! My wondering days are over! Doomworld collects issues 1-20 of Marvel's original Star Wars series in glorious full-color, on beautiful paper with great production values. The book opens with an incredibly faithful adaptation of the movie, then goes off into some surprising territory: Han and Chewie star in an outer-space "Magnificent Seven", where they team with a giant green Rabbit and an old man named "Don-Wan Kihotay" to face off against "Serji-X Arrogantus", a thinly disguised version of Mad Magazine cartoonist Sergio Aragones; Luke and the Droids crash on a Waterworld years before Kevin Costner made that awful movie; Han squares off against a "Gaily" attired pirate and his man-hating female crony; and everyone ends up in the deep-space Las Vegas for the big cliffhanger. The stories are a bit removed from what the films delivered, but I took a bit of umbrage at the back-cover copy which calls the Marvel stories "Kitschy"; Dark Horse has published a few duds themselves ("Union", anyone...?); At least these stories are entertaining!

As a kid, I hated the artists that worked on these stories. As an adult, I can appreciate the draftsmanship and storytelling ability that they brought to the series. Howard Chaykin, Carmine Infantino, Tom Palmer, Terry Austin, Herb Trimpe, Al Milgrom...They're all legends, and with good reason. (The only gaffe, artwise, is the pairing of Chaykin and Frank Springer in chapter seven. Springer's inks are atrocious!) The art looks better than ever, thanks to the vibrant colors and slick paper. And aside from Roy Thomas' propensity for making Han say (OVER and OVER again!) "WELL then there now!", the characters STAY in character. Lucasfilm may have decided that the stories are no longer canonical, but that doesn't mean they're not fun! And the price just can't be beat! Give Doomworld a try if you're looking for something a little bit different. WELL then there now!

Nostalgic and Corny
Before the days of Dark Horse there was: THIS STUFF. On the one hand, this is what we once had. On the other hand, some of it was really corny. Sometimes the art was pretty awful. Other times it was the story line. Yet, through it all it was a lot like a grade B movie in comic book form; fun to read though you could never take it too seriously.

Some of the ideas were pure corn. How about a giant carnivorous rabbit (Jaxxon). The Don Wan Kioti character was right out of "The Man of La Mancha." There are other examples, but these suffice to give you a rough idea.

In spite of all the corn, these things are fun to read. The stories take me back to the days of yore when comics really were oriented towards young boys rather than adults, and we ate these things up. Of course, these were what we had, and we had no comparison to the quality graphics in todays comics. Many people in the industry are loath to call them comics.

While the book is a bit pricey, on the other hand you do get 20 comics. The book is pretty thick and the reproductions are good. You have to be a hard-core Star Wars fan or nostalgic for original Star Wars comics to want these, but for either of those groups, enjoy!

Weak movie adaptation improves afterward
Howard Chaykin is one of my favorite, if not the favorite comic book artists/writers. That is why it is so disappointing to see his work in this compilation. It is incredulous that the man who produced the gorgeous, crisp, clean art of American Flagg was responsible for the sloppy, hurried art presented in his issues. After Carmine Infantino takes over though, the art improves markedly.

The first six issues are an adaptation of the movie, although it bears much more resemblance to the novelization as it includes such things as Luke seeing his friends on Tatooine, Luke being a part of Blue group rather than Red. The first cover features a red-headed Princess Leia and a green Darth Vader in a mistake of galactic proportions. Also editing errors are rife throughout the adaptation with weapons being called different names throughout and not often matching what they were called in the movie. I can only hope they rushed these out 1 a week the quality was so low.

After we get through the movie adaptation things improve, though for a while we get some really bad editing. Names spelled differently in different panels for one thing. Still though, despite the improvement in plotting there are still some laughably bad ideas such as Don-Wan Kihotay(also spelled Don-Wan Kioti) the Man of La Mancha Jedi ripoff.

There is continual improvement though and we eventually get to see some nice, plausible adventures of what may have happened to our heroes after the destruction of the Death Star. Chewbacca though never really looks much like Chewbacca.

Two stars for the beginning, and the continual improvement brings it up to three stars.

Good writing, goofy art. OK extrapolation from original.
Archie Goodwin's plots were great, but the art that accompanies these stories are sometimes painful to look at. The square-jawed, super-muscled look doesn't really match our on-screen versions of Han Solo and Luke Skywalker. The idealized voluptiousness of Leia isn't exactly a dead ringer for Carrie Fisher, either. And if you're looking for Jabba the Hutt, this isn't the place to see him unless you remember him as a yellow, seal-faced humanoid.

Despite the cosmetic differences though, the characters are decently expanded and given interesting things to do. Luke's adventures on a water planet 20 years before Attack of the Clones make us wonder why we didn't see Jango and Obi-Wan riding the serpents in their modern version. The blind, vengeful Baron Tagge provides an interesting side to the Jedi mythology as he seeks to destroy Darth Vader, the man who robbed him of his sight. And assorted background characters like The Starkiller Kid and Valance the Hunter bring some fresh perspective to the events of the galaxy. These were the first looks at Luke and friends from outside the eyes of Rebellion or Empire, decades before the "Tales from the..." anthologies were published. ... Read more

Book Description

It is the moment you've all been waiting for! Gambit returns to Ultimate X-Men! Because the fans demanded it, the Cajun thief is back! But what is he going to steal? And can the X-Men stop him? It's all about the Ragin' Cajun as the mysterious Gambit gives hints of where he's been, what he wants and why the X-Men will not be happy about it. ... Read more

Reviews (4)

Cape & Cowl
Don't you just love it when two great athletes team up?

Batman and Superman have been around for decades. Two of the main reasons people still read comics today, these two icons have appeared in -- literally -- thousands of stories ... facing threats to themselves ... challenging threats to world peace ... and making the world safe for the rest of us at the risk to their own personal safety.

However, PUBLIC ENEMIES -- under the guidance of Jeph Loeb -- takes the old and makes it new, bringing a remarkable freshness to characters who have seen some great days and, undoubtedly, have greater ones to come.

A huge meteor is hurtling across space, taunting the destruction of the planet Earth. No big deal, you say? Just send Superman into space to knock the rock off its trajectory? While it sounds like a good idea, you have to remember that the author of this work is Jeph Loeb, arguably one of the best minds working in comics today (and, for those of you in the know, he's also a consultant for the WB's hit SMALLVILLE): this meteor is a hunk from the planet Krypton ... making it Kryptonite ... and meaning that Superman is absolutely powerless against it! Its radiation threatens the survival of the entire planet, and only these two superminds and supertalents combined can find a way to save the day and put right all that has been thrown into chaos since Lex Luther was elected President of the United States.

What? Lex Luthor? President?

Clearly, PUBLIC ENEMIES is not necessarily a great 'jumping on' point for new readers. There may be some resulting confusion due to storylines hinted at that occured before this tome (Lex Luthor's election as President of the United States, Luthor's attempt to wrest control of Gotham City from billionaire Bruce Wayne, Commissioner James Gordon's retirement from the police force, etc.), but these hints serve moreso as nods to other great Batman and Superman stories for the newcomer to go and explore. Also, ENEMIES is replete -- one may argue too much so -- with guest appearances (Captain Atom, Major Force, Solomon Grundy, **drool** the lovely Power Girl, etc.) from the whole pantheon of DC villains and superheroes ... so many that that the final showdown between Luthor and Superman does feel a bit rushed to get this entire story told in what was originally six issues of the new Batman/Superman comic book, but that's a minor critique easily dismissed thanks to the strength of Loeb's work. The real magic of PUBLIC ENEMIES is that it should be considered on its own and of its own merits ... of which there are (thankfully) plenty.

Also, Ed McGuinness deserves a nod for delivering some stunning artwork to back up Loeb's epic storyline. The drawings are crisp and fluid, the coloring is dynamite and eye-popping, and the layout is exceptional.

ENEMIES is a friend worth finding.

Excellent Story, Beautiful Art
Jeph Lopeb has outdone himself on tackling arguably two of the most popular heroes in pop culture, the Man of Steel and the Dark Knight. Now, many attempts at the team-ups between the two titans have been done, some with mediocre success and some with no success. Jeph Loeb's story is a far cry from any of the older World's Finest type stories that have featured the two heroes. It is very well plotted and is executed to near perfection.

The story starts off with a large chunk of kryptonite on a collision course with Earth. Luthor uses this to his advantage and puts a $1 billion bounty of Superman's spit-curl and even hires a meta-human team boasting the inclusion of Green Lanter, Powergirl, Captain Comet etc. And add to that the JSA also sends Hawkman and Captain Marvel after them and they get into a showdown. And if that wasn't bad enough, an older Superman (the Kingdom Come version) drops into the bat cave and beats the tar out of Superman and Batman. This is done in order to ensure that no one dies from the mistakes made here and now.

There are also sub-plots that include possible information as to the identity of the murderer of Bruce Wayne's parent (yeah I know...I thought Batman knew the killer, but this was apparently all debunked in the pre- and post-crisis stuff) brought forth by Superman.

Now, the amount of stuff touched on by Loeb in these first few issues just goes to show you that the man got a million ideas in his head. Hopefully they will come to fruition in the future issues.

And finally the art....I have not been a big-fan of Ed McGuinesses' work (dating back to his earlier work on various Superman series). They always looked too cartoony, in a bad catoony way. But this time his art was perfect. It was still cartoony but it was good cartoony (make whatever you want out of that).

If you like tight story-telling with a lot of action with a lot of substance (and who wouldn't want that?) this book is for you.

Almost Perfect--I Can't wait for the next one.
Another lame team-up between the Man of Steel and the Caped Crusader, you say?

Not so! Public Enemies presents an original story of, you guessed it, saving the world from, you guessed it again, Lex Luthor. As unlikely as an original story on that material may seem, Jeph Loeb delivers here, giving interesting insights into the history and development of the relationship between these two brightest stars in the DC universe, while rolling in other characters, many seldom seen in recent years.

Ed McGuinness' art is wonderful, though don't expect the edgier look of Loeb and Jim Lee's "Hush." The two-page action spreads acattered throughout are great, and don't make you feel like the story is suffering so the artist can have more room to draw.

I especially liked how Loeb showed Batman's and Superman's thoughts about their situations and each other parallel on the page. I like how the ending was left open for another confrontation down the road, but my one complaint is a rather important gap in how Batman and Superman get from fighting Hawkman and Captain Marvel in Japan to busting into the White House. Superman explains it, but I would rather have seen it, personally (although I guess that would take away some of the surprise).

Another great book from Jeph Loeb, and cheers for Ed McGuiness.
BUY THIS BOOK. It will not disappoint.

Brilliant
Jeph Loeb is the best writer to tackle Superman OR Batman in many a year, and putting them together in one series has been a magnificent success. Buoyed by wonderful artwork by Ed McGuiness, in this volume President Lex Luthor cons the Earth into believing that Superman is responsible for a planet-killer sized asteroid of pure Kryptonite that is falling towards the planet. Superman and Batman, with their few loyal allies, have to avoid the heroes trying to capture them, bring down the corrupt Luthor, and save the world from the meteor.

The key to this book is contrast. Superman is bright and hopeful. Batman is dark and cynical. Somehow, together, they WORK. And they work BEAUTIFULLY. Read this book and find out why this crimefighting duo will always be the World's Finest. ... Read more

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