Book Description

The comic book publishing event of 2000 is coming to your bookstore.

Ultimate Spider-Man received extensive press coverage and was the highest selling comics launch of the year. It is the reinterpretation of Spider-Man's origin, updated for today's tweens and teens. Starting over at the beginning, the story of how a tortured teen is imbued with startling powers, has been completely re-imagined to appeal to the hi-tech, media savvy youth of today.

In the process, great steps were taken to make the unfolding saga reader-friendly to the non-comics reader. "Our characters have been around for almost 40 years," explained Bill Jemas, Marvel`s President of Publishing and New Media, explaining the reasoning behind Ultimate Spider-Man. "It's great that our comics are so rich that storylines run forever, but we want the Ultimate books to be accessible to the first-time reader. Someone will be able to pick up an issue of Ultimate Spider-Man and have enough information to understand and appreciate it."

An outsider even amongst his own peers, high school student Peter Parker is a young man at the crossroads of destiny. Orphaned as a youth and raised by his Uncle Ben and Aunt May, Peter finds himself the target of a constant barrage of pranks perpetrated by school jock Flash Thompson and his burly bud, nicknamed Kong. After Peter is bitten by an experimental spider from the laboratory of Osborn Industries, industrialist Norman Osborn takes a deadly interest in this development. Will Peter be able to avoid a violent case of corporate downsizing? When backed into a corner, will our hero learn that with great power there must come great responsibility? ... Read more

Reviews (43)

Comics for Everyone
Hats off to Marvel for making comics accessible again. Ultimate Spider-Man is a great comic that anyone can read and relate to. It tells the story of a nerdy high school sophomore who suddenly finds himself in possession of fantastic powers. It's an old story, with a hero that will be familiar to almost anyone. After all, Spider-Man is one of the most recognizable characters in entertainment history.

But what's this "Ultimate" about? Spider-Man is a character who was created in the sixties, and since then he's been dragging forty years of continutity and backstory. Ultimate Spider-Man approaches the character from the ground up, with a contemporary voice and pop culture references that place the book squarely in the 21st century. This Peter Parker isn't married and successful yet; he's barely coming to grips with his powers. The origin is updated, the villains look different, and nothing about the hero's future is set.

Longtime Spider-Man fans may still be more comfortable with the original character that they've grown up with. (The "classic" Spider-Man is still thriving and his ongoing series is currently enjoying the excellent writing of Babylon 5 creator J. Michael Straczynski.) But for those who lost interest in comics years ago, or those who are approaching the medium for the first time, this book is absolutely perfect.

The writing, by comics wunderkind Brian Michael Bendis, is awesome. Dialogue is sharp and sparkling with very authentic voices. The art is attractive and expressive. The stories are easy to follow, even for a first time comics reader. It's a comic that anyone can enjoy, and one which I strongly recommend. I loved it, my girlfriend loved it, and I'm sure that you'll love it.

Spider-Man Revisited
Writer Brian Michael Bendis set out to reinvent and reinvigorate Marvel's hallowed Spider-Man franchise in this landmark series. Judging from the critical acclaim and market success it's had, I'd say he met his goal.

Spider-Man was originally created in 1963 and while his origin story is a comic book classic, let's just say some of the elements within the story have become somewhat dated. Bendis' rehash of Spidey's origin sets him in modern times, with the look of a modern 15-year-old, and the characters speaking in...you guessed it...modern dialogue.

Bendis has done a fine job of updating the character and doesn't give in to the temptation to pace the story too quickly. He takes his time, building up the characters and the story of how Peter Parker is bitten by a radioactive spider and subsequently given super powers.

Mark Bagley competently, though not spectacularly, illustrates the story. Bagley's artistic storytelling skills are excellent, but I think Marvel might have been better served had they gone with a less traditional artistic style on this book.

ULTIMATE SPIDER-MAN: POWER AND RESPONSIBILITY is a great new beginning for Spider-Man and appeals to fans of all ages.

Ultimate spider-man is the best!
I have read spider-man comics for years and this series is definitley one of the best! the writing, the art, the inking, and the charecters all work perfectley together!
This series gets you very involved in the stories, it gets you attached to the charecters with great charecter development through out the issues.I would certainly recommend this series to any comic book fan!

Great Start to a Great New Comic Book Series!
After 42 years of stories, Spider-Man, like many other Marvel titles, has become bogged down in its own complex continuities. Many comics have gotten to the point where those who haven't been reading since way back have trouble understanding the plots. It is for this reason that the creation of the Ultimate series is such a smart move on Marvel's part. Now, on to comic being reviewed. Gone are the futile attempts by Lee and Ditko (Spidey's original creators) to come up with good villains and story lines every month (many old fans may look back not-so-fondly on such abysmal creations as the Terrible Tinkerer, or A Guy Named Joe). Since Spider-Man is already established as a great series, Bendis had more time to flesh out the characters, and elaborate on classic story arcs, without struggling to come up with new ideas every month. To make it more appealing to younger readers, Bendis put a more modern spin on Ultimate Spider-Man. This means that the characters act/talk like they're living in the year 2000, not 1963. Many long-time fans will notice several major changes in the continuity and characters. For one, Peter Parker starts out dating MJ Watson, bypassing his relationships with Betty Brant and Gwen Stacy (although they both make cameo appearences in a couple of stories). In addition, rather than being an insane-workaholic-costume-wearing-Spidey-foe, ultimate Green Goblin is an insane-workaholic-mutated-drug-addicted-Spidey-foe. Since it is known from the beginning that Norman Osbourn is the Green Goblin, his origin is told in a different manner, in a much shorter time (which is a change for the better, IMO). Finally, the event of Uncle Ben's murder is pretty similar to the original comic, except for the fact that Peter lets the crook go when he robs a deli, rather than a wrestling manager. Oh, and Aunt May is much younger, so Peter doesn't have to worry about her health (at least for the time being). That about covers all the MAJOR CHANGES in the first story arc, which are necessary for a better retelling of the exploits of the web-head. As for the artwork, Bagley does an excellent job providing the right atmosphere for the stories. In my opinion, his use of detail is top notch, and his style is great. Bagley can only get better as he continues his career. Overall, Power and Responsability is a great start to a promising new Spider-Man series.

This one's the best.... but still far from "Ultimate"
The first storyarc in the rather poor Ultimate Spider-man series is the enevitable origin storyarc. Peter Parker is bitten by a genetically altered spider. Eventually, he soon dons the guise of Spider-man to cash in on fame and fortune. But when a horrible tragedy strikes..... You've read it before, and you're going to read it again. Yes, it has, "mondern," stuff like the internet, but still, it has "R-I-P-O-F-F," written all over it. At least the story is slightly touched upon a bit more between Peter's relationships with Aunt May and Uncle Ben(who, dare I say it, has been redesigned into a hippy. Deny it all you want, its true) before the uncle has the fateful encounter with the burglar, leading to Spider-man's true birth as a superhero. But other than that, it's best to just browse. The entire battle with the Green Goblin afterwards is pointless and doesn't serve much purpose to the story afterwards. Something tells me another 40 years from now, Bendis will most likely have been forgotten from the other Spider-man authors, simply because of the unoriginality his stories contain. Still, if you simply must pick up an "Ultimate" book, this one is probably your best bet. ... Read more

Book Description

Not since the days of Stan Lee and Jack Kirby, the trailblazers of the Marvel Universe, had someone so perfectly captured the intense mood, cosmic style and classic sense of adventure of Marvel's first family of super heroes. Writer/artist John Byrne launched the Fantastic Four into realms where few creators before had dared to go. Now, the collection of his classic run continues! Featuring the trial of Reed Richards - and introducing the newest member of the Fantastic Four! Plus, Reed and Sue place the fate of their unborn child in the arms of...Doctor Octopus?! ... Read more

Book Description

A perfect blend of humor and drama, Y: THE LAST MAN – ONE SMALL STEP is a fascinating tale of catastrophe and consequences. After a mysterious occurrence instantaneously killed every male human on Earth, twenty-something escape artist Yorick Brown suddenly found himself as the last man alive on a planet inhabited solely by females. But when Yorick and his secret service bodyguard learn of a Russian spaceship with two healthy males on board, they quickly journey to its projected landing site in Kansas to see if the rumor is true. Now as Yorick and Agent 355 wait to see if the cosmonauts will survive their return to Earth’s atmosphere, a zealous faction of the Israeli military attempt to kidnap the last man for their own nefarious purposes. ... Read more

Reviews (2)

No drop-off in quality from the first two volumes
"One Small Step," the third volume of Y: The Last Man loses no momentum from the previous two volumes, "Unmanned" and "Cycles." In fact, I'd say it picks up steam. Now that I've become accustomed to the characters, I care more about them and find their perilous adventures more gripping than ever.

"One Small Step" contains two stories, the primary one being the title story. Yorick, Agent 355 and Dr. Mann travel through Missouri to Kansas and seek to help two more potential male survivors of the plaque to arrive safely on Earth from orbit. All males of all species on Earth died in the plague, but it didn't extend to those males OFF the planet. The International Space Station houses two male and one female astronaut, all of whom are dangerously close to suffocating in the failing life support of the station. They have to evacuate the station and find out whether they can survive now that several months have gone by since the plague.

Thrown into the mix are the Israeli soldiers, led by their stoic Colonel, whose motives have been unclear until this story. Suffice it to say that old scores die hard.

Brian Vaughn builds the tension slowly with several events threatening to collide explosively. The violent colonel, an endangered Yorick, and the fate of the astronauts all hangs in the balance. I found myself flying through the climactic pages of this story, eager to find out what was going to happen.

You really have to read the first two volumes before you move on to this one. There's too much back story you'll miss. But it's worth the time. This is one of the best comics to come out in the past several years and is not to be missed!

Absolutely stunning!
After reading the first two "Y the Last Man" books I was eagerly awaiting the release of this one. I was not dissapointed! The first 6 chapters of this book wrap up the storyline of the male astronauts introduced at the end of book 2 and the final two chapers provide a hilarious interlude from the main story of the book. Everything overall is great! The art is detailed and clear. The coloring and inking is also excellent. If you have never read a graphic novel before read "Y the Last Man" books 1 and 2 first, then be sure to read this one! ... Read more

Book Description

The European country of Slorenia is dead. Every man, woman, and child eliminated with the cold precision of a machine. And out of the flaming remnants of this tiny Baltic state comes a message from its murderer: Mankind's days are numbered because Ultron has returned! He - or it - is one of the Avengers' oldest, most implacable foes, menacing humanity countless times. But never before has Ultron been this dangerous, this deadly. Now, he stands on the brink of committing global genocide, and rebuilding Earth in his own robotic images. Our only hope is a desperate U.N. strike on Slorenia, led by the Avengers themselves. But will it be in time? Will the strength and courage of Earth's Mightiest Heroes be enough in the face of such overwhelming evil? For the sake of the world, it will have to be! Plus: When you're an Avenger, you're one of Earth's Mightiest Heroes - the first line of defense against the dangers no conventional foe could halt, the threats no ordinary man could withstand. Threats including Dominex, Lord Templar, Pagan, and the Thunderbolts! Collects Avengers #12-22, #0 and Annual 1999. ... Read more

Reviews (5)

A worthy sequel to a fascinating graphic novel
As with the first "Y: The Last Man" book, both the art and storyline continue to be very good in "Cycles." The plot is extremely engaging with lots of interesting characters who continue to be developed as the series is progressing. Because the story hinges on a number of mysteries being revealed in the course of the book, I won't go into any spoilers here. Suffice to say, if you liked the first book, you won't be disappointed with the sequel. The dialogue is very clever and natural sounding - no stilted phrasing here. The book's action-packed pacing continues and remains riveting, with no dull moments in the book. Pia Guerra's artwork is extremely good, and I'd almost recommend the book solely on the art, if the storyline itself wasn't so engaging.

I really get the feeling that there's a much larger story that has yet to be revealed and I can't wait to see how things turn out. "Y: The Last Man" has an extremely thought-provoking plot that really makes you wonder how society/civilization would restructure itself (if it even could) if almost all the males of the species died.

I've just purchased the third graphic novel in the series because I liked this one so much.. The second book ends on a bit of a cliffhanger and I can't wait to see how it's resolved - and obviously, I can't wait to discover what the cause of the whole catastrophe was.

This is a man's world
"Y the Last Man" is consistently an excellent comic, and I think that along with 100 Bullets, it's Vertigo Comics' next big thing. The setting of "Cycles" is the world after a disease has killed all male mammals from the unborn to grown humans and animals. The only known surviving males are Yorick brown, struggling escape artist, and his pet monkey Ampersand.

"Cycles" goes on to show more reactions to a world without men and how society restructures itself. At the start; we find that pretty much all pilots are dead now and our protagonists are trying to barter their way onto a train to get to California. This sets up Brian Vaughan's clever, charming dialogue. For the most part, the dialogue is all perfect, it is often funny, when that's what Vaughan wants; or it can show a more serious side.

Pia Guerra's art is very good, it reminds me of the artwork in "Preacher". Not to say that Y the Last Man is as objectionable as Preacher is to some, but the style and facial detail reminds of Steve Dillon's work in "Preacher". Also, "Cycles" comes with like 8 pages of Guerra's sketches in the back, which are nice. My favorites are early pencil drawings of Yorick's bodyguard Agent 355, it's interesting to see how different the final product is.

I reccomend "Cycles" highly based on the great story as well as the spiffy artwork, It's short, although the next trade paperback "One Small Step" is supposed to come out very soon which means we can all get our fix of Y the Last Man.

Best of the series so far
Y The Last Man has been a great look at a post-apocalyptic world with no men. Vaughan's cute, down-to-earth dialogue and easy-to-follow pacing combined with Guerra's clean-cut art make it very digestable while still having depth. The series hit a real high-point in this collection, with new characters entering, a new mystery and an explosive climax. And there's also the gigantic ending...

The journey begins
In this, the second volume of Y: The Last Man, Yorick, Dr. Mann and 355 begin to make their way across the U.S. to reach California and a research facility that may have clues about the plague. They're sidetracked after they're forced to "disembark" a train in the midwest.

What follows is a little more "Twilight Zone" than "Omega Man" and that's a good thing. Writer Brian Vaughan shows us he can switch gears and tell a different type of story without derailing the main plotline. The town of Marrisville, Ohio has a secret and Yorick and his motley crew are unwittingly caught up in it when the denizens of the town help them out. Marrisville's residents have a dark past which has been partially exorcised by the plague that killed all men...or has it?

Yorick's sister, Hero, and her Amazon sisters aren't far behind, another plotline that comes to a head in this installment of Y.

This story's not as strong as "Y: The Last Man--Unmanned," but it does a good job of continuing the story presented in the first installment and clarifying some of the themes that will apparently dominate this series.

Yorick is very much an "innocent abroad," not just a sole survivor but also an outcast, a pariah, and maybe an unlikely savior. "Cycles" was entertaining and thought provoking and I look forward to the next volume in the series, "One Small Step," due out in March 2004. The title should give you some clue as to what the story's about. Hmm. What goes up, orbits the Earth and must eventually come down?

The plot thickens ...
This is the second story arc in the adventures of Yorick. He is literally the last man on Earth - all other men died in a second of mysterious causes. The story, which seems to be the ultimate male fantasy, is really a thriller boarding on horror. It's not a dream - it's a nightmare!
There are women, who consider the death of men to be the will of Mother Earth, and so they'll do anything to get the planet rid of the last one, then there are Israeli commandos, and ... oh, no, I won't spoil it for you!
Considering the premise, the tone of the story itself is surprisingly realistic, and the dialogue is superb.
This story is better in the collected form - this is the way to read Y, and not to read a chapter once a mounth.
Compaired to the first story arc, this one is less dramatic, but mostly because it deals with a smaller cast and scale.
There are talks of "Y - The Last Man" movie. I, personally, think it's too early to make a movie, 'cause the series has just started. And it shouldn't be a movie - a series of movies, or better a TV series. ... Read more

Book Description

Ever since Tohru Honda discovered the Zodiac secret of the Sohma clan, her eyes have been opened to a world of magic and wonder. But with such a great secret comes great responsibility. When her best friends Hana-chan and Uo-chan come to the Sohma house for a sleepover, Tohru has her work cut out for her keeping the "Cat" in the bag and the "Dog" on a leash. ... Read more

Reviews (22)

Truly amazing. Needent I say more. :P
Fruits Basket (or Furuba as it's known to many fans) is a truly amazing manga.

From the title of it, you would expect it to be very hentai-ish, but it's not. In my opinion it has to be the cleanest manga that one can possibly stand. (IE it's not so clean and happy go lucky as Hamtaro *shudders* Hamataro is evil, pure evil). Well I got off track. This review has spoilers abound so beware if you haven't read the manga (or seen the anime).

Fruits Basket is about a girl name Tohru Honda a girl with a heart of gold and truly a wonderful person, whoes father died when she was very young. She is now 16, her mother had just died in a car wreck, and she went to live with her grandpa on her fathers side. (Because her mother and she were not exactly on speaking terms with her mothers side of the family). Her grandfather has to get his house remoldeld for some distant relatives on his side of the family so Tohru has to move out for a while. He told her to find some friends to stay with.

Not wanting to be a burden to any of her friends Tohru decides to rough it, and she finds a tent and campsout for about a week, on the Sohma familys property (not knowing of course). One day while walking to school she comes across the Sohma family household. She looks around in it for a while and comes across some stones with the Chinese Zodiac on it. Than she run's into Shigura (who is the year of the dog) and Yuki (her high-schools "Prince" He is the year of the rat) Later on in the story we are introduced to Kyou (the year of the cat, who is not in the zodiac because he was betrayed by rat). And this is where the trouble starts.

The Sohma family is cursed and therefore whenever they are touced or huged by a member of the opiset sex of someone NOT in there family, they turn into the animal that they are the year of. Tohru finds out this secret, and therefore she might have to have her memories erased from her. What will become of our poor Tohru? Find out when you read the manga! And belive me, you will. It is a must read.

Now I odviously left out a lot of details from this manga, but I didn't want to give away the whole storyline, that would be quite dumb wouldn't it?

Also this manga is printed in the original left to right reading format, therfore preserving the original artwork and sound-effects. It makes it even more enjoyable. All in all this manga is a must read. It's kinda of a comedy/romance, kind of. And it's shojo, so it's more or less going to be apealing to the femail gender a little bit more. That's not to say that a guy wouldn't like it. It has quite a bit of action in it (not like Trigun action) more martial arts action. But it is a must read. And I really hope my review helped. Do you believe it was written by a 16 year old? The reveiw I mean.

Just thought I'd mention this
I was depressed for several days, then I went to Border's and bought some manga, one of them Fruits Basket #3. I swear, I felt so... happy afterwards! I'm serious, every time I read Fruits Basket, it just puts me in such a good mood... it's full of hope and compassion without seeming forced or sappy. Natsuki Takaya really has a talent for this! In this volume, after Momiji was talking about "The Most Foolish Traveler in the World" story in the "funny" stories book, and how he related it to Tohru, I actually cried, and I rarely cry over manga! XD Most of my favorite mangas are the more serious or sinister kind for older audiences, such as Confidential Confessions, Petshop of Horrors, Uzumaki, etc. and I'd never thought I'd enjoy a series like this. But I love it and it's one of my favorites... even though it sounds a little rediculous in its description (turning into animals when hugging the opposite sex ^^;) when you actually read it, it's really enjoyable, touching, and funny, and the characters all have deep personalities. I highly reccommend Fruits Basket!!

Great!!!!!!
I love this manga!!!!

Clean and sweet, without being sappy, Fruits Basket is a really cute story about a sixteen year old orphan named Honda Tohru. One day when walking through the woods, she discovers a strange house. Under further investigation, she finds that the house happens to be the home of none other than the prince of her school, Sohma Yuki. When Yuki and his cousin Shigure find out that Tohru had been living in a tent, they immediately take her in. However, Tohru soon discovers their family secret. The Sohmas are the bearers of the "juunishi" (zodiac) curse. When their bodies grow weak, or when they are embraced by a member of the opposite sex, they transform into their designated animal of the Chinese zodiac, or in Kyo's case the outcast aka the cat.

I have only read two volumes of the manga, but I own all four anime dvds and love them. It starts out sweet and gentle, but the end, of the anime at least, is dark, depressing and to use a word I hate a real "tear-jerker." I cried. A lot. Even so, it was wonderful. Don't not buy it now because you think it to be dark and full of pain and misery. It's not. Every {good} story needs some dark pasts, mental scars, and evils. Otherwise, how did the villian become a villian, why is the good guy good? There would be no motivation. GO buy the manga. NOW.

Fruits Basket
Fruits Basket in general is a touching series that really makes you look at yourself--when you see what these people go through, and see that they can still smile, you'll wonder if crying was/is ever worth it in the first place.(But of course, we all don't have a cute little bordering house-maid to give us the wisdom we need in those times.)

Anyways.

The book can be described in a few words; really sweet. In this book we meet a new character, Hatsuharu Sohma(though you may have seen a little of him in number 2), who has a 2 sided personality. That's all I know--I have yet to buy the book.

But if *I* like it so much without even having seen it, then who says YOU won't like it either?

Fruits Basket just have something special about it. It's like a parasite--it weasels into you and embeds itself into your heart. I think everyone can find something they like about it, even male otakus(otaku=anime fans, though not all are pale-faced doughballs)...

Now. Go. Now. Grab all the money you have and waste it(heh) on Furuba(Fruits Basket) stuff. OR YOU SHALL DIE WITH THE HAUNTING KNOWLEDGE THAT YOU MISSED OUT ON SOMETHING GREAT. Heh-heh-heh. Bye. ^^;

fRUITS bASKET
The book starts out with a young girl,Tohru, who with the death of her mother is living alone in a tent. She then meets the Sohma family who is suprised to hear that she lives near by, because all the land in the area is owned by them.
She goes to school with her new found friend Yuki who is the popular handsome guy of the school. Later you find that for some reason Yuki hates cats as they walk together. Yuki and Tohru go their seperate ways, but later that night Yuki finds Tohru living in a tent and he takes her in because she dosn't look well.
In return Tohru cleans the house to earn her keep. Then a boy named kyo challenges Yuki to a fight. As they fight Tohru falls and keeps her balance by hugging Kyo. Kyo then transforms into a cat.
Thoru freaks out and then everyone else in the family transforms into a different animal.
They explain that their family is cursed wwith the spirts of the Chinese Zodiac. Each family member is possesed by a different animal spirit and when under great stress or embraced by a member of the oppisit sex they transform.
This first book takes you through the events of the first 5 episodes of the anime.
This first book is awsome and is followed up by more just as good! ... Read more

Reviews (11)

You can't not enjoy this book
I was very impressed with this title. I didn't quite know what to expect coming into it, but the premise is very unique and extreme. As with any "end of the world" story, there are many extreme parts that could or could not happen. In this case we have a bunch of very hasty women fighting and killing for both leadership and out of the hatred for men. It is kind of weird to have a story where there is only one male character, being so used to a man being the hero, but nonetheless, that is not a problem. It is just a wonderful story, very unique ideas being put forth, and all around just a great read.

"This is why God created comic books."
The above quote from RevolutionSF.com graces the cover of this first collection of "Y: The Last Man" and for the most part it lives up to the quote. While the first chapter didn't wow me, it nicely sets up all the characters from Yorick (the last man in the title), Hero (Yorick's sister), Agent 355 (a female Nick Fury-type), and many others. The following chapters begin to weave all those characters' individual storylines together and just when you can't wait to see where this characters lives will intersect, the book ends.

Brian K. Vaughan is quickly becoming one of my favorite writers with great comics like "Y: The Last Man", the underrated "The Hood" and "The Runaways".

Much like Steve Dillon's work on "Punisher", Pia Guerra's art may look simple but it works beautifully with the book. The art tells the story perfectly, which is all you can ask from a comic book artist.

I hope, in the future, DC will release "Y: The Last Man" in a hardcover format, with a better page quality, as it definitely deserves such treatment.

Excellent book, get this one and the sequels!
A friend gave this book (along with its first sequel) to me and my wife as a joint birthday gift -- what a great gift! The story's concept is thought-provoking (see the plot summary above or some of the other reviews for more details on the premise); the action, pacing, and characters are all great; and the art is really good. The protagonist, Yorick, is particularly appealing.

I don't read a lot of comics (I pretty much only read a few trade paperbacks a year), so I probably would have never found this one if left to my own devices, but I'd highly recommend it to anyone interested in a good story and a fascinating mystery. If you're a fan of the post-apocalyptic genre, you need to read this one. I can't wait to see how the plot develops as the series progresses!

If you're looking for novels with similar premises -- albeit with the gender roles reversed from Y: The Last Man), I'd recommend Herbert's "The White Plague" and Atwood's "The Handmaid's Tale."

One of the must reads for a true comic fan
This comic should take a place in history nest to the likes of the Watchmen and Preacher. It is a completely high-minded concept, and it is also very original. The story is filled with concepts that I never would have thought of but also make since. When I finished this book, I emmediately wanted to go buy the next part. Plus, Who hasn't asked themselves what they would do if they were the last man on earth?

could not put it down
I started reading this because the premise seemed interesting and I trust DC vertigo, but I didn't expect to like it this much. I literally had problems putting it down. I left a party early so I could find out what happened next. That makes more sense when you read it, these guys are masters of the cliffhanger. Definatly worth your time. ... Read more

Reviews (10)

Underdone Fairy Noir
Wizard magazine has been hailing this comic as fresh and exciting for well over a year and I waited for the graphic novel to arrive with no small measure of anticipation. Sadly, hype is not the same as quality.

The story is basically your average whodunnit with the twist coming from the fact that it takes place in a community of exiled characters from assorted fairy tales and works of fiction. Snow White's wild child sister has gone missing, her apartment awash with blood and painted with the ominous warning of 'no more happily ever after', and it's up to Detective Wolf to solve the crime before the annual Remembrance day. Why the deadline? I have no idea. And that it is only one of the many perplexing holes in the story.

The overlying problem is the length; this would have made a taut four-issue miniseries but it's been inexplicably stretched into five. Because of this, there are pages of lackluster filler featuring cameos of other literary characters for no point other then to try and be clever and edgy but succeeding only in its abilty to be crude and childish. Instead of getting a good chuckle out of seeing a modern Cinderella or Pinocchio you're struck more by the fact that Willingham writes them with exactly the same voice. Yes, it's funny seeing people who've been Disneyfied cursing, but only the first time around.

Snow White has a chip on her shoulder the size of an ogre and when she isn't tearing into someone she's crying about what might have happened to her sibling. That's it. That's her character for the whole affair. Everybody else is written with about the same voice, always more than slightly bitter and always ready with a witty remark. Willingham has all of the literary world to play with but doesn't take advantage of any of it aside from character names and a few story details that makes the comic feel like a cheap gimmick.

As things progress the story only further unravels. Dialogue de-evolves into random word ballons laced with profanity and almost the whole final issue is nothing but Bigby giving an explanation of the crime that had already been solved in the previous issue. The last few panels try to shoehorn in a romance angle but because interactions between Snow and Bigby haven't evolved at all over the course of the story- in the few places where they haven't been completely abandoned in favor of showcasing another 'hip' fairy tale re-creation- it just doesn't work.

The art is near flawless. The painted covers are beautiful sendups to the old poster-painted dimestore detective novels and the interiors are lovingly rendered with storybook flourishes and the occasional background object that's a little wink at the audience- three chairs in Old King Cole's apartment with three fiddles waiting on them is the one that immediately springs to mind. There's a bonus prose story by Willingham included as an extra accompanied by his own illustrations which suggest where his real talent lies.

For a much better look at fantasy and reality existing side by side in the city, pick up one of the Aria or Sandman graphic novels instead; their authors can weave webs out of even the most obscurely gossamer strands of myth and magic. This prefers to strive valiantly in the direction of a hardboiled detective tale but is little more than slightly poached. Two and a half stars for the art and the novelty but you'll come away with little else.

Entertaining **AND** Original
The Fable series is one of the better "mature" lines to come out of D.C. This is basically the first "self-contained" story in the series and a great place to kick off. Get this one, I don't think anyone will be disappointed.

Great Concept, Better Execution
I was a bit hesitant to pick this up -- it seemed like too much an adult version of Roger Rabbit or Shrek. However, the murder mystery in an expatriate community of fairy-tale characters quickly drew me in.

Each character blends our preconceptions from stories we've heard (almost invariably a watered-down version of their original tale) with an edge they must've evolved after being forced from their homes. And none of them are one-sided, even those who appear such at first -- the one-dimensional ones grow and change as the series continues. Pick this up and be prepared to pick up the subsequent volumes!

Love at first sight!
I've always loved Fairy Tales, but sometimes the ending of those tales just isnt enough. We all want to know what happens after "Happily Ever After", don't we? This series, in pursuit of that question, has seriously revitalized my love for comics! I love the characters - this work plays upon the well-known and not-so-well-know aspects of faery tales throughout the ages, and then expands, charting favorite characters in a New World, where they've been forced into exile from their Fable homelands. Characters once so different from eachother now must set old grudges aside to join forces and forge a community for themselves amongst ordinary New Yorkers. Some have changed for the better - others...well, as you'll see, they arent exactly the heroes and heroines they used to be. From a Marxist Goldilocks to wild child Rose Red (I was beginning to believe I was the ONLY one who remembered Red Rose!!) - this is NOT your Disney remake!

One thing I do like about Fables - its a series for almost everyone. Many comics I've felt to be strongly orientated for either just males or just females, but this has strong characters that capture the interest of both sexes. There's something for everyone here.

One of last year's revelations
Subverting expectations and inverting cliches is one thing, but Fables is also a book with heart underneath its undeniable style.

The art by Lan Medina is deceptively good: at first glance it looks fairly standard but covers all the basics of storytelling, creates some interesting visuals and is attractive to look at. More importantly it serves the story and is one of the major reasons it works so well.

But the book is all about the story. Willingham takes a good premise and runs with it. The characters are engaging and seem human, despite their origin. The climax of the story is a little staged and generic, but everything else about the story (including the actual explanation) sparkles. Overall, one of the best Vertigo books of recent years. ... Read more

Reviews (29)

Classic issues yes, but not the best collection
First off I will say that the issues collected here from Chris Claremont's early legendary run on the X-Men are essential reads for any X-Men fan, but Marvel should have really put more thought and money into this volume of Essential X-Men. The entire book is in black and white, no color at all except for the covers of the book. Also, the cover itself is made of poor quality material and scratches up and tears easily. All that aside, this TPB brings us the new team of X-Men which includes Wolverine and Banshee, and also introduces us to Colossus, Nightcrawler, and Storm. The new X-Men face off against Magneto, Juggernaut, the Shi'ar, and we also see the death of a fellow X-Man who actually managed to stay dead for quite some time (and in the Marvel universe, especially in the X-Men universe, that is a hard thing to do). All in all, this collection is a good pick up for any X-Men fan, just beware before you buy.

The relaunch of a comic series that changed everything
The New X-Men became the most popular comic book series in the late Seventies and early Eighties and has continued to be so almost to this day. You can see why by looking at this reprint edition, which carries (unfortunately in black and white newsprint reproduction) the first twenty or so issues of the relaunched series. One of the most interesting things is to see how long it took for Chris Claremont, the main writer, to get the series "right." For the first ten or so issues the stories were pretty standard early Seventies Marvel cheesiness, with far too many characters and hyperdramatic posturing (there's so much going on in the Empress Lilandra story--featuring the introduction of not of two sets of heroes, the Starjammers and the Imperial guard, but also an entirely new Marvel interstellar empire--that it's very confusing to see what kind of effect Claremont and his illustrator, dave Cockrum, had in mind). With the introduction of John Byrne into the series as the artist, however, Claremont begins to take his time with his stories, and focus on subtler characterization. The superb Mesmero story, "Mind Games," is the first where you feel both the writer and the artist are doing something truly innovative. And from then on, it just gets better and better.

"Essential" is right
I think these Essential collections are awesome. The important thing is that you get a lot of comic for a pretty cheap price. Everyone keeps complaining that they aren't color - but think of how much it would cost if they were. With a series as long as the X-Men and all it's sub-series, I know I, and probably quite a few other fans, wouldn't be able to afford a higher price. Here you get all the back issues and back story you wouldn't be able to read otherwise (unless you have the time/money to go hunting for all the back issues) for a good price. I have no complaints.

In the begining
I have always loved the X-men. My cousin and I grew up reading these comics. These "Essential" series comics are great. they are a cheap way to catch up on all the ones I missed as well as reading those issues I fondly remember. I really like the fact that I can read them from the begining, and with out gaps (I hate getting a comic book that keeps refering to an issue I don't have.)
For many the fact that they are black and white, has been a problem, but I still have many of my old issues, and I found that in general the black and white "essential" was clearer.
I got over the lack of color quickly (However my ten year old nephew keeps telling me to get them in color, so maybe its just me.)
I plan on buying all of the Marvel Essentials books; I think they are great.

Essential X-Men I
I purchased this for a x-mas gift and it is all in color.
every page is full color.
I keep reading that it's black and white well mine aint.
I had the original X-men comic way back when and sadly did not retain it.
anyine else get a colored one? ... Read more

Book Description

The inspiration behind the blockbuster movie, THE LEAGUE OF EXTRAORDINARY GENTLEMEN once again uses the classic characters from familiar literature to tell a tale of epic proportions in Victorian England.In volume two, when alien invaders from Mars mercilessly attack London, the throne quickly calls upon Allan Quatermain, Mina Harker, Captain Nemo, the Invisible Man, and Dr. Jekyll to protect the empire.Using their various skills and intellect, the League goes about preparing a defense against the invasion but when the Invisible Man joins the Martian's cause, all appears to be lost.Now, as one of the members dies a horrific death, the League turns to the legendary Dr. Moreau as their last desperate hope. ... Read more

Reviews (18)

Wonderfully entertaining take on the Wells story
This book, a sequel to Alan Moore's initial series recounting the rise of the League, is a feast for both the eyes and the mind. In it, Moore pits his group of famous fictional figures (some heroic, others anything but) against H. G. Wells' Martian invaders. While the second volume lacks some of the freshness and character development of the original, it is nonetheless a great read, balancing an extraordinary faithfulness to his source material (especially Wells' book) with Moore's imaginative concepts and intriguing characterizations - and with an ending that offers a brilliant twist on the original story.

In offering this tale Moore is ably complimented by Kevin O'Neill, whose artwork offers a lush visualization of Moore's alternate Victorian Britain. Like the first volume, the panels are loaded with visual references to the fantastic literature of the previous centuries, suggesting that the extraordinariness of this world is not limited to the central characters. Deciphering the references - which has sparked much discussion on the Web - is part of the enjoyment of reading this book, and it left me amazed at the breadth of both Moore's and O'Neill's range of reading. It is only one of the many ways in which the reader is rewarded when delving into this fantastic work.

The League of Extraordinary Gentlmen vs. Invaders from Mars
Actually, my copy of "The League of Extraordinary Gentlemen, Volume 2" collects the six issues put out by Mr. Alan Moore & Mr. Kevin O'Neill courtesy of America's Best Comics over the past year or so. Consequently it has nothing to do with the movie, which seems fair since the movie, just released on DVD, had relatively little to do with what now has to be referred to as Volume 1 of "The League of Extraordinary Gentlemen." But then the movie merely copied the idea of the comics without capturing the magic.

The great conceit that Moore and O'Neill came up with was to create a late 19th-century version of a group of superheroes based on literary creations from that time period (in many ways the opposite of the legendary "Watchmen" series). Back again are the core group: Allan Quatermain from H. Rider Haggard's "She," Captain Nemo from Jules Verne's "20,000 Leagues Under the Sea," Mina Murray from Bram Stoker's "Dracula," Edward Hyde from Robert Louis Stevenson's "Dr. Jekyll and Mr. Hyde, and Hawley Griffin from H.G. Wells's "The Invisible Man." The works of Wells become a major factor in Volume 2 as two more of his science fiction novels are worked into the tale. The first is "The War of the Worlds," as the League is called upon to save England from the Martian tripods. The second plays a decisive role in saving the day, but I think that deserves to be a surprise for the reader.

Things do not work as well the second time around, partly because the novelty of the idea has worn off and also because the members of the League are not particularly well suited to dealing with invaders from Mars. That might explain why the soap opera elements are a bit more prominent this time around as Miss Mina becomes romantically entangled with one of the gentlemen and Hyde kicks Jekyll out of the picture. Actually Hyde becomes the most interesting character in this story, although you will need a strong stomach to read about how he deals with the group's traitor. For that matter, you should be forewarned that this trade paperback might look like a collection of comic books, but these are not for little kids. This is not as intense as "From Hell," but Moore's readers have long known that he only provides stories that have mature content. Even when Moore is not blazing new territory or reinventing the wheel in some interesting way, he is still worth reading.

The stories are still presented as if they were being published late in the Victorian era, with ads and articles that add to the general sense of fun. I liked the final words of the penultimate issue which disparages any one who fails "to purchase our concluding number" as being "a sissy, coward, or girl." Yet Moore and O'Neil lampoon the Victorian sensibilities of their characters as much as anything, and despite some major setbacks at the end of the saga, we are told that there is now an intermission before the stories continues again. As always, it will be interesting to see what literary works serve as additional inspiration for the next endeavor, although after the less than inspiring movie I suspect Oscar Wilde might be out of the equation (or should we expect Lady Bracknell?).

Not great literature, but a good story
In this fascinating book, author Alan Moore returns once more to his League of Extraordinary Gentlemen - a group of strange, yet capable men and women (well, woman, really) in Her Majesty, Queen Victoria's Secret Service. But now, the League faces its greatest threat - the War of the Worlds! Driven from Mars by John Carter and Lt. Gullivar, these foul creatures begin their conquest of Earth (as originally documented by H.G. Wells). The British government has a few tricks up its sleeves, but before this is all over mankind will face its gravest peril and treachery will split the League itself!

This is another fun and interesting book. I enjoyed seeing so many of my Victorian and Edwardian favorites exhumed and thrust into new adventures - John Carter of Mars, Major (later Colonel) Blimp, and Dr. Moreau. As for the story itself, I thought that it was OK. This is definitely not a story of heroes, but instead deconstructs the old heroes as raw materials for a postmodern story instead.

Let me clarify - the War of the Worlds itself was handled excellently, with lots of desperate action and adventure. However, the characters themselves don't seem to come together as nicely as in the first book. Unlike the first book, there are two sex scenes (well, three I suppose), but they are all rather disappointing. It's a dark story of war and death and treachery and surviving. Overall, I enjoyed it. Was it great literature? Heck no. But, it was a fun read and I do recommend it.

Not as solid as the First
Unless you are a die-hard Moore fan, pick up volume 1 and leave #2 on the shelf.

The two stars is for the consistent quality of the artwork and thats about it. I like Moore, but this story falls way short of the first LXG and tends to cover it's lack of plot with a pointless romance and ridiculous traitor sub-plot.

The fact that it was released as a harccover with an over inflated pricetag doesn't help matters either. After reading the first LXG I was entertained and delighted with my purchase. After finishing this installment I shook my head in anger at the money and time wasted.

The End of the Fellowship.
When I read THE LEAGUE OF EXTRAORDINARY GENTLEMEN VOL 1, I was completely intranced and couldn't wait until the second volume came out so that I could find out what happened to the heroic group as they faced invaders from Mars. After finally getting my hands on a copy of the book and having a chance to read it, I was a bit disappointed. The second volume of the League finds the group facing an army of invaders from Mars. I thought that one of the more interesting parts of this particular volume is how Moore ties together Edward Arnold's LIEUTENANT GULLIVAR JONES, Egar Rice Burrough's John Carter, and H.G. Wells WAR OF THE WORLDS into one coherent prologue to the main story.

Anyway, hostile Martians start invading the Earth and the League is sent in to "inspect" the problem. But, the problem gets out of hand and starts vaporizing people and things go nuts. Someone in the League thinks more fondly of the invaders than any Earthlings and decides to turn traitor. Quatermain and Murray are dispatched to find a mysterious doctor who has the one weapon capable of defeating the Martians and along the way the two seal their romance. Griffin plays a major role, but doesn't get much development and the great Captain Nemo doesn't fair any better. The only major character who really sees any development is Mr. Hyde. By now, Hyde has pretty much taken complete control and Dr. Jecyll is gone for good, though something of his essence makes Hyde a better character than he was before. In fact, Hyde is the only hero. In the first Volume, heroics were shared by everyone in the group and though they had there differences, the league was a united front. This time around, things start to fall apart and the appearance of the extraterrestrials seems too much to bear. This second volume is more violent and bawdy than the first so the reader should be warned.

Besides the story, the book also includes many of the faux ads that were prominent in the 1st edition, some "games", and "The New Traveler's Alamanac". The alamanac is especially interesting because it gives clues of what happens to the League after the events of the invasion and possible ideas of what might occur in Volume Three (if it ever comes about).

Overall, though Volume Two wasn't as exciting as the first, I still found it entertaining and highly educational. It's more popular than classical this time around, but it's still pretty good literature. ... Read more

Book Description

The most eagerly-awaited publishing project in comic strip history.50 years of art. 25 books. Over 7500 pages of comics. Two books per year for 12 ¼ years. Fantagraphics Books is proud to announce the most exciting and ambitious publishing project in the history of the American comic strip: the complete reprinting of Charles M. Schulz's classic, Peanuts.The most popular comic strip in the history of the world will be, for the first time, collected in its entirety, beginning in 2004. Fantagraphics will launch The Complete Peanuts in a series produced in full cooperation with United Media, Charles M. Schulz Creative Associates, and Mr. Schulz's widow, Jean Schulz.Peanuts is a towering achievement in the history of the American comic strip and represents the apex of Fantagraphics' 27-year publishing history; the strip will be presented in a beautifully designed format that reflects the integrity of the work itself.

Each volume in the series will run approximately 320 pages in a 8 ¾" x 7" hardcover format, presenting two years of strips along with supplementary material. The series will present the entire run in chronological order, including dailies and Sundays, in a three-tier page format that will accommodate three dailies or one Sunday strip per page. The Sundays will be printed in black-and-white.

Acclaimed cartoonist Seth, author of the award-winning graphic novel It's A Good Life If You Don't Weaken, and a lifelong Peanuts fan, will be designing the entire 25-volume series, which will emphasize the sophistication of Schulz's work by creating a package that is both austere and direct, reflecting the quiet and melancholy of the strip.

Seth's cover design will feature areas of muted color, with a different main character on each front cover (reflecting the ensemble cast), and a smaller Charlie Brown (reflecting who is, after all, the star of the strip) in the corner. The result will be a tasteful and completely distinctive series, where each individual book will be sharply recognizable and yet clearly part of a consistent series.

Unlike older strips, where publishers have often been forced to shoot the work from decades-old newsprint of variable quality, Peanuts is fortunate enough to boast archival-quality syndicate proofs for virtually every strip in its history. The result will be the best-looking, crispest reproduction for a classic comic strip ever achieved.

This first volume, covering the first two and a quarter years of the strip (October 1950 through December 1952), will be of particular fascination to Peanuts aficionados worldwide: Although there have been literally hundreds of Peanuts books published, many of the strips from the series' first two or three years have never been collected before—in large part because they showed a young Schulz working out the kinks in his new strip and include some characterizations and designs that are quite different from the cast we're all familiar with. (Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the artform refine his skills and solidify his universe, day by day, week by week, month by month.

Peanuts is the most successful comic strip in the history of the medium as well as one of the most acclaimed strips ever published. (In 1999, a jury of comics scholars and critics voted it the 2nd greatest comic strip of the 20th century—second only to George Herriman's Krazy Kat, a verdict Schulz himself cheerfully endorsed.) Charles Schulz's characters—Charlie Brown, Snoopy, Lucy, Linus, Schroeder, and so many more—have become American icons. A United Media poll in 2002 found Peanuts to be one of the most recognizable cartoon properties in the world, recognized by 94 percent of the total U.S. consumer market and a close second only to Mickey Mouse (96 percent), and higher than other familiar cartoon properties like Spider-Man (75 percent) or the Simpsons (87 percent). In TV Guide's "Top 50 Greatest Cartoon Characters of All-Time" list, Charlie Brown and Snoopy ranked #8. ... Read more

Reviews (38)

You were a great man, Sparky Schulz
What can one even say about what's probably the best/most influential comic strip ever to hit newspapers? Peanuts was long overdue for this sort of treatment, and I'm glad that it was done in such a wonderful fashion. Yes, the Sundays aren't in color and the reprints of the dailies are smallish, but these are just minor quibbles. Having all of the comics he did from 1950 to 1952 in one book is an accomplishment in and of itself.

Now, to be honest, Peanuts wouldn't really become the Peanuts we know and love today until about the mid-1950s (or in other words, the next book or two), so what's on display here is Schulz trying to get the feel of the strip, and it's really fascinating to see the strip's evolution even through the course of the book. Not his best? Yes, but that hardly matters as Peanuts at its worst can still be lightyears ahead of many strips at their best.

The bonuses definitely take things to another level. Keillor's introduction is nice, but the real points of interest are David Michaelis' excellent biographical essay on Schulz (which is a real eye-opener to many who've grown up on Peanuts like myself) and an interview Charles Schulz gave in the late 1980s which provides a ton of insight into his personal character.

All in all, despite some of the presentation of the strips mentioned above, this book is a must-own, and I eagerly await the rest of the volumes in the series.

Bravo! Excellent Job!
After years of only being able to find Peanuts strips in seemingly random and incomplete anthologies, "The Complete Peanuts" project is finally giving the work of Charles Schulz the respect it deserves.

By publishing all the Peanuts strips in their entirety and in chronological order, this Fantagraphics project is for the first time treating the Peanuts comics not as a mere collection of individual strips but as a unified whole: as a complete work in itself.

Despite having read many other Peanuts collections, a vast majority of the strips in "1950-1952" were new to me. It's fascinating to see the beginnings of a strip that would become so popular and influential. The look of the characters is much different from their later incarnations, but the gentle wit and philosophical insight that characterized the entire Peanuts series are definitely in evidence.

The extra features such as the index and Charles Schulz profile and interview were pleasant surprises and a nice touch. It is clear that for the people who put this together it was a labor of love. If future volumes are of this quality, the series will be a treasure. I'm excitedly awaiting the next volume, covering 1953-1954.

Two minor criticisms: I must concur with an earlier reviewer who expressed concerns about the long-term durability of the binding... but I guess only time will tell how well it'll hold up. Also, as has been pointed out, the Sunday comics are in black and white. I don't know if they were originally printed in color at this early date, but if so, reproducing them in color in this volume would have been a nice touch and I certainly would have been willing to pay extra for this. That having been said, however, these issues do not seriously detract from the overall enjoyment of this well-done first volume. I do not hesitate in giving The Complete Peanuts 1950-1952 a solid 5-star rating.

Magnificent
My grandmother is (still) a great collector of all things Snoopy. Back in the 70's, when I used to visit my grandmother's house, I remember spending a lot of time reading some of those early collections of Peanuts cartoon strips. They are one of the many great memories of my youth. Now, we have a collection of the very first Peanuts strips. Magnificent!

How many of us still remember the beginning? So many things would grow and change. Violet and Patty (not Peppermint Patty) were Charlie Brown's "girlfriends" whom he could torment as much as he was tormented by them. Violet was actually the first to pull the football away from Charlie Brown. Snoopy was still a dog with no words. Schroeder is very prominent as a child prodigy with his love of piano and growing love of Beethoven. Charlie Brown is the catcher for the baseball team. Lucy & Linus make there first appearances. And so much more. Still, we can see this wonderful world taking shape and we can see how it will become to be this most beloved of comics.

This volume also contains a nice introduction by Garrison Keillor and concludes with an interesting interview of Charles Schultz, enlightening us to some of his own feelings about his strip and what has become of the world of comics.

As the first of a projected twenty-five volumes collecting all the Peanuts strips to be released every six months for the next twelve years, all I can say is I can't wait for volume 2.

Throw Away Those Dusty Paperbacks!
Finally, a way to enjoy Peanuts without going through all those dusty (and falling apart) paperbacks from years ago. A very well-presented collection, with quite a few of the panels never before in print.

For those unfamiliar with early Peanuts, it may seem a bit simplistic, but trust me, this is just the warm-up for the best of the strip in the 60s and 70s.

My only complaint: why is it taking the publishing company ten years (!) to get the entire strip into print??

YES PEANUTS WAS FUNNY
Yes every time has a best comic and Peanuts was IT for a long time. The last few years were rather painful for fans but still on occasion funny. You could never count Shultz totally out. You always had to read Peanuts just in case. [ You are not going to believe this but Garfield was once great too. Then came Bloom County and now there are many good ones but Dilbert is now without question IT. ] I am glad they are rereleasing the early stuff so now maybe my friends will stop saying how LAME Peanuts is. ... Read more

Reviews (6)

One Of The Best Batman Adventures Ever Created
Batman: Hush Volume 2 is the sequel to Volume 1 of the mysterious and exciting Hush series which was a bestseller monthly title that was delivered for a year. Batman: Hush is written by DC COMICS legend, Jeph Loeb [The writer who wrote Batman: The Long Halloween and Batman: Dark Victory, considered some of the best Batman tales ever written] and illustrated by Jim Lee [An artist whose artwork was so amazing that a completely new series of X-Men comics were created to showcase it]. Volume 2 showcases Chapters 6 to 12 in the Hush saga. In the first volume, the Batman nearly fell to his death but after being helped by his childhood friend, Doctor Thomas Elliot, he is restored and takes up his cape and cowl to figure out why his enemies have been overstepping their own customary boundaries. You can expect to see a cast of familiar and fascinating villians of the Batman Universe including The Joker, Harley Quinn, Ra's Al Ghul, The Riddler and a couple of more. The entire Hush storyline is captivating, and very mysterious as readers struggle to discover the identity of "the bandaged man in a trench coat" who colides with the Batman in a few exciting sequences. If you're wondering wheter to buy this book or not the answer is simple...buy it in hardcover. It is awesome and awe-inspiring and with one of the best comic book writers and artists creating it, it becomes a very exciting read to read over and over and over and over [You get it] again.

Batman Hush
Batman Hush was extremely dissapointing for me since I am a huge fan of his previous stories. Many comic book fans were dissapointed since they expected a classic. We didn't get a classic but we did get an average story. Batman Hush is a mystery and you'll probably try and figure out who's beneath the bandages unless you collected the issues a year ago.

A great part of this book is the art. Jim Lee is a great artist in my opinion and I hope that he'll work with Jeph Loeb in the near future. The only problem is that lots of the characters look the same. Harvey Dent looks like a bald version of Bruce Wayne while Lex looks like a slightly fatter version of Thomas Elliot.

Another good thing about this story is the relationship between Catwoman and Batman. Batman reveals to her that he is Batman and then things get a lot more interesting until the end.

The end is actually this story's downfall in my opinion. I believe that the story could've been much better if Jeph Loeb had been allowed to write a couple more issues so that he could explain everything a bit more.

In conclusion, I believe that fans of comic books should give this a chance since it is extremely popular and lots of people still talk about it right now. I suggest that you read The Long Halloween, Dark Victory, Daredevil Yellow, and When In Rome when it comes out. TLH,DV,and DY are all much better then HUSH and I suspect that When In Rome will also be better since it deals with Catwoman. Jeph Loeb always does well when he's writing about Catwoman.

For the love of God, don't read this book!
Looking for a good Batman story? Well, keep looking, because "Hush" isn't it. No, this is by far one of the worst Batman stories I've ever read. The likely fact that it was produced purely to make money and quite obviously devoid of any actual desire on the part of DC or Loeb to create a good comic is made obvious by the fact that a 12-issue story was published in two money-making volumes rather than one.

"Hush" has more holes in its plot than a piece of swiss cheese. The main villain remains a complete enigma even after the story is over. All the other villains that show up have an extremely strong feeling of "I'm just here so Jim Lee can draw me" behind them (I mean, did we REALLY need that sudden, unexplained, and way-too-short Scarecrow cameo?) Same for the needless appearance of Superman and the countless other guest stars. Events happen with no explanation, and by the end the "story" (such as it is) has become so muddled and, quite frankly, stupid that the ending doesn't even matter. The last page could have been a two-year-old's drawing of Batman taking a poop and it wouldn't have made the story any worse.

You want the truth about "Hush"? (Or at least what seems the likeliest explanation for this abomination?) DC wanted a way to boost sales of "Batman." They decided to team up two fan-favorite stellar creators: Jeph Loeb and Jim Lee. All fine and good...or so one would think. What seems most likely is that either DC or Lee chose what characters would appear in the story so that Jim Lee could draw as many people as possible. Loeb was then left to create a story that would fit the umpteen-million characters in for Lee to draw. I guess he didn't try too hard, because this is all he came up with.

So, if you like stories that don't make sense, stories where Batman doesn't act like Batman, or stories that feature so many guest stars it feels more like a gallery than a story, then this just might be for you. If you like real, character-based, plot-driven stories, pass this by. PLEASE.

Or you can just be fooled by the pretty artwork (overrated, in my opinion) like everyone else.

Killer Art by Jim Lee continues...
I used to assume that given his flair and elegant drawing style, there's no way Jim Lee could tackle the dark, grim and gritty portrayal of Batman's world. Yet Hush shatters all my doubts. This guy rocks man! I could spend hours savoring the illustration alone and not caring about the story but the story is also top notch.

Loeb Does it Again! Lee's Art is Outstanding!
Batman: Hush Vol. 1 & 2, are a nice collector's edition. It should not, however, stop someone from collecting last years monthly story. Loeb is one of the few who can create a tight story with a good plot and has a nack for using multiple characters out of the DC universe. Who is the responsible villain this time: Ivy, Two face, Joker, Riddler, or is it someone else, deep from Batman's past?

This story is a little more predicatble than "The Long Halloween" and "Dark Victory" but still is engaging enough to bring the reader in and hold his or her interests until the final pages, even if they figure it out. Again, Batman gets pushed to the edge in a believable way (yes, even though it is a comic, some resemblance of realism must still take place for the reader to enjoy the story).

An overall great story that all can enjoy! ... Read more

Reviews (9)

DC's Modern JSA
This review is about volume 1 of JLA Archives.

I have to say I love the JSA better than the JLA. JLA, at the time it was made, seemed like a campy version of the modern JSA. Still the issues contained in these books are good and entertaining.

This book is written by Gardner Fox, the same man who wrote for the early JSA - so it really is like a historical prespective to compare the two.

Warning: If you are buying this book thinking you'll get issues with Batman and Superman - don't count on anything substatial. Batman and Supes usally take a side route in these adventures, not participating, or appearing very little at all. I at first didn't like these issues becuase of the lack of Superman and Batman - but after that inital disapointment the issues become enjoyable.

These issues show the first appearences of many villians - like Amazo

For those of you afraid this is like the Superfriends, it is and it isn't. It's much smarter than the Superfriends (No Legion of Doom or any dumb ideas like that) but don't expect it to be that smart or intelligent - I emphizise the word: Campy!
Still you don't nessisasrily have to have been born durring 1960 to enjoy these books. They are good and entertaining. (And starting with Volume 3 have regular guest appearences of the JSA)

When Heroes Were Heroes
This book recalls the days of the sixties, when heroes were heroes, villains were villains, and reasoning and deduction were more useful in defeating evil than fists, guns, and gore. A treat for those of us who preferred the clever plots and cheerful camaraderie of the DC comics of the '60s to the sappy soap opera and relentless angst of Marvel.

Completely inferior to Marvel. Only has nostalgia value
If you enjoyed "The Super Friends" cartoon, then this book is for you. If you like reasonably intelligent comics like Silver Age Marvel comics, then skip on this.

I understand some people like these comics because it reminds them "of the good old days." Anyone needing a reminder about the good old days should pick up some EC classics.

Great Early Justice League Stories
These were written at a time when book length stories were rare. These stories take place on a larger scale than the average comic story and it is a treat to see all of those great heroes in the same story. The main problem with these stories is the use of Snapper Carr, the mascot. What on earth were they thinking about at the time? He is without a doubt one of the most irritating characters ever created. No, he did not make the stories even the slightest bit more accessible to me.

Very entertaining
This book presents 9 classic Silver Age stories of the JLA. The only fault I could find was that the old ads weren't printed! ... Read more

Reviews (13)

Almost unbearably fantastic!
Loeb has proved himself to be one of the best Batman writers around, and Lee was already a comic book legend after his run on X-Men. Together, they have created one of the most intriquing Batman stories in recent memory, at least one that takes place in the actual continuity of the Bat-books.

Vol. 1 collects the first five issues in the 12-part "Hush" storyline. This first installment sets up much of what is to come in this storyline, introducing Bruce Wayne's boyhood friend Tommy, and the mysterious bandaged stranger unofficially dubbed Hush, who really, really has it out for Bats and can get at him (I spoil nothing for anyone by stating that my prediction is that Tommy and bandage-face will turn out to be the same person).

Lee's take