Book Description

It begins here!The critically acclaimed, fan-favorite storyline that rocked the X-Men Universe to its core is collected across four volumes!In a cracked-mirror world ruled by the genocidal mutant despot Apocalypse, only one hope remains: Magneto and his Astonishing X-Men! The first in a four volume series collecting the entire Age of Apocalypse storyline. ... Read more

Reviews (3)

A great retelling of Batman's origin
Batman is a character I've always enjoyed, but I've only recently started getting into the Batman comics.After reading Frank Miller's exceptional "Batman: The Dark Knight Returns" graphic novel, I really wanted to acquire more Batman comics that depicted the characters in a similar manner:as deep, well-thought-out characters that you really feel emotionally attached to by the end of the story.The problem was that, being new to comics, I was tossed into a sea of nearly endless Batman comics, and I didn't really know where to begin.

Well, where better to start than at the very beginning?

Batman: Year One is the story of Batman's first year in Gotham City after returning from training abroad, making it the perfect book for someone unfamiliar with Batman's origins, or just looking for a fresh take on the classic story.But the book is as much about the origins of Jim Gordon, who will later become the famed police commissioner of Gotham City, as it is about Batman's beginning.The story hinges on Gordon's attempts to clean up a police force that is corrupt to its very core, and his encounters with the Batman that finally lead up to a climactic confrontation that brings both men together in their fight against crime.

Firse of all, the packaging and presentation of the story is top-notch.The book is hard bound and comes with a very nice partial sleeve that makes it look very classy.The cover itself depicts a simple black and white drawing of Batman that is quite effective for portraying what the book is about.Each chapter of the story opens with the origin comic book cover from each issue, and they are very vivid and clean.There are many extras, from an amusing illustrated afterword by the artist, David Mazzuccelli, and many pages of preliminary and promotional artwork.In the end, I felt that some of these features could have probably been dropped in favor of a slightly lower price tag, but they are nice additions that give the book a more "deluxe edition" feel.

The artwork in the story is very good.I really like David Mazzuccelli's style.He's really not entirely different from Miller himself in that his artwork isn't terribly elaborate, but is supremely effective in telling a story.Mazzuccelli really has a strength when it comes to facial expressions.You can really see how the characters feel by the looks on their faces, particularly in the more emotional spots of the book.The backgrounds and characters are beautiful, though, and the colors are very nice and vivid.The artwork brilliantly aids in telling the dark story of Batman's birth and Gordon's struggles.

The storyline is nothing short of superb as well.I've held Frank Miller in high regard ever since reading "The Dark Knight Returns", and this book is written in a very similar style.You can tell that Miller really likes using internal monologues to convey the thoughts and feelings of the characters, and they are very effective and give the story a depth that other comics don't have.The story progresses logically and is very readable.It's a great retelling of the familiar story of Batman's beginning infused with an almost literary style.

Miller is an expert at characterization.I was amazed at how much depth and likeability he could give even minor characters.A character that I found myself sympathizing with and surprisingly liking is Gordon's wife Barbara.With only powerful artwork and a few lines, I felt that she was portrayed very powerfully and believably, making her a great character that further enhances the personality and depth of Gordon.You can tell that Miller really likes Jim Gordon, as he is given more characterization than anyone else in the story.I really felt connected to the character by the end of the story, because he is so remarkably human, and not totally unlike myself.He makes mistakes, but he is in the end a good person, and I think this is what makes him so appealing, perhaps even more than Batman himself.This is not to say that the characterization of Batman is lacking in the story; quite the contrary, in fact. Bruce Wayne is also portrayed as a man who has his fair share of problems that he is trying to overcome in his never-ending fight to purge Gotham of corruption.The deep characterizations are what really make this book shine.

The only gripe I have with the storyline and characterizations is a subplot involving Catwoman in the story.While she is brilliantly portrayed, I ended up feeling as if her role in the story didn't have much meaning other than to set her up as a potential romantic interest of Batman in the future as well as a recognized rogue and thief.But her actions have relatively little bearing on where the story goes.The subplot is still enjoyable, and in the end it doesn't detract from the overall greatness of the storyline.

Some may be disappointed by the utter lack of classic Batman villains in the story.There is no Joker, no Two-Face, no Riddler, no Scarecrow, no one.Instead, Batman fights criminals that don't seem very different from the ones we find in real life.He is combating thugs and the corruption at the heart of the Gotham City:the politicians and police officers that are on the take and are part of the problem instead of the solution.I felt this gave the comic more credibility, but some will undoubtedly be disappointed that Batman isn't fighting one of his famous and colorful enemies.In fact, the only mention of one such villain in the entire book is in the very last panel on the very last page of the very last chapter.

The only major problem I have with the overall graphic novel is that it is short.The story itself is only around ninety pages.But they are a great ninety pages, and you won't be disappointed with them.But you will be left wishing that the story wouldn't end, making the length of the story the comic's greatest shortcoming.

This graphic novel is definitely a must-have for Batman fanatics, and I would heartily recommend it to people who are new to the world of Batman.After all, what better way is there to get into the world of the Dark Knight than by reading the story of where it all began?

Finally a fitting publication for this great story
When this miniseries first came out back in the eighties it left everyone breathless. David Mazzucchelli's art is some of the finest I've ever seen. It moves like a motion picture yet every stillis ready to be framed (nice homage to the famous Hopper painting on the side: Gorden and Sgt. Essen having a late night coffee in a cafe called ... Hopper)
Frank Miller tells a story right from the beginning of the Batman saga. Bruce Wayne and Lieutenant Gordon discover they are both fighting on the same side to clean Gotham from the human filth. The only way to survive in the mess is as a team. They become friends.
On top of the fantastic graphic novel this book includes over 40 pages of sketches, layouts and script pages. Every Batman fan should have it, what do I say, this is one for you. Buy it. You won't be disappointed, I swear.

batman is awesome
This is one of the best pieces on Batman I have ever read. It really has some awesome action and great character development of Bruce Wayne and Lt. Gordon. This is right up there with "The Dark Knight Returns" and I personally think its better. Thank you Frank Miller. You are awesome. ... Read more

Book Description

"1602 is a triumph. The Marvel universe hasn't been this engrossing in ages."- Entertainment Weekly Neil Gaiman's vision of the Marvel Universe in the year 1602! The year is 1602, and strange things are stirring in England. In the service of Queen Elizabeth, court magician Dr. Stephen Strange senses that the bizarre weather plaguing the skies above is not of natural origin. Her majesty's premier spy, Sir Nicholas Fury, fends off an assassination attempt on the Queen by winged warriors rumored to be in service to a mad despot named Doom. News is spreading of "witchbreed" sightings - young men bearing fantastic superhuman powers and abilities. And in the center of the rising chaos is Virginia Dare, a young girl newly arrived from the New World, guarded by a towering Indian warrior. Can Fury and his allies find a connection to these unusual happenings before the whole world ends? In Marvel 1602, award-winning writer Neil Gaiman presents a unique vision of the Marvel Universe set four hundred years in the past. Classic Marvel icons such as the X-Men, Spider-Man, the Fantastic Four and Daredevil appear in this intriguing world of 17th- century science and sorcery, instantly familiar to readers, yet subtly different in this new time. Marvel 1602 combines classic Marvel action and adventure with the historically accurate setting of Queen Elizabeth's reign to create a unique series unlike any other published by Marvel Comics ... Read more

Book Description

What if everything in your life was out of your hands and those around you propelled your fate? Your girlfriend left you for your best friend; your boss gave your job to someone better. What if then, after all this, someone gave you back total control? What if he revealed you were the next in line to join a secret society of super-villians that controlled the entire planet? Mark Millar and J.G. Jones provide a look at one man who goes from being the world's biggest loser to the deadliest assassin alive. The most talked-about superhero series of the year is now collected in this stunning hardcover edition! Mark Millar examines what happens when absolute power does corrupt absolutely, and everyman Wesley Gibson inherits incredible powers. ... Read more

Reviews (2)

Pure, undiluted Millar
Longtime comic fan here, going way out on a limb:this is the best thing to hit comics since "Watchmen".There, I said it."Wanted" is also one of the most extreme, graphic, bloody, disgusting, nihilistic things I've ever read.As much as I recommend it, I also cannot stress highly enough:if you have ever been offended by *anything* in your *entire* life, do not read this book, 'cause it ain't for you.If you're of a strong, open mind and looking for something to knock your socks off, "Wanted" fills the bill nicely.

Just plain awesome
From the twisted mind of Mark Millar (The Ultimates, Chosen, The Authority) comes Wanted: a six issue mini-series from Top Cow that is everything a comic should be.Wesley Gibson is down on his luck young man letting society run his life.He's stuck in a dead end job, lives with his cheating girlfriend, abused by his boss, and generally walked all over.Then one day his life changes forever.Wesley learns that he is the son of the Killer, the greatest super villain of all time, and that his father has died and he has inherited everything.Soon enough, Wesley is trained to be the sadistic killing machine that he was always meant to be, and no longer a slave to society.However, Wesley soon learns that there is trouble brewing in the super villain society, and as the secret of his father's death which involves various conspirators unravels, Wesley learns that maybe the last thing he ever wanted in his life was to be wanted.Drawing numerous comparisons to Fight Club, only more nihlistic (if such a thing is possible), Wanted manages to be one of the most insanely darkly humerous and blood curdingly violent comics since Vertigo's Preacher series, and the stunning art of J.G. Jones gives Wanted a cinematic look that is nothing short of incredible.This handsome hardcover TPB of the mini-series is a must have for comic fans who missed out on the single issues, and even though it may be hard to swallow at times (this is definitely not for the faint of heart), this is blockbuster comic storytelling at it's best. ... Read more

Book Description

Dr. Strange. Namor. The Hulk. The Silver Surfer. Set apart from others by nature and choice, this team of Marvel's mightiest loners embarked a string of strange adventures rarely equaled since - joined by some of the most off-kilter heroes of their time. Sorcery! Super-science! The war of the super-heroes! Learn how the "non-team" got its non-start in this multi-title compilation! Collects Dr. Strange #183, Sub-Mariner #22 and 34-35, Incredible Hulk #126, Marvel Feature #1-3, Defenders #1-14, and Avengers #115-118. ... Read more

Amazon.com

The Killing Joke, one of my favorite Batman stories ever, stirred a bit of controversy because the story involves the Joker brutally, pointlessly shooting Commissioner Gordon's daughter in the spine. This is a no-holds-barred take on a truly insane criminal mind, masterfully written by British comics writer Alan Moore. The art by Brian Bolland is so appealing that his depiction of the Joker became a standard and was imitated by many artists to follow. ... Read more

Reviews (83)

Moody and Tragic story of the Joker and Batman
A comic nearing perfection in both its graphic and story construction. The art, empasising sickly greens, oranges and reds (especially during Gordon's torture sequence) works brilliantly at evoking a sense of the deranged and desperate mind of the Joker. That this tale is only one brutal cycle in the continuing, and perhaps endless, Joker/Batman confrontation is made all-too clear by the same, full-page panel of rain falling in muddy water being shown at both the beginning and the end. The story itself is also spectacular, from Batman's initial attampt to reason with his archnemesis ("There once were two guys in a lunatic asylum...")Joker's merciless attack and humiliation of Barbara Gordon, to Joker's hideous claim that the only difference between him and the rest of the world is "one bad day." One of the most bizarre and horrifying moments in Batman history must be achieved in the two foes final confrontation...that one brief moment when the Joker turns-halfway to Batman...is he considering accepting the Dark Night's help?...to the final scene when both men laugh uncontollably in the killing rain; a single moment when the both the Batman and Joker get the same Joke: that they are together, forever, until they destroy each other. Perhaps this is the "Killing Joke" of the title?

More than just a comic - True Literature
This is the most in-depth Batman comic I have ever read, and has become my favourite Batman story of all time. The story deals with Joker escaping, paralyzing Barbara Gordon, kidnapping Commissoner Gordon, and trying to prove that any man can go crazy in a single, bad day. As Batman hunts the Joker, the reader is treated to the Joker's origin story, and sees how thin the line is that seperates Batman from the Joker.

I won't try to get into the psychological aspects of this story -suffice it to say that other reviews have covered it throughly and any attempt on my part would only make me look foolish. However, I will say that the most chilling part about this book is how, if you replace Batman and the Joker with two everyday people, the events still feel horribly real. This is not escapist reading as all comic books have been labeled, in fact, this is the book to show people who don't believe that powerful stories can be told in this medium. Both Batman and the Joker had a single bad day - so why didn't Batman go insane like the Joker did? The reader wants to know the fine line that seperates these two characters, partly so they can realize how close to crossing that line they are in their own lives. The art is truly amazing -detailed, moody, and brilliantly inked - the scenes in the Joker's funhouse scare the reader as much as they scare Gordon. The flashbacks are also impressively tied into the present, with similiar situations bookending each scene. The story begins and ends on the same note, like a vicious, never-ending cycle. Plus, you know you have something special when, after all the vicious, sadistic things the Joker has done, you still feel sorry for him.

"The Killing Joke" is a true masterpiece, and earns its place as one of the best comics of all time, and a true work of fiction.

The Worst Alan Moore Work - Even He Says So!
As you can see from nearly every other review here, this work is generally considered a classic - if not one of the all-time best Batman stories, up there with those Frank Miller ones. I disagree. And I disagree reluctantly because Alan Moore's writing is actually very clever and Brian Bolland's artwork is simply gorgeous. Why? Simple. I disagree with nearly everything about Alan Moore's "Batman". Frank Miller mentioned something like that in an interview also. Even Alan Moore has stated countless times that this is his weakest work. But fans still clamour after this book...

Five reasons I dislike this book:

[1] Batman is totally wrong. It seemed like the pet-peeve of every cynical Brit writer in the 80s and 90s to portray Batman as equally insane compared to his foes [check out Grant Morrison's "Arkham Asylum" for more of the same].

[2] The hopeless ending. Agreed, this book has the Joker at his most evil and the book ends with Batman and Joker laughing in the rain?

[3] The level of *sick* shocks in this book. From Barbara Gordon's crippling to Jim Gordon's "circus" experience. This was written at a period where shocking violence in comics is considered a prerequisite in crafting a "mature" work. Granted, I actually prefer Barbara as Oracle than the cheesy Batgirl but I absolutely detest the way Alan Moore did it in this book.

[4] The totally unnecessary "origin" of Joker. Joker is one of those characters in comics who really can do without an origin. He is a sicko, and that's all you need to know. We do not need to see him from a more compassionate perspective by having a "tragic origin".

[5] The use of "Watchmen-transitions". Alan Moore is justly famous for the use of clever transitions between panels. But in this book, we have transitions such as a poster of a fat woman freak in a circus leading to the next panel of Joker's pregnant wife. Where's the catch? This is the real problem of the whole work - clever but ultimately pointless.

Inside The Mind Of The Killer Clown Of Gotham
The Killing Joke, first published in the late 1980's is an atypical Batman story and yet, remains, one of the best ever written. Back in print since the 90's I was happy to relive the tale after losing my original copy of the book.

As regular readers and followers of the Batman mythology already know, the Joker, is the Dark Knight's most well known and popular adversary. Talented comic book scribe Alan Moore broke with tradition. He decided this story would not just be about the Joker having some demented plan and our hero has to find a way to foil those plans, rather, he chose to examine what makes the villian tick. The story has Joker shooting and crippling Barbra Gordon, then kiddnaping her father Police Commissioner James Gordon taunting him, to see if a man can truly go insane within a short period of time. While the Joker awaits the inevitable confrontation with Batman, he allows himself to reflect on his early days, and thus, the reader learns his origin. The book focuses less on typical "superhero action" and more on the psychology of these characters. Mr Moore weaves his story with such effortless ease that it never gets bogged down. It's all about the choices that a person makes and how much these two mortal foes really do mirror each other.

The artistic talents of Brian Bolland and John Higgins really shine in the book. Their rendition of The Joker is quite spectacular and among the best ever produced in a Bat story...Really. The "dynamic duo (sorry I couldn't help myself)" set a standard for the way Joker is now drawn today. Batman doesn't look too bad either. The artwork is a nice mix of subtlty and some broad strokes-matching the story perfectly.

I have read a lot of Batman stories over the years, The Killing Joke may not be what you would expect for these icons, but it is worth reading for sure. It is one of the best. The book has 48 pages

a story you will go back to, time and again
I brought this as a 1st addition when it came out and it's one of the few stories i've re-read time and time again. It's a story of two men who take different paths when their lives hit bottom but find they have a lot in common. I loved seeing the Jokers' life before he turned to crime and evil though he is, you see the events that turn him into the man he is now (with a small contribution from batman - read and find out). Reading this comic is what made is difficult from me to enjoy the first batman movie. Well, how could the joker have killed batman's parents if they are roughly the same age and batman was there when he changed? Read this great comic-novel and enjoy it much as I did, you won't be sorry. ... Read more

Reviews (199)

Batman at his best
I've always been a fan of Batman, but I've never been in to comic books that much. Recently I stumbled on to Frank Miller's Batman: The Dark Knight Returns, and I was really impressed. The four book saga, now combined into a graphic novel, tells the story of an aging Batman who has been retired for 10 years. Still tortured by the death of his parents, and by the growing rampant crime in the streets of Gotham, Bruce Wayne once again unleashes the Batman on Gotham's underworld. However, Batman finds himself returning into a world where super heroes are unwanted and have all but vanished.

Miller's portrayal of an overly polictically correct world with little room for Batman, is compelling and original. The book's dark portrayal of a brooding, violent, Batman who has lost his faith in the justice system's ability to rehabilitate criminals set the stage for the modern portrayal of Batman in both comics and film. In my opinion, this is a story of Batman the way he should be portrayed, as the tortured punisher of evil not the friendly neighborhood super hero. We can leave that to Superman, and if you've ever wanted to see Superman get brought down a few pegs, this is the book for you.

The artwork is gritty, intriguing and fits in perfectly with the story. This book inspired me to check out more graphic novels, and works by Frank Miller.

a comic book work unlike any other
I've been a comic book reader for many years, and to this day I cannot recall another single work of comic book art that is quite so brilliant as Frank Miller's Dark Knight. Certainly Cerebus, Sandman, Cages and From Hell are to be lauded for their genuine genius, but Dark Knight remains my all-time favourite creation. Frank Miller has written a gripping story of tragic heroism and bitter social commentary. His Batman is truly a larger-than-life, tormented hero, brilliantly conceived with his many flaws and perverse obsessions intact. Miller plays with the comic book universe beautifully, realising a world wherein the so-called "super-hero" does exist, and exploring the ramifications of this fact. Batman's final confrontation with Superman at the end of this graphic novel is bar-none the most cunningly conceived battle in comic book history. It is achingly poignant to see the two old warriors confront one another at last: Superman with his compromised good-guy! agenda and Batman with his twisted, demoniac fixation. Batman loathes the figure that Superman has become, while Clark Kent pities the poor, lost soul who has sacrificed his very existence for that which he pursues with a vengeance. "You Bruce, with your obsession..." Miller has created in Dark Knight a vividly real and passionately affecting tale of Heroes and Madmen, riveting from start to finish.

The Best Laid Graphic Novels of Mice and Men Often Go Astray
"In MY opinion..." Ankurpanchbudhe said in his list. Well I know for a fact that this is not a graphic novel, -- Ankurpanchbudhe's opinion is stupid -- and so is Ankurpanchbudhe. I'm going to write a criticism of the review that Ankurpanchebudhe started his list with. It never pleases me more than when someone calls a reprint collection in a thick softcover comic book form all in one a graphic novel. I bet if you went to a book store and looked at the "graphic novel" section and got a price guide that you would not find any graphic novels there at all. It's kind of like what we called a oneshot back when I lived in California. Kids that thought they were comic collectors would throw around the word oneshot because it made them sound smart. I got a oneshot! You got a oneshot? I have a oneshot! They have a oneshot. He has a oneshot. She has a oneshot. We have a oneshot. Everbody has a one shot. They would say. Longshot. Deadshot. Shattershot. Bloodshot. Sunspot. Blindspot. Grimlock. Shotshot. (Wouldn't that make a great super hero? Two shots on his name? Put him in a comic book and you could make a million!) Just because it has the word "shot" in it doesn't mean it's good. Don't call something a graphic novel unless you look it up in the price guide and it says GN next to it. Buy this book for what it is and you'll be a lot happier. One of these days I'm going to finish a list that has all of the things that Ankurpanchbudhe's list has criticising each criticisim blow-by-blow. None of the things on Ankurpanchbudhe's list is a graphic novel.

Best graphic novel ever done, period.
Best character (Batman), best writing, cool drawings, and, importantly, Miller does not deviate from the legend like most other comic (and Hollywood) writers seem to have a proclivity for doing. Just watch the recently released "Troy" movie to see how little regard the average writer has in keeping the mythology intact (Hector does NOT kill Meneleus in the texts, Achilles was NOT in the Trojan horse with Odysseus in the texts). Jeph Loeb, in the critically acclaimed "A Superman for All Seasons," tells us that Lex Luthor did not grow up with Clark Kent in Smallville. Why would anyone weed that out of the legend? This is a major peeve of mine. Show some respect for the legend, for Crissakes. Ironically, Loeb now produces the "Smallville" TV series, which is entirely based on the fact that the two rivals were childhood friends before their falling out.

This is the brilliance of "The Dark Night Returns." Miller completely respects the legend, while creating something entirely new at the same time.

poisonous
I'm a pretty big fan of comics; but I got something of a late start, with Sandman about 7 years ago. So there's a lot of stuff I just haven't got around to reading. I'd heard of Frank Miller, naturally -- he's one of the "big names" that you hear about, if you make even a cursory exploration into comics -- but for one reason or another I hadn't actually read any of his stuff. Without knowing anything about his work, there was something about him that didn't appeal to me, viscerally. But I was nosing around the comics section at the library the other day, and I saw his Dark Knight Returns; and it's supposed to be this seminal work, and I thought, "Hey! Finally I'll get to read some Frank Miller!"

My conclusion? Frank Miller is a fine writer, but has absolutely *no business writing superheroes.* He comes from that self-satisfied stratum of hipster, who thinks that if you aren't injecting Politics and Current Events into your art, then it's not Real Art. And it's not even well thought out politics, either. I read as much as I could. You get used to reading leftist politics, when you enjoy things like comics and fantasy and science-fiction, so I figured I could just tune it out and focus on the story. The last straw, though, was when he trots out the old saw of portraying Reagan (this was written in the '80s) as an aw-shucks idiot who is sumultaneously a somnambulist bungler and a sinister mastermind. And maybe another time I would have been able to ignore it. But I think it was just too fresh, too soon.

So I picked up the other comic I got from the library: a volume of Kurt Busiek's Astro City. What a breath of fresh air, after reading Miller's poison! The more I read, the more I just fell in love. I mean, he has superheroes who fight for god.. and they *aren't* jokes. They aren't the bad guys! How novel is that? Busiek takes superheroes seriously. He takes good and evil seriously, while still leaving room for humor, for human frailty, for both despair and hope, for real emotion. This is what superheroes are supposed to be.

So that's my endorsement for Kurt Busiek. He reminds me quite a lot of Gaiman, in the way that he constructs his stories. If you're interested in comics at all, you need to read Astro City. ... Read more

Book Description

Follow Matt Murdock through a story that literally spans the entire history of the Marvel Universe! Who was the Kingpin before the Kingpin, and what was his relationship to Matt? Collects Daredevil #66-70. ... Read more

Book Description

A bizarre occurrence brings Spider-Man and Wolverine together for the weirdest team-up in super-hero history! As the two struggle to get to the bottom of this mystery, their lives literally unravel. Why are both heroes too concerned with their own lives to work together? Strap yourself in, True Believer; it's all part of the ride you get when you buy a ticket for the team-up for people who hate team-ups!Plus: Johnny Storm realizes that despite his new flame powers and fame on the horizon, he still doesn't have a high-school diploma. And where does the young New Yorker enroll? Why, none other than a certain Queens high school that also counts one Peter Parker - Spider-Man - as a student. And what's up between Johnny and sweet Liz Allen? Watch the sparks fly! ... Read more

Book Description

The misunderstood monster's earliest adventures continue as Robert Bruce Banner's rampaging alter ego clashes with Namor the Sub-Mariner, the Fantastic Four, and the Avengers! He fights his share of super-villains, too - including Maximus the Mad, the Glob, the Leader, the Rhino, the Absorbing Man, Night-Crawler, Tyrannus, the Mole Man, Hydra, the Abomination and the Sandman! Featuring the almost-wedding of Bruce and Betty Ross! Collects Incredible Hulk #118-142, Captain Marvel #20-21, and Avengers #88 ... Read more

Reviews (45)

The Marvel Universe throguh the eyes of the everyman
First and formost, I am not a very big Marvel fan. I picked this up after reading "Kingdom Come" and thoroughly enjoying Alex Ross' art. The art here was just as good as it was in Kingdom Come but the story was totally different. As a matter of fact, this was different that any comics stories I've read. Nearly all stories put the superheroes in the driver's seat, with the stories being from their point of view and narration. This was the exact opposite. This story, much to its credit is told from the point of view of a photojounalist, Phil Sheldon. He chroicles the entire birth of the Marvel Universe, from the birth of the Human Torch in the 1940's to the death of Gwen Stacy in the more recent chain of events. He tells a story of awe, appreciation, respect and fear regarding the Marvels (as he likes to call these superheroes). He reflects the emotions of how humans would truly react whether this phenomenon had really occurred. The end product being a masterpiece and one of the best comic stories....no, one of the best stories ever written. As I mentioned in the beginning, the art is flawless and truly a feast for the eyes. The details that Ross places on every panel he paints is truly uncanny and cements his status as on the best artists in the medium. Much applause and crdit should go to the author, Kurt Busiek who does the seemingly impossible task of tying together all the events on the Marvel Universe in a very coherent manner (from the sighting of the X-MEN to the senate hearing for Tony Stark, the disbanding of The Avengers to the death of Captain Stacy). This shows that he had put in a lot of work on this painstaking research and story. All of these factors puts MARVELS on the list with other comic masterpieces such as The Watchmen, The Dark Knight Returns, etc. Anybody who believes comics are for kids and just a showcase for colorful and flamboyant superheroes should read this. This story manages to penetrate deeply emotional issues that are comparable and might even rival some of the writing done in the more mature and regular medium.

The Marvel universe as seen by the average Joe
MARVELS is a neat chronicle of watershed events in the Marvel universe that occur over a period of about fifty years. It's also seen from the perspective of the average, non-superpowered 'man on the street'. It all unfolds from the view of a newspaper photographer, as he witnesses the legendary battle between Namor the Sub-Mariner and the original Human Torch, the rise of the X-Men & their battle for equality, the death of Gwen Stacey, the aftermath of the X-Men's first battle with the Hellfire Club, and many more turning points in the Marvel world's history, all from an almost-safe distance.

Alex Ross's photorealistic painted artwork, rather than the pencil-ink-color process that is the norm, gives the book a 'real world' look. It's how the Marvel universe would look like were it shown 'live-action'. MARVELS marks Ross's big break into the comics scene, eventually making him one of the most in-demand talents in the medium today. This book was my first exposure to Ross' efforts, and I've been a big fan of his art ever since.

But there's also Kurt Busiek's story, which shows the man's reactions to the events as an outsider looking in. His story artistry gives you a glimpse, if you were able to, of how you'd experience the world of superheroes.

'Late!

Plotless with little characterization
This book was not worth reading. While it starts out with the 'birth' of the human torch, soon many random superheros and super villains are incorporated within the book. There's lots of action, but the reader doesn't really care who wins or who loses, since other than the torch and the protagonist (a photographer) there is absolutely no characterization! Obviously the author is trying to pack in as many superheros/supervillains into one book as he can. There's almost nothing to keep you turning the pages in this book and i am surprised i even finished it. I recommend sticking with a book that focuses on just one hero (or one group of heros, such as with the X-Men). Don't waste your time reading this book with no plot or characterization.

Idea to fellow female readers: Check out "Merridian" instead. It is way cool.

To female and male readers: pick up an ordinary comic book or a good graphic novel like Galaxy Express 999.

One of the best comics ever in a brilliant special edition
It's hard for me to justify the expense of a hardcover graphic novel, especially if it's a collection of individual issues I already have, but when I heard about the Marvels 10th Anniversary edition I knew I would have to get it. Not only is Marvels one of my favorite comics of all time, but the extras packed into this book really show how collected editions are starting to become the DVD equivalent for comic books.

In "Marvels," Kurt Busiek and Alex Ross took us through the life of photojournalist Phil Sheldon, an old-fashioned newspaperman with printer's ink in his veins and a camera to his eye. Phil, however, lives in a more fantastic universe than you or I, he lives in the Marvel Universe, home of Captain America, the Fantastic Four, Spider-Man and the X-Men. Through four issues, we watch how Phil and his world grew and changed, how people thought about the superheroes -- the Marvels, as Phil called them -- and how perceptions evolved along the way. It's a beautiful, poignant series about ordinary heroism, hero worship, and the heroic ideal. Ten years later, it's still one of the best comics I've ever read.

If you've already read the comics, though, there is still stuff here for you. This collection includes the four pitches Busiek and Ross went through to get the series made, the complete scripts for all four issues, character sketches, production and promotional artwork, a guide to "Easter Eggs" in the artwork, a section on Ross' technique of painting from photographed models and even the text of all the newspaper articles that only partially appeared throughout the series. It's packed, and that makes the reading all the more fun.

If you've never read "Marvels," you're missing out. If you read it and loved it, this book takes the story one step further. Kudos to Marvel for putting out such a great edition of such an important comic book.

Excellent!!! Excellent!!! Excellent!!!
First off, let me say that I absolutely love the art work in the comic series. AMAZING!!!

What a gift it is to have a written story that rivals the artwork.

I thoroughly enjoyed Marvels. I love the concept of seeing the birth of superheros, in the Marvel Universe, through the eyes of a photo journalist. From it's skaky beginnings with the battles between the original Human Torch and the very angry Sub Mariner up until the very sad tragic death of Gwen Stacy at the hands of the Green Goblin.

Everything else in between those two story plots are just comic genius. An accurate timeline of Marvel events happening at once to every and all characters. While the Hulk was on a rampage in Washington, The Fantastic Four were having a wedding, and the Wasp was having her own clothing line... etc.

Upon reading the series, I kept recalling all these stories I had read as a child. To see them all combined, backed by beautiful artwork was a sheer pleasure.

I highly recommend this graphic novel for old and new fans. Very smartly written. Very beautifully drawn. ... Read more

Reviews (30)

Hit and Miss
More `adult' re-imagination of the formation of Marvel's premier super team The Avengers, which begins with the final World War II mission of Captain America and touches on the ups and downs of the founding members, Giant Man, The Wasp, Iron Man, The Hulk, and Thor, throwing in Samuel L. Jackson as Nick Fury.

The art is quite good, and while the story moved well, I had some problems with a few of the characterizations (though these could be a matter of personal taste). The author plays around a bit with established canon for the sake of this new universe, and that is understandable, but changing the Hulk into a raging, oversexed skirt-chaser was a little bit...well, dumb to me. I also didn't care for Nick Fury's recasting. The art and the writing SO made him look and seem like Sam Jackson that it kind've didn't ring true for me that this was supposed to be Nick Fury. He was too suave and cool. The authors of The Ultimates seemed to have a good time casting their characters with real life actors (there is one sequence where the newly discovered by the media team sits around and speculates on who would portray each of them in a Hollywood adaptation.), but personally, I didn't care for all the pop references (reverences?). I'd like to think that a molecular biologist and the leader of Shield would be a little less like fanboys. Fury's supposed to be this grizzled cigar chomping ex-GI a la Sgt. Rock, but he comes off more as Tony Stark with an eyepatch here (for the record, Tony Stark doesn't look anything like Johnny Depp in his rendering, either - he looks more like Jonathan Frakes from Star Trek). Most of the other characterizations didn't bother me. Portraying the Wasp and Giant Man as having such extensive, violent domestic troubles went a long way to humanize them, and turning Jarvis, Tony Stark's faithful butler into an aging homosexual (wearing a colorful vest to gain Thor and Cap's attention...) was pretty daring. Didn't like Tony Stark's Iron Man armor though - he looked like a Micronaut. I would have liked to have seen more of Thor, but I'm not sure I cared for his reinvention as a hippie pacifist eco-warrior - the Norse god of Thunder??? At Ragnarok this guy drowned in the venom of a giant serpent he slew, and here we find him hanging out with that guy with the guitar on the stairs in Animal House...

But these are minor quibbles, again, possibly a matter of my own personal taste. There is a lot to like about The Ultimates - a lot to make it stand above the normal superhero fare. The rivalry between Dr. (Giant Man) Pym and Bruce (The Hulk) Banner is very well played out - the frustrations and the pettiness of these two in their race to perfect the next big superhuman for the team is like watching Dr. Jekyll try to outdo Dr. Frankenstein. Pym comes off as a selfish egomaniac who will posture and fabricate to protect his reputation, whereas the more honest Banner is something of a maladjusted loser. Both are well realized and interesting to watch. Its a great juxtaposition when you consider that Pym is something of a monster (which is apparent in the final pages - that scene with him wearing the ant helmet `You shouldn't have made me look small...' creepy!) trying to be a good man, and Banner is a good man who wants to be a monster. The motivation for Tony Stark's desire to join the team as Iron Man is revealed in a touching manner (possibly the best dramatic scene of the book, toward the end where Thor, Stark, and Cap are sharing dinner at Stark's penthouse apartment) and goes a long way in making me like the playboy, who I will confess never interested me much in the past. Captain America and his story arc comes off the best (which as an ardent fan of ol Winghead, is fine by me) - the reunion with an elderly Bucky (I know, I know, Bucky's dead!... But it didn't bother me) near the beginning of the book is heartfelt and nicely done. There's a good sense of humor to this story too - Giant Man's embarrassing habit of growing beyond the capacity of his clothes (and the dismay of his colleagues), Cap's mistaking Fury and Stark and the Marines for Nazi agents when he awakes, The Hulk's rage at Freddy Prinze Jr. (go get him, Mr. Fixit! Captain America, indeed. I, along with Millar, see no one but Brad Pitt behind the big round shield), and those few panels where George W. Bush meets Steve Rogers made me smile (the Prez's expression is hilarious - `Cool or Uncool?').

In closing, an interesting read, but I was put off by The Hulk and Sam -I mean Nick Fury. And all the pop culture references can be done away with. Underneath the foil and hologram is a good read, that interested me enough to want to see where these characters are going. Keep in mind that this is more of an adult read - at least age fourteen and up. Oh, and in spite of my dislike of casting, I can't resist - Valdmir Kulich (Buliwyf from The 13th Warrior) as Thor...

Best of the Ultimate Line
I had lost interest in comics during the 90s as quality fell and prices rose at both DC and Marvel.

When Marvel launched their ultimate line I found a reason to return to the comic shop.

For my money, Mark Millar is one of the best writers that Marvel is currently using. He takes the familiar ideas for characters that have existed for decades and makes them interesting and identifiable. Characters like Thor and Wasp who I've always laughed off in the Marvel Universe are reinvented here as beings I want to know more about.

The first six issues (collected here) introduce the core group of Captain America, Iron Man, Giant Man, Wasp, and eventually Thor with Bruce Banner Hulking out to provide an unstable element.

The art is fantastic throughout the entire book, from fantastic battle scenes in WW2 to the intimate moments when team members just sit around chatting, it's all flawless.

I loved this book, and make sure I lend it out to all of my friends to show them what super hero comics can be at their best.

Worth the wait
Note: this review refers to the recently released Ultimates TPB entitled Homeland Security. After managing to take down the Hulk, the government sponsored superhero team called the Ultimates have run into some problems. A shape changing alien race, which are responsible for some of humanity's worst moments (Captain America fought them in World War II) are once again rearing their ugly heads with a plan to wipe out the human race. Sad part is, the Ultimates are in shambles with Janet Pym AKA Wasp severely injured by her husband Hank AKA Giant Man, who himself goes on the run with Captain America in pursuit to teach him how to properly treat a lady. New members Hawkeye, Black Widow, Scarlet Witch, and Quicksilver are introduced as well as the team unites to defend the planet. The issues contained in Homeland Security is where the Ultimates really shines, improving on the first few issues by far. Mark Millar has cleverly crafted a modern day version of the Avengers while staying true to their original roots, while Bryan Hitch's artwork is better than ever. All this leads up to the upcoming (hopefully, many single issues of the series were loaded with shipping delays and would not reach shelves for months at a time) Ultimates Vol. 2 monthly series which Millar has hinted at will change everything you think about this modern day Avengers team. All in all, out of all of Marvel's Ultimate line (the new Ultimate Fantastic Four is impressive as well), the Ultimates is something really special.

Humanizing the Superhuman
Not particularly fond of Marvel's Ultimate line, I usually approach any of Marvel's 'Ultimate' series with hesitation. However, I was never that big into the Avengers, so I figured I would give The Ultimates a shot, and I was very pleased with the results.

Once again re-imagining and re-telling the story of one of their most famous super groups, Marvel captures a whole new dimension of story-telling with the Ultimates. Making them seem like real, ordinary people with real problems is probably one of the best parts of the entire story. Of course, there is plenty of action and fighting to go around too. Alot of the character's origins and general appearences have been changed too. For example, instead of Tony Stark having a terminal heart condition, he know his an inoperable brain tumor. Nick Fury is probably the most dramatic change, in that instead of being a grizzled, cigar chomping World War II veteran, he's a blatant Samuel L. Jackson look-alike with attitude and spunk. An interesting reworking of Fury, but I could've done without it, despite how it fits with the story. Hank Pym and his wife Jan Pym, Giant Man and Wasp respectively, have marital problems, with Hank being an abusive, chronic alcoholic. The entire comic seems to revolve around the telling of everyone's personal lives, which gives all the characters alot of depth. Finally, Thor is the son of Odin from Asgard who has spent more than his fair share of time in a mental institution, and is now a peace-loving pacifist...until it comes time to defend the world.

From Tony Stark's pompous, rich jerk attitude to Captain America's good old American spirit, The Ultimates is definitely worth the read. The interesting spin on the Hulk and other story elements make this one of the best Marvel re-tellings yet. The only thing that bothered me was that the comic got a bit too political at times. I appreciate seeing the inclusion of real-world problems into the comic, making it that much more realistic and adult, but sometimes it got just a wee bit critical and outspoken. But all in all, The Ultimates was a fantastic read that I just couldn't put down. When I got to the end I was thirsting for more, and The Ultimates: Volume 2 definitely delivers after this great introduction. Great job from Marvel.

Homeland Security
The Ultimates are America's team. They are funded by the government to fight nasty villains, terrorists, and any other badguy Mark Millar can come up with. The members of the Ultimates have a very real feel to them, and they are profoundly more realistic and human than, say, Ultimate Spider-Man.
Now that that's out of the way, on to the actual comic itself! The Ultimates, having recently taken down the Hulk(a.k.a. Bruce Banner), they now realize that the Wasp, wife of Giant Man, has been brutally injured by her husband. Also, Giant Man has run away, and he is nowhere to be found.
On top of all this, The Ultimates uncover that an alien race, dubbed the Chitauri by the Aficans, have reamerged, and that, by the end of the first issue, Captain America has gone to find Hank Pym(Giant Man).
With his team rapidly disentigrating, Nick Fury has to call for the aid of Black Widow, Hawkeye, and, most surprisingly of all, Magneto's children.
When Black Widow and Hawkeye take down an alien cell in two office buildings, the Ultimates realize that they have a problem on thier hands. They are the only ones who can stop them, and Cap is still nowhere to be found.
Finally, they find oiut that Cap has had a huge fight with Hank Pym, and that he broke his jaw, thus putting him out of action. It is only after Cap returns that they finally head for a secret base of operatons for the aliens. Once there, thaey too late realize that it's a trap, and by the time they do, it's (almost) too late. The island explodes, and the Ultimates are nowhere to be found.
Too find out what happens after this point, you'll have to buy it for yourself. Needless to say, though, the volume escalates until you you the last two ussues, which are basically just a collossal war btween the surviving Ultimates and the entire Chitauri fleeet, plus an old "friend" from Captain ASmerica's past.
The main good things about this are that
1.The art by Bryan Hitch is SUPERB.
2.The writing by Mark Millar is FANTASTIC.
3.The volume is STUFFED with both action and development.
4.Hey, it's the Ultimates. What's there not to like?
Unfortunately, nothing is perfect. The Ultimates' main flaw is that it takes forever and a day to ship. (The issues say that it ships monthly. Don't believe them-it's a lie) In other words, unless you are a VERY patient person, wait until the volume comes out to buy this, because takes forever.
Luckily, the Ultimates is well worth the wait. ... Read more

Reviews (2)

Beautiful Book!! A Tribute To The Dark Knight!!!
I just recently received this book,and I can tell you it is well worth having. True, there are definitely some covers that are missing (in my opinion all of Jim Lee's covers should have been here from the Hush series. OUTSTANDING!!!) A beautifully done book to add to your Batman collection. This book does not cover all of Batman's many comic book covers, but this was not to be expected. Instead they point out some of his most daring and bold covers. Batman has had the benefit of being drawn by some of the greatest comic book artist ever. I beleive you will find it truly amazing how each one has their own distinctive style on creating the Dark Knight. So make sure you own this one. You won't be sorry. Hey, maybe they'll make a volume 2.

It's about time, for someone like Batman
Well first, it's Batman; that might be enough reason to buy it, even for the price. (I'm a collector anyway, so what's some bucks?) Anyway, it features a number of cool and "forgotten" covers done over the 65+ years of Batman being in comics. I was even surprised some of the covers of War Games got in, really nice. There are some well-written commentaries too, by artists and editors and the like, and what cover they picked.

The cover of the book itself is great. I thought it was just a hardbound book; it turns out, the dust jacket reveals some more to it. I was in awe when I opened it, well done.

My only rant, not all of the covers I wished to be there was not there. Well, that's how it is. Tec#700 and Strange Apparitons, I think, should've been in the list. Well, all in all if you have the money and would really have something to keep for a number of years, get this. Well, if not, I hope you can browse through it when you get a chance. It would be great.

... Read more

Reviews (13)

This comic is a great look at the mutant controversy.
For people (like me) who read X-Men for the parts on mutant prejudice, this is one must read! The plot is based on a group trying to eliminate mutants. They develop a machine harnessing Professor X's telepathic abilities with which they can weed out mutants from humans. The X-Men are forced to stop the plan, and ally with Magneto. The book is definitely aimed at a slightly mature audience. There isn't as much action as a comic, but there is lots of fighting for mutant equality through talking and encounters. Also, the illustrations are touching. Anderson catches the darker side of the X-Men that works well with the story. If you find this, it's a good buy.

The essence of X
"God Loves, Man Kills" is Marvel Graphic Novel Number 5. Written by Chris Claremont and Brent Eric Anderson, the book is lettered by Tom Orzechowski and colored by Steve Oliff. In this science fiction adventure, the superheroic mutants known as the X-Men face a complex struggle against William Stryker, a powerful televangelist who is masterminding an ominous plot. Complicating this conflict is the presence of Magneto, the mutant whose own agenda is at odds with those of both Stryker and the X-Men.

This X-Men adventure features Professor X, Wolverine, Cyclops, Storm, Colossus, Ariel, and Nightcrawler. This is an excellent story which, in my opinion, captures the essence of the X-men mythos. "God Loves" is a thrilling mix of action, interpersonal drama, and philosophy. The authors effectively develop the core idea of the mutants as a misunderstood and persecuted minority. There are some really heart-tugging scenes--these are characters you can really care about. The artists deliver some unforgettable visuals.

Stryker is a truly monstrous, horrifying figure. But his effectiveness is a character lies in the fact that he is so similar to many real-live Religious Right figures. Stryker is a Bible-quoting preacher who uses his vast wealth and political influence to wage a campaign of hate against a particular minority group. With a copyright date of 1982, "God Loves" strikes me as eerily prophetic, and still chillingly relevant.

The plot of "God Loves" is similar in certain aspects to that of the 2003 film "X2"--I don't think it's any accident that the mutant-hating villains in these stories have the same name. But despite the parallels "God Loves" still stands on its own as a powerful, well-written X-Men story. I consider it one of the essential masterpieces in the graphic novel genre.

More X-greatness from Chris Claremont and friends
At the time that I write this, Amazon has not properly identified this item for whatever reason. This is Essential X-Men Vol. 5. The volume is notably thicker than previous entries in the series, apparently because the paper is thicker. This should come as a welcome change for those who have complained about the flimsiness of the paper in the Essentials series - though I never found it to be a problem.

This volume contains The Uncanny X-Men issues 180-198, plus annuals 7 & 8. The bulk of the issues are penciled by John Romita Jr. and inked by Dan Green; a combination which we've already seen in the latter section of volume 4, although the art style is more distinctive here, maybe the artists were honing their technique? And Kitty looks noticably different here, even from earlier issues drawn by the same artists; but then, fans have grown accustomed to the repeated changes in Kitty's appearance as different artists have taken over the magazine.

There are two issues focusing on Storm, titled Lifedeath and (surprise!) Lifedeath II. These are penciled by Barry Windsor-Smith, and they have a look completely unlike any other issues of the magazine (esp. the latter which W-S also inked). Their tone is also atypical, more melancholy than usual - perhaps because of the influence of the artist, who also contributed to the plotting, as was usual with Claremont's X-Men.

Most of these issues display the virtues that are associated with Chris Claremont's long run as writer of The X-Men; chiefly a focus on the characters and their relationships with each other. Among other things, volume 5 shows Kitty's relationship with Peter go through some zig-zags; Storm loses her mutant powers and heads off to her old home in Africa to try to find new meaning in her life; and, wonder of wonders, Magneto - the X-Men's archfoe, whom they have repeatedly combatted since way back in the very first issue - has had a change of heart and has joined forces with Professor Xavier. Actually, this is not too much of a surprise because he experienced a moral crisis at the end of issue 150.

I have just two real complaints. One is that for a while, increasingly throughout the first half of this volume, the writers show a preoccupation with magic and sorcery, which reaches its peak with issues 190-191, which show Manhattan being taken over by the sorcerer Kulan Gath, and magically reduced to primitive barbarism. These two issues in particular have (to my mind, anyway) a rather grim and unpleasant tone. And since our heroes are mutants rather than magicians, they become increasingly helpless throughout these stories and have to be repeatedly bailed out by people such as Peter's sister and Nightcrawler's girlfriend, both of whom secretly practice magic of one sort or another; or by Warlock, a member of the New Mutants who is actually an alien from another planet.

If you find yourself getting depressed at this point, I recommend jumping ahead to Annual #7 (the annuals are included at the back of the volume) which offers a welcome change of tone. After the Kulan Gath sequence, though, Claremont and his collaborators seem to have worked out their fixation with magic, and the following issues return to the character-driven type of story that made this such a great magazine for so long.

My other complaint pertains to the writers' increasing fixation on the theme of anti-mutant prejudice and persecution. Although present in the X-Men since back in Stan Lee's days, the presentation of this theme here starts to become shrill and overbearing. In earlier times there were major characters who were non-mutants, yet were intimates of Prof. Xavier and/or the X-Men, such as Dr. Corbeau and (especially) Moira MacTaggert. I found myself increasingly missing such characters, as the writers sometimes seemed to be slipping into a simplistic world-view in which all mutants are unjustly persecuted and all non-mutants are moral monsters. To be fair, there are some decent non-mutants here, but they are all walk-ons rather than major characters.

However, these flaws are not enough to to spoil the greatness that is Chris Claremont's X-Men. If you have enjoyed the first four volumes of this Essentials series, you owe it to yourself to read this one as well.

Classic X-Men story
This classic X-Men story from the golden years of Chris Claremont's legendary run on the book is one of the most well known and well regarded tales to ever hit the X-Men. The story revolves around William Stryker; a powerful bible banging televangilist with an agenda for mutantkind. The X-Men are thrown into the thick of Stryker's would be crusade, with Magneto waiting in the wings with plans of his own. Claremont's superb and powerful storytelling is at his best here, and maybe is his best next to the classic Dark Phoenix Saga. The art is great as well, although some may find it a bit too 80's. The basic story of God Loves, Man Kills, would be used in the X2: X-Men United movie which used a villian named Stryker, only instead of him having power through religion he had it through the military. Even though this story is out of print, you can find it in the X-Treme X-Men: God Loves, Man Kills 2 book.

Good Read, The Basis For X-Men 2 (Movie)
I've been a fan of the X-Men for some time and I was glad I picked this up. It's nice to read the true origin of the story found in the X-Men 2 movie. The art isn't as flashy as it now but it is still an enjoyable story with a good message. ... Read more

Reviews (50)

Solid, but ultimately disappointing, Batman murder mystery
This graphic novel gathers together all 13 issues of "Batman: The Long Halloween", written and drawn, respectively, by Jeph Loeb and Tim Sale. The story revolves around Carmine "The Roman" Falcone, the ruthless head of Gotham's fiercest gangster empire. The Roman is responsible for countless murders, hijackings, and crimes throughout Gotham, but authorities have never been able to convict him (most of the graft-ridden city is either on his payroll or bribable). Batman, along with a young Captain Gordon and headstrong District Attorney Harvey Dent, is determined to rid Gotham of Falcone's corruption, but he soon learns that a mysterious figure may have already beaten him to the punch: a serial killer, known only as "Holiday", is currently on the loose in Gotham and preying on members of Falcone's extended "family". Batman, Gordon, and Dent now face a combined problem: bringing Falcone to justice, while also ending Holiday's deadly spree.

One of "The Long Halloween"'s primary goals is to provide backstory on Gotham's crime lord past, and this is where the novel truly shines. Readers finally get to see the crime organizations that controlled much of Gotham in the early days (this dark past was hinted at in other Batman stories, but it's more fully explored here). In addition, "The Long Halloween" contains a fascinating retelling of Harvey Dent's past, which will be warmly welcomed by fans of this sometimes morally-dubious friend of Batman's. Unfortunately, readers hoping for a significant glimpse into Batman's own psyche will be sorely disappointed; Batman remains a cipher throughout most of the novel, speaking always in a terse, stacatto rhythm and providing little in the way of a glimpse into his mind's inner workings.

While "The Long Halloween" is competently written, it suffers from a lack of originality and a workman-like narrative drive. The ideas explored here (Italian gangsters and serial killers) are mildly intriguing within the larger context of Gotham, but Loeb doesn't infuse them with many new twists, so they remain tired cliches in this story. Also, in an attempt to give an "epic" feel to this saga, Loeb introduces many of Batman's most infamous foes into the mix (The Joker, The Riddler, The Scarecrow, and The Mad Hatter are just some of the villains on display here). However, the characters are introduced and then dispatched so quickly by Batman, that they don't provide any real sense of drama (in fact, at times, they almost seem to be there for comic relief, which doesn't seem quite right). I think this story would have benefitted from focusing on a much smaller handful of villains, rather than the scattershot approach it takes.

I similarly found the ending of the story and the mystery to be somewhat unsatisfying, although I acknowledge that this is a matter of individual tastes. While it's interesting to see Batman (and Gordon and Dent) involved in such a bizarre murder mystery, the story doesn't play fair with the standard "rules" of the genre--some may say this makes for a breath of fresh air in the Batman universe (and the mystery genre itself), but I think it amounts to a bit of a cheat for trusting readers. In the end, it's difficult to tell just how ambiguous Loeb intended certain elements of the mystery to be; in fact, there's a convincing argument to be made that some of the ambiguity is merely due to sloppy storytelling. Gotham and the larger Batman universe provide fertile ground for this style of mystery, but "The Long Halloween" ultimately fails to deliver on that promise.

Fantastic early-career Batman story
Long Halloween works on so many levels. I went into this book knowing how it was going to end and it still captivated me. It is both a murder mystery and a story of a fall from grace. The main plotline-the mystery of the identity of a serial killer who murders members of the Falcone and Maroni crime families every major holiday-almost takes a back seat to the tragic transformation of Harvey Dent, who starts out as Batman and Captain Gordon's partner and friend and becomes one of their greatest foes by the end of the story. This series ranks alongside the Killing Joke as an important piece of Batman continuity as well as examining Batman's relationship with his enemies. Loeb's writing is good minimalism, packing so much power into so little dialouge. Tim Sale's artwork is just beautiful. He is one of the most talented pencilers ever, and breaths new visual life to several Batman characters. The series is lenghty but it is also fast paced and can be read in a relatively short amount of time. The pacing of the artwork is near-perfect, save for the unsettling abundance of splash pages. This series also well balances Batman's foes between pyschologically and physically deformed supercriminals and regular human gansters. After reading this and the first issue of its follow-up Dark Victory, one can only wonder why team Long Halloween does not work on a regular Batman title.

My favorite Batman book, part 1
This is the book that got me back into graphic novels/comics. A lush, noir-esque story with great twists and turns as well as a new take on a classic villian that retains the basic origin while expanding it slightly.

It's set early in Batman's career, before Robin and before his role was clear in the eyes of police. The only person who believes in him and what he's doing is Jim Gordon, at this point only a lieutenant in the police force.

Fantastic art and a brilliantly written story. Jeph Loeb and Tim Sale have quickly become my favorite tandem in graphic novels. Brilliant work! Brilliant!

Great Two-Face Story, Terrible Batman Story!
Here's another offering from the kings of retro, Jeph Loeb (writer) and Tim Sale (artist), reexamining Batman during his mythical "Year One" period. If you believe the intro to this volume, this story was meant to be a sequel to Frank Miller's classic retelling of the Dark Knight's early days in "Batman: Year One" (1986/7). As a story, this work is pretty weak in many areas; as a sequel, is simply falls short of the tight, mature storytelling of Frank Miller's original.

The story centers on the Roman family (originally introduced in "Batman: Year One"), a serial killer who offs people in creative ways during holiday seasons and the trio out to stop the crimes - Batman, Jim Gordon and Harvey Dent. Tim Sale is especially suitable for a work like this - his moody, atmospheric and splash-pages art are truly a sight to behold. You feel yourself being sucked into Batman's Gotham. My primary complaint is with Jeph Loeb's writing. Like my previous review of "Superman for All Seasons", my views of the man's writing hasn't changed. I like HOW he writes - I just dislike WHAT he writes! He's a great scripter, providing witty, timely and simply apt dialogues and caption boxes that the whole thing read very smoothly even though it runs into 300+ pages. The problem is with his insipid plotting. He should have someone else plot his tales and script over them. For example, in order to maintain the novelty of "holiday-themed killings", the story is stretched across THIRTEEN months and countless murders - and finally Batman catches the killer (but we are told that he got the wrong guy). And this is the "World's Greatest Detective"? Meanwhile, Batman consults a Hannibal-Lecter-like Calendar Man who is incapacitated in prison but seemingly knows the identity of the killer (?!?). See the problem? Batman, Gordon and Harvey are supposedly super-cops and they run around like madmen without a clue to the killer and you have this locked-up guy knowing the truth behind everything? Granted, Loeb was trying to set up a "Silence of the Lambs" scene with Calendar Man but therein lies the weakness of the whole thing. It is a scene set up for its own sake and doesn't contribute anything to the STORY. We live in times wherein comic writers are a lot more influenced by TV and movies than literature. And Loeb, former screenwriter, epitomize this new breed of writers who set up cool scenes, writes clever dialogue, provides the atmosphere with the right artistic collaboration but ultimately delivers something very hollow and shallow. "The Long Halloween" is often compared to the pulp classics of Chandler and Hammett. I disagree vehemently. Loeb and Sale gave us "mood" and "cool scenes" but ultimately the story is without gusto, the characters lack the machismo and grit of true noirish anti-heroes, and though the atmosphere is there, it lacks the tight, all-encompassing claustrophobia of the great noirish works.

The only redeeming factor in this work is the retelling of Two-Face's origin. Loeb is especially great in the quiet "character" moments and here, the tragic story of Harvey Dent's transformation into Two-Face is beautifully retold. But Loeb's strength is often his most-glaring fault at the same time. For example the book begins with a full-page drawing of a grim-looking Bruce Wayne muttering, "I believe in Gotham City" - a scene I found to be laughably out-of-character for the flamboyant playboy persona of Bruce Wayne! This kinds of out-of-character scenes abound throughout the story. All in all, this story should have been better written by a more gritty writer like Greg Rucka or Ed Brubaker (both of them have written far better Batman stories than Loeb here).

My favorite Batman book, part 1
This is the book that got me back into comics! I've been a Batman fan for years but these two guys reeled me in to the comics.

This story takes place early in Batman's career. How early? No Robin, Harvey is still "Apollo" Harvey Dent, and James Gordon is still married to his wife. It's essentialy a murder mystery involving the Falcone crime family, back when there were REAL criminals running Gotham as opposed to the classic Bond-villians-on-acid criminals! Members of this family are being hit and the killer leaves macabe souveniers related to the holiday on which the murder occurs. Everyone is suspect, the conclusion is startling; everything I love in film noir murder mystery!

The art is more realistic than other Batman books. My only quip is the way catwoman was designed. They reached the design apex on the animated series. But in this book she has large eye holes, large ears, and whiskers in a attempt to make her more cat-like. Selina Kyle is WONDERFULLY done! The best drawn character is the Joker, he's my favorite anyway!

This is my favorite book because it's back to the essentials: Batman kicks the crap out of criminals, no supernatural stuff, and a great emotional comples for our hero! Bravo! ... Read more