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101. Amelia Peabody's Egypt: A Compendium
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102. February House: The Story of W.
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103. How to Write a Children's Book
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104. Machiavelli's The Prince
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105. The Riverside Milton
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106. Bedford Introduction to Literature
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107. The Cambridge Companion to Emily
108. Picture Theory : Essays on Verbal
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109. A Rhetoric for Writing Teachers
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110. To Read Literature
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111. The Psychopath's Bible: For the
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112. The Purloined Poe: Lacan, Derrida
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113. The Science of The Hitchhiker's
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114. Perrine's Story and Structure
115. The Key to The Name of the Rose
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116. The World of Myth
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117. Discovering Children's Literature
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118. Mythologies
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119. Funny Money
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120. The Tain: Translated from the

101. Amelia Peabody's Egypt: A Compendium
by Kristen Whitbread
list price: $29.95
our price: $18.87
(price subject to change: see help)
Asin: 0060538112
Catlog: Book (2003-11-01)
Publisher: William Morrow
Sales Rank: 3924
Average Customer Review: 4.62 out of 5 stars
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Book Description

The Egypt that so enticed and enchanted intrepid archaeologist-sleuth Amelia Peabody in the late nineteenth and twentieth centuries was a place of wonder, mystery, danger, and the lure of antiquity. Now, with this monumental volume of Egyptian culture, history, and arcania, readers will be able to immerse themselves in the great lady's world more completely than ever before.

Journey through the bustling streets and markets of Cairo a hundred years ago. Surround yourself with the customs and color of a bygone time. Explore ancient tombs and temples and marvel at the history of this remarkable land -- from the age of the pharaohs through the Napoleonic era to the First World War. Also included in Amelia Peabody's Egypt are a hitherto unpublished journal entry and intimate biographies of the Emersons and their friends, which provide a uniquely personal view of the lives, relationships, opinions, politics, and delightful eccentricities of mystery's first family, as well as unforgettable pearls of wit and wisdom from everyone's favorite fictional Egyptologist herself.

Containing nearly 600 black-and-white photographs and illustrations, and articles by numerous experts, Amelia Peabody's Egypt sparkles with unforgettable glimpses of the exotic and the bizarre, the unusual and the unfamiliar -- a treasure trove that overflows with Egyptological riches, along with wonderful insights into the culture and mores of the Victorian era, including the prevalent attitudes on empire, fashion, feminism, tourists, servants, and much more.

A one-of-a-kind collection that offers endless hours of pleasure for Peabodyphiles and Egypt aficionados alike, here is a tome to cherish; a grand and glorious celebration of the life, the work, and the world of the incomparable Amelia Peabody.

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Reviews (8)

2-0 out of 5 stars Delightful and Disappointing at the same time!
The delightful part is the wonderful black and white pictues and drawings that fill this book to the brim. They take up a lot of room and maybe that's a good point.
The disappointing part is that Amelia Peabody fans will find little new about her in this book. The most confusing chapter deals with the history of archaeology in Egypt from the 1800's. You start reading what appears to be a history of the famous players of the era, and then all of a sudden, Emerson and Amelia's discoveries and exploits are mixed in, so anyone who was hoping for a history of who found what where and when will still be wondering at the end of the chapter. There is also a lot of confusion about "real" people and characters who both have their names and photo's interspersed in the text. The last chapter of the book has some childhood pictures of Emerson and Amelia, as well as pictures of real people.
Real Peabody enthusiasts will probably enjoy this book, but I feel sorry for any child who picks this up and writes a report for school!
If you were hoping for material on the parts of the Emerson's lives not covered by the novels, you will be disappointed. There's very little new here, not even any interesting facts about the famous Seth/Sethos and what his life was like between appearances in the novels.
Like the novels, this book is charming. Unlike the novels it is confusing and shallow.

5-0 out of 5 stars Better than I could have imagined!
This compendium gives a wonderful insight into the Egypt of the Peabody-Emerson's era. It's filled with images, details, essays on culture, fashion, even child rearing in the Victorian era. An absolute "must have" for any Peabodyphiles out there.

5-0 out of 5 stars Great photos, wonderful Victorian-era Egypt details
AMELIA PEABODY'S EGYPT: A COMPENDIUM is a collection of articles about Egypt and Victorian culture, 19th century Egyptian history, early archeology, and a comprehensive listing of places and people (both fictional and historical) that are listed in the growing collection of Amelia Peabody historical mysteries. The compendium also includes a huge number of period photographs and etchings that depict Egypt and archeological digs as they existed in the time when Emerson and Amelia were digging, solving mysteries, and confounding the German/Turkish invaders.

Readers looking for a detailed history of Victorian Egypt should probably look elsewhere for their primary material but will want to consider adding the compendium as a secondary source. But fans of the Elizabeth Peters mystery series can hardly go wrong with this fascinating look at the culture and history of Egyptology.

Recommendation--if you're a Peters fan, print out this review and leave it where present-giving significant others will find it. Underline the words 'MUST HAVE.' Alternately, buy it for yourself. The pictures alone are worth the price and then some. It's a treasure.

5-0 out of 5 stars marvelous glimpse at the history of Egypt
Egyptologists and readers of the long running Peabody series (mid 1970s) will appreciate this volume that provides deep insight into the late nineteenth and twentieth centuries, a period of archeological activity that shed a light on the country's glorious heritage. The compilation takes the audience on tours of Cairo at the turn of the previous century and even more incredibly, a deep look while accompanying some of the archeologists at their digs into ancient tombs and temples.

This is not a Peabody novel, but instead a marvelous glimpse at the history of Egypt with an emphasis on the Age of Archeology and the past it uncovered. The tome contains six hundred photographs and illustrations, a deep glossary, and several intriguing essays and commentaries from experts in the field. With the success of the recent Mummy movies and the long bestselling run of field archeologist Peabody and family, the well written, fascinating AMELIA PEABODY'S EGYPT A COMPENDIUM is a delight that brings to life the distant past and relatively recent past in a county with a rich heritage of many millenniums. Elizabeth Peters caps her great writing career with this tome that will fascinate her fans and those who cherish Egyptology.

Harriet Klausner

5-0 out of 5 stars A MUST for Peabody fans
this is ellen in atlanta, - this book is a MUST for Peters fans!
Gorgeously done and the old photos are great!
the bone to pick is there are NO pictures of the Emersons, or Armana House in the book. No mention of the twin children of Ramses and Nefret, etc.
Just that Amelia at 87 still goes during the season for a bit - no other word on the fates of the others... a sequel Mrs. Peters? ... Read more

102. February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America
by Sherill Tippins
list price: $24.00
our price: $16.32
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Asin: 061841911X
Catlog: Book (2005-02-01)
Publisher: Houghton Mifflin
Sales Rank: 37994
Average Customer Review: 5.0 out of 5 stars
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Book Description

February House is the uncovered story of an extraordinary experiment in communal living, one involving young but already iconic writers -- and the country's best-known burlesque performer -- in a house at 7 Middagh Street in Brooklyn during 1940 and 1941. It was a fevered yearlong party fueled by the appetites of youth and by the shared sense of urgency to take action as artists in the months before America entered the war.
In spite of the sheer intensity of life at 7 Middagh, the house was for its residents a creative crucible. Carson McCullers's two masterpieces, The Member of the Wedding and The Ballad of the Sad Cafe, were born, bibulously, in Brooklyn. Gypsy Rose Lee, workmanlike by day, party girl by night, wrote her book The G-String Murders in her Middagh Street bedroom. Auden -- who along with Britten was being excoriated at home in England for absenting himself from the war -- presided over the house like a peevish auntie, collecting rent money and dispensing romantic advice. And yet all the while he was composing some of the most important work of his career.
Sherill Tippins's February House, enlivened by primary sources and an unforgettable story, masterfully recreates daily life at the most fertile and improbable live-in salon of the twentieth century.
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Reviews (10)

5-0 out of 5 stars An American Bloomsbury Group
Have you ever wondered what it would be like to place many of your favorite artistic heroes in the same room and be a fly on the wall to hear the foment?FEBRUARY HOUSE is that wish granted.At least for this reader.

The potent time is 1940 and 1941 when WW II was chewing up Europe and Asia and daily threatening to gorge the globe.But at 7 Middagh Street in the somewhat seamy part of Brooklyn, a house owned by former Harper's Bazaar literary editor George Davis, several artists many of whose birthdays happened to be in the month of February set up an artist commune, eager for interplay with each other and all joined in the role of pacifists.The housefolk included Carson McCullers, WH Auden and his 18 year old lover Chester Kallman, Thomas Mann's children Erika and Klaus Mann,Benjamin Britten and Peter Pears, Gypsy Rose Lee (!)(as well as the occasional guests George Balanchine, Salvador Dali, Paul Cadmus, Diana Vreeland, Paul Bowles, Leonard Bernstein, Lincoln Kirsten among others.

Uniting in both financial need and in political and artistic agendas, these greats interacted in ways both creative and destructive with the results ranging from famous collaborative efforts to drunken orgies to various intimate couplings and exchanges. Gypsy Rose Lee was the titular 'mother' and Auden the 'father' figure.

'Biographies' such as this could easily become racy sensationalism were it not for the fact the writer Sherill Tippins relates this amazing household of geniuses with such skill and obvious love that we are able to simply enjoy the inner spins on the creative minds in February House.For devotees of any or many of these creative minds' works, this little book is indispensable.Warm, humorous, and very enlightening it illuminates a group of folk who for a period of time gave America its own Bloomsbury.Highly Recommended.Grady Harp, May 05

5-0 out of 5 stars "The We of Me"
Sherrill Tippins' book is an enjoyable, true story illuminating a very human group of creative souls whose works are not only well known, but important, and still resonating beyond the World War II era in which they came to being.

7 Middagh St. or February House, so named because of all the February birthdays in the group (Aquarians and Pisceans dominated,) was the place to truly explore the "we of me." Most communal experiences have awkward moments, to put it politely, and there were very awkward moments here, butmore importantly this place gave a group of precocious and talented friends a home in which to develop the very themes that would make them known, respected, and even loved well beyond their circle.

The fabulous George Davis, fiction editor, partier, racconteur, and people finder extraordinaire, was responsible with his new friend, Carson McCullers, for the idea.He found the house in Brooklyn and invited the artists who became the main tenants.The first tenants included Davis, McCullers, Wystan Auden,and Gypsy Rose Lee. George helped Carson, editing her novella, - Reflections in a Golden Eye - Davis also offered his editing skills, encouraging Gypsy to finally achieve her dream of writing. Her - G String Murders - was incubated at 7 Middagh.Benjamin Britten, Peter Pears, Klaus Mann, Paul and Jane Bowles, Paul's cousin, the future set designer,Oliver Smith, and Richard Wright were also part of the household as time passed and early residents moved on.

I am a devoted fan of the writings of Carson McCullers. She truly understood the "we of me," the influence of our beloved or not so beloved family, friends and casual acquaintances on our definition of self; how as an artist one's "we" can definitely benefit the "me." She began - Member of the Wedding - while living at 7 Middagh. This lovely story resonates with the theme of wanting to belong.Here, at 7 Middagh St., Carson belonged.She and her housemates engaged in ongoing conversations on everything from house keeping, to spiritualissues, to the role of an artist in war time, and each figured out how best to proceed with his work.

Interestingly, it was the often rumpled, messy Wystan Auden who managed to make an initially chaotic experience function efficiently for the most part.He was a born nurturer and demanded a certain level of order in the disorder natural to some creative types.This allowed repairs to be completed, bills to be paid, and regular meal times; allowing the residents time to concentrate on their art.I appreciated learning about Auden's early struggles with patriotism and faith, the concept of home and duty, and the role of the poet in any age.Juxtaposed with Auden's spiritual and philosophical searchings is his real open relation with his beloved, the terminally unfaithful Chester Kallman.I find Auden all the more admirable for his choice to honor his love, however saddened that love sometimes made him.Like McCullers, Auden understood that it is the one who loves who is the most blessed.When love is not returned in kind, the artist can only turn it into art or go mad with remorse.Again, the "we of me" allows for full being.

Benjamin Britten and Peter Pears also lived in an openly homosexual relationship.Theirs was a loving match. It is interesting to know that though they did in time return to England, where they were honored by the British and the world, at this time they were still struggling for positive recognition.Theyand Auden were instead criticized by their peers in England for being in America when Great Britian was in peril of being destroyed by Germany.The turmoil caused by this time inspired these British artists to focus, to formulate their personal philosophies even while collaborating, and to create works that through time have been given more credit.

Tippens' descriptions of the February House house mates makes me wish I could have been one of their frequent guests.Her warm, compassionate telling of this time honors her subjects.The humanity of this group, even when they are at odds with each other, will be recognizable to anyone who has ever been part of a family, lived in a commune, or been part of a team or creative process, in other words, all of us.

5-0 out of 5 stars A Beautiful Tapestry
Ican only imagine the research that must have gone into writing this account of the collective lives of Auden, McCullers, Britten, and Lee -- personal diaries, letters, documents, newspapers, biographies -- and yet it reads seamlessly, as if the author had actually been an omniscient witness to the events.

You couldn't ask for better characters. (Truth is indeed stranger than fiction, after all!) Entertaining eccentricities abound, certainly, but the book goes into enough depth to fully explain motivation, even allowing us to glimpse their souls through the moral and ethical struggles each artist faced during this crucial time in history. Perhaps the highest accomplishment of the author is her ability to compassionately describe the varying mix of vulnerability and ambition in each of the artists.

February House was a place where one could open to the soul of creativity simply by walking down to the kitchen for breakfast. The run-down Brooklyn Heights walk-up served as a refuge for artists fleeing from Europe as WWII heated up. The primary residents enjoyed stimulation and encouragement beyond their wildest dreams. They were able to find new parts of themselves in this alchemical cauldron and put those discoveries into their work. Many of Auden's poems, McCullers' novels, Britten's compositions were seeded here and the fruits are still enjoyed today.

But really, this book is not about the brilliance of their works or the artistic contributions they made to society. It's all about the people -- the STORY. And that's what makes a great book.

Read it because you "should," keep it because you've fallen in love.

5-0 out of 5 stars A crucible of genius
There is a theory that scientific geniuses have to be alone, (Einstein, Newton, Archimedes needed peace and quiet to distill their thoughts) but literary masters need company. Shakespeare and Marlowe thrived in the boiling pot of Elizabethan London; Dickens, Thackeray and Trollope all went to the same clubs; and in this wonderful book we find some of the most innovative and arresting intellects of the twentieth century living in the same house. This is a story that most of us don't know about, but anyone interested in books will love. Funny, entertaining, superbly researched and compassionate, it even made me feel sympathy for Auden, Isherwood, Britten who famously went the wrong way across the Atlantic when war was declared. The test of a great book is, does it leave you wanting more, and this one does. Burroughs house in Tangier? Gertrude Stein's salon? I dont know if Ms. Tippins is interested in a sequel, but I sure am.

5-0 out of 5 stars A life of lives
The intertwining of lives is usually a mixture of monotonous ups and downs. February House proved otherwise.The web of life spun by the individuals in this intriguing literary work was extraordinary.Though each resident was an icon in his/her own right; the sum was exalting.February House evidenced the insurmountable research and attention to detail by Sherill Tippins.She molded the reader into a silent partner; listening to and living the lives of the players in February House.She invited the reader's eyes into the heart and soul of each resident.Mon chapeau to an excellent literary work; one that will survive the test of time. ... Read more

103. How to Write a Children's Book and Get It Published
by BarbaraSeuling
list price: $14.95
our price: $10.17
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Asin: 0684193434
Catlog: Book (1991-12-18)
Publisher: Wiley
Sales Rank: 22735
Average Customer Review: 4.23 out of 5 stars
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Reviews (13)

5-0 out of 5 stars Enormously Informative
Recently I have read approximately five books on writing for children. I found Barbara Seulings book to be the best of the lot. She realistically portrays the difficulty in breaking into the children's market in the '90s, yet she encourages the reader and provides a wealth of helpful information to do just that. Barabara Seulings book is easily readable for a reference book and one that anyone interested in writing for children today should have in their personal library. Good job Ms. Seuling -

5-0 out of 5 stars Barbara Seuling Is Very Knowledgeable and Practical: I Know
Barbara Seuling was my instructor when I took a two-year writing course in writing children's literature from The Institute of Children's Literature. Ms. Seuling is exceedingly knowledgeable, skillful, talented, and very practical about writing children's literature and getting it published. Also, she writes instructions that are very easy to understand. I highly recommend this book.

4-0 out of 5 stars A Great Place to Start
Are you thinking that you MIGHT want to be a children's writer? Maybe you have a story that the family loves but are wondering what to do next. This book is a great place to start. Ms. Seuling gives step-by-step instructions for categorizing your work, editing, formatting the manuscript and deciding where to send it. Great references for related information in the back, too. This is not a perfect book for someone already on the way to being published, but it's a great little book for beginners.

4-0 out of 5 stars A good resource
This book is divided into five parts. Each part is designed to help you in progressing towards the publishing of a book/play/poem/story for children. This is not a quick process. The key ingredient to this book being successful is that the book shows you what is involved.

In the first section of the book, Seuling discusses the world of children's books. This will give you an idea of the history of children's books and help you become familiar with the lingo.

In the second and third sections (Developing Your Ideas and Writing Your Book, respectively), she talks about some of the pitfalls (she calls sabotage) and talks about what is required for different kinds of books (for instance, what is needed for an Easy Reader versus a Chapter Book). To help you, the author includes the titles of books that best exemplify the kind of book she is discussing. Now, you can check out the book and see the example for yourself.

In the fourth and fifth sections (Selling Your Book and A Publisher in Your Future), she explains how the publishing field works. With this information in hand, you can make your submission more professional and increase your chances of getting a contract.

For each chapter in the book, she summarizes the key points and gives you "assignments" which will help you internalize the material and become an expert. The only problem with the assignments is that there is no right or wrong answer. You will need to assume that you are doing it correctly. If you follow the assignments, however, you will learn a lot.

Most importantly, Seuling has appendices that list a wealth of information on helping you become a successful writer for children. If nothing else, the book is worth it for those lists (things like marketing information, editorial services, references, and reviews of children's books). I would recommend this book for anyone thinking of writing for children.

3-0 out of 5 stars what is a childrens book
If you are thinking about writing a childrens book, this is a good resource. Looking at what a childrens book is, how to develop ideas, and how to sell the completed work. ... Read more

104. Machiavelli's The Prince
by Niccolo Machiavelli
list price: $13.95
our price: $13.75
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Asin: 0312149786
Catlog: Book (2004-12-15)
Publisher: Bedford/St. Martin's
Sales Rank: 247464
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105. The Riverside Milton
by John Milton, Roy Flannagan
list price: $80.76
our price: $80.76
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Asin: 0395809991
Catlog: Book (1998-02)
Publisher: Houghton Mifflin Company
Sales Rank: 98619
Average Customer Review: 3.29 out of 5 stars
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Book Description

The first one-volume anthology of John Milton's complete poetry and selected prose to be published in over 30 years, The Riverside Milton reflects the highest quality and most current scholarship. As editor of The Milton Quarterly for 30 years, Roy Flannagan is uniquely qualified to survey Milton's work. Outstanding pedagogy includes a comprehensive index designed to help students from undergraduate to graduate levels conceive paper topics; factual introductions; extensive annotations with references; margin definitions; and a chronology, dedicated and general bibliographies.

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Reviews (7)

2-0 out of 5 stars poor Milton
Interest in Milton has waned in American universities, and I can't help but think that THE RIVERSIDE MILTON tossed him into an eternity more boring than anything his prose could have ever created.

I understand that this text is "academic" so its asinine price and density are justified. Yet Flannagan has taken scholasticism to the extreme, sacrificing all for footnotes in a mad zeal to, like the old Welsh poets, show off his research. Thus this book's perfect audience comprises graduate pedants lost in footnote fogs, loving every minute of brilliant insights like, "This comma was omitted in the 1676 Edition." A high disappointment, especially since THE RIVERSIDE CHAUCER is very, very strong. But still, THE RIVERSIDE MILTON'S not a total waste (the introductions are well written and often insightful).

Other reviewers have already identified the problems with so many footnotes, so I won't rehash. I'll just add my frown amongst many others and continue reading Milton elsewhere.

2-0 out of 5 stars I will not use this text again
I find this edition impossible for classroom use and, after this semester, I will not use it again. I wish the venerable Hughes edition was available and affordable: somebody should reissue it if it is going out of print, as it remains the better textbook.

Here are my complaints:

*The prose is riddled with what seem to me to be small typos--I'm not talking about orginal spelling, but about things like "buy" for "but" (p. 937) and so on. There is one of these every 2-3 pages on average, and this is just too many.

*Some of the notes seem designed not to assist undergraduate readers but to demonstrate the editor's grasp of secondary scholarship. Why else would a note to _Comus_ direct readers to Leah Marcus and NOT also offer succinct remarks about the controversy surrounding Sports and mirth? What good is a note like that to the average undergraduate reader?

*The notes are so frequently about minor textual issues--the kind of thing that can go in an appendix and that undergrads are unlikely to care about--that students after a while stop looking at them altogether. That does not help anybody.

*The notes--especially to the prose--do not supply anything like the kind of necessary information that any classroom text should provide. This text does not identify the scriptural passages Milton cites, etc. For example, when Milton refers to a "covnant" in Tenure of Kings and Magistrates and/or The Readie and Easie Way, students need a note about The Solemn League and Covenant, but there is no such thing.

3-0 out of 5 stars Looking forward to second printing
This up-to-date edition of Milton's complete poetry and major prose fills the urgent need for a successor to the venerable student's edition Merritt Hughes prepared half a century ago (now, alas, out of print).

One outstanding virtue of the Riverside Milton is its editor, Roy Flannagan. Flannagan is remarkably responsive to readers' comments, which he promises to take into account in the preparation of future editions (the first of which is said to be in press as of this writing). Unfortunately, a revised edition of the book is instantly needed. In its first printing, the Riverside Milton is badly marred by the absence of a table of contents to the poems and of indices to titles and first lines. Without these helps, it is impossible to find the shorter pieces without a considerable amount of page-turning--and difficult to justify giving the book more than three stars.

Some will be delighted to find that Flannagan has mixed textual notes with substantive ones at the bottom of the page; others (including, I suspect, most undergraduates) will find the mixture irritating, and will resent all the extra head-bobbing between text and annotations. Unexceptionable, I believe, is Flannagan's decision to preserve Milton's 17th-century spelling and punctuation, which greatly facilitates scanning the lines and reading them aloud.

As for the substance of the substantive notes, I believe it generally to be sound, though a handful of glosses seem far fetched and little worth. For example, in commenting upon how "Smiles . . . love to live in dimple sleek" ("L'Allegro," lines 28-30), Flannagan tells us that "Smiles do live in dimples, and dimples live in smooth (youthful) or sleek and plump faces. Also, a personified Smile lives in a dimple the way that a fairy in Midsummer Night's Dream may live in a flower."

As it now stands, the Riverside Milton is a work more of promise than of perfection. Those interested in purchasing the text should wait until the second printing is available, since it will contain the table of contents needed for the book to be truly usable.

4-0 out of 5 stars The Riverside Milton, yet once more . . .
Flannagan's update of Hughes is a trailblazing piece of editorial history, one written, formatted, finalized, and agonized over almost exclusively by the author in his home study, and provided as camera-ready copy in short order to a publisher whose timelines were, to put it mildly, ambitious.

As such, it carries all of the idiosyncratic flaws of any new approach to an old methodology, but with a decidedly cutting-edge twist: Prof. Flannagan makes the first attempt I'm aware of in scholarly publication to engage the reader interactively in improvement of the product, in that the Introduction provides the editor's e-mail address, and asks the reader to submit questions/comments/suggestions directly to the source, as he or she sees fit.

Prof. Flannagan has as a result already made a number of positive changes to an edition whose aim is not to dazzle the accomplished Milton scholar with its editor's erudition (Fowler's achievement enjoys that reputation unchallenged), but to entice and intrigue and support and encourage the relative newcomer to Milton studies. I am aware that The Riverside Milton is evolving and growing and reaching an even greater level of refinement and usefulness even as I write this review, becoming, not all things to all people, but the teaching and learning tool of its audience's desire. I too have a 30-year old copy of Hughes (as do most competent Milton scholars "of a certain age"), well-worn and frequently consulted . . . with the Riverside Milton at its side.

3-0 out of 5 stars This edition is inclusive but difficult to use
This is a solid and inclusive edition of Miltons poetry with some useful introductory materials. It lacks a useful table of contents, however, and individual poems are hard to find. The weight and quality of the book suggest quality, but the layout wastes a lot of real estate without being particularly more readable. The notes are at times informative, but at others partisan and opinionated. I've tried hard to like this book, but reach for my 30 yr old Hughes edition when I need to get something done and want to enjoy it. ... Read more

106. Bedford Introduction to Literature 7e and CD-Rom Literactive
by Michael Meyer
list price: $73.95
our price: $73.95
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Asin: 0312430094
Catlog: Book (2004-07-15)
Publisher: Bedford/St. Martin's
Sales Rank: 164438
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107. The Cambridge Companion to Emily Dickinson (Cambridge Companions to Literature)
list price: $23.99
our price: $23.99
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Asin: 0521001188
Catlog: Book (2002-09-05)
Publisher: Cambridge University Press
Sales Rank: 424848
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Book Description

This Companion consists of 14 essays by leading international scholars. They provide a series of new perspectives on one of the most enigmatic and widely read American writers. These essays, specially tailored to the needs of undergraduates, examine all of Dickinson's writings, letters and criticism, and place her work in a variety of literary, cultural and political contexts. The volume will be of interest to scholars and students. It features a detailed chronology and a comprehensive guide to further reading. ... Read more

108. Picture Theory : Essays on Verbal and Visual Representation
by W. J. T. Mitchell
list price: $22.50
our price: $22.50
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Asin: 0226532321
Catlog: Book (1995-09-01)
Publisher: University of Chicago Press
Sales Rank: 178100
Average Customer Review: 5 out of 5 stars
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Book Description

What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.

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Reviews (1)

5-0 out of 5 stars A classic
This book has to be considered as a classic in the field. Ironically, Mitchell's term 'pictorial turn' seems to be more widespread than knowledge of this book, with the unsettling consequence that many people talk about pictures *replacing* the word, and few about the intricate and complex relationship between the two.
The book is surprisingly well written, rarely has an academic book entertained me so much. For everybody who wants to know what *pictorial turn* means from the point of view of the person who coined this phrase, I can only recommend it warmest. ... Read more

109. A Rhetoric for Writing Teachers
by Erika Lindemann, Daniel Anderson
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Asin: 0195130456
Catlog: Book (2001-07-01)
Publisher: Oxford University Press
Sales Rank: 62130
Average Customer Review: 3.75 out of 5 stars
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Book Description

From answering the question "Why teach writing?" to offering guidance in managing group work and responding to assignments, this remarkably successful text provides a comprehensive introduction to the teaching of writing. Now updated to incorporate the latest developments in the field, A Rhetoric for Writing Teachers describes in straightforward terms the cross-disciplinary scholarship that has reinvigorated composition teaching. Reflecting current views of writing as social interaction, this edition emphasizes workshops, collaborative learning, and holistic evaluation. Chapters on prewriting techniques, organizing material, paragraphing, sentence structure, words, and revising describe how the teacher can guide students through composing, while sections on rhetoric, cognition, and linguistics discuss theoretical principles that support classroom practices and make the teacher's performance effective. Treating both the theory and practice of writing, the author encourages teachers to adopt the methods that best meet their students' needs and to develop a style of teaching informed by knowledgeable decisions. Over forty percent of the text's material is new to this edition, offering composition scholars a broad range of techniques to encourage and motivate their students. Complete with an updated bibliography and a table of important dates in the history of composition, this classic work offers both prospective and seasoned writing teachers convenient access to recent scholarship in the field and inspires them to examine what it means to teach well. ... Read more

Reviews (4)

4-0 out of 5 stars Very straightforward approach to teaching comp
Lindemann's book is well organized and developed, and provides many practial examples of the theories she discusses. If you had to pick one book to use for a teaching comp class, this would be the one to pick. For a more in-depth study, combine this book with Irene Clark's "Concepts in Composition," which is a more theoretical and historically-based explanation of composition concepts.

5-0 out of 5 stars Valuable resource for composition teachers
One of the best background texts for the writing instructor--secondary or college-level. It will provide the knowledge that brings confidence and understanding to the beginning instructor, and it is worth going back to again and again.

2-0 out of 5 stars Simple
The problem with this book is that it takes a fairly simple approach to teaching writing, even though teaching writing is quite complicated and difficult. Also, the book doesn't say enough about ESL writers or writers with dialects. Finally, I couldn't find any discussion of the fact that writing skills in our schools have declined even as research in writing has increased. Overall, I would say that this is a "feel-good" book that doesn't address the hard issues of writing instruction.

4-0 out of 5 stars Useful and Readable Review of Composition Theory
I have found this book to be well received by students preparing to teach HS English classes, as well as people already in the classroom. It covers thoroughly all the major aspects of composition theory in a succint and careful way, with lots of examples and good bibliography. For anyone who really wants to know what we have learned from comp theory in the last 25 years, this is a good book. It is not a how-to, and does not offer detailed ideas for the classroom; it is based on principles and research. ... Read more

110. To Read Literature
by Donald Hall
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Asin: 0030555426
Catlog: Book (1992-01-02)
Publisher: Heinle
Sales Rank: 165971
Average Customer Review: 5 out of 5 stars
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Book Description

This book introduces the three principal types or genres of literature: fiction, poetry, and drama in a way that helps students read literature with pleasure, intelligence, and discrimination. ... Read more

Reviews (1)

5-0 out of 5 stars Donald Hall's Critical Analysis Masterpeice
Donald Hall takes his College and University Audience through all phases of the critical analysis process for Fiction, Poetry and Drama. He makes,as do all geniuses, his subject accessable to all levels and needs. His explication of symbolism and imagry is especially useful.

This is a "must read" for every aspiring student and teacher of literature. ... Read more

111. The Psychopath's Bible: For the Extreme Individual
by Christopher S. Hyatt, Jack, Dr. Willis, Christopher S. Hyatt
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Asin: 1561841749
Catlog: Book (2003-11)
Publisher: New Falcon Publications
Sales Rank: 189078
Average Customer Review: 4.75 out of 5 stars
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Book Description

In the most of the world, psychopaths have gotten a bad rap. That, of course, is quite understandable since almost all of the world's religious and social philosophies have little use for the individual except as a tool to be placed in service to their notion of something else: 'God,' or the 'collective,' or the 'higher good' or some other equally undefinable term. Only rarely, such as in Zen; in Ayn Rand's philosophy of Objectivism; in some aspects of Tibetan Buddhism and Hinduism; and in some schools of Existentialism, is the individual considered primal. Here, finally, is a book which celebrates, encourages and educates the best part of ourselves --- The Psychopath. ... Read more

Reviews (4)

5-0 out of 5 stars A Book for the REAL CREATORS of the world
Are you a person who stands out from the crowd and can never really understand why? Do you look at others and think to yourself,"Why are they concerned with such trifling stupid matters?" Are you always trying to grow, strive for something higher, continually learn, thinking outside the box (i.e. current knowledge and standards of society) and become more?
If so, then you are the exception to the rule (i.e. the masses of the world). You are a creator and one of the few people who are progressing human evolution. You are now joining the few who have progressed this race from the cave men to where we are today.

The Psychopath's Bible will support you in your endeavors. It will assist and guide you in your quest to become more and awaken all of the talents that you possess. It will push you to continue to strive for higher goals and to physically manifest them in your life.

Remember, that we are all creatures of infinite power regardless of our CURRENT standing in society. Whether you are a CEO of a Fortune 500 company or a guy on the street that does not even have a shirt his back, you can realize all of your truly creative dreams and become the magnificient creature that WE ARE ALL born to be. This book in conjunction with "Undoing Yourself" and your unceasing desire to become more, will allow your dreams to become a reality.

5-0 out of 5 stars A Guide for the Gifted
The Psychopath's Bible provides a refreshing, much needed 'psychic elixir' for those individuals who have been branded as "psychopaths" by the society of the times. You know, the person who doesn't wear designer clothes, or who doesn't imitate those who yet manage some cheap imitation to get their 'friends' approval. Or the individual who dares to 'think'...REALLY think...for him or herself, despite being the 'laughing stock' of his or her 'peers.' Or the person who is continually 'pushing the envelope,' to the rage and fury of those little men in gray suits that skulk along the walls of any large corporation...or around your neighborhood block, for that matter. Of course you know the ones I'm talking about. The REAL Thinker is the odd one out. Why? Because each of us is a mirror to others. And the reflection they see in our mirrors show them what they are and are not, constantly. The "average;" the "normal," are generally the ones who never had an original thought in their lives and never will, and yet are so incompetent as to have trouble in stealing ideas from others. Sure, you know the kind. They're all around you! You have to put up with them everyday, just to earn your bread! I'm talking about the "bastions of society," as the herd (or, "masses") call the lackluster! Well, Hyatt's book certainly ISN'T for them!

What a pity, that most creative thinkers and doers are (at best) 'tolerated' by saying they, "think outside the box," or (more usually) hated, by being labeled a "psychopath." That's what this book is about. About resurrecting a NATURAL pride in the creative and productive individual...however the individual defines it for him or her self. And that is where it belongs-within the individual who has the courage to become more, do more, and to revel in the process, as much as in the achievement.

Hyatt's, et al, book is not "fluff" or "easy" more than is learning a new field of knowledge, or living a life of dedication, direction, and the courage of one's convictions. But it is necessary reading for all people who MUST be reminded that THEY are the true "Lords of the Earth," not the masses who benefit daily from the joys the 'rejects'...the "psychopaths"...continually create in all fields of human endeavor. To these "crazies," I HIGHLY recommend this book! Together with this author's other book, "Undoing Yourself with Energized Meditation and Other Devices," I'd say the courageous and determined among us have both a roadmap and a 'supply line' needed to achieve and become whatever it is we want to do and be...and with no holds barred. And all the while, enjoying who we are, while looking to none of the herd for approval, acceptance...or thanks.

4-0 out of 5 stars This book just might help
The Psychopath's Bible opens with a disclaimer intended as a standard CYA cap, and the next dozen or so pages continue this theme, warning the reader about the hazards of reading the terrible and horrifying material within, which is more than a little over the top for my taste, but entertaining nonetheless. It is primarily compiled of three 'manuals' and three appendices. Nicholas Tharcher summed up the basic theme of the book well in the Forward when he said: 'In some ways this is a book of social philosophy; in other was it is a book of technique. Which it is for you may depend more on your attitude than anything else' (pg 15).

The first manual is titled 'The Toxick Magician' in which very little is given that could be used for practical application and the little theory is a bit dodgy as it is not expounded. Thoughts are left vague and incomplete, perhaps to stimulate further thought and generated ideas on the part of the practitioner, but it looks sloppy and unfinished.

However, I found the second manual, 'Toxick Calculator', far more entertaining. It deals with what Hyatt terms the 'mathematics of power' and contains more detailed theory, as well as exercises with more practical applications than the first. In it, the reader gets gems like this: 'We are inherently irrational, although we like to fancy ourselves as rational beings......the truth is simple: we are irrational beings capable of rational thought.' (pg 109)

The third manual, 'The No-Where University, Sometimes Called P.U.' contains a selection of courses and literature, both printed and film, that a prospective psychopath will want to fill hirself in on in order to perfect hir transformation.

Much of what is contained within one can see easily reflected all around, friends, co-workers, etc. Particularly in the games played by world leaders. Consider this extract: 'Build tension in others and help them find a scapegoat. Do this in small and insignificant ways until you have the power and ability to move people to more gross and hideous behaviors. Help people realize how easy it is to lose things they have or want. The trick in all of this is not to become identified as the bearer of bad tidings - unless you are looking for people with a strong stomach' (pg 87). Sound familiar?

It's entertaining, an easy read, but at the same time insightful - though not terribly new. There is little that cannot be found within the works of Sun Tzu, Niccolo Machiavelli, Ayn Rand and the like. However, the ideas have been modernized, and deliberately injected with humour, which is fun. Then again, as he says 'I have written this book in the way I wanted to write it??not for the ease of the reader nor for the sake of favorable reviews' (pg 105).

For those who have not read much in this genre there is a lot you need to know, namely, you need to understand that 'no matter how pathetic, everyone is looking out for their best interests. For most people, their best interest consists of not being punished. Few play to win. They play to be safe while feeling morally superior to the winner' (pg 31), and this is an attitude that severely needs to be corrected if you really want to play the game. This book just might help.

5-0 out of 5 stars Are you an Extreme Individual?
This is one of the most important books ever published in the 21st Century (and its predecessor applies to the 20th!).... I strongly recommend this work to people who find themselves in a society that has little or nothing to offer them, outside of what they have to produce by their own efforts. Hats off to Doc and the gang for a job beyond well done! And horns to the fundamentalists who hate that such fine works continue to be made available to a public that demands excellence in their reading material! ... Read more

112. The Purloined Poe: Lacan, Derrida and Psychoanalytic Reading
by John P. Muller, William J. Richardson
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Asin: 0801832934
Catlog: Book (1988-03-01)
Publisher: Johns Hopkins Univ Pr
Sales Rank: 270583
Average Customer Review: 3.33 out of 5 stars
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Book Description

In 1956 Jacques Lacan proposed an interpretation of Edgar Allan Poe's "Purloined Letter" that at once challenged literary theorists and revealed a radical new concept of psychoanalysis. Lacan's far reaching claims about language and truth provoked a vigorous critique by Jacques Derrida, whose essay in turn spawned further responses from other writers. "The Purloined Poe" brings Poe's story together with these readings to provide a structured exercise in the elaboration of text interpretation. ... Read more

Reviews (3)

3-0 out of 5 stars Confussion explained
Obviously, the reader from Miami, Florida filed the wrong review. This book is not the Poe short story "The Purloined Letter" (which, by the way, is a good story), but, rather a philosophical and psychoanalitical study of Poe.

4-0 out of 5 stars Rsponse to the above review
Although I have not finished the book yet, I needed to respond to the other reviewer who wrote that this is not a good mystery. You dingbat! This is a work in philosophy and psychology, not fiction! If you don't even have the slightest clue regarding a text, do not review it!

3-0 out of 5 stars This book had potential but I was not interested in it.
I repeat I am not a big fan of mystery novels but this one was not mysterious at all. Edgar Allen Poe left out the suspenseful feeling that every mystery should contain. ... Read more

113. The Science of The Hitchhiker's Guide to the Galaxy
by Michael Hanlon
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Asin: 1403945772
Catlog: Book (2005-07-15)
Publisher: Macmillan
Sales Rank: 93833
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Book Description

Ever wondered what the end of the universe might actually look like? Why the number 42 is so significant? Or whether time travel really would put a stop to history as we know it? If so you are clearly a fan of Douglas Adams' The Hitchhiker's Guide to the Galaxy, releasing as a major motion picture in the summer of 2005. While much of the book is comprised of whimsical fantasy, such as talking mattresses, the Vogons, triple-breasted prostitutes and that Ol' Janx Spirit, like all good science fiction it drew on scientific fact. Adams was a science and technology enthusiast and his books were inspired--and sometimes, prefigured--by many of the great scientific debates of our times. The Science of The Hitchhiker's Guide to the Galaxy is a lighthearted, accessible and informative tour of the real cutting-edge research behind this much-loved classic, including space tourism, parallel universes, instant translation devices, sentient computers, and more.
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114. Perrine's Story and Structure
by Thomas R. Arp, Greg Johnson
list price: $72.95
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Asin: 0155074962
Catlog: Book (2001-07-27)
Publisher: Heinle
Sales Rank: 213558
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Book Description

For decades this concise guide has introduced students to the major elements of fiction, teaching students how to read, understand, and evaluate the genre. ... Read more

115. The Key to The Name of the Rose : Including Translations of All Non-English Passages
by Adele J. Haft, Jane G. White, Robert J. White
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Asin: 0472086219
Catlog: Book (1999-10-15)
Publisher: UMP
Sales Rank: 18313
Average Customer Review: 4.67 out of 5 stars
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Book Description

Umberto Eco's The Name of the Rose is a brilliant mystery set in a fictitious medieval monastery. The text is rich with literary, historical, and theoretical references that make it eminently re-readable. The Key makes each reading fuller and more meaningful by helping the interested reader not merely to read but also to understand Eco's masterful work. Inspired by pleas from friends and strangers, the authors, each trained in Classics, undertook to translate and explain the Latin phrases that pepper the story. They have produced an approachable, informative guide to the book and its setting--the middle ages. The Key includes an introduction to the book, the middle ages, Umberto Eco, and philosophical and literary theories; a useful chronology; and reference notes to historical people and events.
The clear explanations of the historical setting and players will be useful to anyone interested in a general introduction to medieval history.
Adele J. Haft is Associate Professor of Classics, Hunter College, City University of New York. Jane G. White is chair of the Department of Languages, Dwight Englewood School. Robert J. White is Professor of Classics and Oriental Studies, Hunter College, City University of New York.
For more information on Umberto Eco's work, please visit Libyrinth's web site at">
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Reviews (6)

4-0 out of 5 stars The Key to the Name of the Rose
After reading The Name of the Rose with few helps, discovering this book was quite wonderful. It goes into adaquate detail with the historical background, and I found the translations to be good and very helpful. A must for those trying the novel for the first time or for those who felt the lack of endnotes frustrating. A wonderful suppplement.

5-0 out of 5 stars The Key to "The Name of the Rose"
The Key to "The Name of the Rose" by Adele J. Haft, Jane G. White, and Robert J. White is a wonderful little book. When was the last time you used your Latin that you had in High School? You say, you never had Latin... well how do you expect to solve the clues that Brother William of Baskerville in "The Name of the Rose" gets.

Well, the answer is in this little tome as it includes translations of all of the Non-English passages making you as "smart" as Brother William. This book furthers your experience when reading "The Name of the Rose" as you now can decode the juicy clues. Umberto Eco's "The Name of the Rose" is about crimes in a medieval abbey and the obsession of it monks with heresies, apocalyptic visions, and forbidden knowledge.

This "Key" is a delightful guide to the phrases and bizarre characters and has mirthful anecdotes that you're sure to enjoy and you'll solve the mystery of the seven deaths as fast as Brother William and enjoy the intrigue in doing so.

5-0 out of 5 stars excellent resource for artists
i am hoping to do an intricate performance art piece based on the novel "the name of the rose;" however, many of the lush details and layers were lost on me, because i am not a historian or a scholar well-versed in semiotics... the task is still daunting, but i feel more confident having this "hint book" to fill me in on the background information. it renders the novel much more accessible to a lay person, and makes the story even MORE fascinating than it already is. i suggest that anyone reading "the name of the rose" should have a copy of this to help them along... also, there is a text that does this same task for dante's "divine comedy" (dante has a large influence on the novel, so reading dante will help the reader to understand the apocolyptic attitudes of the characters). joseph gallagher wrote "a modern reader's guide to dante's 'the divine comedy'" which you may also find helpful.

5-0 out of 5 stars A must-have for Name of the Rose neophytes
I'm enjoying Umberto Eco's NAME OF THE ROSE, but I don't understand so much as a tenth of the Latin. Before I reached page 200, I came to the sinking conclusion that I was missing out on something. I checked KEY TO NAME OF THE ROSE out at my local library, but soon realized that I needed to own my own copy to keep beside my copy of NAME OF THE ROSE. This book is a God-send for those NAME OF THE ROSE fans like me who lack a reading knowledge of Latin. Having other scholars' comments at hand really helps. If you're intrigued by NAME OF THE ROSE, but just don't get it, buy this book!

4-0 out of 5 stars A very helpful companion volume
This is a very good guide to The Name of the Rose. Not perfect, but good. The non-English translations are very helpful, and beat sitting next to a Latin dictionary. The biographical information for historical characters is very good too. My only beef about this is that it doesn't address the historical backdrop of the novel well enough: the Renaissance of the previous century, the conflicts in the Church at the time, and the looming disasters of the 14th century between the time the novel takes place and the time the narrator lays the tale down. Get this volume if you're going to read the book. But don't rely strictly on this. ... Read more

116. The World of Myth
by David Adams Leeming
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Asin: 0195074750
Catlog: Book (1992-03-01)
Publisher: Oxford University Press
Sales Rank: 67268
Average Customer Review: 4.33 out of 5 stars
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Reviews (3)

5-0 out of 5 stars Very Readable
Like other reviewers, I would have not given this book a second thought were it not one of my textbooks for English 102. I was pleasantly surprised! It is a very enjoyable introduction to viewing myths from the Jungian perspective. There are stories from all over the world, including the Bible, the Torah, and the Koran. While I am suspicious of a couple of the sources that Leeming uses, most are wonderful, from scholars like Joseph Campbell and Samuel Noah Kramer. I appreciate the most that there are actual translations of important myths like those of Inanna and Pan instead of paraphrasing or summaries: hearing them in their original lyrical form makes a BIG difference! There are few books that I will not sell back at the end of the semester: this is one that I hung on to!

4-0 out of 5 stars A wonderful weave of mythology and symbolism...
A book I would never have gotten if not for my final course I took in univeristy, a course on Mythology and Symbolism, I went into this book thinking, "Gosh, myths. Yawn."

I was sadly mistaken. Parallelling Joseph Campbell's notion of universal myths, this book is an exciting journey through various myth-types that seem to crop up in nearly every culture. Explore Creation Myths, Flood Myths, Hero Myths, and Object Myths, for a few examples, in a way that crosses cultures and time periods with ease. A truly diverse selection is in this work, this is not just your typical compilation of Greek and Roman myths. Eastern and Western mythologies tie in with Celtic and Asian and Nordic and Hebrew.

If you are at all interested in mythology, this is the book for you.

4-0 out of 5 stars An excellent collection
This is a wonderful collection of Mythology from all over the world. It is very useful in determining common threads of myth in different socieities... ... Read more

117. Discovering Children's Literature (3rd Edition)
by Judith Hillman
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Asin: 0130423327
Catlog: Book (2002-07-25)
Publisher: Prentice Hall
Sales Rank: 165892
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Book Description

A concise introduction to the world of literature for infants, children, and adolescents, this popular book taps the work of well-known scholars to provide its foundation in genre theory while clearly relating the books it recommends to practical teaching applications.After first defining literature and literacy, and examining relevant aspects of children's development, the author explores each of the traditional literature genres in turn; and provides a firm structure for evaluation that will serve future teachers well as they approach any form of literature. Each chapter asks the student for reflections, opinions, and participation through suggested projects and activities.For elementary and high school teachers of English and Language Arts. ... Read more

118. Mythologies
by Roland Barthes
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our price: $9.00
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Asin: 0374521506
Catlog: Book (1972-01-01)
Publisher: Hill and Wang
Sales Rank: 10290
Average Customer Review: 4.67 out of 5 stars
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Book Description

"[Mythologies] illustrates the beautiful generosity of Barthes's progressive interest in the meaning (his word is signification) of practically everything around him, not only the books and paintings of high art, but also the slogans, trivia, toys, food, and popular rituals (cruises, striptease, eating, wrestling matches) of contemporary life . . . For Barthes, words and objects have in common the organized capacity to say something; at the same time, since they are signs, words and objects have the bad faith always to appear natural to theirconsumer, as if what they say is eternal, true, necessary, instead of arbitrary, made, contingent. Mythologies finds Barthes revealing the fashioned systems of ideas that make it possible, for example, for 'Einstein's brain' to stand for, be the myth of, 'a genius so lacking in magic that one speaks about his thought as a functional labor analogous to the mechanical making of sausages.' Each of the little essays in this book wrenches a definition out of a common but constructed object, making the object speak its hidden, but ever-so-present, reservoir of manufactured sense."--Edward W. Said
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Reviews (12)

5-0 out of 5 stars Wonderful, and worth re-reading.
When I finished this latest re-read of Mythologies I was initially struck by how funny it was. This was something of a big realization for me, stemming from a memory of burning brain cells with a furrowed brow, trying to understand what he was saying and being almost afraid to enjoy it. So there's one of the consolations for growing older for you-- I'm getting confident to really enjoy Barthes.

I'm not saying that I fully understand him yet. I'm not sure that I ever will. I think that "Myth Today"(the book's final and most central essay) still remains fairly firmly out of reach. But it's true that each time I re-read Barthes, I get something more out of it-- I manage to scale heights that I didn't think I would ever get to the last time around.

Isn't it the mark of a brilliant book that it grows with you?

Particularly recommended this time are the essays "Soap Powders and Detergents" and "Operation Margarine".

5-0 out of 5 stars changed my life
I agree with everything that "" said, except when he said "I'm French", because I'm not. However I read this book in French, several times over. It's amazing that commentary so attached to 1950's icons has remained so relevant; obviously the structures haven't changed much. This book permanently affected the way I see things, particularly in the media. It should be required reading for all media consumers, and that's pretty much everyone.

At the same time, "Mythologies" offers an object lesson in the bond between language and culture. Much of Barthes' appeal lies in his tongue-in-cheek linguistic play, and that's something no translator could capture completely. This book alone is a good enough reason to learn French.

3-0 out of 5 stars Pertinant in some ways, arguable in others
I thought that many of Barthes's themes resound astonishingly well even today.

However, I found myself overly distracted by his underlying premises in many cases, which simply echo the outmoded Marxist/Atheistic materialism so prevelent in the 1950's literary community. One example is how he blames the middle class in France for propaganda that features a patriotic cover on a national magazine and a photograph of a young soldier. In fact, the middle class (or bourgeoisie) is blamed for every societal issue Barthes defines.

When will the literary community understand that the middle class is not the enemy of a free society?? Why does EVERY literary study or contextual analysis need to be based on Marxist theory?? Come on! It's the 21st century after all. Can we please update the scholars with the realities in which we live day to day??

But returning to Mythologies -- I would recommend reading because of how well the topics parallel our common experience. Just beware that many of his conclusions are from an outmoded, unrealistic, and impractical worldview.

5-0 out of 5 stars Behind the Amusement
Ths book was written by an ardent Maoist in the heady days in which all of Parisian intellectual circles were Maoist. It is now a top read by anyone who comes into contact with the Maoist Literature Association (known as the MLA). Cultural Studies is an extension of Mao's Cultural Revolution.

As with Mao, the idea was to change the meaning of virtually everything, taking the mandarin intellectual class, and moving them to the fringes of society, and taking the marginal farmers and moving them into the universities. In a similar way, Barthes takes marginal cultural activity such as professional wrestling, and moves it to the center of cultural discourse, while he takes Shakespeare, and the canon, and moves it to Manchuria.

It's a heady experiment. In China, the result led to a staggered economy, massive famines, and the death of the entire intellectual class. In the west, it has mostly remained a literary curiosity, but one with a curious history.

Barthes often praised the Maoists, and even travelled to China with other members of Tel Quel (Philippe Sollers and Julia Kristeva were fellow travellers, and they learned Chinese in order to translate Mao's poems into French). This book must be read in tandem with Simone de Beauvoir's book The Long March (about Mao's Revolution) and Julia Kristeva's Chinese Women, in order to give it a historical and intellectual context.

5-0 out of 5 stars The Cusp
I was an Arther Anderson Drop-Out Accountant going to Architecture school. I fell in love with a Radical Feminist Marxist Critic and Theorist. I asked "Where do I start?" She said nothing, pulled Mythologies off her shelf and gave it to me. Forward it led to Foucault and Derrida, Backward to Marx, Hegel, Locke and Hobbes.

It politely said "The Powerful Make Forms - The Forms Have Meaning - What Do They Make? Why Do They Make It? How Do They Make It?"

and architecture stopped being about 2x4's

Still my favorite is The New Citroen...... ... Read more

119. Funny Money
by Mark Singer
list price: $13.00
our price: $9.75
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Asin: 0618197273
Catlog: Book (2004-06-17)
Publisher: Mariner Books
Sales Rank: 28179
Average Customer Review: 3.5 out of 5 stars
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Book Description

From esteemed New Yorker writer Mark Singer comes this cautionary tale of the Penn Square Bank, the oil and gas broker in an Oklahoma City shopping mall whose collapse in 1982 staggered America's banking industry. Recounting the whole spectacular story and its colorful characters, Singer makes brilliantly (and hilariously) clear what actually happened and why it had to happen in boom-time Oklahoma. Nowhere else did money flow in quite the same spontaneous fashion. "[A] tale of wonderful verve" (New York Times), Funny Money comes to life through Singer's vivid prose and continues to resonate in today's culture of corporate corruption. ... Read more

Reviews (3)

3-0 out of 5 stars Corrections to reviews
As someone who has grown up in Oklahoma City and graduated from high school the year that the collapse had happened, I knew of some of the persons involved through other people.

The red piggy bank logo belonged to Sooner Federal Savings and Loan, and sat on top of 50 Penn Place.

Penn Square Bank had built what is now known as The Tower a couple of blocks down the street. They never moved into it, they were shut down while they were still inside the north end of Penn Square Mall, and the building was finished out after the closure.

Singer has relatives here in Oklahoma in the oil business, so he hadsome insight into the things that had happened.

If you want more detail, Belly Up goes into much more greater detail and is harsher in it's treatment of the characters involved.

4-0 out of 5 stars Okiesmo Lives
Growing up in Oklahoma my only real memory of the Penn Square Bank failure was when they pulled down the red-piggy-bank logo from the top of the building.It was something that was talked about on the national news every evening, but it wasn't well understood just how such a small local bank could cause such a ruckus.

Mr. Singer's book explains what was at the bottom of all of the trouble, how Penn Square fell from grace, and in the process of doing so provides interesting commentary on Oklahoma culture, as well as some history and other facts pertaining to the oil business.The book is very well written and quick paced, providing just enough detail to be considered in depth, while not languishing on unnecessary detail.

It is interesting to remark that the same conditions that caused everyone to say oil at $100 per barrel was a no-brainer arethose that caused people to put forth the indestructible nature of internet-retailing.The Okiesmo of wildcats in pursuit of oil bears striking resemblance to the aggressive idiocy of venture capitalists fighting to put money into business plans that ignored common sense.

This book is satisfying on a lot of levels, the depth of information on the figures behind the bankruptcy, the environment that spawned and incented those figures and also the culture, both nationally and locally, which created this collapse.This is a very interesting book, and I highly recommend it.

4-0 out of 5 stars interesting read on the Penn Square failure
Singer, an Ivy Leaguer from Oklahoma, gives us a pretty good look at how the failure of Penn Square bank nearly took several much larger ones with it back in 1982.

Where Singer's portrayal contrasts with that of others is that he speaks from personal and cultural acquaintance with many of the primary characters.This does not stop him from having a little fun at the expense of what he calls 'Okiesmo', the wildcatting and high-living ethic of the oil and gas industry, but it does mean that he sees his subjects as being (in most cases) basically decent human beings who made bad assumptions and boneheaded business decisions.

The only thing Singer lacks is a deeper exploration of the factors at the upstream banks (Seafirst, Continental, Michigan National, Chase, and more) that allowed Penn Square to balloon out of control.As someone who has seen a few related documents that he can't say much about, I can tell you with certainty that the 'wild and crazy guy' ethic was not limited to Penn Square, and that without the eager participation of larger banks, the whole affair would have been relatively insignificant.Good book for those interested in Oklahoma history, the gas drilling industry or (naturally) the Penn Square failure. ... Read more

120. The Tain: Translated from the Irish Epic Tain Bo Cuailnge
by Thomas Kinsella, Louis Le Brocquy
list price: $19.95
our price: $19.95
(price subject to change: see help)
Asin: 0192803735
Catlog: Book (2002-11-01)
Publisher: Oxford University Press
Sales Rank: 139349
Average Customer Review: 4.54 out of 5 stars
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Book Description

The Tain Bo Cuailnge, center-piece of the eighth-century Ulster cycle of heroic tales, is Ireland's greatest epic. Thomas Kinsella's lively translation is based on the partial texts in two medieval manuscripts, with elements from other versions. This edition includes a group of related stories which prepare for the action of the Tain along with brush drawings by Louis le Brocquy. ... Read more

Reviews (13)

5-0 out of 5 stars Excellent job Mr. Kinsella
Kinsella does an excellent job of bringing the ancient epic to life. You can almost imagine an old Irish bard reciting the tale in front of a peat fire. Kinsella includes not only the Tain, but stories leading up to the Tain and a brief story about how the Tain was once again learned:
"If this your royal rock
were your own self mac Roich
halted here with sages
searching for a roof
Cuailnge we'd recover
plain and perfect Fergus."

The above was spoken by the poet Muirgen at Fergus's grave, and summoned the spirit of Fergus to... Oh, just buy it and read it.

The epic of the Tain is starting to creep back into our lives. Only recently a software company calle Bungie included many Irish myths as a foundation for one of their most popular games to date. The Tain is also once again being performed by storytellers and it's an excellent tale either oral or written. On a side note, the pronunciation guide is a bit lacking, you'll have to do some leg work to get the proper pronuciation of some Irish words and names.

5-0 out of 5 stars The Best of the CĂșchulain-Ulster Cycle Irish Epics
Around the time Jesus walked the Earth, a child-warrior from Ulster, named Setanta, went to a feast. King Conchubar forgot to inform his host, Cullen, that the boy was coming. The host had set his dog, the biggest and meanest in all Ireland out to protect his holdings. The dog had set upon Setanta. The child made short work of the vicious beast. When the party's host complained of the loss of his watchdog, Setanta said that he would be Cullen's hound. That became his name. A name revered in Irish Legend to this day - Cuchulain (Cullen's Hound) This translation of the Epic, by Thomas Kinsella, is the one I would say makes the most enjoyable reading. I would place the Irish Epics against Edith Hamilton's Greek Myths any day. There are other versions of this story. Plus many other heroic tales of ancient Ireland. But I think Mr. Kinsella's is the best that I've read so far.

5-0 out of 5 stars Best of Ancient Mythology
This is one of the greatest mythological tales recorded. Unlike what the summary says, it is not the 'closest thing Ireland has to a national epic'. The Irish national epic would be the Leabhar Gabhala, the Book of Invasions, or possible the Fenian Cycle. It is the certainly the great epic of Ulster, however, and I don't mean to reduce it at all.
The literary wealth, the humor, violent single combat, and glimpse into Gaelic culture makes this a must-read for anyone who wants to understand the ancient (and modern) Irish.
Beir bua!

5-0 out of 5 stars Much easier to read than the direct translations
This is a great story.

5-0 out of 5 stars The men of Ulster are risen from their pangs.
This is the story of a 'tain' or cattle raid perpetrated on Ulster by Ailill and Medb, king and queen of Connacht, along with their allies from all parts of Ireland. It is arguably the earliest surviving epic of Ireland's pre-Christian heritage. The centerpiece of the story is the great feat of 17 year old Cuchulain, who single handedly halts the massed armies intent on seizing the brown bull of Cuailnge (and a tidy portion of the wealth of Ulster as well.

Due to a curse, the men of Ulster are doomed to suffer severe bouts of pain whenever they are faced with great difficulties. So, as Ailill and Medb approach Ulster, only Cuchulain can stand and fight. The 'Tain' and its peripheral tales are the story of Ulster's defense, first by Cuchulain, and finally by the massed men of Ulster, risen from their pangs. Poet Thomas Kinsella's telling of this story starts with the early history of Ulster and then introduces Cuchulain, who will be the hero of many of Ulster's legends.

This is a remarkable effort from a literary standpoint. Whether by Kinsella's art or the nature of the original language of the text, the "Tain bo Cuailnge" is one of the most accessible of the old epics. The language lacks the overblown pretensions of many translations, remaining clear and understandable whether it is prose or verse. Kinsella himself states that this is a translation, not a retelling, but the introduction leaves some doubt about the precise meaning of 'translation.' In any case, Kinsella's efforts have made the story come to life, bringing home beautifully both the glory and tragedy of a conflict that must have decimated the fighting men of an entire country.

The Irish of the "Tain's" writing loved making lists. Lists of heroes, lists of weapons, and lists of places abound. Indeed, every time Cuchulain lists a weapon or moves about, a place in Ulster receives its name. It is as if one of the purposes of this epic is to turn landscape into living literature.

Another purpose, more subtle and controversial is the defining or redefining of the place of women in Irish society. Coming into the "Tain" the key female roles - Medb and Morrigan are not queens or goddesses, but ruler's in their own right. But the blame for the defeat of the Connacht armies is laid clearly in Medb's head. At the end Fergus, an exile form Ulster remarks "It is the usual thing for a herd let by a mare to be strayed and destroyed." This is a conflict that will play out repeatedly in Irish history.

One of the more delightful features of this edition is the brush drawings provided by Louis le Brocquy. Brocquy's style recalls both cave paintings and Greek ceramic decoration. Gradually, it wins the reader over. His rendition of the final massing of the armies is simply stunning. Significant credit must go to Kinsella himself, who has found a way to make ancient prosody appeal to modern ears. ... Read more

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